Author: James Graham Baker
Publisher: Texas A&M University Press
ISBN: 1625110243
Category : Biography & Autobiography
Languages : en
Pages : 639
Book Description
Famed for his bluebonnet landscapes, San Antonio native Julian Onderdonk may be the most well-known artist Texas has ever produced. Onderdonk spent several years outside the state, though, seeking to make a name for himself in New York City. He spent much of his time in New York as the very definition of a starving artist. In Julian Onderdonk: The Lost Years, the Lost Paintings, James Graham Baker explores the artist’s New York years, so often neglected by previous scholars. Through painstaking research, Baker reveals that Onderdonk painted hundreds of images under pseudonyms during his time in New York. These images not only reveal the means by which the artist struggled to make ends meet, but add another dimension to our understanding of the artist’s oeuvre. It is not possible to appreciate and understand Julian Onderdonk and his art without including these works. Largely composed of landscapes and marine scenes depicting the vanishing rural areas and shorelines around New York City, they show that Onderdonk was more than simply a “bluebonnet painter.”
Julian Onderdonk in New York
Author: James Graham Baker
Publisher: Texas A&M University Press
ISBN: 1625110243
Category : Biography & Autobiography
Languages : en
Pages : 639
Book Description
Famed for his bluebonnet landscapes, San Antonio native Julian Onderdonk may be the most well-known artist Texas has ever produced. Onderdonk spent several years outside the state, though, seeking to make a name for himself in New York City. He spent much of his time in New York as the very definition of a starving artist. In Julian Onderdonk: The Lost Years, the Lost Paintings, James Graham Baker explores the artist’s New York years, so often neglected by previous scholars. Through painstaking research, Baker reveals that Onderdonk painted hundreds of images under pseudonyms during his time in New York. These images not only reveal the means by which the artist struggled to make ends meet, but add another dimension to our understanding of the artist’s oeuvre. It is not possible to appreciate and understand Julian Onderdonk and his art without including these works. Largely composed of landscapes and marine scenes depicting the vanishing rural areas and shorelines around New York City, they show that Onderdonk was more than simply a “bluebonnet painter.”
Publisher: Texas A&M University Press
ISBN: 1625110243
Category : Biography & Autobiography
Languages : en
Pages : 639
Book Description
Famed for his bluebonnet landscapes, San Antonio native Julian Onderdonk may be the most well-known artist Texas has ever produced. Onderdonk spent several years outside the state, though, seeking to make a name for himself in New York City. He spent much of his time in New York as the very definition of a starving artist. In Julian Onderdonk: The Lost Years, the Lost Paintings, James Graham Baker explores the artist’s New York years, so often neglected by previous scholars. Through painstaking research, Baker reveals that Onderdonk painted hundreds of images under pseudonyms during his time in New York. These images not only reveal the means by which the artist struggled to make ends meet, but add another dimension to our understanding of the artist’s oeuvre. It is not possible to appreciate and understand Julian Onderdonk and his art without including these works. Largely composed of landscapes and marine scenes depicting the vanishing rural areas and shorelines around New York City, they show that Onderdonk was more than simply a “bluebonnet painter.”
Julian Onderdonk
Author: Harry A. Halff
Publisher: Yale University Press
ISBN: 9780300148152
Category : Impressionism (Art)
Languages : en
Pages : 0
Book Description
Sumptuously illustrated, this catalogue is the definitive resource on Julian Onderdonk, an American Impressionist artist who lived and worked primarily in Texas. A native of San Antonio, who trained in New York with William Merritt Chase, Onderdonk (1882-1922) created vibrant paintings of the Texas landscape. This publication authoritatively demonstrates the breadth, quality, and brilliance of Onderdonk's work, and illustrates his oeuvre--more than 1,200 pieces--in full. The book also includes an extensive chronology of the artist's life and career, as well as an essay by Emily Ballew Neff, an expert on Western American art. The first publication to document the complete works of this talented artist, this catalogue raisonné brings Onderdonk's extraordinary, lyrical paintings to a long-deserved national audience. Distributed for the Museum of Fine Arts, Houston Exhibition Schedule: Museum of Fine Arts, Houston Fall 2016 San Antonio Museum of Art (01/20/17-04/23/17) Art Museum of South Texas (05/12/17-August 2017)
Publisher: Yale University Press
ISBN: 9780300148152
Category : Impressionism (Art)
Languages : en
Pages : 0
Book Description
Sumptuously illustrated, this catalogue is the definitive resource on Julian Onderdonk, an American Impressionist artist who lived and worked primarily in Texas. A native of San Antonio, who trained in New York with William Merritt Chase, Onderdonk (1882-1922) created vibrant paintings of the Texas landscape. This publication authoritatively demonstrates the breadth, quality, and brilliance of Onderdonk's work, and illustrates his oeuvre--more than 1,200 pieces--in full. The book also includes an extensive chronology of the artist's life and career, as well as an essay by Emily Ballew Neff, an expert on Western American art. The first publication to document the complete works of this talented artist, this catalogue raisonné brings Onderdonk's extraordinary, lyrical paintings to a long-deserved national audience. Distributed for the Museum of Fine Arts, Houston Exhibition Schedule: Museum of Fine Arts, Houston Fall 2016 San Antonio Museum of Art (01/20/17-04/23/17) Art Museum of South Texas (05/12/17-August 2017)
Elgar's Oratorios
Author: Charles Edward McGuire
Publisher: Ashgate Publishing
ISBN:
Category : Music
Languages : en
Pages : 368
Book Description
From the end of the 18th century to the beginning of World War I, the oratorio was Britain's most important and accesible musical genre. Understanding Elgar's four oratorios within this history should add a great deal to our understanding of Elgar, musical life at the time, and the differences between the public and private spaces of Britain's religious worship.
Publisher: Ashgate Publishing
ISBN:
Category : Music
Languages : en
Pages : 368
Book Description
From the end of the 18th century to the beginning of World War I, the oratorio was Britain's most important and accesible musical genre. Understanding Elgar's four oratorios within this history should add a great deal to our understanding of Elgar, musical life at the time, and the differences between the public and private spaces of Britain's religious worship.
San Antonio
Author: Char Miller
Publisher: Texas A&M University Press
ISBN: 1625110510
Category : History
Languages : en
Pages : 239
Book Description
This is the first general history of San Antonio, Texas, the seventh largest city in the nation. Its past is complex and ranges across 300 years, from the community’s origins as a tiny Spanish frontier town to its contemporary status as a vital American mega-city. Site of some of the most violent struggles between warring empires and people—historians believe San Antonio may be the most fought-over city in U.S. history—it is perhaps most celebrated for the iconic 1836 Battle of the Alamo. The city is also home to four beautifully restored Spanish missions, which in 2015 UNESCO designated a World Heritage Site and have become integral to San Antonio’s robust tourist economy along with the fabled River Walk. This study weaves together a series of environmental, social, political, and cultural pressures that have shaped life in the Alamo City over the last three centuries. Residents have long fought to protect and utilize water and other resources even as they have struggled to achieve equal rights and build a more open and democratic society. Activists from all sectors of this multicultural city have believed deeply in its promise even though they have had to push hard to secure and expand its potential. Their efforts were every bit as intense in the nineteenth and twentieth centuries as they have been in the twenty-first. Written for a general audience, but with a scholarly attention to detail and nuance, San Antonio: A Tricentennial History immerses readers in the city’s fascinating and fraught past.
Publisher: Texas A&M University Press
ISBN: 1625110510
Category : History
Languages : en
Pages : 239
Book Description
This is the first general history of San Antonio, Texas, the seventh largest city in the nation. Its past is complex and ranges across 300 years, from the community’s origins as a tiny Spanish frontier town to its contemporary status as a vital American mega-city. Site of some of the most violent struggles between warring empires and people—historians believe San Antonio may be the most fought-over city in U.S. history—it is perhaps most celebrated for the iconic 1836 Battle of the Alamo. The city is also home to four beautifully restored Spanish missions, which in 2015 UNESCO designated a World Heritage Site and have become integral to San Antonio’s robust tourist economy along with the fabled River Walk. This study weaves together a series of environmental, social, political, and cultural pressures that have shaped life in the Alamo City over the last three centuries. Residents have long fought to protect and utilize water and other resources even as they have struggled to achieve equal rights and build a more open and democratic society. Activists from all sectors of this multicultural city have believed deeply in its promise even though they have had to push hard to secure and expand its potential. Their efforts were every bit as intense in the nineteenth and twentieth centuries as they have been in the twenty-first. Written for a general audience, but with a scholarly attention to detail and nuance, San Antonio: A Tricentennial History immerses readers in the city’s fascinating and fraught past.
Sweetie Ladd's Historic Fort Worth
Author: Cissy Stewart Lale
Publisher: TCU Press
ISBN: 9780875651965
Category : Art
Languages : en
Pages : 94
Book Description
Sweetie Ladd was Fort Worth's own "Grandma" Moses, a folk artist who captured the city's history in watercolor and lithograph. In her sixties when she began painting, Ladd once told a fellow artist she didn't know how she achieved her distinctive style. "Just paint poorly, dear," she advised. In truth, she had attended painting workshops in Paris, Spain, and Mexico and studied under Fort Worth artist Bror Utter. After she took a class on perspective, her teacher advised her to discontinue formal training and paint what came naturally. Sweetie Ladd's Historic Fort Worth presents twenty-eight paintings from the Landmark Series, paintings of historic Fort Worth structures, many of which no longer stand today: the T&P Station, Lake Como Pavilion, the Nine-Mile Bridge Casino, the Worth Hotel, the lobby of the Majestic Theater, Goat Island, and the Lake Erie Interurban. The book also contains the "Cries of Fort Worth" series based on Wheatley's "Cries of London." These ten paintings portray such old-time peddlars as the ice man, the scissor man, the bottleman, and the tamale seller. Ladd didn't simply draw the buildings or landmarks. She put them in an action setting. "The Day Fort Worth Burned" shows several young children watching the flames from a field. Two of the children are Sweetie Ladd and her sister, who were in that very field that day. Two young boys also watching could have been the Monnig brothers, Otto and Oscar. She remembered they were there that day. Other pictures include names longtime Fort Worth residents will find familiar: the horse-drawn Ballard Ice Cream Truck passes in front of the Scott home, now known as Thistle Hill; Mrs. Baird's Bread is the sign on a horse-drawn carriage in "The Breadman"; a Stripling's delivery cart is in front of the J. E. Moore home (now part of the Woman's Club); a horse-drawn funeral procession passes in front of the old Washer Brothers building; and Fuqua's Grocery sits next to Anderson Drugs in "Extra--Extra," one of the "Cries" series in which a young boy passes out the Fort Worth Star-Telegram. Sweetie Ladd's paintings were shown at the Woman's Club of Fort Worth and accepted in juried shows of the University of Texas at Arlington, the Fort Worth Art Museum, and the Texas Fine Arts Association. These historical paintings are now owned by the Fort Worth Public Library and have been reproduced with their cooperation. Cissy Stewart Lale's text elucidates each painting, explaining details and their historical significance. The book begins with brief essays on Mrs. Ladd and Fort Worth history.
Publisher: TCU Press
ISBN: 9780875651965
Category : Art
Languages : en
Pages : 94
Book Description
Sweetie Ladd was Fort Worth's own "Grandma" Moses, a folk artist who captured the city's history in watercolor and lithograph. In her sixties when she began painting, Ladd once told a fellow artist she didn't know how she achieved her distinctive style. "Just paint poorly, dear," she advised. In truth, she had attended painting workshops in Paris, Spain, and Mexico and studied under Fort Worth artist Bror Utter. After she took a class on perspective, her teacher advised her to discontinue formal training and paint what came naturally. Sweetie Ladd's Historic Fort Worth presents twenty-eight paintings from the Landmark Series, paintings of historic Fort Worth structures, many of which no longer stand today: the T&P Station, Lake Como Pavilion, the Nine-Mile Bridge Casino, the Worth Hotel, the lobby of the Majestic Theater, Goat Island, and the Lake Erie Interurban. The book also contains the "Cries of Fort Worth" series based on Wheatley's "Cries of London." These ten paintings portray such old-time peddlars as the ice man, the scissor man, the bottleman, and the tamale seller. Ladd didn't simply draw the buildings or landmarks. She put them in an action setting. "The Day Fort Worth Burned" shows several young children watching the flames from a field. Two of the children are Sweetie Ladd and her sister, who were in that very field that day. Two young boys also watching could have been the Monnig brothers, Otto and Oscar. She remembered they were there that day. Other pictures include names longtime Fort Worth residents will find familiar: the horse-drawn Ballard Ice Cream Truck passes in front of the Scott home, now known as Thistle Hill; Mrs. Baird's Bread is the sign on a horse-drawn carriage in "The Breadman"; a Stripling's delivery cart is in front of the J. E. Moore home (now part of the Woman's Club); a horse-drawn funeral procession passes in front of the old Washer Brothers building; and Fuqua's Grocery sits next to Anderson Drugs in "Extra--Extra," one of the "Cries" series in which a young boy passes out the Fort Worth Star-Telegram. Sweetie Ladd's paintings were shown at the Woman's Club of Fort Worth and accepted in juried shows of the University of Texas at Arlington, the Fort Worth Art Museum, and the Texas Fine Arts Association. These historical paintings are now owned by the Fort Worth Public Library and have been reproduced with their cooperation. Cissy Stewart Lale's text elucidates each painting, explaining details and their historical significance. The book begins with brief essays on Mrs. Ladd and Fort Worth history.
Handheld XRF for Art and Archaeology
Author: Aaron N. Shugar
Publisher: Leuven University Press
ISBN: 9058679071
Category : Art
Languages : en
Pages : 480
Book Description
This volume focuses specifically on the applications, possibilities, and limitations of handheld X-ray fluorescence devices in art conservation and archaeology.
Publisher: Leuven University Press
ISBN: 9058679071
Category : Art
Languages : en
Pages : 480
Book Description
This volume focuses specifically on the applications, possibilities, and limitations of handheld X-ray fluorescence devices in art conservation and archaeology.
The Onderdonks
Author: Cecilia Steinfeldt
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 248
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 248
Book Description
The Music of Herbert Howells
Author: Phillip A. Cooke
Publisher: Boydell & Brewer Ltd
ISBN: 1843838796
Category : Biography & Autobiography
Languages : en
Pages : 384
Book Description
Herbert Howells (1892-1983) was a prodigiously gifted musician and the favourite student of the notoriously hard-to-please Sir Charles Villiers Stanford. Throughout his long life, he was one of the country's most prominent composers, writing extensively in all genres except the symphony and opera. Yet today he is known mostly for his church music, and there is as yet relatively little serious study of his work. This book is the first large-scale study of Howells's music, affording both detailed consideration of individual works and a broad survey of general characteristics and issues. Its coverage is wide-ranging, addressing all aspects of the composer's prolific output and probing many of the issues that it raises. The essays are gathered in five sections: Howells the Stylist examines one of the most striking aspect of the composer's music, its strongly characterised personal voice; Howells the Vocal Composer addresses both his well-known contribution to church music and his less familiar, but also important, contribution to the genre of solo song; Howells the Instrumental Composer shows that he was no less accomplished for his work in genres without words, for which, in fact, he first made his name; Howells the Modern considers the composer's rather overlooked contribution to the development of a modern voice for British music; and Howells in Mourning explores the important impact of his son's death on his life and work. The composer that emerges from these studies is a complex figure: technically fluent but prone to revision and self-doubt; innovative but also conservative; a composer with an improvisational sense of flow who had a firm grasp of musical form; an exponent of British musical style who owed as much to continental influence as to his national heritage. This volume, comprising a collection of outstanding essays by established writers and emergent scholars, opens up the range of Howells's achievement to a wider audience, both professional and amateur. PHILLIP COOKE is Lecturer in Composition at the University of Aberdeen. DAVID MAW is Tutor and Research Fellow in Music at Oriel College, Oxford, holding Lectureships also at Christ Church, The Queen's and Trinity Colleges. CONTRIBUTORS: Byron Adams, Paul Andrews, Graham Barber, Jonathan Clinch, Phillip A. Cooke, Jeremy Dibble, Lewis Foreman, Fabian Huss, David Maw, Diane Nolan Cooke, Lionel Pike, Paul Spicer, Jonathan White. Foreword by John Rutter.
Publisher: Boydell & Brewer Ltd
ISBN: 1843838796
Category : Biography & Autobiography
Languages : en
Pages : 384
Book Description
Herbert Howells (1892-1983) was a prodigiously gifted musician and the favourite student of the notoriously hard-to-please Sir Charles Villiers Stanford. Throughout his long life, he was one of the country's most prominent composers, writing extensively in all genres except the symphony and opera. Yet today he is known mostly for his church music, and there is as yet relatively little serious study of his work. This book is the first large-scale study of Howells's music, affording both detailed consideration of individual works and a broad survey of general characteristics and issues. Its coverage is wide-ranging, addressing all aspects of the composer's prolific output and probing many of the issues that it raises. The essays are gathered in five sections: Howells the Stylist examines one of the most striking aspect of the composer's music, its strongly characterised personal voice; Howells the Vocal Composer addresses both his well-known contribution to church music and his less familiar, but also important, contribution to the genre of solo song; Howells the Instrumental Composer shows that he was no less accomplished for his work in genres without words, for which, in fact, he first made his name; Howells the Modern considers the composer's rather overlooked contribution to the development of a modern voice for British music; and Howells in Mourning explores the important impact of his son's death on his life and work. The composer that emerges from these studies is a complex figure: technically fluent but prone to revision and self-doubt; innovative but also conservative; a composer with an improvisational sense of flow who had a firm grasp of musical form; an exponent of British musical style who owed as much to continental influence as to his national heritage. This volume, comprising a collection of outstanding essays by established writers and emergent scholars, opens up the range of Howells's achievement to a wider audience, both professional and amateur. PHILLIP COOKE is Lecturer in Composition at the University of Aberdeen. DAVID MAW is Tutor and Research Fellow in Music at Oriel College, Oxford, holding Lectureships also at Christ Church, The Queen's and Trinity Colleges. CONTRIBUTORS: Byron Adams, Paul Andrews, Graham Barber, Jonathan Clinch, Phillip A. Cooke, Jeremy Dibble, Lewis Foreman, Fabian Huss, David Maw, Diane Nolan Cooke, Lionel Pike, Paul Spicer, Jonathan White. Foreword by John Rutter.
Painting in Texas
Author: Pauline A. Pinckney
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 288
Book Description
Introduction by Jerry Bywaters.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 288
Book Description
Introduction by Jerry Bywaters.
The Peaches of New York
Author: U. P. Hedrick
Publisher:
ISBN:
Category : Fruit-culture
Languages : en
Pages : 756
Book Description
Publisher:
ISBN:
Category : Fruit-culture
Languages : en
Pages : 756
Book Description