John Twachtman (1853-1902) a "Painter's Painter" PDF Download

Author: Lisa N. Peters
Publisher: IRA Spanierman Gallery
ISBN:
Category : Art
Languages : en
Pages : 270

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Author: Marc Simpson
Publisher: Yale University Press
ISBN:
Category : Art
Languages : en
Pages : 288

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Book Description
Through an innovative manner of handling paint, a group of American artists around 1900 created deceptively simple canvases that convey images of shimmering transcience, visions suggested rather than delineated. Focusing on this singular aesthetic characteristic - softness - this book explores this painterly phenomenon.

Author: Lisa Peters
Publisher:
ISBN: 9780578944425
Category :
Languages : en
Pages :

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Book Description
John Henry Twachtman (1853-1902) reached artistic maturity while living in Greenwich, Connecticut. There he created the paintings of his home and property that would earn him the reputation as the most original of the leading American Impressionists. This volume, accompanying an exhibition held at the Greenwich Historical Society, presents a new approach to Twachtman's Greenwich oeuvre, treating it as a unified project encompassing both the modifications the artist made to his home and the land surrounding it, and the images he derived from this subject matter.Incorporating insights gleaned from architectural study of Twachtman's house -- still extant -- Life and Art establishes a new detailed chronology of Twachtman's Greenwich paintings, revealing a progression in the artist's relationship to his subject. Following early attempts to harmonize his home with the surrounding landscape through painting, gradually Twachtman wielded control over the land and architecture itself. In this self-created world, the artist blended his painting life and home life into a beautiful whole. Illustrated with artworks from the exhibition and other examples from Twachtman's Greenwich years, Life and Art sets forth a new paradigm for considering the artist's relationship to home and work.

Author: Lisa N. Peters
Publisher: Hudson Hills Press
ISBN:
Category : Art
Languages : en
Pages : 200

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Book Description
John Twachtman (1853-1902) was one of the most modern American painters of his day, combining European and American influences to create his own highly individual style noted for its contemplative mood and bold immediacy of composition.

Author: Lisa N. Peters
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 110

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Author: National Museum of American Art (U.S.)
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 114

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Book Description
This volume features artists who brought a new sophistication and elegancento American art in the three decades before World War I. Wealthyndustrialists eager to acquire culture began to patronize native artists whoad achieved international recognition. John Singer Sargent, Irving Wiles andecilia Beaux created portraits of these new patrons, while John La Farge andugustus Saint-Gaudens made luxurious adornments for their homes. One groupf painters - including Louis Comfort Tiffany, Frederick Arthur Bridgman,enry Ossawa Tanner and Charles Sprague Pearce - responded especially to theascnation with exotic Middle Eastern, Egyptian or "Oriental" cultures thatharacterized this age of international imperialism. The educated and refinedspects of Gilded Age culture are expressed here in Renaissance-inspiredaintings by Abbott Thayer and Mary Cassatt. Romantic literary works byisionary Albert Pinkham Ryder symbolize the idealized strivings of thiseneration, while the rugged masculine landscapes of Winslow Homer emblemizehe struggle and conflict that marked this period of contending social and

Author: Susan Behrends Frank
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 196

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Book Description
Luminous works by Childe Hassam, Ernest Lawson, Maurice Prendergast, John Henry Twachtman, are among the 100 seminal works featured in this book showcasing 27 artists. As members of the first generation of American painters to absorb the technique, brighter palette, and subject matter of Impressionism from their French counterparts, these artists transformed the heroic American landscape into a modern idiom, in atmospheric park and beach scenes, urban views, and charming interiors, with particular interest in optical effects, light, and the seasons. This book provides a vivid summary of the movement, starting with its roots in earlier American art and its relationship to French Impressionism. It charts the response of many of these American artists to one of the most beloved movements in 19th century painting. All of the masterworks are here, in full color, from Hassam's sun-drenced gardens to Twachtman's snowy landscapes. It is a celebration of the Impressionist style and it's fresh interpretatiuon of America's landscapes

Author: David Adams Cleveland
Publisher:
ISBN: 9780988902220
Category : Art, American
Languages : en
Pages : 0

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Book Description
A History of American Tonalism: 1880-1920 will change standard theory on American art history with a new paradigm that places the origins of American modernism in the late 1870s. Crucially, it also demonstrates how the Tonalist movement became the driving force in the development of a distinctly American art form: mystic, visionary, and nostalgic, yet essentially modern in its progressive dynamic of non-narrative abstraction--a fundamentally expressive and symbolic art that set its seal on American art then and now. --Book Jacket.

Author: Giles, Zeny
Publisher: Giles
ISBN: 9781911282853
Category : Art
Languages : en
Pages :

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Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870991183
Category : Art
Languages : da
Pages : 366

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Book Description
"When the Metropolitan Museum came into being in 1870, the founders stressed its role in giving popular instruction. Ever since then its public has expressed interest in obtaining a general guidebook to all the multiple facets of its encyclopedic collections. But a museum is a living, constantly changing institution, and the preparation of such a guide presents many problems. The scope and depth of the Museum's holdings are described with flexibility in mind, so that alterations to the building and changes in the collections can be readily accommodated in future editions of this Guide. The number of pages allocated to each department is restricted to multiples of eight pages; this will permit revisions in future editions. A guidebook, however, should not be a straitjacket. It is impossible to locate accurately all works at all times because paintings and objects are constantly being cleaned, restored, loaned to other museums, or rehung within the Metropolitan. In designing a guide that is easily portable and of interest to a large public, severe restrictions have had to be imposed. The text serves an introductory function and is not intended to give the kind of detailed information found in a catalogue or scholarly publication. Many other books published by the Museum are available to anyone wishing to follow his own special interests: a series of popular handbooks and comprehensive catalogues of various aspects of the collections are available in the Museum's bookshops; the Bulletin of The Metropolitan Museum of Art, a general interest magazine covering all phases of Museum activity, appears regularly throughout the year; and the Journal of The Metropolitan Museum of Art, a collection of scholarly monographs, is issued annually. An independent guide covers the collection at The Cloisters, our branch museum of medieval art at Fort Tryon Park"--Introduction