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Author: George Frideric Handel Publisher: Alfred Music ISBN: 9781457468926 Category : Music Languages : en Pages : 284
Book Description
Jephtha, Handel's last oratorio, was commenced on the 21st of January 1751 and finished on August 30 of the same year, after several interruptions caused by the composer's eye-disease and occaisional blindness. The words were written by Dr. Thomas Morell. SATB with SSATB Soli
Author: George Frideric Handel Publisher: Alfred Music ISBN: 9781457468926 Category : Music Languages : en Pages : 284
Book Description
Jephtha, Handel's last oratorio, was commenced on the 21st of January 1751 and finished on August 30 of the same year, after several interruptions caused by the composer's eye-disease and occaisional blindness. The words were written by Dr. Thomas Morell. SATB with SSATB Soli
Author: Deborah W. Rooke Publisher: Oxford University Press (UK) ISBN: 0199279284 Category : Music Languages : en Pages : 279
Book Description
Combining the insights of present-day biblical studies with those of Handelian studies, this book examines the libretti of ten of Handel's Israelite oratorios and evaluates the relationship between each libretto and the biblical story on which it is based.
Author: Howard E. Smither Publisher: UNC Press Books ISBN: 0807837768 Category : Music Languages : en Pages : 420
Book Description
Written by an eminent scholar in a style that represents American musicological writing at its communicative best, A History of the Oratorio offers a synthesis and critical appraisal so exhaustive and reliable that the serious student of the oratorio will be compelled to look to these volumes as an indispensable source. No work on the history of the oratorio has yet appeared in the English language that is comparable in scope and treatment with Howard Smither's comprehensive four-volume work. The first part of volume 2 examines in depth the antecedents and origins of the oratorio in Protestant Germany in the seventeenth century. It includes discussions of the Lutheran Historia, sacred dramatic dialogues, and the Lubeck Abendmusiken of Buxtehude. The second part treats the oratorio in Protestant Germany in the early eighteenth century and examines Handel, Reinhard Keiser, and J.S. Bach. The third part considers primarily the English oratorios of Handel. In most sections of A History of the Oratorio, the author has selected for special attention a few oratorios that are representative of each geographical area and period. An exception to this procedure is in the section on Handel in this volume, where all of the composer's English oratorios are treated fully with particular reference to recent specialized Handel studies. Volume 1, The Oratorio in the Baroque Era: Italy, Vienna, Paris, and Volume 3, The Oratorio in the classical Era, expand and continue the study of oratorio history. Although this series was originally announced as a three-volume study, Smither will conclude with a fourth volume. Originally published in 1977. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: Paul Henry Lang Publisher: Courier Corporation ISBN: 0486144593 Category : Music Languages : en Pages : 794
Book Description
Exceptionally full, detailed study of the man, his music and times. Childhood, music training, years in London; analysis of Messiah and other works; much more. Introduction. Includes 35 illustrations.
Author: John Yaffé Publisher: Scarecrow Press ISBN: 0810883147 Category : Music Languages : en Pages : 550
Book Description
Conductors John Yaffé and David Daniels have created a one-stop sourcebook for orchestras, opera companies, conductors, and librarians who research and/or prepare programs of vocal excerpts—such as solos, ensembles, and choruses—for concert performance. In this book, readers will find detailed information on a vast repertoire of vocal pieces commonly extracted from operas, operettas, musicals, and oratorios—more than 1,750 excerpts from 450 parent works. Modeled on Daniels’ Orchestral Music, Arias, Ensembles, & Choruses includes basic historical details about each parent work as well as extract titles, subtitles, voice types, keys, durations, locations in the original work (with page numbers in both full scores and piano-vocal scores), and exact instrumentation. It also lists the publishers that make available the orchestral materials for just the excerpt being programmed, independent of the full parent work. Until now, conductors and orchestra librarians commonly had to first leaf through full scores, searching for one elusive three-minute aria after another, only to then consult multiple publishers' catalogues to compile crucial information on all the excerpts proposed for a concert or recording. This book constitutes a single source for finding that information. In many cases, the individual entries include valuable insider information on common performance practice, including start- and stop-points, transpositions, and conventional cuts. Searching for repertoire is made easy with the detailed title index and appendixes devoted to ensemble excerpts, all categorized by personnel (e.g., duets, trios, quartets, quintets, sextets, choruses) and language (Czech, English, French, German, Italian, Latin, Russian). This book is the ideal tool for the working conductor and orchestral librarian, as well as music program directors at colleges and conservatories, opera companies, and symphony orchestras. As of October 2015, a new printing of this book has occurred to correct errors in the index. A PDF version of the new index is available to previous purchasers of the volume. Please contact Rowman & Littlefield's music editor for assistance.
Author: Ben Finane Publisher: Continuum ISBN: Category : Music Languages : en Pages : 152
Book Description
This is Handel's massive drama of human redemption and the most popular oratorio in the history of Western music. After 250 years (1741), it has the power to move listeners spiritually and musically. Drawing from both Testaments, Handel's Messiah has spawned groups of listeners dedicated to its performance. Musically, Messiah ranges from madrigal to aria, with an unvarying transparency of expression, imbued with humility and grace.
Author: Jeremy Hugh Baron Publisher: Government Institutes ISBN: 0761851089 Category : Religion Languages : en Pages : 392
Book Description
During the last twelve years, Dr. Baron has led fifty pre-Sabbath-service seminars at the Society for the Advancement of Judaism, New York and/or the New London Synagogue. These didactic essays explore the Bible, theology, liturgy, social responsibility, and the arts - from Who wrote the Bible? to Mark Twain's Concerning the Jews. Each chapter examines a problem that had perplexed Baron, and for which he provides a detailed evidence-based review together with sources. He pursues each issue from hundreds or thousands of years ago to the present, including both the Diaspora and Israel. He looks at what countries bordering Palestine had discussed and practiced, and scrutinizes the attitudes of other Abrahamic and Eastern religions and their differing denominations. Finally, he attempts to assess the relevance of each topic for the twenty-first century.
Author: George Frideric Handel
Author: George Frideric Handel
Author: Deborah W. Rooke
Author: Edward Everett Hale
Author: Howard E. Smither
Author: Howard E. Smither
Author: Paul Henry Lang
Author: Alfred Whittingham
Author: John Yaffé
Author: Ben Finane
Author: Jeremy Hugh Baron