Kafka and the Contemporary Critical Performance PDF Download

Author: Alan Udoff
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 296

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Author: E. S. Shaffer
Publisher: Cambridge University Press
ISBN: 9780521431040
Category : Drama
Languages : en
Pages : 316

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Addresses literary theory and criticism, comparative studies in terms of theme, genre movement and influence, and interdisciplinary perspectives.

Author: Ewa P?onowska Ziarek
Publisher: SUNY Press
ISBN: 9780791427118
Category : Philosophy
Languages : en
Pages : 262

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'This book makes a significant and needed contribution to post-structural philosophy and literary theory. In this impressive analysis that delicately weaves together philosophical and literary texts, Ewa Ziarek powerfully and persuasively demonstrates that the rhetoric of the failure of traditional subject-centered rationality does not lead to nihilism or nominalism.'-Kelly Oliver, University of Texas at Austin

Author: Christine Olga Kiebuzinska
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838638958
Category : Literary Criticism
Languages : en
Pages : 364

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Kiebuzinska, who teaches modern drama, comparative literature, and film at Virginia Tech, considers intertextuality in modern drama. In nine essays, she examines the connections between the works of modern playwrights such as Kundera, Jelinek, and Hampton and the texts of earlier writers such as Did

Author: Valerie D. Greenberg
Publisher: University of Michigan Press
ISBN: 9780472101580
Category : Language Arts & Disciplines
Languages : en
Pages : 252

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Argues for a critical awareness of language across the boundaries of disciplines

Author: Alys Moody
Publisher: Oxford University Press
ISBN: 0192564064
Category : Literary Criticism
Languages : en
Pages : 238

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Hunger is one of the governing metaphors for literature in the late nineteenth and twentieth centuries. Beginning in the mid-nineteenth century, writers and critics repeatedly describe writing as a process of starvation, as in the familiar type of the starving artist, and high art as the rejection of 'culinary' pleasures. The Art of Hunger: Aesthetic Autonomy and the Afterlives of Modernism argues that this metaphor offers a way of describing the contradictions of aesthetic autonomy in modernist literature and its late-twentieth-century heirs. This book traces the emergence of a tradition of writing it calls the 'art of hunger', from the origins of modernism to the end of the twentieth century. It focuses particularly on three authors who redeploy the modernist art of hunger as a response to key moments in the history of modernist aesthetic autonomy's delegitimization: Samuel Beckett in post-Vichy France; Paul Auster in post-1968 Paris and New York; and J. M. Coetzee in late apartheid South Africa. Combining historical analysis of these literary fields with close readings of individual texts, and drawing extensively on new archival research, this book offers a counter-history of modernism's post-World War II reception and a new theory of aesthetic autonomy as a practice of unfreedom.

Author: Robert Hariman
Publisher: University of Chicago Press
ISBN: 0226316289
Category : Political Science
Languages : en
Pages : 272

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In this book, Robert Hariman demonstrates how matters of style—of diction, manners, sensibility, decor, and charisma—influence politics. In critical studies of classic texts, Hariman identifies four dominant political styles. The realist style, as found in Machiavelli's The Prince, creates a world of sheer power, constant calculation, and emotional control; this style is the common sense of modern political science. The courtly style, depicted in Kapuscinski's The Emperor, is characterized by high decorousness, hierarchies, and fixation on the body of the sovereign; this style infuses mass media coverage of the American presidency. The republican style, reflected in Cicero's letters to Atticus, promotes the art of oratory, consensus, and civility; it informs our ideal of democratic conversation. The bureaucratic style, as captured in Kafka's The Castle, emphasizes institutional procedures, official character, and the priority of writing; this style structures everday life. Hariman looks at effective political artistry in figures from antiquity to modern politicians such as Vaclav Havel, Ronald Reagan, and Bill Clinton. He discusses the crises to which each style is susceptible, as well as the social and moral consequences of each style's success.

Author: John Bruns
Publisher: Routledge
ISBN: 1351508261
Category : Literary Criticism
Languages : en
Pages : 233

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Book Description
Much writing about comedy in the last twenty years has only trivialized comedy as cheap or as temporary distraction from things that "really matter." It has either presented exhaustive taxonomies of kinds of humor--like wit, puns, jokes, humor, satire, irony--or engaged in pointless political endgames, moral dialogues, or philosophical perceptions. Comedy is rarely presented as a mode of thought in its own right, as a way of understanding, not something to be understood. Bruns' guiding assumption is that comedy is not simply a literary or theatrical genre, to be diff erentiated from tragedy or from romance, but a certain way of disclosing, perhaps undoing, the way the world is organized. When we view the world in terms of what is incompatible, we are reading comically. In this sense, comedy exists outside the alternatives of tragic and comic. Loopholes argues that trivialization of comedy comes from fear that it will address our anxieties with honesty-- and it is this truth that scares us. John Bruns discusses comedy as a mode of thought with a cognitive function. It is a domain of human understanding, a domain far more troubling and accessible than we care to acknowledge. To "read comically" we must accept our fears. If we do so, we will realize what Bruns refers to as the most neglected premise of comedy, that the world itself is a loophole--both incomplete and limitless.

Author: Arthur Cools
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110457431
Category : Foreign Language Study
Languages : en
Pages : 282

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Book Description
Kafka’s work has been attributed a universal significance and is often regarded as the ultimate witness of the human condition in the twentieth century. Yet his work is also considered paradigmatic for the expression of the singular that cannot be subsumed under any generalization. This paradox engenders questions not only concerning the meaning of the universal as it manifests itself in (and is transformed by) Kafka’s writings but also about the expression of the singular in literary fiction as it challenges the opposition between the universal and the singular. The contributions in this volume approach these questions from a variety of perspectives. They are structured according to the following issues: ambiguity as a tool of deconstructing the pre-established philosophical meanings of the universal; the concept of the law as a major symbol for the universal meaning of Kafka’s writings; the presence of animals in Kafka’s texts; the modernist mode of writing as challenge of philosophical concepts of the universal; and the meaning and relevance of the universal in contemporary Kafka reception. This volume examines central aspects of the interplay between philosophy and literature.

Author: Franz Kafka
Publisher: Harvard University Press
ISBN: 0674737989
Category : Fiction
Languages : en
Pages : 299

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Book Description
Selected Stories by Franz Kafka offers new renderings of the author’s finest work. Mark Harman’s English translations convey the uniqueness of Kafka’s German—the wit, irony, and cadence. Expert annotations illuminate Kafka’s cultural allusions and wordplay, while a biographical introduction places the man and his work in historical context.