Author: Bks Press
Publisher: Independently Published
ISBN: 9781720055457
Category : Gardening
Languages : es
Pages : 126
Book Description
Whether you are a beginner or a pro, this handy journal is the perfect size (6x9 inches) to take with you wherever life leads you. On the cover: Vintage Art Print of Flamingos Claude Gibney Finch-Davies, 1919. Use this journal notebook to jot down ideas, thoughts, quotes or personal accounts. Get one for yourself or as a gift for a special person in your life. Ya sea que seas un principiante o un profesional, este práctico diario tiene el tamaño perfecto (6x9 pulgadas) para llevarte contigo a donde sea que te lleve la vida. En la portada: Obra de época de Flamencos Claude Gibney Finch-Davies, 1919. Use este cuaderno para anotar ideas, pensamientos, citas o cuentas personales. Obtenga uno para usted o como regalo para una persona especial en su vida.
Journal: Vintage Flamingo Art Print - L
Author: Bks Press
Publisher: Independently Published
ISBN: 9781720055457
Category : Gardening
Languages : es
Pages : 126
Book Description
Whether you are a beginner or a pro, this handy journal is the perfect size (6x9 inches) to take with you wherever life leads you. On the cover: Vintage Art Print of Flamingos Claude Gibney Finch-Davies, 1919. Use this journal notebook to jot down ideas, thoughts, quotes or personal accounts. Get one for yourself or as a gift for a special person in your life. Ya sea que seas un principiante o un profesional, este práctico diario tiene el tamaño perfecto (6x9 pulgadas) para llevarte contigo a donde sea que te lleve la vida. En la portada: Obra de época de Flamencos Claude Gibney Finch-Davies, 1919. Use este cuaderno para anotar ideas, pensamientos, citas o cuentas personales. Obtenga uno para usted o como regalo para una persona especial en su vida.
Publisher: Independently Published
ISBN: 9781720055457
Category : Gardening
Languages : es
Pages : 126
Book Description
Whether you are a beginner or a pro, this handy journal is the perfect size (6x9 inches) to take with you wherever life leads you. On the cover: Vintage Art Print of Flamingos Claude Gibney Finch-Davies, 1919. Use this journal notebook to jot down ideas, thoughts, quotes or personal accounts. Get one for yourself or as a gift for a special person in your life. Ya sea que seas un principiante o un profesional, este práctico diario tiene el tamaño perfecto (6x9 pulgadas) para llevarte contigo a donde sea que te lleve la vida. En la portada: Obra de época de Flamencos Claude Gibney Finch-Davies, 1919. Use este cuaderno para anotar ideas, pensamientos, citas o cuentas personales. Obtenga uno para usted o como regalo para una persona especial en su vida.
Flying Magazine
The Birds of America
Author: John James Audubon
Publisher:
ISBN:
Category : Birds
Languages : en
Pages : 476
Book Description
This edition has 65 new images, making a total of 500. The original configurations were altered so that there is only one species per plate. The text is a revision of the Ornithological Biography, rearranged according to Audubon's Synopsis of the Birds of North America (1839).
Publisher:
ISBN:
Category : Birds
Languages : en
Pages : 476
Book Description
This edition has 65 new images, making a total of 500. The original configurations were altered so that there is only one species per plate. The text is a revision of the Ornithological Biography, rearranged according to Audubon's Synopsis of the Birds of North America (1839).
How a Revolutionary Art Became Official Culture
Author: Mary K. Coffey
Publisher: Duke University Press
ISBN: 0822350378
Category : Art
Languages : en
Pages : 249
Book Description
This is a study of the reciprocal relationship between Mexican muralism and the three major Mexican museums&—the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum.
Publisher: Duke University Press
ISBN: 0822350378
Category : Art
Languages : en
Pages : 249
Book Description
This is a study of the reciprocal relationship between Mexican muralism and the three major Mexican museums&—the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum.
Posthumanism in the Novels of Kurt Vonnegut
Author: Andrew Hicks
Publisher: Routledge
ISBN: 1000092828
Category : Literary Criticism
Languages : en
Pages : 215
Book Description
Posthumanism in the Novels of Kurt Vonnegut: Matter That Complains So re-examines the prevailing critical consensus that Kurt Vonnegut was a humanist writer. While more difficult elements of his work have often been the subject of scholarly attention, the tendency amongst critics writing on Vonnegut is to disavow them, or to subsume them within a liberal humanist framework. When Vonnegut’s work is read from a posthumanist perspective, however, the productive paradoxes of his work are more fully realised. Drawing on New Materialist, Eco-Critical and Systems Theory methodologies, this book highlights posthumanist themes in six of Vonnegut’s most famous novels, and emphasises the ways in which Vonnegut troubles human/non-human, natural/artificial, and material/discursive hierarchical binaries
Publisher: Routledge
ISBN: 1000092828
Category : Literary Criticism
Languages : en
Pages : 215
Book Description
Posthumanism in the Novels of Kurt Vonnegut: Matter That Complains So re-examines the prevailing critical consensus that Kurt Vonnegut was a humanist writer. While more difficult elements of his work have often been the subject of scholarly attention, the tendency amongst critics writing on Vonnegut is to disavow them, or to subsume them within a liberal humanist framework. When Vonnegut’s work is read from a posthumanist perspective, however, the productive paradoxes of his work are more fully realised. Drawing on New Materialist, Eco-Critical and Systems Theory methodologies, this book highlights posthumanist themes in six of Vonnegut’s most famous novels, and emphasises the ways in which Vonnegut troubles human/non-human, natural/artificial, and material/discursive hierarchical binaries
New York Magazine
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 148
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Publisher:
ISBN:
Category :
Languages : en
Pages : 148
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Toulouse-Lautrec, At the Moulin Rouge
Author: Henri de Toulouse-Lautrec
Publisher: Richmond Hill, Ont. : NDE Pub.
ISBN: 9781553210177
Category : Expressionism (Art)
Languages : en
Pages : 0
Book Description
These books invite the reader on a journey through the most famous paintings in the history of art. Detailed, informative, & stimulating portraits of the individual artists are documented alongside beautiful glossy illustrations & detailed keys to the paintings.
Publisher: Richmond Hill, Ont. : NDE Pub.
ISBN: 9781553210177
Category : Expressionism (Art)
Languages : en
Pages : 0
Book Description
These books invite the reader on a journey through the most famous paintings in the history of art. Detailed, informative, & stimulating portraits of the individual artists are documented alongside beautiful glossy illustrations & detailed keys to the paintings.
New York Magazine
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 188
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Publisher:
ISBN:
Category :
Languages : en
Pages : 188
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
The Bookseller and the Stationery Trades' Journal
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1410
Book Description
Official organ of the book trade of the United Kingdom.
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1410
Book Description
Official organ of the book trade of the United Kingdom.
Painting Below Zero
Author: James Rosenquist
Publisher: Knopf
ISBN: 0307263428
Category : Biography & Autobiography
Languages : en
Pages : 421
Book Description
From James Rosenquist, one of our most iconic pop artists—along with Andy Warhol, Jim Dine, Claes Oldenburg, and Roy Lichtenstein—comes this candid and fascinating memoir. Unlike these artists, Rosenquist often works in three-dimensional forms, with highly dramatic shifts in scale and a far more complex palette, including grisaille and Day-Glo colors. A skilled traditional painter, he avoided the stencils and silk screens of Warhol and Lichtenstein. His vast canvases full of brilliant, surreally juxtaposed images would influence both many of his contemporaries and younger generations, as well as revolutionize twentieth-century painting. Ronsequist writes about growing up in a tight-knit community of Scandinavian farmers in North Dakota and Minnesota in the late 1930s and early 1940s; about his mother, who was not only an amateur painter but, along with his father, a passionate aviator; and about leaving that flat midwestern landscape in 1955 for New York, where he had won a scholarship to the Art Students League. George Grosz, Edwin Dickinson, and Robert Beverly Hale were among his teachers, but his early life was a struggle until he discovered sign painting. He describes days suspended on scaffolding high over Broadway, painting movie or theater billboards, and nights at the Cedar Tavern with Willem de Kooning, Franz Kline, and the poet LeRoi Jones. His first major studio, on Coenties Slip, was in the thick of the new art world. Among his neighbors were Ellsworth Kelly, Robert Indiana, Agnes Martin, and Jack Youngerman, and his mentors Robert Rauschenberg and Jasper Johns. Rosenquist writes about his shows with the dealers Richard Bellamy, Ileana Sonnabend, and Leo Castelli, and about colorful collectors like Robert and Ethel Scull. We learn about the 1971 car crash that left his wife and son in a coma and his own life and work in shambles, his lobbying—along with Rauschenberg—for artists’ rights in Washington D.C., and how he got his work back on track. With his distinct voice, Roseqnuist writes about the ideas behind some of his major paintings, from the startling revelation that led to his first pop painting, Zone, to his masterpiece, F-III, a stunning critique of war and consumerism, to the cosmic reverie of Star Thief. This is James Rosenquist’s story in his own words—captivating and unexpected, a unique look inside the contemporary art world in the company of one of its most important painters.
Publisher: Knopf
ISBN: 0307263428
Category : Biography & Autobiography
Languages : en
Pages : 421
Book Description
From James Rosenquist, one of our most iconic pop artists—along with Andy Warhol, Jim Dine, Claes Oldenburg, and Roy Lichtenstein—comes this candid and fascinating memoir. Unlike these artists, Rosenquist often works in three-dimensional forms, with highly dramatic shifts in scale and a far more complex palette, including grisaille and Day-Glo colors. A skilled traditional painter, he avoided the stencils and silk screens of Warhol and Lichtenstein. His vast canvases full of brilliant, surreally juxtaposed images would influence both many of his contemporaries and younger generations, as well as revolutionize twentieth-century painting. Ronsequist writes about growing up in a tight-knit community of Scandinavian farmers in North Dakota and Minnesota in the late 1930s and early 1940s; about his mother, who was not only an amateur painter but, along with his father, a passionate aviator; and about leaving that flat midwestern landscape in 1955 for New York, where he had won a scholarship to the Art Students League. George Grosz, Edwin Dickinson, and Robert Beverly Hale were among his teachers, but his early life was a struggle until he discovered sign painting. He describes days suspended on scaffolding high over Broadway, painting movie or theater billboards, and nights at the Cedar Tavern with Willem de Kooning, Franz Kline, and the poet LeRoi Jones. His first major studio, on Coenties Slip, was in the thick of the new art world. Among his neighbors were Ellsworth Kelly, Robert Indiana, Agnes Martin, and Jack Youngerman, and his mentors Robert Rauschenberg and Jasper Johns. Rosenquist writes about his shows with the dealers Richard Bellamy, Ileana Sonnabend, and Leo Castelli, and about colorful collectors like Robert and Ethel Scull. We learn about the 1971 car crash that left his wife and son in a coma and his own life and work in shambles, his lobbying—along with Rauschenberg—for artists’ rights in Washington D.C., and how he got his work back on track. With his distinct voice, Roseqnuist writes about the ideas behind some of his major paintings, from the startling revelation that led to his first pop painting, Zone, to his masterpiece, F-III, a stunning critique of war and consumerism, to the cosmic reverie of Star Thief. This is James Rosenquist’s story in his own words—captivating and unexpected, a unique look inside the contemporary art world in the company of one of its most important painters.