The Journal of Oriental Research, Madras PDF Download

Author:
Publisher:
ISBN:
Category : Indo-Aryan philology
Languages : en
Pages : 200

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Author:
Publisher:
ISBN:
Category : Indo-Aryan philology
Languages : en
Pages : 166

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Author: Bombay Historical Society
Publisher:
ISBN:
Category : History
Languages : en
Pages : 802

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Author: Bertold Spuler
Publisher: BRILL
ISBN: 9789004041905
Category : Tamil literature
Languages : en
Pages : 324

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Author: Georgio R. Cardona
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110800101
Category : Language Arts & Disciplines
Languages : en
Pages : 400

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No detailed description available for "Panini".

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Publisher: Princeton University Press
ISBN: 0691173915
Category : Religion
Languages : en
Pages : 601

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The fifth and most popular book of the Ramayana of Valmiki, the Sundarakanda, recounts the adventures of the monkey hero Hanuman in leaping across the ocean to the island citadel of Lanka. Once there, he scours the city for the abducted Princess Sita. The poet vividly describes the opulence of the court of the demon king, Ravana, the beauty of his harem, and the hideous deformity of Sita's wardresses. After witnessing Sita's stern rejection of Ravana's blandishments, Hanuman reveals himself to the princess and restores her hope of rescue. The great monkey then wreaks havoc on the royal park and fights a series of hair-raising battles with Ravana's generals. Permitting himself to be captured by the warrior Indrajit, Hanuman is led into the presence of Ravana, whom he admonishes for his lechery. His tail is set ablaze, but he escapes his bonds and leaping from rooftop to rooftop, sets fire to the city. Taking leave of Sita, Hanuman once more leaps the ocean to rejoin his monkey companions. This is the fifth volume translated from the critical edition of the Valmiki Ramayana. It contains an extensive introduction, exhaustive notes, and a comprehensive bibliography.

Author: David Shulman
Publisher: Harvard University Press
ISBN: 0674059921
Category : Foreign Language Study
Languages : en
Pages : 417

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Spoken by eighty million people, Tamil is one of the great world languages, and one of the few ancient languages that survives as a mother tongue. David Shulman presents a comprehensive cultural history of Tamil, emphasizing how its speakers and poets have understood the unique features of their language over its long history.

Author: Ganesh Hari Tarlekar
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120806603
Category : Religion
Languages : en
Pages : 420

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Studies in the Natyasastra attempts to present all aspects of the performance of Sanskrit Drama of the classical period. For this, the material available in the Natyasastra and other works on dramaturgy, sculptural evidence and the traditions of classical-dance-drama styles in the various parts of the country are made use of. The book will, in fact, be of great use to the scholar inteested in the technique of the production of Sanskrit plays.

Author: Mandakranta Bose
Publisher: Springer Science & Business Media
ISBN: 9401135940
Category : Philosophy
Languages : en
Pages : 343

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The most comprehensive view of the evolution of dancing in India is one that is derived from Sanskrit textual sources. These texts are the basic material that students of the dance in India must examine in order to uncover its past. Since the rebirth of informed interest in dancing in early twentieth century, its antiquity has been acknowledged but precisely what the art was in antiquity remains unclear. Discovering the oldest forms of dancing in India requires, as do other historical quests, a reconstruction of the past and, again as in other historical investigations, the primary sources of knowledge are records from the past. In this case the records are treatises and manuals in Sanskrit that discuss and describe dancing. These are the sources that the present work sets out to mine. These texts taken collectively are more than records of a particular state of the art. They testify to the growth of the theory and practice of the art and thus establish it as an evolving rather than a fixed art form that changed as much in response to its own expanding aesthetic boundaries as to parallel or complementary forms of dance, drama and music that impinged upon it as India's social and political situation changed. When we place the Sanskrit treatises in chronological sequence it becomes clear that the understanding of the art has changed through time, in its infancy as well as in maturer periods.

Author: University of Madras
Publisher:
ISBN:
Category : Indic literature
Languages : en
Pages : 670

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