Author: George E. Arbaugh
Publisher: Taylor & Francis
ISBN: 1003835902
Category : Philosophy
Languages : en
Pages : 344
Book Description
First published in English in 1968, Kierkegaard's Authorship begins with a brief account of the life and meaning of Kierkegaard and concludes with the brief treatment of his relation to multifaceted existentialism. By reviewing the total authorship and by making available much of the fruit of widespread research, this work throws into relief Kierkegaard’s central purposes and makes it possible to avoid some of the dubious interpretations which have grown out of more narrowly selective study. This critical introduction and guide is especially important because Kierkegaard’s style was deliberately indirect and distorted and even more because half of the works are actually antagonistic to Kierkegaard’s own views. By the pseudonymous works he intended to lead into truth through a process of frustration, provoking the reader into existence. In another sense, the body of the book is also a biography for, in a degree perhaps without parallel in world history, the library which he created was his deed and life. This is an important read for scholars and researchers of Philosophy specially existentialism.
Kierkegaard's Authorship
Author: George E. Arbaugh
Publisher: Taylor & Francis
ISBN: 1003835902
Category : Philosophy
Languages : en
Pages : 344
Book Description
First published in English in 1968, Kierkegaard's Authorship begins with a brief account of the life and meaning of Kierkegaard and concludes with the brief treatment of his relation to multifaceted existentialism. By reviewing the total authorship and by making available much of the fruit of widespread research, this work throws into relief Kierkegaard’s central purposes and makes it possible to avoid some of the dubious interpretations which have grown out of more narrowly selective study. This critical introduction and guide is especially important because Kierkegaard’s style was deliberately indirect and distorted and even more because half of the works are actually antagonistic to Kierkegaard’s own views. By the pseudonymous works he intended to lead into truth through a process of frustration, provoking the reader into existence. In another sense, the body of the book is also a biography for, in a degree perhaps without parallel in world history, the library which he created was his deed and life. This is an important read for scholars and researchers of Philosophy specially existentialism.
Publisher: Taylor & Francis
ISBN: 1003835902
Category : Philosophy
Languages : en
Pages : 344
Book Description
First published in English in 1968, Kierkegaard's Authorship begins with a brief account of the life and meaning of Kierkegaard and concludes with the brief treatment of his relation to multifaceted existentialism. By reviewing the total authorship and by making available much of the fruit of widespread research, this work throws into relief Kierkegaard’s central purposes and makes it possible to avoid some of the dubious interpretations which have grown out of more narrowly selective study. This critical introduction and guide is especially important because Kierkegaard’s style was deliberately indirect and distorted and even more because half of the works are actually antagonistic to Kierkegaard’s own views. By the pseudonymous works he intended to lead into truth through a process of frustration, provoking the reader into existence. In another sense, the body of the book is also a biography for, in a degree perhaps without parallel in world history, the library which he created was his deed and life. This is an important read for scholars and researchers of Philosophy specially existentialism.
Kierkegaard, Communication, and Virtue
Author: Mark A. Tietjen
Publisher: Indiana University Press
ISBN: 0253008719
Category : Philosophy
Languages : en
Pages : 171
Book Description
“Tietjen offers the kind of approach that encourages us to put the emphasis where it rightly belongs: on Kierkegaard’s philosophical ideas.” —Notre Dame Philosophical Reviews In contrast to recent postmodern and deconstructionist readings, Mark A. Tietjen believes that the purpose behind Kierkegaard’s writings is the moral and religious improvement of the reader. Tietjen defends Kierkegaard against claims that certain features of his works, such as pseudonymity, indirect communication, irony, and satire are self-deceived or deceitful. Kierkegaard, Communication, and Virtue reveals how they are directly related to the virtues or moral issues being discussed. In fact, Tietjen argues, the manner of presentation is a critical element of the philosophical message being conveyed. Reading broadly in Kierkegaard’s writings, he develops a hermeneutics of trust that fully illustrates Kierkegaard’s aim to evoke faith in his reader. “Tietjen’s critique of deconstructionist readings of Kierkegaard along with an emphasis on employing a hermeneutic of trust clearly distinguishes his work from other treatments of Kierkegaard as a virtue ethicist and edifying writer.” —Sylvia Walsh, Stetson University
Publisher: Indiana University Press
ISBN: 0253008719
Category : Philosophy
Languages : en
Pages : 171
Book Description
“Tietjen offers the kind of approach that encourages us to put the emphasis where it rightly belongs: on Kierkegaard’s philosophical ideas.” —Notre Dame Philosophical Reviews In contrast to recent postmodern and deconstructionist readings, Mark A. Tietjen believes that the purpose behind Kierkegaard’s writings is the moral and religious improvement of the reader. Tietjen defends Kierkegaard against claims that certain features of his works, such as pseudonymity, indirect communication, irony, and satire are self-deceived or deceitful. Kierkegaard, Communication, and Virtue reveals how they are directly related to the virtues or moral issues being discussed. In fact, Tietjen argues, the manner of presentation is a critical element of the philosophical message being conveyed. Reading broadly in Kierkegaard’s writings, he develops a hermeneutics of trust that fully illustrates Kierkegaard’s aim to evoke faith in his reader. “Tietjen’s critique of deconstructionist readings of Kierkegaard along with an emphasis on employing a hermeneutic of trust clearly distinguishes his work from other treatments of Kierkegaard as a virtue ethicist and edifying writer.” —Sylvia Walsh, Stetson University
Authorship and Authority in Kierkegaard's Writings
Author: Joseph Westfall
Publisher: Bloomsbury Publishing
ISBN: 1350055972
Category : Philosophy
Languages : en
Pages : 259
Book Description
Authorship is a complicated subject in Kierkegaard's work, which he surely recognized, given his late attempts to explain himself in On My Work as an Author. From the use of multiple pseudonyms and antonyms, to contributions across a spectrum of media and genres, issues of authorship abound. Why did Kierkegaard write in the ways he did? Before we assess Kierkegaard's famous thoughts on faith or love, or the relationship between 'the aesthetic,' 'the ethical,' and 'the religious,' we must approach how he expressed them. Given the multi-authored nature of his works, can we find a view or voice that is definitively Kierkegaard's own? Can entries in his unpublished journals and notebooks tell us what Kierkegaard himself thought? How should contemporary readers understand inconsistencies or contradictions between differently named authors? We cannot make definitive claims about Kierkegaard's work as a thinker without understanding Kierkegaard's work as an author. This collection, by leading contemporary Kierkegaard scholars, is the first to systematically examine the divisive question and practice of authorship in Kierkegaard from philosophical, literary and theological perspectives.
Publisher: Bloomsbury Publishing
ISBN: 1350055972
Category : Philosophy
Languages : en
Pages : 259
Book Description
Authorship is a complicated subject in Kierkegaard's work, which he surely recognized, given his late attempts to explain himself in On My Work as an Author. From the use of multiple pseudonyms and antonyms, to contributions across a spectrum of media and genres, issues of authorship abound. Why did Kierkegaard write in the ways he did? Before we assess Kierkegaard's famous thoughts on faith or love, or the relationship between 'the aesthetic,' 'the ethical,' and 'the religious,' we must approach how he expressed them. Given the multi-authored nature of his works, can we find a view or voice that is definitively Kierkegaard's own? Can entries in his unpublished journals and notebooks tell us what Kierkegaard himself thought? How should contemporary readers understand inconsistencies or contradictions between differently named authors? We cannot make definitive claims about Kierkegaard's work as a thinker without understanding Kierkegaard's work as an author. This collection, by leading contemporary Kierkegaard scholars, is the first to systematically examine the divisive question and practice of authorship in Kierkegaard from philosophical, literary and theological perspectives.
Passion for Nothing
Author: Peter Kline
Publisher: Fortress Press
ISBN: 1506432530
Category : Religion
Languages : en
Pages : 222
Book Description
Passion for Nothing offers a reading of Kierkegaard as an apophatic author. As it functions in this book, “apophasis” is a flexible term inclusive of both “negative theology” and “deconstruction.” One of the main points of this volume is that Kierkegaard’s authorship opens pathways between these two resonate but often contentiously related terrains. The main contention of this book is that Kierkegaard’s apophaticism is an ethical-religious difficulty, one that concerns itself with the “whylessness” of existence. This is a theme that Kierkegaard inherits from the philosophical and theological traditions stemming from Meister Eckhart. Additionally, the forms of Kierkegaard’s writing are irreducibly apophatic—animated by a passion to communicate what cannot be said. The book examines Kierkegaard’s apophaticism with reference to five themes: indirect communication, God, faith, hope, and love. Across each of these themes, the aim is to lend voice to “the unruly energy of the unsayable” and, in doing so, let Kierkegaard’s theological, spiritual, and philosophical provocation remain a living one for us today.
Publisher: Fortress Press
ISBN: 1506432530
Category : Religion
Languages : en
Pages : 222
Book Description
Passion for Nothing offers a reading of Kierkegaard as an apophatic author. As it functions in this book, “apophasis” is a flexible term inclusive of both “negative theology” and “deconstruction.” One of the main points of this volume is that Kierkegaard’s authorship opens pathways between these two resonate but often contentiously related terrains. The main contention of this book is that Kierkegaard’s apophaticism is an ethical-religious difficulty, one that concerns itself with the “whylessness” of existence. This is a theme that Kierkegaard inherits from the philosophical and theological traditions stemming from Meister Eckhart. Additionally, the forms of Kierkegaard’s writing are irreducibly apophatic—animated by a passion to communicate what cannot be said. The book examines Kierkegaard’s apophaticism with reference to five themes: indirect communication, God, faith, hope, and love. Across each of these themes, the aim is to lend voice to “the unruly energy of the unsayable” and, in doing so, let Kierkegaard’s theological, spiritual, and philosophical provocation remain a living one for us today.
Selfhood and Otherness in Kierkegaard's Authorship
Author: Leo Stan
Publisher: Lexington Books
ISBN: 1498541348
Category : Philosophy
Languages : en
Pages : 249
Book Description
This book investigates the polysemy of the category of otherness in Søren Kierkegaard’s authorship as a whole. Leo Stan identifies, expands upon, and discusses the interconnections between four different senses of otherness: the other within the human self, the infinite alterity of God, the paradoxical alterity of Christ, and the alterity of the human other. He also analyzes in detail the three stages of human existence: the aesthetic, the ethical, and the religious. His claim is that in its Kierkegaardian version, otherness can be understood only within the redemption-oriented framework of Christianity and in strict correlation with an ethic of singular persons.
Publisher: Lexington Books
ISBN: 1498541348
Category : Philosophy
Languages : en
Pages : 249
Book Description
This book investigates the polysemy of the category of otherness in Søren Kierkegaard’s authorship as a whole. Leo Stan identifies, expands upon, and discusses the interconnections between four different senses of otherness: the other within the human self, the infinite alterity of God, the paradoxical alterity of Christ, and the alterity of the human other. He also analyzes in detail the three stages of human existence: the aesthetic, the ethical, and the religious. His claim is that in its Kierkegaardian version, otherness can be understood only within the redemption-oriented framework of Christianity and in strict correlation with an ethic of singular persons.
The Literary Kierkegaard
Author: Eric Ziolkowski
Publisher: Northwestern University Press
ISBN: 0810127822
Category : Literary Criticism
Languages : en
Pages : 446
Book Description
"Eric Ziolkowski's monumental study examines Kierkegaard's whole "prolix literature" - including the pseudonymous and the signed published writings as well as his private journals, papers, and letters - in relation to works by five other literary giants. Kierkegaard himself stresses the essentially literary as opposed to the strictly theological or philosophical nature of his writings. Uncovering this neglected aspect of Kierkegaard's oeuvre, Ziolkowski first considers the notions of aesthetics and the aesthetic as Kierkegaard adapted them, then his posture as a poet and his self-conception as "a weed in literature". After taking account of the history of the critical recognition of Kierkegaard as a literary artist, Ziolkowski looks at an important characteristic of Kierkegaard's literary craft that has received relatively little attention: the manner by which he and his pseudonyms read and quoted other authors. Ziolkowski explores the connections between the philosopher's writings and those of other literary masters who directly influenced him, such as Aristophanes, Cervantes, and Shakespeare, and those such as Wolfram von Eschenbach and Carlyle, who, while not direct influences, gave paradigmatic expression to some of the same aspects of aesthetic, ethical, and religious existence that Kierkegaard portrayed. A necessary resource for Kierkegaard scholars, philosophers, and students of religion and literature alike, 'The literary Kierkegaard' corrects a significant lack in our understanding of one of the most significant thinkers of the modern era." -- dust jacket.
Publisher: Northwestern University Press
ISBN: 0810127822
Category : Literary Criticism
Languages : en
Pages : 446
Book Description
"Eric Ziolkowski's monumental study examines Kierkegaard's whole "prolix literature" - including the pseudonymous and the signed published writings as well as his private journals, papers, and letters - in relation to works by five other literary giants. Kierkegaard himself stresses the essentially literary as opposed to the strictly theological or philosophical nature of his writings. Uncovering this neglected aspect of Kierkegaard's oeuvre, Ziolkowski first considers the notions of aesthetics and the aesthetic as Kierkegaard adapted them, then his posture as a poet and his self-conception as "a weed in literature". After taking account of the history of the critical recognition of Kierkegaard as a literary artist, Ziolkowski looks at an important characteristic of Kierkegaard's literary craft that has received relatively little attention: the manner by which he and his pseudonyms read and quoted other authors. Ziolkowski explores the connections between the philosopher's writings and those of other literary masters who directly influenced him, such as Aristophanes, Cervantes, and Shakespeare, and those such as Wolfram von Eschenbach and Carlyle, who, while not direct influences, gave paradigmatic expression to some of the same aspects of aesthetic, ethical, and religious existence that Kierkegaard portrayed. A necessary resource for Kierkegaard scholars, philosophers, and students of religion and literature alike, 'The literary Kierkegaard' corrects a significant lack in our understanding of one of the most significant thinkers of the modern era." -- dust jacket.
Kierkegaard, Literature, and the Arts
Author: Eric Ziolkowski
Publisher: Northwestern University Press
ISBN: 0810135981
Category : Philosophy
Languages : en
Pages : 491
Book Description
In this volume fifteen eminent scholars illuminate the broad and often underappreciated variety of the nineteenth‐century Danish thinker Søren Kierkegaard’s engagements with literature and the arts. The essays in Kierkegaard, Literature, and the Arts, contextualized with an insightful introduction by Eric Ziolkowski, explore Kierkegaard’s relationship to literature (poetry, prose, and storytelling), the performing arts (theater, music, opera, and dance), and the visual arts, including film. The collection is rounded out with a comparative section that considers Kierkegaard in juxtaposition with a romantic poet (William Blake), a modern composer (Arnold Schoenberg), and a contemporary singer‐songwriter (Bob Dylan). Kierkegaard was as much an aesthetic thinker as a philosopher, and his philosophical writings are complemented by his literary and music criticism. Kierkegaard, Literature, and the Arts will offer much of interest to scholars concerned with Kierkegaard as well as teachers, performers, and readers in the various aesthetic fields discussed. CONTRIBUTORS: Christopher B. Barnett, Martijn Boven, Anne Margrete Fiskvik, Joakim Garff, Ronald M. Green, Peder Jothen, Ragni Linnet, Jamie A. Lorentzen, Edward F. Mooney, George Pattison, Nils Holger Petersen, Howard Pickett, Marcia C. Robinson, James Rovira
Publisher: Northwestern University Press
ISBN: 0810135981
Category : Philosophy
Languages : en
Pages : 491
Book Description
In this volume fifteen eminent scholars illuminate the broad and often underappreciated variety of the nineteenth‐century Danish thinker Søren Kierkegaard’s engagements with literature and the arts. The essays in Kierkegaard, Literature, and the Arts, contextualized with an insightful introduction by Eric Ziolkowski, explore Kierkegaard’s relationship to literature (poetry, prose, and storytelling), the performing arts (theater, music, opera, and dance), and the visual arts, including film. The collection is rounded out with a comparative section that considers Kierkegaard in juxtaposition with a romantic poet (William Blake), a modern composer (Arnold Schoenberg), and a contemporary singer‐songwriter (Bob Dylan). Kierkegaard was as much an aesthetic thinker as a philosopher, and his philosophical writings are complemented by his literary and music criticism. Kierkegaard, Literature, and the Arts will offer much of interest to scholars concerned with Kierkegaard as well as teachers, performers, and readers in the various aesthetic fields discussed. CONTRIBUTORS: Christopher B. Barnett, Martijn Boven, Anne Margrete Fiskvik, Joakim Garff, Ronald M. Green, Peder Jothen, Ragni Linnet, Jamie A. Lorentzen, Edward F. Mooney, George Pattison, Nils Holger Petersen, Howard Pickett, Marcia C. Robinson, James Rovira
The Ethics of Authorship
Author: Daniel Berthold-Bond
Publisher: Fordham Univ Press
ISBN: 0823233944
Category : Literary Criticism
Languages : en
Pages : 246
Book Description
"An original and stimulating account of both Kierkegaard and Hegel that succeeds by focusing on the philosophy of language espoused by each thinker. Berthold brings a rich tapestry of thinkers into play and provides unexpected entry into the lives of both writers."--David Macgregor, University of Western Ontario.
Publisher: Fordham Univ Press
ISBN: 0823233944
Category : Literary Criticism
Languages : en
Pages : 246
Book Description
"An original and stimulating account of both Kierkegaard and Hegel that succeeds by focusing on the philosophy of language espoused by each thinker. Berthold brings a rich tapestry of thinkers into play and provides unexpected entry into the lives of both writers."--David Macgregor, University of Western Ontario.
Kierkegaard and the Concept of Religious Authorship
Author: Keith H. Lane
Publisher: Mohr Siebeck
ISBN: 9783161501203
Category : Philosophy
Languages : en
Pages : 188
Book Description
Keith H. Lane examines Soren Kierkegaard's concept of religious authorship and argues for Kierkegaard's status as a religious author. He elucidates how such authorship may have similarities to philosophical authorship (particularly philosophy as envisioned by Ludwig Wittgenstein) and wherein the two differ. Starting with Kierkegaard's Concluding Unscientific Postscript and giving special attention to The Point of View and other later writings, Lane investigates aspects of thought and expression that may be unique to religious authorship and explores the particular constraints, challenges, and opportunities for one who writes from within a framework of religious belief and commitment-including such issues as protectionism, apologetics, persuasion, and the tension between certainty and uncertainty that attends religious authorship.
Publisher: Mohr Siebeck
ISBN: 9783161501203
Category : Philosophy
Languages : en
Pages : 188
Book Description
Keith H. Lane examines Soren Kierkegaard's concept of religious authorship and argues for Kierkegaard's status as a religious author. He elucidates how such authorship may have similarities to philosophical authorship (particularly philosophy as envisioned by Ludwig Wittgenstein) and wherein the two differ. Starting with Kierkegaard's Concluding Unscientific Postscript and giving special attention to The Point of View and other later writings, Lane investigates aspects of thought and expression that may be unique to religious authorship and explores the particular constraints, challenges, and opportunities for one who writes from within a framework of religious belief and commitment-including such issues as protectionism, apologetics, persuasion, and the tension between certainty and uncertainty that attends religious authorship.
Kierkegaard's Thought
Author: Gregor Malantschuk
Publisher: Princeton University Press
ISBN: 1400868629
Category : Philosophy
Languages : en
Pages : 400
Book Description
Kierkegaard's pseudonymous authorship has baffled readers, his apparent capriciousness making it difficult to determine his position at a given point and to understand his work as an organic whole. Gregor Malantschuk's study, based on careful reading of Kierkegaard's journals, papers, and texts, cuts through the authorship problem to clarify the philosopher's key ideas, see the comprehensive plan of his work, and make intelligible the dialectical coherence of his thought. Discussing Kierkegaard's dialectical method and his use of it from Either/Or to the final Two Discourses, Professor Malantschuk shows how coherently Kierkegaard set the individual works in place, so that even the conflict between the principal pseudonyms, Climacus and Anti-Climacus, serves to elucidate his major philosophical ideas. Contents: 1. Anthropological Contemplation. II. Kierkegaard's Dialectical Method. III. The Dialectic Employed in the Authorship. Index. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400868629
Category : Philosophy
Languages : en
Pages : 400
Book Description
Kierkegaard's pseudonymous authorship has baffled readers, his apparent capriciousness making it difficult to determine his position at a given point and to understand his work as an organic whole. Gregor Malantschuk's study, based on careful reading of Kierkegaard's journals, papers, and texts, cuts through the authorship problem to clarify the philosopher's key ideas, see the comprehensive plan of his work, and make intelligible the dialectical coherence of his thought. Discussing Kierkegaard's dialectical method and his use of it from Either/Or to the final Two Discourses, Professor Malantschuk shows how coherently Kierkegaard set the individual works in place, so that even the conflict between the principal pseudonyms, Climacus and Anti-Climacus, serves to elucidate his major philosophical ideas. Contents: 1. Anthropological Contemplation. II. Kierkegaard's Dialectical Method. III. The Dialectic Employed in the Authorship. Index. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.