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Author: Paula Richman Publisher: Oxford University Press ISBN: 0197552536 Category : Religion Languages : en Pages : 393
Book Description
The Ramayana, one of the two pre-eminent Hindu epics, has played a foundational role in many aspects of India's arts and social norms. For centuries, people learned this narrative by watching, listening, and participating in enactments of it. Although the Ramayana's first extant telling in Sanskrit dates back to ancient times, the story has continued to be retold and rethought through the centuries in many of India's regional languages, such as Hindi, Tamil, and Bengali. The narrative has provided the basis for enactments of its episodes in recitation, musical renditions, dance, and avant-garde performances. This volume introduces non-specialists to the Ramayana's major themes and complexities, as well as to the highly nuanced terms in Indian languages used to represent theater and performance. Two introductions orient readers to the history of Ramayana texts by Tulsidas, Valmiki, Kamban, Sankaradeva, and others, as well as to the dramaturgy and aesthetics of their enactments. The contributed essays provide context-specific analyses of diverse Ramayana performance traditions and the narratives from which they draw. The essays are clustered around the shared themes of the politics of caste and gender; the representation of the anti-hero; contemporary re-interpretations of traditional narratives; and the presence of Ramayana discourse in daily life.
Author: Paula Richman Publisher: Oxford University Press ISBN: 0197552536 Category : Religion Languages : en Pages : 393
Book Description
The Ramayana, one of the two pre-eminent Hindu epics, has played a foundational role in many aspects of India's arts and social norms. For centuries, people learned this narrative by watching, listening, and participating in enactments of it. Although the Ramayana's first extant telling in Sanskrit dates back to ancient times, the story has continued to be retold and rethought through the centuries in many of India's regional languages, such as Hindi, Tamil, and Bengali. The narrative has provided the basis for enactments of its episodes in recitation, musical renditions, dance, and avant-garde performances. This volume introduces non-specialists to the Ramayana's major themes and complexities, as well as to the highly nuanced terms in Indian languages used to represent theater and performance. Two introductions orient readers to the history of Ramayana texts by Tulsidas, Valmiki, Kamban, Sankaradeva, and others, as well as to the dramaturgy and aesthetics of their enactments. The contributed essays provide context-specific analyses of diverse Ramayana performance traditions and the narratives from which they draw. The essays are clustered around the shared themes of the politics of caste and gender; the representation of the anti-hero; contemporary re-interpretations of traditional narratives; and the presence of Ramayana discourse in daily life.
Author: Nisha Sajnani Publisher: Charles C Thomas Publisher ISBN: 0398094357 Category : Psychology Languages : en Pages : 354
Book Description
This book examines how drama therapists conceptualize and respond to relational and systemic trauma across systems of care including mental health clinics, schools, and communities burdened by historical and current wounds. This second edition of Trauma-Informed Drama Therapy: Transforming Clinics, Classrooms, and Communities offers a broad range of explorations in engaging with traumatic experience, across settings (clinical, educational, performance) and geographies (North America, Germany, Sri Lanka, South Africa, India, Belgium), and methodologies (Sesame, DvT, ethnography, performance, CANY, Self Rev). Each effort runs into obstacles, resistances, biases, and random events that highlight the authors’ passion and courage. No solutions are to be found. No grand schemes are proposed. Just hard work in the face of impenetrable truth: we are still at the beginning of understanding how to achieve an equitable, moral, accountable, healthy collective being-with. Confronting trauma, listening to victim testimonies, sitting with unsettling uncertainty, understanding the enormity of the problem, are difficult tasks, and over time wear people down. The chapters in this book belie this trend as they illustrate how the passion, creativity, faith, and perseverance of drama therapists the world over, each in their own limited way, can help. In each of these chapters you will read about people who have been pushed to the margins of existence, and then, how drama therapists have worked to remind them of their immutable, unique value that can transcend and transform those margins into spaces of care, power, and possibility. It will be useful for creative arts therapists, mental health professionals, educators, students and many others interested in the role of the drama and performance in the treatment of trauma.
Author: Hanne M. de Bruin Publisher: Gonda Indological Studies ISBN: Category : History Languages : en Pages : 444
Book Description
This book gives an insight into Kaṭṭaikkūttu, a living Tamil theatre tradition. Taking the perspective of performers as a starting point, it analyses how this theatre tradition has been able to adjust itself to changing conditions and challenges because of its inherent flexibility. The phenomenon of flexibility pervades both the formation and internal arrangements of theatre companies and the actual performances themselves. The first part of the book focuses on Kaṭṭaikkūttu in its historical and social context. It traces the theatre's disengagement from its organic embedding in the social and ritual village organization and its transition towards a more autonomous and more professional regional theatre form during the last fifty to hundred years. This transformation was accompanied by processes of professionalization and commercialization, which had their impact on the practitioners and the performances. The second part of the book provides a detailed analysis of the working of oral Kaṭṭaikkūttu texts in performance. Through a flexible handling of the oral - verbal and musical - material within the boundaries of a relatively fixed framework underlying these texts, Kaṭṭaikkūttu performers try to fulfill to the best of their abilities the demands of sponsors, audiences and occasions.
Author: Erika Fischer-Lichte Publisher: Taylor & Francis ISBN: 100086233X Category : Performing Arts Languages : en Pages : 252
Book Description
This volume investigates performances as situated "machineries of knowing" (Karin Knorr Cetina), exploring them as relational processes for, in and with which performers as well as spectators actively (re)generate diverse practices of knowing, knowledges and epistemologies. Performance cultures are distinct but interconnected environments of knowledge practice. Their characteristic features depend not least on historical as well as contemporary practices and processes of interweaving performance cultures. The book presents case studies from diverse locations around the globe, including Argentina, Canada, China, Greece, India, Poland, Singapore, and the United States. Authored by leading scholars in theater, performance and dance studies, its chapters probe not only what kinds of knowledges are (re)generated in performances, for example cultural, social, aesthetic and/or spiritual knowledges; the contributions investigate also how performers and spectators practice knowing (and not-knowing) in performances, paying particular attention to practices and processes of interweaving performance cultures and the ways in which they contribute to shaping performances as dynamic "machineries of knowing" today. Ideal for researchers, students and practitioners of theater, performance and dance, (Re)Generating Knowledges in Performance explores vital knowledge-serving functions of performance, investigating and emphasizing in particular the impact and potential of practices and processes of interweaving of performance cultures that enable performers and spectators to (re)generate crucial knowledges in increasingly diverse ways.
Author: Publisher: BRILL ISBN: 9004648178 Category : Drama Languages : en Pages : 224
Book Description
Most of the essays in this volume developed from a series of lectures on the forms and functions of theatre in different cultures, and correspondences between them, organized by the Leiden University Department of Theatre and Film Studies. Some contributions to this volume discuss origins, forms and functions of theatre in the Far and in the Middle East, as well as how in some cases the contemporary theatre in these cultures have managed to incorporate Western theatrical elements into their local traditions. Other articles consider how such twentieth-century Western dramatists as Yeats, Brecht and Beckett have been inspired by Asian theatre forms; how Western theatre-goers have misunderstood the true nature of Russian drama; how the inspiration of the best known of those Russian playwrights has manifested itself in the work of an American film-maker; and how African dance has helped to reshape North Atlantic modern and post-modern choreography. Thus this collection is arranged to take the reader on a journey of discovery, or possibly recovery, from China to Japan, from India to Africa, from Iran to Turkey, to Russia and finally from Moscow to Manhattan. Theatre Intercontinental will be of value to scholars, teachers and students with an interest in how theatre manifests itself in various cultures, how it originated, what needs it fulfils and how it is affected by cross-cultural influences. It provides a few tentative conclusions, some thought provoking questions and, we hope, the stimulus to compare the issues raised here with theatrical cultures not covered by this book.
Author: Aparna Karthikeyan Publisher: Westland ISBN: 9395073233 Category : Social Science Languages : en Pages : 271
Book Description
About the Book THIS MUCH-FETED BOOK RETURNS IN A STRIKING, ALL-NEW COVER! A NUANCED AND MUCH-NEEDED REPORT FROM THE GROUND ON TAMIL NADU, AND INDEED INDIA’S, ENDANGERED LIVELIHOODS. In a rapidly urbanising nation, rural India is being erased from the popular imagination. Through her five years of travelling across the villages of Tamil Nadu, Aparna Karthikeyan gets to know men and women who do exceptional—yet perfectly ordinary—things to earn a living. She documents, through ten of these stories, the transformations, aspirations and disruptions of the last twenty-five years. The people she meets force these questions of her, and her reader: What is the culture we seek to preserve? What will become of food security without farmers? How can ‘development’ exclude 833 million people? Including interviews with journalist P. Sainath, musician T.M. Krishna and writer Bama, among others, Nine Rupees an Hour is a critical portrayal of the drastic and systematic erosion of traditional livelihoods. ‘These engaging narratives unravel a peoples’ perspective of work and life, where creative beauty and human dignity merge to matter, even if their worth in market-obsessed economics is merely nine rupees an hour. Evocative and relevant, they jostle our comfort. Statistics and economic analyses of wages and work, juxtaposed with the lives people lead, help us understand the situation on the ground. A book all of us must read.’ —Aruna Roy, Social activist ‘Sustainable livelihoods provide the foundation for a happy life. We owe a deep sense of gratitude to Aparna Karthikeyan for bringing out this useful book based on real-life examples. I hope the book will be widely read.’ —M.S. Swaminathan, plant geneticist and agricultural scientist
Author: Paula Richman
Author: Paula Richman
Author: Nisha Sajnani
Author: Hanne M. de Bruin
Author: Erika Fischer-Lichte
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Author: Pukal̲ēntip Pulavar
Author: Aparna Karthikeyan
Author: Anjum Katyal