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Author: Judah M. Cohen Publisher: Indiana University Press ISBN: 0253040248 Category : Music Languages : en Pages : 328
Book Description
In Jewish Religious Music in Nineteenth-Century America: Restoring the Synagogue Soundtrack, Judah M. Cohen demonstrates that Jews constructed a robust religious musical conversation in the United States during the mid- to late-19th century. While previous studies of American Jewish music history have looked to Europe as a source of innovation during this time, Cohen’s careful analysis of primary archival sources tells a different story. Far from seeing a fallow musical landscape, Cohen finds that Central European Jews in the United States spearheaded a major revision of the sounds and traditions of synagogue music during this period of rapid liturgical change. Focusing on the influences of both individuals and texts, Cohen demonstrates how American Jewish musicians sought to balance artistry and group singing, rather than "progressing" from solo chant to choir and organ. Congregations shifted between musical genres and practices during this period in response to such factors as finances, personnel, and communal cohesiveness. Cohen concludes that the "soundtrack" of 19th-century Jewish American music heavily shapes how we look at Jewish American music and life in the first part of the 21st-century, arguing that how we see, and especially hear, history plays a key role in our understanding of the contemporary world around us. Supplemented with an interactive website that includes the primary source materials, recordings of the music discussed, and a map that highlights the movement of key individuals, Cohen’s research defines more clearly the sound of 19th-century American Jewry.
Author: Judah M. Cohen Publisher: Indiana University Press ISBN: 0253040248 Category : Music Languages : en Pages : 328
Book Description
In Jewish Religious Music in Nineteenth-Century America: Restoring the Synagogue Soundtrack, Judah M. Cohen demonstrates that Jews constructed a robust religious musical conversation in the United States during the mid- to late-19th century. While previous studies of American Jewish music history have looked to Europe as a source of innovation during this time, Cohen’s careful analysis of primary archival sources tells a different story. Far from seeing a fallow musical landscape, Cohen finds that Central European Jews in the United States spearheaded a major revision of the sounds and traditions of synagogue music during this period of rapid liturgical change. Focusing on the influences of both individuals and texts, Cohen demonstrates how American Jewish musicians sought to balance artistry and group singing, rather than "progressing" from solo chant to choir and organ. Congregations shifted between musical genres and practices during this period in response to such factors as finances, personnel, and communal cohesiveness. Cohen concludes that the "soundtrack" of 19th-century Jewish American music heavily shapes how we look at Jewish American music and life in the first part of the 21st-century, arguing that how we see, and especially hear, history plays a key role in our understanding of the contemporary world around us. Supplemented with an interactive website that includes the primary source materials, recordings of the music discussed, and a map that highlights the movement of key individuals, Cohen’s research defines more clearly the sound of 19th-century American Jewry.
Author: Judah M. Cohen Publisher: Indiana University Press ISBN: 025304023X Category : Music Languages : en Pages : 303
Book Description
This study of synagogue music in the United States in the second half of the nineteenth century “sets a high standard for historical musicology” (Musica Judaica). In Jewish Religious Music in Nineteenth-Century America: Restoring the Synagogue Soundtrack, Judah M. Cohen demonstrates that Jews constructed a robust religious musical conversation in the United States during the mid- to late-nineteenth century. While previous studies of American Jewish music history have looked to Europe as a source of innovation during this time, Cohen’s careful analysis of primary archival sources tells a different story. Far from seeing a fallow musical landscape, Cohen finds that Central European Jews in the United States spearheaded a major revision of the sounds and traditions of synagogue music during this period of rapid liturgical change. Focusing on the influences of both individuals and texts, Cohen demonstrates how American Jewish musicians sought to balance artistry and group singing, rather than “progressing” from solo chant to choir and organ. Congregations shifted between musical genres and practices during this period in response to such factors as finances, personnel, and communal cohesiveness. Cohen concludes that the “soundtrack” of nineteenth-century Jewish American music heavily shapes how we look at Jewish American music and life in the first part of the twenty-first century, arguing that how we see, and especially hear, history plays a key role in our understanding of the contemporary world around us. Supplemented with an interactive website that includes the primary source materials, recordings of the music discussed, and a map that highlights the movement of key individuals, Cohen’s research defines more clearly the sound of nineteenth-century American Jewry.
Author: Shari Rabin Publisher: NYU Press ISBN: 147983047X Category : History Languages : en Pages : 201
Book Description
"Jews on the Frontier offers a religious history that begins in an unexpected place: on the road. Shari Rabin recounts the journey of Jewish people as they left Eastern cities and ventured into the American West and South during the nineteenth century. It brings to life the successes and obstacles of these travels, from the unprecedented economic opportunities to the anonymity and loneliness that complicated the many legal obligations of traditional Jewish life. Without government-supported communities or reliable authorities, where could one procure kosher meat? Alone in the American wilderness, how could one find nine co-religionists for a minyan (prayer quorum)? Without identity documents, how could one really know that someone was Jewish?"--[Site internet éditeur].
Author: Abraham Zebi Idelsohn Publisher: Courier Corporation ISBN: 9780486271477 Category : Music Languages : en Pages : 580
Book Description
In this landmark of musical scholarship, the leading 20th-century authority on Jewish music describes and analyzes its elements and characteristics, and chronicles its development from the earliest appearance of Semitic song 2000 years ago to the early 20th century. Liberally illustrating every type of music discussed, the book examines the music as a tonal expression of Judaism, Jewish life and the spiritual aspects of Jewish culture.
Author: Steven R. Weisman Publisher: Simon & Schuster ISBN: 1416573275 Category : History Languages : en Pages : 368
Book Description
“An important beginning to understanding the truth over myth about Judaism in American history” (New York Journal of Books), Steven R. Weisman tells the dramatic story of the personalities that fought each other and shaped this ancient religion in America in the eighteenth and nineteenth centuries. The struggles that produced a redefinition of Judaism illuminate the larger American experience and the efforts by all Americans to reconcile their faith with modern demands. The narrative begins with the arrival of the first Jews in New Amsterdam and plays out over the nineteenth century as a massive immigration takes place at the dawn of the twentieth century. First there was the practical matter of earning a living. Many immigrants had to work on the Sabbath or traveled as peddlers to places where they could not keep kosher. Doctrine was put aside or adjusted. To take their places as equals, American Jews rejected their identity as a separate nation within America. Judaism became an American religion. These profound changes did not come without argument. Steven R. Weisman’s “lucid and entertaining” (Publishers Weekly, starred review) The Chosen Wars tells the stories of the colorful rabbis and activists—including Isaac Mayer Wise, Mordecai Noah, David Einhorn, Rebecca Gratz, and Isaac Lesser—who defined American Judaism and whose disputes divided it into the Reform, Conservative, and Orthodox branches that remain today. “Only rarely does an author succeed in writing a book that reframes how we perceive our own history. The Chosen Wars is...fascinating and provocative” (Jewish Journal).
Author: Laura Yares Publisher: NYU Press ISBN: 1479822280 Category : Religion Languages : en Pages : 264
Book Description
Charts how changes to Jewish education in the nineteenth century served as a site for the wholescale reimagining of Judaism itself The earliest Jewish Sunday schools were female-led, growing from one school in Philadelphia established by Rebecca Gratz in 1838 to an entire system that educated vast numbers of Jewish youth across the country. These schools were modeled on Christian approaches to religious education and aimed to protect Jewish children from Protestant missionaries. But debates soon swirled around the so-called sorry state of “feminized” American Jewish supplemental learning, and the schools were taken over by men within one generation of their creation. It is commonly assumed that the critiques were accurate and that the early Jewish Sunday school was too feminized, saccharine, and dependent on Christian paradigms. Tracing the development of these schools from their inception through the first decade of the twentieth century, this book shows this was not the reality. Jewish Sunday Schools argues that the work of the women who shepherded Jewish education in the early Jewish Sunday school had ramifications far outside the classroom. Indeed, we cannot understand the nineteenth-century American Jewish experience, and how American Judaism sought to sustain itself in an overwhelmingly Protestant context, without looking closely at the development of these precursors to Hebrew School. Jewish Sunday Schools provides an in-depth portrait of a massively understudied movement that acted as a vital means by which American Jews explored and reconciled their religious and national identities.
Author: Artur Holde Publisher: Open Road Media ISBN: 1504066839 Category : Music Languages : en Pages : 395
Book Description
This authoritative history chronicles the work and lives of great Jewish musicians around the world from the early nineteenth century to the mid-twentieth. Since the Age of Enlightenment, Jewish musicians, composers, and musicologists have greatly enriched the artistic legacies of cultures and countries on a global scale. Their contributions have been a major influence on numerous musical forms, both secular and sacred. Jews in Music presents a survey of these accomplishments through the rise of Zionism, the settlement of the Jewish Homeland, and the burgeoning Jewish music developments in America. Jews in Music presents a detailed history ranging from the symphonies of Felix Mendelssohn to the Broadway musicals of Leonard Bernstein, from the great touring violinists of Western Europe to the pioneers of commercial music recording. Plus, a section on sacred music explores in depth the evolution of the musical components of the synagogue, including the chants, compositions, and traditional songs of the chazzanim.
Author: Publisher: McFarland ISBN: 0786455098 Category : Music Languages : en Pages : 213
Book Description
With the nineteenth century came new freedom for European Jews. Enjoying an integration that had been denied since the Middle Ages, they now wrestled with the form and degree of that integration in all areas of their lives, including in their creation, appreciation, and criticism of music. The writings focus on Jewish musicology, biography, historical surveys, secular music and songs performed in the synagogue.
Author: Judah M. Cohen
Author: Judah M. Cohen
Author: Judah M. Cohen
Author: Joshua S. Walden
Author: Shari Rabin
Author: Abraham Zebi Idelsohn
Author: Steven R. Weisman
Author: Laura Yares
Author: Artur Holde
Author: Herbert Fromm
Author: