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Author: Britta Timm Knudsen Publisher: Routledge ISBN: 1000473600 Category : Art Languages : en Pages : 355
Book Description
Decolonizing Colonial Heritage explores how different agents practice the decolonization of European colonial heritage at European and extra-European locations. Assessing the impact of these practices, the book also explores what a new vision of Europe in the postcolonial present could look like. Including contributions from academics, artists and heritage practitioners, the volume explores decolonial heritage practices in politics, contemporary history, diplomacy, museum practice, the visual arts and self-generated memorial expressions in public spaces. The comparative focus of the chapters includes examples of internal colonization in Europe and extends to former European colonies, among them Shanghai, Cape Town and Rio de Janeiro. Examining practices in a range of different contexts, the book pays particular attention to sub-national actors whose work is opening up new futures through their engagement with decolonial heritage practices in the present. The volume also considers the challenges posed by applying decolonial thinking to existing understandings of colonial heritage. Decolonizing Colonial Heritage examines the role of colonial heritage in European memory politics and heritage diplomacy. It will be of interest to academics and students working in the fields of heritage and memory studies, colonial and imperial history, European studies, sociology, cultural studies, development studies, museum studies, and contemporary art. The Open Access version of this book, available at www.taylor francis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
Author: Britta Timm Knudsen Publisher: Routledge ISBN: 1000473600 Category : Art Languages : en Pages : 355
Book Description
Decolonizing Colonial Heritage explores how different agents practice the decolonization of European colonial heritage at European and extra-European locations. Assessing the impact of these practices, the book also explores what a new vision of Europe in the postcolonial present could look like. Including contributions from academics, artists and heritage practitioners, the volume explores decolonial heritage practices in politics, contemporary history, diplomacy, museum practice, the visual arts and self-generated memorial expressions in public spaces. The comparative focus of the chapters includes examples of internal colonization in Europe and extends to former European colonies, among them Shanghai, Cape Town and Rio de Janeiro. Examining practices in a range of different contexts, the book pays particular attention to sub-national actors whose work is opening up new futures through their engagement with decolonial heritage practices in the present. The volume also considers the challenges posed by applying decolonial thinking to existing understandings of colonial heritage. Decolonizing Colonial Heritage examines the role of colonial heritage in European memory politics and heritage diplomacy. It will be of interest to academics and students working in the fields of heritage and memory studies, colonial and imperial history, European studies, sociology, cultural studies, development studies, museum studies, and contemporary art. The Open Access version of this book, available at www.taylor francis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
Author: Lukasz Szulc Publisher: Springer ISBN: 3319589016 Category : Political Science Languages : en Pages : 266
Book Description
This book traces the fascinating history of the first Polish gay and lesbian magazines to explore the globalization of LGBT identities and politics in Central and Eastern Europe during the twilight years of the Cold War. It details the emergence of homosexual movement and charts cross-border flows of cultural products, identity paradigms and activism models in communist Poland. The work demonstrates that Polish homosexual activists were not locked behind the Iron Curtain, but actively participated in the transnational construction of homosexuality. Their magazines were largely influenced by Western magazines: used similar words, discussed similar topics or simply translated Western texts and reproduced Western images. However, the imported ideas were not just copied but selectively adopted as well as strategically and creatively adapted in the Polish magazines so their authors could construct their own unique identities and build their own original politics.
Author: Deborah Cartmell Publisher: John Wiley & Sons ISBN: 1119554810 Category : Performing Arts Languages : en Pages : 466
Book Description
The most comprehensive reference text of theoretical and historical discourse on the biopic film The biopic, often viewed as the most reviled of all film genres, traces its origins to the early silent era over a century ago. Receiving little critical attention, biopics are regularly dismissed as superficial, formulaic, and disrespectful of history. Film critics, literary scholars and historians tend to believe that biopics should be artistic, yet accurate, true-to-life representations of their subjects. Moviegoing audiences, however, do not seem to hold similar views; biopics continue to be popular, commercially viable films. Even the genre’s most ardent detractors will admit that these films are often very watchable, particularly due to the performance of the lead actor. It is increasingly common for stars of biographical films to garner critical praise and awards, driving a growing interest in scholarship in the genre. A Companion to the Biopic is the first global and authoritative reference on the subject. Offering theoretical, historical, thematic, and performance-based approaches, this unique volume brings together the work of top scholars to discuss the coverage of the lives of authors, politicians, royalty, criminals, and pop stars through the biopic film. Chapters explore evolving attitudes and divergent perspectives on the genre with topics such as the connections between biopics and literary melodramas, the influence financial concerns have on aesthetic, social, or moral principles, the merger of historical narratives with Hollywood biographies, stereotypes and criticisms of the biopic genre, and more. This volume: Provides a systematic, in-depth analysis of the biopic and considers how the choice of historical subject reflects contemporary issues Places emphasis on films that portray race and gender issues Explores the uneven boundaries of the genre by addressing what is and is not a biopic as well as the ways in which films simultaneously embrace and defy historical authenticity Examines the distinction between reality and ‘the real’ in biographical films Offers a chronological survey of biopics from the beginning of the 20th century A Companion to the Biopic is a valuable resource for researchers, scholars, and students of history, film studies, and English literature, as well as those in disciplines that examine interpretations of historical figures
Author: Katarzyna Lisowska Publisher: Cambridge Scholars Publishing ISBN: 1443892262 Category : Literary Criticism Languages : en Pages : 299
Book Description
Literature, Performance, and Somaesthetics views textual and extra-textual worlds as intimately connected, as forming a continuum, in fact. The essays – on literature, philosophy and the arts – gathered here derive their theoretical inspirations from two realms where embodiment and agency are particularly stressed: namely, from philosophical somaesthetics, a discipline proposed by Richard Shusterman in 1999, and from performance studies, remarkable for its current expansion. In most general terms, the point of convergence for somaesthetics and performativity is their stressing the agency of the embodied and sentient human self. The contributors explore the question of agency in its various manifestations. They examine the construction of literary characters, with emphasis on the representation of their corporeality and affectivity. They look into the problem of the formation of the literary canon as en-acted rather than established, and into literary history as retold rather than re-written. They also focus on the problems of literary reception, considering it on the physical, visceral level. While showing keen interest in performance studies and somaesthetics, the authors also bring in the expertise gained in their primary fields of research. Hence, the ideas explored in their essays are drawn from philosophy, literary theory, cultural studies, psychology, and hard science. The essays here are concerned with a variety of generic forms – epic literature, lyrical poetry, tragedy, experimental novel, thriller, literary history, theological treatise, documentary, flamenco and opera – in order to outline the field in the humanities where literature, philosophy and performance can meet, and where literary studies can benefit from the approaches offered by performance studies and philosophical somaesthetics.
Author: Kevin Brazil Publisher: Influx Press ISBN: 1910312967 Category : Literary Collections Languages : en Pages : 210
Book Description
'A timely probe into small acts of dissent, seeking out a wild tenderness and new sources of light.' Jeremy Atherton Lin, author of Gay Bar In this highly accessible, entertaining and provocative work of non-fiction Kevin Brazil combines essay and memoir to ask one of the most pertinent questions of our current age: whatever happened to queer happiness? Exploring the lives of artists and writers from the past, current discourse around queerness and his own experiences, Brazil argues that art and literature needs to move away from celebrating the pain of queerness and embracing all the positive, ecstatic, collective joy that queer culture produces. Brazil's enlivening ideas around queerness combat the isolation of individuality and shame, instead championing collectivity, commonality, and visions of shared pleasure; offering both critique and a way of remaking the world. A timely, eminently readable and fascinating book for all readers of creative non-fiction, Whatever Happened to Queer Happiness? is a work of literature that will reverberate for years to come.
Author: Ben Spatz Publisher: Northwestern University Press ISBN: 0810146606 Category : Performing Arts Languages : en Pages : 326
Book Description
Enacts a radically interdisciplinary intersectionality to position performance-based research in solidarity with decoloniality This boldly innovative work interrogates the form and meaning of artistic research (also called practice research, performance as research, and research-creation), examining its development within the context of predominately white institutions that have enabled and depoliticized it while highlighting its radical potential when reframed as a lineage of critical whiteness practice. Ben Spatz crafts a fluid yet critical new framework, explored via a series of case studies that includes Spatz’s own practice-as-research, to productively confront hegemonic modes of white writing and white institutionality. Ultimately taking jewishness as a paradigmatically “molecular” identity—variously configured as racial, ethnic, religious, or national—they offer a series of concrete methodological and formal proposals for working at the intersections of embodied identities, artistic techniques, and alternative forms of knowledge. Race and the Forms of Knowledge: Technique, Identity, and Place in Artistic Research takes inspiration from recent critical studies of blackness and indigeneity to show how artistic research is always involved in the production and transformation of identity. Spatz offers a toolkit of practical methods and concepts—from molecular identities to audiovisual ethnotechnics and earthing the laboratory—for reimagining the university and other contemporary institutions.
Author: Glyn Davis Publisher: Bloomsbury Publishing ISBN: 1350158674 Category : Design Languages : en Pages : 497
Book Description
How have radical print cultures fostered and preserved queer lived experience from the 1960s to the present? What alternative stories about queer life across Europe can visual material reveal? Queer Print in Europe is the first book devoted to the exploration of queer print cultures in Europe, following the birth of an international gay rights movement in the late 1960s. By unearthing these ephemeral paper documents from archives and personal collections, including materials that have been out of circulation since they were first distributed, this book examines how the production and dissemination of queer print intersected with the emergence of LGBTQ+ activism within specific national contexts. This vital contribution to queer history explores borders and political movements, and the ways in which these materials contributed, through their international circulation, to the creation of a 'post-national' queer community. Illustrated throughout with examples of manifestos, flyers, posters, zines and other forms of print media, it features interviews with those responsible for making, distributing or archiving queer print, alongside a series of new theoretical essays that set particular publications and the individuals and groups that produced them in context. The book isolates specific instances of queer print media and scrutinises their design aesthetics, identifying both the significant contribution that queer print has made to histories of LGBTQ+ struggle and to the history of print design.
Author: Tomasz Basiuk Publisher: Routledge ISBN: 1000200965 Category : Social Science Languages : en Pages : 118
Book Description
This short collection of essays engages with queer lives and activism in 1970s Poland, illustrating discourses about queerness and a trajectory of the struggle for rights which clearly sets itself apart, and differs from a Western-based narrative of liberation. Contributors to this volume paint an uneven landscape of queer life in state-socialist Poland in the 1970s and early 1980s. They turn to oral history interviews and archival sources which include police files, personal letters, literature and criticism, writings by sexuality experts, and documentation of artistic practice. Unlike most of Europe, Poland did not penalize same-sex acts, although queer people were commonly treated with suspicion and vilified. But while many homosexual men and most lesbian women felt invisible and alone, some had the sense of belonging to a fledgling community. As they looked to the West, hoping for a sexual revolution that never quite arrived, they also preserved informal queer institutions dating back to the prewar years and used them to their advantage. Medical experts conversed with peers across the Iron Curtain but developed their own "socialist" methods and successfully prompted the state to recognize transgender rights, even as that state remained determined to watch and intimidate homosexual men. Literary critics, translators, and art historians began debating—and they debate still—how to read gestures defying gender and sexual norms: as an aspect of some global "gay" formation or as stemming from locally grounded queer traditions. Emphasizing the differences of Poland’s LGBT history from that of the "global" West while underscoring the existing lines of communication between queer subjects on either side of the Iron Curtain, this book will be of key interest to scholars and students in gender and sexuality studies, social history, and politics.
Author: Britta Timm Knudsen
Author: Britta Timm Knudsen
Author: Michał Grzegorzek
Author: Lukasz Szulc
Author: Centrum Sztuki Współczesnej Zamek Ujazdowski (Warszawa)
Author: Deborah Cartmell
Author: Katarzyna Lisowska
Author: Kevin Brazil
Author: Ben Spatz
Author: Glyn Davis
Author: Tomasz Basiuk