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Author: Publisher: ISBN: 9781909932623 Category : Languages : en Pages : 216
Book Description
Reckonings with mortality and art history in the final works of John Hoyland This richly illustrated publication explores the paintings John Hoyland (1934-2011) made in his final decade, including his final series, the Mysteries. Essays by Natalie Adamson, David Anfam, Matthew Collings and Mel Gooding discuss his veneration of Van Gogh, his connections to Turner and his development of the visual language of the Abstract Expressionists.
Author: Publisher: ISBN: 9781909932623 Category : Languages : en Pages : 216
Book Description
Reckonings with mortality and art history in the final works of John Hoyland This richly illustrated publication explores the paintings John Hoyland (1934-2011) made in his final decade, including his final series, the Mysteries. Essays by Natalie Adamson, David Anfam, Matthew Collings and Mel Gooding discuss his veneration of Van Gogh, his connections to Turner and his development of the visual language of the Abstract Expressionists.
Author: Linda Patricia Cleary Publisher: ISBN: 9781320549431 Category : Languages : en Pages :
Book Description
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
Author: Robert G. Hoyland Publisher: eBooks2go, Inc. ISBN: 1618131311 Category : History Languages : en Pages : 637
Book Description
This book offers a new approach to the vexing question of how to write the early history of Islam. The first part discusses the nature of the Muslim and non-Muslim source material for the seventh- and eighth-century Middle East and argues that by lessening the divide between these two traditions, which has largely been erected by modern scholarship, we can come to a better appreciation of this crucial period. The second part gives a detailed survey of sources and an analysis of some 120 non-Muslim texts, all of which provide information about the first century and a half of Islam (roughly A.D. 620-780). The third part furnishes examples, according to the approach suggested in the first part and with the material presented in the second part, how one might write the history of this time. The fourth part takes the form of excurses on various topics, such as the process of Islamization, the phenomenon of conversion to Islam, the development of techniques for determining the direction of prayer, and the conquest of Egypt. Because this work views Islamic history with the aid of non-Muslim texts and assesses the latter in the light of Muslim writings, it will be essential reading for historians of Islam, Christianity, Judaism, or Zoroastrianism--indeed, for all those with an interest in cultures of the eastern Mediterranean in its traditional phase from Late Antiquity to medieval times.
Author: Jo Crook Publisher: Watson-Guptill Publications ISBN: Category : Art Languages : en Pages : 196
Book Description
The authors have added evidence from documentary sources, and from extensive scientific analysis of the works themselves, to show how the latest paints and experimental techniques have brought special qualities to the work of modern painters."--BOOK JACKET.
Author: Robert G. Hoyland Publisher: Ancient Warfare and Civilizati ISBN: 0199916365 Category : History Languages : en Pages : 321
Book Description
In just over a hundred years--from the death of Muhammad in 632 to the beginning of the Abbasid Caliphate in 750--the followers of the Prophet swept across the whole of the Middle East, North Africa, and Spain. Their armies threatened states as far afield as the Franks in Western Europe and the Tang Empire in China. The conquered territory was larger than the Roman Empire at its greatest expansion, and it was claimed for the Arabs in roughly half the time. How this collection of Arabian tribes was able to engulf so many empires, states, and armies in such a short period of time is a question that has perplexed historians for centuries. Most recent popular accounts have been based almost solely on the early Muslim sources, which were composed centuries later for the purpose of demonstrating that God had chosen the Arabs as his vehicle for spreading Islam throughout the world. In this ground-breaking new history, distinguished Middle East expert Robert G. Hoyland assimilates not only the rich biographical and geographical information of the early Muslim sources but also the many non-Arabic sources, contemporaneous or near-contemporaneous with the conquests. The story of the conquests traditionally begins with the revelation of Islam to Muhammad. In God's Path, however, begins with a broad picture of the Late Antique world prior to the Prophet's arrival, a world dominated by the two superpowers of Byzantium and Sasanian Persia, "the two eyes of the world." In between these empires, in western (Saudi) Arabia, emerged a distinct Arab identity, which helped weld its members into a formidable fighting force. The Arabs are the principal actors in this drama yet, as Hoyland shows, the peoples along the edges of Byzantium and Persia--the Khazars, Bulgars, Avars, and Turks--also played important roles in the remaking of the old world order. The new faith propagated by Muhammad and his successors made it possible for many of the conquered peoples to join the Arabs in creating the first Islamic Empire. Well-paced and accessible, In God's Path presents a pioneering new narrative of one the great transformational periods in all of history.
Author: Anthony Hoyland Publisher: ISBN: 9781861713223 Category : Languages : en Pages : 232
Book Description
ERIC GILL: NUPTIALS OF GOD by ANTHONY HOYLAND ERIC GILL (1882-1940) is one of the major erotic artists of the 20th century, and one of the key British modern artists. Gill is still a controversial figure in art. His personal life was notorious for its sexual relationships. Wyndham Lewis called his work 'excellent and ribald', while influential critic Roger Fry, one of Gill's supporters, said Gill's sculpture was 'the outcome of a desire to express something felt in the adventure of human life.' For Eric Gill, eroticism was a vital part of life, and should be openly displayed in art. He moved from nudes to Madonnas easily and simply: sex and religion were part of the same mystery for him. Eric Gill built eroticism into most of his depictions of people. 'Quite mad on sex', Gill wrote of Jacob Epstein, the sculptor, in his diary (December 9, 1913). The statement might equally apply to Gill. He thought of sex a lot, to put it mildly. EXTRACT FROM CHAPTER FOUR Eric Gill set up mirrors to watch his love-making, collected erotic photographs and books, drew genitals in detail (his own and other people's), wrote up his sexual exploits in his diary, copied out extracts from Havelock Ellis, studied animals mating and recorded their activities in his diary, spent a day photographing himself and the Epstein family nude, played tennis in the nude, made a good deal of erotic art, and spied on people having sex (as in Hyde Park). Robert Speaight said Gill was 'prey to an obsessive curiosity'. Despite his self-confessed fascination with sexuality and human bodies, some critics remarked that Eric Gill was also curiously reticent about it, perhaps due to his Victorian and Non-conformist childhood; he was also seen as being ignorant of women's bodies. Gill's ethical view of sex in art is essentially that of the pornographer: people have sex, so why not show sex in images and texts? It's natural, so it's natural people should depict sexuality in art. Gill wrote in his Autobiography: '...even pornographic photographs are generally photographs of things very good in themselves. I mean: what's wrong with a naked girl that you shouldn't look at the photograph of one? What's wrong with sexual intercourse that it should be considered damnable?' Eric Gill loses himself here in the art versus pornography debate, a tangled area of debate where the relations between art and life, between politics and the body, between things-in-themselves and the representations of them are complicated by all manner of issues. Fully illustrated, featuring many lesser-known works by Eric Gill, as well as the works of his contemporaries, and from the history of erotic art. With bibliography and notes. 232 pages. ISBN 9781861713223. www.crmoon.com
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Author: Linda Patricia Cleary
Author: John Hoyland
Author: Robert G. Hoyland
Author: John Hoyland
Author: Mahatma Gandhi
Author: Jo Crook
Author: Eleanor Hughes
Author: Robert G. Hoyland
Author: Anthony Hoyland