Author: Cynthia Pease Miller
Publisher:
ISBN:
Category : Archival resources
Languages : en
Pages : 528
Book Description
A Guide to Research Collections of Former Members of the United States House of Representatives, 1789-1987
Author: Cynthia Pease Miller
Publisher:
ISBN:
Category : Archival resources
Languages : en
Pages : 528
Book Description
Publisher:
ISBN:
Category : Archival resources
Languages : en
Pages : 528
Book Description
From Slave Ship to Harvard
Author: James H. Johnston
Publisher: Fordham Univ Press
ISBN: 0823239500
Category : Biography & Autobiography
Languages : en
Pages : 313
Book Description
A true story of six generations of an African American family in Maryland. Based on paintings, photographs, books, diaries, court records, legal documents, and oral histories, the book traces Yarrow Mamout and his in-laws, the Turners, from the colonial period through the Civil War to Harvard and finally the present day.
Publisher: Fordham Univ Press
ISBN: 0823239500
Category : Biography & Autobiography
Languages : en
Pages : 313
Book Description
A true story of six generations of an African American family in Maryland. Based on paintings, photographs, books, diaries, court records, legal documents, and oral histories, the book traces Yarrow Mamout and his in-laws, the Turners, from the colonial period through the Civil War to Harvard and finally the present day.
Guide to Research Collections of Former United States Senators 1789-1982
Author: United States. Congress. Senate
Publisher: Government Printing Office
ISBN:
Category :
Languages : en
Pages : 760
Book Description
Publisher: Government Printing Office
ISBN:
Category :
Languages : en
Pages : 760
Book Description
Burnt Out
Author: Michael McCann
Publisher: Mercier Press Ltd
ISBN: 1781176205
Category : History
Languages : en
Pages : 360
Book Description
On 14 August 1969, at the age of 14, Michael McCann and his family fled their home. Life changed totally for the McCanns and the entire nationalist community. Thousands of innocent people vacated their homes, driven out by the initial pogrom and then by the ongoing campaign of expulsion by loyalist violence and intimidation. The British army occupation and the continuing violence utterly devastated communities on a monumental scale. Burnt Out: How the Troubles Began, shows how the truth became one of the first casualties of the horrific events of August 1969. It examines the prominent role of state forces and the unionist government in the violence that erupted in Derry and Belfast and assesses how and why the violence began and generated three decades of subsequent brutality. Against a mountain of contrary evidence, many still choose to blame the violence on the commemoration of the Easter Rising in 1966 and the efforts of the nationalist community to defend themselves on two hellish August nights in the late summer of 1969. Burnt Out: How the Troubles Began, is essential reading for anybody interested in the outbreak and causes of 'the Troubles'.
Publisher: Mercier Press Ltd
ISBN: 1781176205
Category : History
Languages : en
Pages : 360
Book Description
On 14 August 1969, at the age of 14, Michael McCann and his family fled their home. Life changed totally for the McCanns and the entire nationalist community. Thousands of innocent people vacated their homes, driven out by the initial pogrom and then by the ongoing campaign of expulsion by loyalist violence and intimidation. The British army occupation and the continuing violence utterly devastated communities on a monumental scale. Burnt Out: How the Troubles Began, shows how the truth became one of the first casualties of the horrific events of August 1969. It examines the prominent role of state forces and the unionist government in the violence that erupted in Derry and Belfast and assesses how and why the violence began and generated three decades of subsequent brutality. Against a mountain of contrary evidence, many still choose to blame the violence on the commemoration of the Easter Rising in 1966 and the efforts of the nationalist community to defend themselves on two hellish August nights in the late summer of 1969. Burnt Out: How the Troubles Began, is essential reading for anybody interested in the outbreak and causes of 'the Troubles'.
The Woman Behind the Lens
Author: Bettina Berch
Publisher: University of Virginia Press
ISBN: 9780813919386
Category : Biography & Autobiography
Languages : en
Pages : 171
Book Description
Try to picture Mark Twain, or Uncle Remus, or even Theodore Roosevelt. More than likely, you have a Frances Benjamin Johnston image in your mind. Johnston was a significant—and arresting—figure in early twentieth-century photography. Beautifully illustrated with forty examples of her work, this first full-length biography explores the surprising range of Johnston's talent, as well as her high-stepping, controversial character. Johnston produced a good deal of the usual society portraiture of the time—including a nude photograph of a debutante that prompted the girl's outraged father to file a lawsuit—but she was also an important photodocumentarian. Students of African American history can reexamine life at Hampton Institute (now Hampton University) or Tuskegee using hundreds of photographs made by Johnston at the turn of the last century. Through Johnston's work we can see Admiral Dewey on the deck of the USS Olympia, the Roosevelt children playing with their pet pony at the White House, and the gardens of Edith Wharton's famous villa near Paris. Johnston's major project on early vernacular architecture of the American South preserves scores of buildings that no longer exist except on her film. However, while many are familiar with Johnston's photographs, most know little about the woman who made them. And without the context of her life, which Bettina Berch gives us in all its contradiction and color, Johnston's subjects may seem inchoate, her choices part feminist and part reactionary, part radical and part retrograde. Johnston entered photography when the field was relatively new, and professional gender boundaries were still being defined. The invention of lighter equipment and changing technologies in developing meant that photography could be moved from the studio and darkroom—male provinces—out into the street or the home. But the repressiveness of late nineteenth-century society sometimes cast a shadow: there were a host of prescriptions governing proper female behavior, and certainly the sensuality of the human body as a subject caused many to argue that this new art form should remain a male preserve. Within these boundaries, Johnston defined herself as an artist. Raised in an upper-middle-class household in Washington, D.C., she declined to "marry money" and instead made her living as an artist, although she enjoyed the cushion of her family's wealth and connections. In the course of her career, she moved through a series of interests, from portraiture to historic preservation. It is her restlessness, her resistance to easy categorizing, that makes this upper-class bohemian photographer such a fascinating subject herself.
Publisher: University of Virginia Press
ISBN: 9780813919386
Category : Biography & Autobiography
Languages : en
Pages : 171
Book Description
Try to picture Mark Twain, or Uncle Remus, or even Theodore Roosevelt. More than likely, you have a Frances Benjamin Johnston image in your mind. Johnston was a significant—and arresting—figure in early twentieth-century photography. Beautifully illustrated with forty examples of her work, this first full-length biography explores the surprising range of Johnston's talent, as well as her high-stepping, controversial character. Johnston produced a good deal of the usual society portraiture of the time—including a nude photograph of a debutante that prompted the girl's outraged father to file a lawsuit—but she was also an important photodocumentarian. Students of African American history can reexamine life at Hampton Institute (now Hampton University) or Tuskegee using hundreds of photographs made by Johnston at the turn of the last century. Through Johnston's work we can see Admiral Dewey on the deck of the USS Olympia, the Roosevelt children playing with their pet pony at the White House, and the gardens of Edith Wharton's famous villa near Paris. Johnston's major project on early vernacular architecture of the American South preserves scores of buildings that no longer exist except on her film. However, while many are familiar with Johnston's photographs, most know little about the woman who made them. And without the context of her life, which Bettina Berch gives us in all its contradiction and color, Johnston's subjects may seem inchoate, her choices part feminist and part reactionary, part radical and part retrograde. Johnston entered photography when the field was relatively new, and professional gender boundaries were still being defined. The invention of lighter equipment and changing technologies in developing meant that photography could be moved from the studio and darkroom—male provinces—out into the street or the home. But the repressiveness of late nineteenth-century society sometimes cast a shadow: there were a host of prescriptions governing proper female behavior, and certainly the sensuality of the human body as a subject caused many to argue that this new art form should remain a male preserve. Within these boundaries, Johnston defined herself as an artist. Raised in an upper-middle-class household in Washington, D.C., she declined to "marry money" and instead made her living as an artist, although she enjoyed the cushion of her family's wealth and connections. In the course of her career, she moved through a series of interests, from portraiture to historic preservation. It is her restlessness, her resistance to easy categorizing, that makes this upper-class bohemian photographer such a fascinating subject herself.
Closer to Freedom
Author: Stephanie M. H. Camp
Publisher: Univ of North Carolina Press
ISBN: 0807875767
Category : Social Science
Languages : en
Pages : 224
Book Description
Recent scholarship on slavery has explored the lives of enslaved people beyond the watchful eye of their masters. Building on this work and the study of space, social relations, gender, and power in the Old South, Stephanie Camp examines the everyday containment and movement of enslaved men and, especially, enslaved women. In her investigation of the movement of bodies, objects, and information, Camp extends our recognition of slave resistance into new arenas and reveals an important and hidden culture of opposition. Camp discusses the multiple dimensions to acts of resistance that might otherwise appear to be little more than fits of temper. She brings new depth to our understanding of the lives of enslaved women, whose bodies and homes were inevitably political arenas. Through Camp's insight, truancy becomes an act of pursuing personal privacy. Illegal parties ("frolics") become an expression of bodily freedom. And bondwomen who acquired printed abolitionist materials and posted them on the walls of their slave cabins (even if they could not read them) become the subtle agitators who inspire more overt acts. The culture of opposition created by enslaved women's acts of everyday resistance helped foment and sustain the more visible resistance of men in their individual acts of running away and in the collective action of slave revolts. Ultimately, Camp argues, the Civil War years saw revolutionary change that had been in the making for decades.
Publisher: Univ of North Carolina Press
ISBN: 0807875767
Category : Social Science
Languages : en
Pages : 224
Book Description
Recent scholarship on slavery has explored the lives of enslaved people beyond the watchful eye of their masters. Building on this work and the study of space, social relations, gender, and power in the Old South, Stephanie Camp examines the everyday containment and movement of enslaved men and, especially, enslaved women. In her investigation of the movement of bodies, objects, and information, Camp extends our recognition of slave resistance into new arenas and reveals an important and hidden culture of opposition. Camp discusses the multiple dimensions to acts of resistance that might otherwise appear to be little more than fits of temper. She brings new depth to our understanding of the lives of enslaved women, whose bodies and homes were inevitably political arenas. Through Camp's insight, truancy becomes an act of pursuing personal privacy. Illegal parties ("frolics") become an expression of bodily freedom. And bondwomen who acquired printed abolitionist materials and posted them on the walls of their slave cabins (even if they could not read them) become the subtle agitators who inspire more overt acts. The culture of opposition created by enslaved women's acts of everyday resistance helped foment and sustain the more visible resistance of men in their individual acts of running away and in the collective action of slave revolts. Ultimately, Camp argues, the Civil War years saw revolutionary change that had been in the making for decades.
A Chosen Exile
Author: Allyson Hobbs
Publisher: Harvard University Press
ISBN: 0674744810
Category : Social Science
Languages : en
Pages : 395
Book Description
Between the eighteenth and mid-twentieth centuries, countless African Americans passed as white, leaving behind families and friends, roots and community. It was, as Allyson Hobbs writes, a chosen exile, a separation from one racial identity and the leap into another. This revelatory history of passing explores the possibilities and challenges that racial indeterminacy presented to men and women living in a country obsessed with racial distinctions. It also tells a tale of loss. As racial relations in America have evolved so has the significance of passing. To pass as white in the antebellum South was to escape the shackles of slavery. After emancipation, many African Americans came to regard passing as a form of betrayal, a selling of one’s birthright. When the initially hopeful period of Reconstruction proved short-lived, passing became an opportunity to defy Jim Crow and strike out on one’s own. Although black Americans who adopted white identities reaped benefits of expanded opportunity and mobility, Hobbs helps us to recognize and understand the grief, loneliness, and isolation that accompanied—and often outweighed—these rewards. By the dawning of the civil rights era, more and more racially mixed Americans felt the loss of kin and community was too much to bear, that it was time to “pass out” and embrace a black identity. Although recent decades have witnessed an increasingly multiracial society and a growing acceptance of hybridity, the problem of race and identity remains at the center of public debate and emotionally fraught personal decisions.
Publisher: Harvard University Press
ISBN: 0674744810
Category : Social Science
Languages : en
Pages : 395
Book Description
Between the eighteenth and mid-twentieth centuries, countless African Americans passed as white, leaving behind families and friends, roots and community. It was, as Allyson Hobbs writes, a chosen exile, a separation from one racial identity and the leap into another. This revelatory history of passing explores the possibilities and challenges that racial indeterminacy presented to men and women living in a country obsessed with racial distinctions. It also tells a tale of loss. As racial relations in America have evolved so has the significance of passing. To pass as white in the antebellum South was to escape the shackles of slavery. After emancipation, many African Americans came to regard passing as a form of betrayal, a selling of one’s birthright. When the initially hopeful period of Reconstruction proved short-lived, passing became an opportunity to defy Jim Crow and strike out on one’s own. Although black Americans who adopted white identities reaped benefits of expanded opportunity and mobility, Hobbs helps us to recognize and understand the grief, loneliness, and isolation that accompanied—and often outweighed—these rewards. By the dawning of the civil rights era, more and more racially mixed Americans felt the loss of kin and community was too much to bear, that it was time to “pass out” and embrace a black identity. Although recent decades have witnessed an increasingly multiracial society and a growing acceptance of hybridity, the problem of race and identity remains at the center of public debate and emotionally fraught personal decisions.
Lee's Tar Heels
Author: Earl J. Hess
Publisher: Univ of North Carolina Press
ISBN: 080786028X
Category : History
Languages : en
Pages : 456
Book Description
The Pettigrew-Kirkland-MacRae Brigade was one of North Carolina's best-known and most successful units during the Civil War. Formed in 1862, the brigade spent nearly a year protecting supply lines before being thrust into its first major combat at Gettysburg. There, James Johnston Pettigrew's men pushed back the Union's famed Iron Brigade in vicious fighting on July 1 and played a key role in Pickett's Charge on July 3, in the process earning a reputation as one of the hardest-fighting units in Robert E. Lee's Army of Northern Virginia. Despite suffering heavy losses during the Gettysburg campaign, the brigade went on to prove its valor in a host of other engagements. It marched with Lee to Appomattox and was among the last Confederate units to lay down arms in the surrender ceremony. Earl Hess tells the story of the men of the Pettigrew-Kirkland-MacRae Brigade, and especially the famous 26th North Carolina, chronicling the brigade's formation and growth under Pettigrew and its subsequent exploits under William W. Kirkland and William MacRae. Beyond recounting the brigade's military engagements, Hess draws on letters, diaries, memoirs, and service records to explore the camp life, medical care, social backgrounds, and political attitudes of these gallant Tar Heels. He also addresses the continuing debate between North Carolinians and Virginians over the failure of Pickett's Charge.
Publisher: Univ of North Carolina Press
ISBN: 080786028X
Category : History
Languages : en
Pages : 456
Book Description
The Pettigrew-Kirkland-MacRae Brigade was one of North Carolina's best-known and most successful units during the Civil War. Formed in 1862, the brigade spent nearly a year protecting supply lines before being thrust into its first major combat at Gettysburg. There, James Johnston Pettigrew's men pushed back the Union's famed Iron Brigade in vicious fighting on July 1 and played a key role in Pickett's Charge on July 3, in the process earning a reputation as one of the hardest-fighting units in Robert E. Lee's Army of Northern Virginia. Despite suffering heavy losses during the Gettysburg campaign, the brigade went on to prove its valor in a host of other engagements. It marched with Lee to Appomattox and was among the last Confederate units to lay down arms in the surrender ceremony. Earl Hess tells the story of the men of the Pettigrew-Kirkland-MacRae Brigade, and especially the famous 26th North Carolina, chronicling the brigade's formation and growth under Pettigrew and its subsequent exploits under William W. Kirkland and William MacRae. Beyond recounting the brigade's military engagements, Hess draws on letters, diaries, memoirs, and service records to explore the camp life, medical care, social backgrounds, and political attitudes of these gallant Tar Heels. He also addresses the continuing debate between North Carolinians and Virginians over the failure of Pickett's Charge.
Directory of Manuscript Collections Related to Federal Judges, 1789-1997
Stepping Out of the Shadows
Author: Mary Martha Thomas
Publisher: University of Alabama Press
ISBN: 0817307567
Category : History
Languages : en
Pages : 246
Book Description
This text explores the place of women from the perspective of race, class and gender. It disscusses the lives of women in antebellum Alabama and the roles of both black and white women as missionaries during Reconstruction, as reformers and suffrage leaders and as members of the state legislature.
Publisher: University of Alabama Press
ISBN: 0817307567
Category : History
Languages : en
Pages : 246
Book Description
This text explores the place of women from the perspective of race, class and gender. It disscusses the lives of women in antebellum Alabama and the roles of both black and white women as missionaries during Reconstruction, as reformers and suffrage leaders and as members of the state legislature.