Author:
Publisher:
ISBN: 9781909932623
Category :
Languages : en
Pages : 216
Book Description
Reckonings with mortality and art history in the final works of John Hoyland This richly illustrated publication explores the paintings John Hoyland (1934-2011) made in his final decade, including his final series, the Mysteries. Essays by Natalie Adamson, David Anfam, Matthew Collings and Mel Gooding discuss his veneration of Van Gogh, his connections to Turner and his development of the visual language of the Abstract Expressionists.
John Hoyland: the Last Paintings
Author:
Publisher:
ISBN: 9781909932623
Category :
Languages : en
Pages : 216
Book Description
Reckonings with mortality and art history in the final works of John Hoyland This richly illustrated publication explores the paintings John Hoyland (1934-2011) made in his final decade, including his final series, the Mysteries. Essays by Natalie Adamson, David Anfam, Matthew Collings and Mel Gooding discuss his veneration of Van Gogh, his connections to Turner and his development of the visual language of the Abstract Expressionists.
Publisher:
ISBN: 9781909932623
Category :
Languages : en
Pages : 216
Book Description
Reckonings with mortality and art history in the final works of John Hoyland This richly illustrated publication explores the paintings John Hoyland (1934-2011) made in his final decade, including his final series, the Mysteries. Essays by Natalie Adamson, David Anfam, Matthew Collings and Mel Gooding discuss his veneration of Van Gogh, his connections to Turner and his development of the visual language of the Abstract Expressionists.
Hans Hofmann, Late Paintings
Author: John Hoyland
Publisher:
ISBN: 9780295967660
Category : Art
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780295967660
Category : Art
Languages : en
Pages : 0
Book Description
Day of the Artist
Author: Linda Patricia Cleary
Publisher:
ISBN: 9781320549431
Category :
Languages : en
Pages :
Book Description
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
Publisher:
ISBN: 9781320549431
Category :
Languages : en
Pages :
Book Description
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
The Impact of Modern Paints
Author: Jo Crook
Publisher: Watson-Guptill Publications
ISBN:
Category : Art
Languages : en
Pages : 196
Book Description
The authors have added evidence from documentary sources, and from extensive scientific analysis of the works themselves, to show how the latest paints and experimental techniques have brought special qualities to the work of modern painters."--BOOK JACKET.
Publisher: Watson-Guptill Publications
ISBN:
Category : Art
Languages : en
Pages : 196
Book Description
The authors have added evidence from documentary sources, and from extensive scientific analysis of the works themselves, to show how the latest paints and experimental techniques have brought special qualities to the work of modern painters."--BOOK JACKET.
Factual Nonsense
Author: Darren Coffield
Publisher: Troubador Publishing Ltd
ISBN: 1780885261
Category : Art
Languages : en
Pages : 280
Book Description
Joshua's gallery 'Factual Nonsense' was quite unlike any other. Called a 'crazy powerhouse of ideas' it was a kind of cultural think-tank located in the then run-down East End area known as Shoreditch, which would later become a cohesive and creative hub (since rebranded as 'Silicon Roundabout'). Joshua was the driving force that turned the area's fortune and reputation around. Under the auspices of his Factual Nonsense banner, he held some of the most important and influential public art events of the late 20th Century. The first of these was an anarchic swipe at the notion of a traditional village fete called 'A Fete Worse than Death', with some of the biggest but the still yet unknown stars of the art world, including Damien Hirst and Angus Fairhurst, famously dressed as clowns and produced the first spin paintings at the Fete (for sale for the princely sum of £1). Whilst Hirst's spin machine has, from lowly beginnings at the Fete, gone on to appear recently at the World Economic Forum, a billionaire's playground, creating spin paintings for rich oligarch's wives as entertainment, Joshua was to die alone, poverty stricken back in 1996 on the cusp of international fame. Never reaping the rewards that were to come from the economic upturn and Charles Saatchi's Sensation exhibition, his death was a marker for the beginning of an era of international fame and success for his contemporaries and the end of the 'classic' avant-garde. The list of the seventy or so names of people I have interviewed for the book over the past year reads like a who's who of the contemporary art world, with contributions from the likes of Jay Jopling, Damien Hirst, Sarah Lucas, Sam Taylor-Wood, Gary Hume, Gavin Turk, Maureen Paley and Sir Peter Blake. Although Joshua never achieved the recognition that he deserved in his lifetime, he was a pivotal figure in the London art scene during the early 1990's. Josh moved into Hoxton and opened a gallery there and started a veritable art movement, while the place was a neglected London backwater. His lasting legacy was to bring together a group of artists and gallerists and create what is now known as the YBA scene. The text is illustrated with previously unseen photographs, letters and extracts from Joshua's diaries, which give insight into his thought process as well as the deterioration of his mental state towards the end of his brief but eventful life.
Publisher: Troubador Publishing Ltd
ISBN: 1780885261
Category : Art
Languages : en
Pages : 280
Book Description
Joshua's gallery 'Factual Nonsense' was quite unlike any other. Called a 'crazy powerhouse of ideas' it was a kind of cultural think-tank located in the then run-down East End area known as Shoreditch, which would later become a cohesive and creative hub (since rebranded as 'Silicon Roundabout'). Joshua was the driving force that turned the area's fortune and reputation around. Under the auspices of his Factual Nonsense banner, he held some of the most important and influential public art events of the late 20th Century. The first of these was an anarchic swipe at the notion of a traditional village fete called 'A Fete Worse than Death', with some of the biggest but the still yet unknown stars of the art world, including Damien Hirst and Angus Fairhurst, famously dressed as clowns and produced the first spin paintings at the Fete (for sale for the princely sum of £1). Whilst Hirst's spin machine has, from lowly beginnings at the Fete, gone on to appear recently at the World Economic Forum, a billionaire's playground, creating spin paintings for rich oligarch's wives as entertainment, Joshua was to die alone, poverty stricken back in 1996 on the cusp of international fame. Never reaping the rewards that were to come from the economic upturn and Charles Saatchi's Sensation exhibition, his death was a marker for the beginning of an era of international fame and success for his contemporaries and the end of the 'classic' avant-garde. The list of the seventy or so names of people I have interviewed for the book over the past year reads like a who's who of the contemporary art world, with contributions from the likes of Jay Jopling, Damien Hirst, Sarah Lucas, Sam Taylor-Wood, Gary Hume, Gavin Turk, Maureen Paley and Sir Peter Blake. Although Joshua never achieved the recognition that he deserved in his lifetime, he was a pivotal figure in the London art scene during the early 1990's. Josh moved into Hoxton and opened a gallery there and started a veritable art movement, while the place was a neglected London backwater. His lasting legacy was to bring together a group of artists and gallerists and create what is now known as the YBA scene. The text is illustrated with previously unseen photographs, letters and extracts from Joshua's diaries, which give insight into his thought process as well as the deterioration of his mental state towards the end of his brief but eventful life.
Making of the Artist in Late Timurid Painting
Author: Balafrej Lamia Balafrej
Publisher: Edinburgh University Press
ISBN: 147443746X
Category : Art
Languages : en
Pages : 304
Book Description
In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter's delegate, charged with the task of centring and defining artistic work, even as they did not represent the artist's likeness. Influenced by the culture of the majlis, an institutional gathering devoted to intricate literary performances and debates, late Timurid painters used a number of strategies to shift manuscript painting from an illustrative device to a self-reflective object, designed to highlight the artist's imagination and manual dexterity. These strategies include visual abundance, linear precision, the incorporation of inscriptions addressing aspects of the painting and the artist's signature. Focusing on one of the most iconic manuscripts of the Persianate tradition, the Cairo Bustan made in late Timurid Herat and bearing the signatures of the painter Bihzad, this book explores Persian manuscript painting as a medium for artistic performance and self-representation, a process by which artistic authority was shaped and discussed.
Publisher: Edinburgh University Press
ISBN: 147443746X
Category : Art
Languages : en
Pages : 304
Book Description
In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter's delegate, charged with the task of centring and defining artistic work, even as they did not represent the artist's likeness. Influenced by the culture of the majlis, an institutional gathering devoted to intricate literary performances and debates, late Timurid painters used a number of strategies to shift manuscript painting from an illustrative device to a self-reflective object, designed to highlight the artist's imagination and manual dexterity. These strategies include visual abundance, linear precision, the incorporation of inscriptions addressing aspects of the painting and the artist's signature. Focusing on one of the most iconic manuscripts of the Persianate tradition, the Cairo Bustan made in late Timurid Herat and bearing the signatures of the painter Bihzad, this book explores Persian manuscript painting as a medium for artistic performance and self-representation, a process by which artistic authority was shaped and discussed.
The Independent Eye
Author: Eleanor Hughes
Publisher: Art Inst of Chicago
ISBN: 9780300171396
Category : Art
Languages : en
Pages : 179
Book Description
Published to accompany an exhibition on view at the Yale Center for British Art, New Haven, Conn., Sept. 16-Jan. 2, 2010.
Publisher: Art Inst of Chicago
ISBN: 9780300171396
Category : Art
Languages : en
Pages : 179
Book Description
Published to accompany an exhibition on view at the Yale Center for British Art, New Haven, Conn., Sept. 16-Jan. 2, 2010.
The Art of Richard Eurich
Author: Andrew Lambirth
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848221727
Category :
Languages : en
Pages : 0
Book Description
This is the first book to present a comprehensive overview of the entire career of British artist Richard Eurich (1903-1992), a figurative painter of compelling power and often visionary intensity who brought rare imaginative reserves to his depiction of the world around him, as well as to his apprehension of the mysterious and unseen. Eurich was a private man, not given to self-promotion, and as such has not received the widespread attention he deserves. The Art of Richard Eurich locates the artist within the context of 20th-century British art, demonstrating his relevance in all quarters of the art world of the period. Eurich was a draughtsman, landscape painter, teacher, war artist, autobiographer, marine painter extraordinaire, portrait painter, figure painter, satirist, genre painter, visual poet of the beach, and occasional sculptor. His many creative talents are united in this compelling analysis of the man who was responsible for them. Featuring a wide selection of his artworks, from the topographical to the visionary, from the drawn to the painted, this book unspools the narrative of Eurich's life through expertly selected paintings and drawings, and places him in relation to his fellow artists, friends, and contemporaries.
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848221727
Category :
Languages : en
Pages : 0
Book Description
This is the first book to present a comprehensive overview of the entire career of British artist Richard Eurich (1903-1992), a figurative painter of compelling power and often visionary intensity who brought rare imaginative reserves to his depiction of the world around him, as well as to his apprehension of the mysterious and unseen. Eurich was a private man, not given to self-promotion, and as such has not received the widespread attention he deserves. The Art of Richard Eurich locates the artist within the context of 20th-century British art, demonstrating his relevance in all quarters of the art world of the period. Eurich was a draughtsman, landscape painter, teacher, war artist, autobiographer, marine painter extraordinaire, portrait painter, figure painter, satirist, genre painter, visual poet of the beach, and occasional sculptor. His many creative talents are united in this compelling analysis of the man who was responsible for them. Featuring a wide selection of his artworks, from the topographical to the visionary, from the drawn to the painted, this book unspools the narrative of Eurich's life through expertly selected paintings and drawings, and places him in relation to his fellow artists, friends, and contemporaries.
In the Darkest Hour There May Be Light
Author: Damien Hirst
Publisher: Other Criteria
ISBN:
Category : Art
Languages : en
Pages : 146
Book Description
Published to accompany the exhibition held at the Serpentine Galley, London, entitled, 'In the darkest hour there may be light: works from Damien Hirst's murderme colection', 25 November 2006 - 28 January 2007.
Publisher: Other Criteria
ISBN:
Category : Art
Languages : en
Pages : 146
Book Description
Published to accompany the exhibition held at the Serpentine Galley, London, entitled, 'In the darkest hour there may be light: works from Damien Hirst's murderme colection', 25 November 2006 - 28 January 2007.
Diana Armfield
Author: Andrew Lambirth
Publisher:
ISBN: 9781913645076
Category : Art
Languages : en
Pages : 208
Book Description
A centennial celebration of the contemporary British painter Diana Armfield. Painter Diana Armfield has a highly personal attachment to subject and a subtly distinctive affinity with the rhythms of form and tone. These qualities have made her an important, influential figure in modern British art--and a very popular one. She has received her widest acclaim for her flower paintings, but her work is much broader than that. This book--created to mark her one-hundredth birthday--is also a rich representation of the painter's feeling for landscape and place. Featuring two hundred illustrations, including a number of more recent works, this book is a fascinating exploration of her life and work to date. An interview with Armfield by Andrew Lambirth and an essay on her work round out the volume.
Publisher:
ISBN: 9781913645076
Category : Art
Languages : en
Pages : 208
Book Description
A centennial celebration of the contemporary British painter Diana Armfield. Painter Diana Armfield has a highly personal attachment to subject and a subtly distinctive affinity with the rhythms of form and tone. These qualities have made her an important, influential figure in modern British art--and a very popular one. She has received her widest acclaim for her flower paintings, but her work is much broader than that. This book--created to mark her one-hundredth birthday--is also a rich representation of the painter's feeling for landscape and place. Featuring two hundred illustrations, including a number of more recent works, this book is a fascinating exploration of her life and work to date. An interview with Armfield by Andrew Lambirth and an essay on her work round out the volume.