Author: Sibel Bozdoğan
Publisher:
ISBN: 9781930776203
Category : Decorative arts
Languages : en
Pages : 240
Book Description
This latest volume of the Journal of Decorative and Propaganda Arts explores the role of design and decorative arts in the making of modern Turkey, from the late Ottoman Empire to the middle of the twentieth century. As in many countries outside of western Europe and North America, Turkey's encounter with modernity has largely been the result of an official modernization project "from above." In the absence of the material and social conditions-industrialization, capitalist production, urbanization, and the existence of an autonomous bourgeoisie-that characterized the Western world, elites seeking to modernize Turkey had a strong sense of delayed development and an urgent desire to catch up with the West. This sense of urgency accounts for their reliance on the power of representation, especially visual and material culture, to express modern ideas, institutional reform, national identity, and social progress. The resulting experiments touched virtually every creative field, from architecture, painting, and sculpture to interiors, fashion, textiles, industrial design, photography, and graphic design. Creating a modern national identity for Turkey was a vast undertaking with uneven results. In scrutinizing these efforts through multiple lenses, this vividly illustrated volume presents a particularly compelling example of the belief in the capacity of form to remake content. The contributors include Esra Akcan, Günkut Akın, T. Elvan Altan, Edhem Eldem, Ahmet Ersoy, F. Dilek Himam, Ela Kaçel, Sinan Niyazioğlu, Gülname Turan, and Christopher S. Wilson.
The Journal of Decorative and Propaganda Arts
Author: Sibel Bozdoğan
Publisher:
ISBN: 9781930776203
Category : Decorative arts
Languages : en
Pages : 240
Book Description
This latest volume of the Journal of Decorative and Propaganda Arts explores the role of design and decorative arts in the making of modern Turkey, from the late Ottoman Empire to the middle of the twentieth century. As in many countries outside of western Europe and North America, Turkey's encounter with modernity has largely been the result of an official modernization project "from above." In the absence of the material and social conditions-industrialization, capitalist production, urbanization, and the existence of an autonomous bourgeoisie-that characterized the Western world, elites seeking to modernize Turkey had a strong sense of delayed development and an urgent desire to catch up with the West. This sense of urgency accounts for their reliance on the power of representation, especially visual and material culture, to express modern ideas, institutional reform, national identity, and social progress. The resulting experiments touched virtually every creative field, from architecture, painting, and sculpture to interiors, fashion, textiles, industrial design, photography, and graphic design. Creating a modern national identity for Turkey was a vast undertaking with uneven results. In scrutinizing these efforts through multiple lenses, this vividly illustrated volume presents a particularly compelling example of the belief in the capacity of form to remake content. The contributors include Esra Akcan, Günkut Akın, T. Elvan Altan, Edhem Eldem, Ahmet Ersoy, F. Dilek Himam, Ela Kaçel, Sinan Niyazioğlu, Gülname Turan, and Christopher S. Wilson.
Publisher:
ISBN: 9781930776203
Category : Decorative arts
Languages : en
Pages : 240
Book Description
This latest volume of the Journal of Decorative and Propaganda Arts explores the role of design and decorative arts in the making of modern Turkey, from the late Ottoman Empire to the middle of the twentieth century. As in many countries outside of western Europe and North America, Turkey's encounter with modernity has largely been the result of an official modernization project "from above." In the absence of the material and social conditions-industrialization, capitalist production, urbanization, and the existence of an autonomous bourgeoisie-that characterized the Western world, elites seeking to modernize Turkey had a strong sense of delayed development and an urgent desire to catch up with the West. This sense of urgency accounts for their reliance on the power of representation, especially visual and material culture, to express modern ideas, institutional reform, national identity, and social progress. The resulting experiments touched virtually every creative field, from architecture, painting, and sculpture to interiors, fashion, textiles, industrial design, photography, and graphic design. Creating a modern national identity for Turkey was a vast undertaking with uneven results. In scrutinizing these efforts through multiple lenses, this vividly illustrated volume presents a particularly compelling example of the belief in the capacity of form to remake content. The contributors include Esra Akcan, Günkut Akın, T. Elvan Altan, Edhem Eldem, Ahmet Ersoy, F. Dilek Himam, Ela Kaçel, Sinan Niyazioğlu, Gülname Turan, and Christopher S. Wilson.
The Propaganda Front
Author: Anna Jozefacka
Publisher: Museum of Fine Arts Boston
ISBN: 9780878467631
Category : Catalogs
Languages : en
Pages : 271
Book Description
The first comprehensive exploration of postcards used as propaganda on all sides of the major military and political conflicts of the twentieth century, including World Wars I and II A Russian Socialist worker raises the red flag. Adoring crowds greet Hitler and Mussolini. Uncle Sam orders Americans to enlist. These images and many more circulated by the millions on postcards intended to change minds and inspire actions around the time of the two World Wars. Whether produced by government propaganda bureaus, opportunistic publishers, aid organizations, or resistance movements, postcards conveyed their messages with striking graphics, pithy slogans, and biting caricatures - and in a uniquely personal format. The more than 350 cards reproduced in full colour in this book advocate for political causes and celebrate war efforts on all sides of the major conflicts of the first half of the twentieth century. The accompanying text shows how a ubiquitous form of communication served increasingly sophisticated campaigns in an age of propaganda, and highlights the postcards collected here as both priceless historical documents and masterworks of graphic design.
Publisher: Museum of Fine Arts Boston
ISBN: 9780878467631
Category : Catalogs
Languages : en
Pages : 271
Book Description
The first comprehensive exploration of postcards used as propaganda on all sides of the major military and political conflicts of the twentieth century, including World Wars I and II A Russian Socialist worker raises the red flag. Adoring crowds greet Hitler and Mussolini. Uncle Sam orders Americans to enlist. These images and many more circulated by the millions on postcards intended to change minds and inspire actions around the time of the two World Wars. Whether produced by government propaganda bureaus, opportunistic publishers, aid organizations, or resistance movements, postcards conveyed their messages with striking graphics, pithy slogans, and biting caricatures - and in a uniquely personal format. The more than 350 cards reproduced in full colour in this book advocate for political causes and celebrate war efforts on all sides of the major conflicts of the first half of the twentieth century. The accompanying text shows how a ubiquitous form of communication served increasingly sophisticated campaigns in an age of propaganda, and highlights the postcards collected here as both priceless historical documents and masterworks of graphic design.
The Journal of Decorative and Propaganda Arts
Monumental Propaganda
Author: Vitaly Komar
Publisher: Independent Curators International
ISBN:
Category : Art
Languages : en
Pages : 104
Book Description
Artwork by Komar & Melamid. Contributions by Dore Ashton, Remo Guidieri, Andrei Bitov.
Publisher: Independent Curators International
ISBN:
Category : Art
Languages : en
Pages : 104
Book Description
Artwork by Komar & Melamid. Contributions by Dore Ashton, Remo Guidieri, Andrei Bitov.
PSYOP Post-9/11 Leaflets
Author: Christoph Büchel
Publisher: JRP Ringier
ISBN:
Category : Afghan War, 2001-
Languages : en
Pages : 152
Book Description
"An artist's book project on military 'psychological operations'. A collection of over 120 propaganda leaflets that have been dropped by the US Army on Afghanistan and Iraq, as well as other similar material. Based exclusively on material found on the Internet, this publication gives a wide-ranging insight into the propaganda strategies that the American army has adopted in the Near East since September 11. The book is part of the 'PSYOP - Capture their minds and their hearts and souls will follow' project, which Christoph Büchel and Giovanni Carmine created for the 7th Biennale of Sharjah (United Arab Emirates)."--Cornerstone publications website (distributor).
Publisher: JRP Ringier
ISBN:
Category : Afghan War, 2001-
Languages : en
Pages : 152
Book Description
"An artist's book project on military 'psychological operations'. A collection of over 120 propaganda leaflets that have been dropped by the US Army on Afghanistan and Iraq, as well as other similar material. Based exclusively on material found on the Internet, this publication gives a wide-ranging insight into the propaganda strategies that the American army has adopted in the Near East since September 11. The book is part of the 'PSYOP - Capture their minds and their hearts and souls will follow' project, which Christoph Büchel and Giovanni Carmine created for the 7th Biennale of Sharjah (United Arab Emirates)."--Cornerstone publications website (distributor).
Propaganda!
Author: Daniela Büchten
Publisher: Forlaget Press
ISBN: 9788275476447
Category : Labor movement in art
Languages : en
Pages : 0
Book Description
Posters were vehicles of mass communication that set their mark on the country's streets and urban spaces. At the same time the poster genre became a key arena for the Russian avant-garde, which dreamed of an art that united form and function, the masses and the elite. The poster - "produced by the millions for the masses and posted on the streets - brings art to the people", proclaimed Vyacheslav Polonsky. In Norway, artists, advertisers, and political activists were inspired by the Soviet propaganda. This book brings together a broad selection of outstanding Russian poster art, from the constructivists' formal experiments to the socialist realism of the 1930s. It also includes some of the most important Norwegian posters inspired by Soviet posters. 0Exhibition: National Library, Oslo, Norway (28.2.-25.5.2013).
Publisher: Forlaget Press
ISBN: 9788275476447
Category : Labor movement in art
Languages : en
Pages : 0
Book Description
Posters were vehicles of mass communication that set their mark on the country's streets and urban spaces. At the same time the poster genre became a key arena for the Russian avant-garde, which dreamed of an art that united form and function, the masses and the elite. The poster - "produced by the millions for the masses and posted on the streets - brings art to the people", proclaimed Vyacheslav Polonsky. In Norway, artists, advertisers, and political activists were inspired by the Soviet propaganda. This book brings together a broad selection of outstanding Russian poster art, from the constructivists' formal experiments to the socialist realism of the 1930s. It also includes some of the most important Norwegian posters inspired by Soviet posters. 0Exhibition: National Library, Oslo, Norway (28.2.-25.5.2013).
Hotel Dreams
Author: Molly W. Berger
Publisher: JHU Press
ISBN: 1421401843
Category : Technology & Engineering
Languages : en
Pages : 328
Book Description
Winner, 2012 Sally Hacker Prize, Society for the History of Technology Hotel Dreams is a deeply researched and entertaining account of how the hotel's material world of machines and marble integrated into and shaped the society it served. Molly W. Berger offers a compelling history of the American hotel and how it captured the public's imagination as it came to represent the complex—and often contentious—relationship among luxury, economic development, and the ideals of a democratic society. Berger profiles the country's most prestigious hotels, including Boston's 1829 Tremont, San Francisco's world-famous Palace, and Chicago's enormous Stevens. The fascinating stories behind their design, construction, and marketing reveal in rich detail how these buildings became cultural symbols that shaped the urban landscape.
Publisher: JHU Press
ISBN: 1421401843
Category : Technology & Engineering
Languages : en
Pages : 328
Book Description
Winner, 2012 Sally Hacker Prize, Society for the History of Technology Hotel Dreams is a deeply researched and entertaining account of how the hotel's material world of machines and marble integrated into and shaped the society it served. Molly W. Berger offers a compelling history of the American hotel and how it captured the public's imagination as it came to represent the complex—and often contentious—relationship among luxury, economic development, and the ideals of a democratic society. Berger profiles the country's most prestigious hotels, including Boston's 1829 Tremont, San Francisco's world-famous Palace, and Chicago's enormous Stevens. The fascinating stories behind their design, construction, and marketing reveal in rich detail how these buildings became cultural symbols that shaped the urban landscape.
Rigged
Author: David Shimer
Publisher: Vintage
ISBN: 059308196X
Category : Political Science
Languages : en
Pages : 385
Book Description
The definitive history of the covert struggle between Russia and America to influence elections, why the threat to American democracy is greater than ever, and what we can do about it. This is "the first book to put the story of Russian interference into a broader context.... Extraordinary and gripping" (The New York Times Book Review). Russia's interference in the 2016 elections marked only the latest chapter of a hidden and revelatory history. In Rigged, David Shimer tells the sweeping story of covert electoral interference past and present. He exposes decades of secret operations—by the KGB, the CIA, and Vladimir Putin's Russia—to shape electoral outcomes, melding deep historical research with groundbreaking interviews with more than 130 key players, from leading officials in both the Trump and Obama administrations to CIA and NSA directors to a former KGB general. Throughout history and in 2016, both Russian and American operations achieved their greatest success by influencing the way voters think, rather than tampering with actual vote tallies. Understanding 2016 as one battle in a much longer war is essential to comprehending the critical threat currently posed to America's electoral sovereignty and how to defend against it. Illuminating how the lessons of the past can be used to protect our democracy in the future, Rigged is an essential book for readers of every political persuasion.
Publisher: Vintage
ISBN: 059308196X
Category : Political Science
Languages : en
Pages : 385
Book Description
The definitive history of the covert struggle between Russia and America to influence elections, why the threat to American democracy is greater than ever, and what we can do about it. This is "the first book to put the story of Russian interference into a broader context.... Extraordinary and gripping" (The New York Times Book Review). Russia's interference in the 2016 elections marked only the latest chapter of a hidden and revelatory history. In Rigged, David Shimer tells the sweeping story of covert electoral interference past and present. He exposes decades of secret operations—by the KGB, the CIA, and Vladimir Putin's Russia—to shape electoral outcomes, melding deep historical research with groundbreaking interviews with more than 130 key players, from leading officials in both the Trump and Obama administrations to CIA and NSA directors to a former KGB general. Throughout history and in 2016, both Russian and American operations achieved their greatest success by influencing the way voters think, rather than tampering with actual vote tallies. Understanding 2016 as one battle in a much longer war is essential to comprehending the critical threat currently posed to America's electoral sovereignty and how to defend against it. Illuminating how the lessons of the past can be used to protect our democracy in the future, Rigged is an essential book for readers of every political persuasion.
Godless Utopia
Author: Roland Elliott Brown
Publisher: Fuel Publishing
ISBN: 9780995745575
Category : Art
Languages : en
Pages : 0
Book Description
Drawing on the early Soviet atheist magazines Godless and Godless atthe Machine, and postwar posters by Communist Party publishers, the authorpresents an unsettling tour of atheist ideology in the USSR.
Publisher: Fuel Publishing
ISBN: 9780995745575
Category : Art
Languages : en
Pages : 0
Book Description
Drawing on the early Soviet atheist magazines Godless and Godless atthe Machine, and postwar posters by Communist Party publishers, the authorpresents an unsettling tour of atheist ideology in the USSR.
German Design 1949-1989
Author: Mateo Kries
Publisher: Vitra Design Museum
ISBN: 9783945852446
Category :
Languages : en
Pages : 320
Book Description
The fertile dual evolution of design under socialism and capitalism in postwar Germany The cheap, colorful plastic designs of East Germany pitted against the cool functionalism of West German design: German Design 1949-1989: Two Countries, One Historydoes away with such clichés. More than 30 years after German reunification, it presents a comprehensive overview of German design history of the postwar period for the first time ever. With over 300 illustrations and numerous examples from the fields of design--fashion, furniture, graphics, automobile, industrial and interiors--the book shows how design featured in daily life on both sides of the Wall, the important part it played in the reconstruction process and how it served as a propaganda tool during the Cold War. Key objects and protagonists--from Dieter Rams or Otl Aicher in the West to Rudolf Horn or Renate Müller in the East--are presented alongside formative factors such as the Bauhaus legacy and important institutions such as the Hochschule für Gestaltung (HfG) Ulm. The exceptional case of the division of Germany allows a unique comparative perspective on the role design played in promoting socialism and capitalism. While in the Federal Republic to the West, it became a generator of the export economy and the "Made in Germany" brand, in the East it was intended to fuel the socialist planned economy and affordability for broad sections of the population was key. While the book highlights the different realities of East and West, the many cross references that connected design in both are also examined. It impressively illustrates the many facets of German design history in the postwar period: from the domestic sphere to global politics, from industrial products to design's role as a tool of protest that foreshadowed the fall of the Berlin Wall in 1989.
Publisher: Vitra Design Museum
ISBN: 9783945852446
Category :
Languages : en
Pages : 320
Book Description
The fertile dual evolution of design under socialism and capitalism in postwar Germany The cheap, colorful plastic designs of East Germany pitted against the cool functionalism of West German design: German Design 1949-1989: Two Countries, One Historydoes away with such clichés. More than 30 years after German reunification, it presents a comprehensive overview of German design history of the postwar period for the first time ever. With over 300 illustrations and numerous examples from the fields of design--fashion, furniture, graphics, automobile, industrial and interiors--the book shows how design featured in daily life on both sides of the Wall, the important part it played in the reconstruction process and how it served as a propaganda tool during the Cold War. Key objects and protagonists--from Dieter Rams or Otl Aicher in the West to Rudolf Horn or Renate Müller in the East--are presented alongside formative factors such as the Bauhaus legacy and important institutions such as the Hochschule für Gestaltung (HfG) Ulm. The exceptional case of the division of Germany allows a unique comparative perspective on the role design played in promoting socialism and capitalism. While in the Federal Republic to the West, it became a generator of the export economy and the "Made in Germany" brand, in the East it was intended to fuel the socialist planned economy and affordability for broad sections of the population was key. While the book highlights the different realities of East and West, the many cross references that connected design in both are also examined. It impressively illustrates the many facets of German design history in the postwar period: from the domestic sphere to global politics, from industrial products to design's role as a tool of protest that foreshadowed the fall of the Berlin Wall in 1989.