Journal of the American Musicological Society PDF Download

Author: American Musicological Society
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 826

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Author: Iain Fenlon
Publisher: Cambridge University Press
ISBN: 9780521088336
Category : Art
Languages : en
Pages : 252

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Viewed traditionally, the history of sixteenth-century Mantuan music is almost a catalogue of some of the most distinguished composers of the age, from Tromboncino and Cara, via Jacquet of Mantua, to Wert, Palestrina, Marenzio, Pallavicino, Gastoldi, Rossi and Monteverdi. The remarkable achievements of composers under Gonzaga patronage, practically synonymous with Mantuan patronage during this period, are treated here in their social context. The arguments proceed not just from the music itself, but from detailed examination of archival sources, from which Dr Fenlon reconstructs employment patterns and describes the social structure and institutional life of the city. The aim of the book is to show how the patterns of patronage, and music and musicians, reflect and illuminate the temperaments and prime preoccupations of successive rulers. The book contains a substantial appendix of unpublished archival documents, a small proportion only of the scholarly and comparative sources on which the study is based.

Author: Lorenzo Bianconi
Publisher: Cambridge University Press
ISBN: 9780521269155
Category : Music
Languages : en
Pages : 364

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Book Description
Examines musical life in the seventeenth century, a period of profound change in the history of music.

Author: Johann Joachim Quantz
Publisher: UPNE
ISBN: 9781555534738
Category : Education
Languages : en
Pages : 470

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Originally published in 1752, this is a new paperback edition of the classic treatise on 18th-century musical thought, performance practice, and style

Author: Karol Berger
Publisher: Cambridge University Press
ISBN: 9780521543385
Category : Music
Languages : en
Pages : 296

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Book Description
Clarifies the conventions governing the practice of implied accidentals in vocal polyphony from the fourteenth to sixteenth centuries.

Author: Nicholas Temperley
Publisher: Cambridge University Press
ISBN: 9780521274579
Category : Music
Languages : en
Pages : 496

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Book Description
Companion volume (v. 2) contains examples of the music, sources and critical notes.

Author: Frank A. D’Accone
Publisher: Taylor & Francis
ISBN: 1000938700
Category : Music
Languages : en
Pages : 322

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Book Description
This second selection of studies by Frank D’Accone, again based principally on the documentary evidence, follows the development through the mid 16th century of musical chapels at the Cathedral and the Baptistery of Florence and of musical establishments at the Santissima Annunziata and San Lorenzo. The lives, careers and works of composers associated with these churches are illustrated and their works analyzed, particularly the theoretical treatise by Fra Mauro, the madrigals of Mauro Matti and the ambitiously conceived canzone cycle of Mattia Rampollini. The final studies, moving into the 17th century, look at the music for Holy Week, and the unprecedented programme of performances at Santa Maria Novella.

Author: Barbara Garvey Jackson
Publisher: University of Arkansas Press
ISBN: 9781557283030
Category : Reference
Languages : en
Pages : 520

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Jackson has culminated her lifelong research in producing this bibliographically arranged guide. "Say Can You Deny Me" lists the locations of the printed and manuscript sources of Renaissance, baroque, classic, and some early romantic women composers. With listings from over 400 libraries worldwide, the guide is the definitive work documenting a substantial contribution to the world of music by women.

Author: Peter Hedrick
Publisher: Cambridge Scholars Publishing
ISBN: 1443874930
Category : Music
Languages : en
Pages : 100

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The earliest surviving hautboy solo is a Symphonia by Johann Christoph Pez from the 1690s or early 1700s. This piece survives in two versions, as a Sonata for violin and a Symphonia for hautboy, and the differences between the two enable a comparison of how Pez viewed the character and technical capabilities of each instrument. The purpose of this edition is to show how Pez’s Symphonia can be used as a template to find other works that might become hautboy solos (treble/bass) from the last third or so of the seventeenth century when the instrument came into use. Thus Pez points the way to a seventeenth-century practice that the author demonstrates in four contemporary pieces by writing out examples of what would have been performed at sight or from memory. Adaptations like this of J. S. Bach’s keyboard works are being performed by some of today’s leading lutenists. This book will make a significant addition to academic libraries and will be of interest to scholars of historical performance practice and to performers of the (baroque) hautboy, the oboe and other wind instruments. It breaks new ground in the same spirit as studies that have offered reconstructions of works with lacunae in scoring or with damaged pages.

Author: Mark Germer
Publisher: The AMS
ISBN:
Category : Bulletin of the American Musicological Society
Languages : en
Pages : 162

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