Joe Bob Briggs Goes to the Drive-in PDF Download

Author: Joe Bob Briggs
Publisher: Universe Publishing(NY)
ISBN: 9780789308443
Category : Art
Languages : en
Pages : 260

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Book Description
What the critics are saying: "Beyond the bounds of depravity!"–London Evening Standard "Despicable . . . ugly and obscene . . . a degrading, senseless misuse of film and time." –The Los Angeles Times "People are right to be shocked." –The New Yorker From the murky depths can come the most extraordinary things. . . . Profoundly Disturbing examines the underground cult movies that have–unexpectedly and unintentionally–revolutionized the way that all movies would be made. Called "exploitation films" because they often exploit our most primal fears and desires, these overlooked movies pioneered new cinematographic techniques, subversive narrative structuring, and guerrilla marketing strategies that would eventually trickle up into mainstream cinema. In this book Joe Bob Briggs uncovers the most seminal cult movies of the twentieth century and reveals the fascinating untold stories behind their making. Briggs is best known as the cowboy-hat wearing, Texas-drawling host of Joe Bob's Drive-in Theater and Monstervision, which ran for fourteen years on cable TV. His goofy, disarming take offers a refreshingly different perspective on movies and film making. He will make you laugh out loud but then surprise you with some truly insightful analysis. And, with more than three decades of immersion in the cult movie business, Briggs has a wealth of behind-the-scenes knowledge about the people who starred in, and made these movies. There is no one better qualified or more engaging to write about this subject. All the subgenres in cult cinema are covered, with essays centering around twenty movies including Triumph of the Will (1938), Mudhoney (1965), Night of the Living Dead (1967), Deep Throat (1973), The Texas Chain Saw Massacre (1974), Drunken Master (1978), and Crash (1996). Accompanying the text are dozens of capsule reviews providing ideas for related films to discover, as well as kitschy and fun archival film stills. An essential reference and guide to this overlooked side of cinema, Profoundly Disturbing should be in the home of every movie fan, especially those who think they've seen everything.

Author: Michael Kilgore
Publisher:
ISBN: 9781733365536
Category :
Languages : en
Pages : 236

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Book Description
Drive-Ins of Colorado is the ultimate guide to the history of every drive-in theater in the state from 1947 to the present. Includes dozens of full-color photos, intermission stills, and amazing anecdotes. Written by Michael Kilgore, the West's foremost drive-in theater researcher, recognized by the Library of Congress. Contains a foreword by Joe Bob Briggs, America's foremost, nationally syndicated drive-in movie critic. A full index and background histories of drive-ins in general and Colorado's drive-ins in particular round out the book. The culmination of over 20 years' work from the webmaster of Carload.com.

Author: Joe B. Briggs
Publisher:
ISBN: 9780440543688
Category :
Languages : en
Pages :

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Author: Joe Bob Briggs
Publisher:
ISBN: 9780140110975
Category : American wit and humor
Languages : en
Pages : 325

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Author: Guy Barefoot
Publisher: Bloomsbury Publishing USA
ISBN: 1501365908
Category : Performing Arts
Languages : en
Pages : 273

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Book Description
The Drive-In meaningfully contributes to the complex picture of outdoor cinema that has been central to American culture and to a history of US cinema based on diverse viewing experiences rather than a select number of films. Drive-in cinemas flourished in 1950s America, in some summer weeks to the extent that there were more cinemagoers outdoors than indoors. Often associated with teenagers interested in the drive-in as a 'passion pit' or a venue for exploitation films, accounts of the 1950s American drive-in tend to emphasise their popularity with families with young children, downplaying the importance of a film programme apparently limited to old, low-budget or independent films and characterising drive-in operators as industry outsiders. They retain a hold on the popular imagination. The Drive-In identifies the mix of generations in the drive-in audience as well as accounts that articulate individual experiences, from the drive-in as a dating venue to a segregated space. Through detailed analysis of the film industry trade press, local newspapers and a range of other primary sources including archival records on cinemas and cinema circuits in Arkansas, California, New York State and Texas, this book examines how drive-ins were integrated into local communities and the film industry and reveals the importance and range of drive-in programmes that were often close to that of their indoor neighbours.

Author: Calvin Trillin
Publisher: University of Texas Press
ISBN: 0292726503
Category : Literary Collections
Languages : en
Pages : 197

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Gathers some of Trillin's best writing on subjects near to his heart-- politics, true crime, food, and rare books among them-- which also have a Texas connection.

Author: Joe R Lansdale
Publisher: Tachyon Publications
ISBN: 1616960078
Category : Fiction
Languages : en
Pages : 375

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Godzilla’s in a twelve-step program. A soul-sucking Mummy stalks Elvis and John F. Kennedy. Joe Bob Briggs has a moral dilemma: If your girlfriend turns zombie on you, what do you do? And that’s the tame stuff. In this red-hot collection from world-champion Mojo storyteller Joe R. Lansdale, you’ll find his best, most outrageous stories. The high priest of Texan weirdness does it all: horror, mystery, satire, suspense, and even Westerns. Prepare to be offended, shocked, and cackling like a crazed redneck. Featuring five Bram Stoker Award–winning stories, this career retrospective contains some of Lansdale’s rarer work, his nonfiction forays into drive-in theaters and B-movies, and the novella Bubba Ho-Tep, later made into a cult-classic major motion picture. Come on in—the weirdness is fine.

Author: Calvin Trillin
Publisher: Random House
ISBN: 0593596455
Category : Literary Collections
Languages : en
Pages : 337

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Book Description
NEW YORK TIMES BESTSELLER • A fascinating portrait of journalism and the people who make it, told through pieces collected from the incomparable six-decade career of bestselling author and longtime New Yorker writer Calvin Trillin “The Lede contains profiles . . . that are acknowledged classics of the form and will be studied until A.I. makes hash out of all of us.”—Dwight Garner, The New York Times I’ve been writing about the press almost as long as I’ve been in the game. At some point, it occurred to me that disparate pieces from various places in various styles amounted to a picture from multiple angles of what the press has been like over the years since I became a practitioner and an observer. Calvin Trillin has reported serious pieces across America for The New Yorker, covered the civil rights movement in the South for Time, and written comic verse for The Nation. But one of his favorite subjects over the years—a superb fit for his unique combination of reportage and humor—has been his own professional environment: the American press. In The Lede, Trillin gathers his incisive, often hilarious writing on reporting, reporters, and the media world that is their orbit. He writes about a legendary crime reporter in Miami, a swashbuckling New York Times reporter, and an erudite film critic in Dallas who once a week transformed himself from an appreciator of the French nouvelle vague into a crude connoisseur of movies like Mother Riley Meets the Vampire. There are pieces on the House of Lords aspirations of a North American press baron, the paucity of gossip columns in Russia, the embroilment of a weekly newspaper in a missing person case, and the founding of a publication called Beautiful Spot: A Magazine of Parking. Uniting all of this is Trillin’s signature combination of empathy, humor, and graceful prose. The Lede is an unparalleled portrait of one of our fundamental American institutions from a master journalist.

Author: Joe Bob Briggs
Publisher: Random House (NY)
ISBN: 9780394588902
Category : Humor
Languages : en
Pages : 300

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Book Description
Joe Bob Briggs, the sage of Grapevine, Texas, looks at America, and he doesn't like what he sees.

Author: David Church
Publisher: Edinburgh University Press
ISBN: 0748699112
Category : Performing Arts
Languages : en
Pages : 296

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Too often dismissed as nothing more than 'trash cinema', exploitation films have become both earnestly appreciated cult objects and home video items that are more accessible than ever. In this wide-ranging new study, David Church explores how the history of drive-in theatres and urban grind houses has descended to the home video formats that keep these lurid movies fondly alive today. Arguing for the importance of cultural memory in contemporary fan practices, Church focuses on both the re-release of archival exploitation films on DVD and the recent cycle of 'retrosploitation' films like Grindhouse, Machete, Viva, The Devil's Rejects, and Black Dynamite. At a time when older ideas of subcultural belonging have become increasingly subject to nostalgia, Grindhouse Nostalgia presents an indispensable study of exploitation cinema's continuing allure, and is a bold contribution to our understanding of fandom, taste politics, film distribution, and home video.