A Complete Dictionary of Music PDF Download

Author: Jean-Jacques Rousseau
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 496

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Author: Trudy Gottlieb Ettelson
Publisher:
ISBN:
Category :
Languages : en
Pages : 634

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Author: Jean-Jacques Rousseau
Publisher: UPNE
ISBN: 1584658002
Category : Literary Criticism
Languages : en
Pages : 658

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"J.J. was born for music," Jean-Jacques Rousseau wrote of himself, "not to be consumed in its execution, but to speed its progress and make discoveries about it. His ideas on the art and about the art are fertile, inexhaustible." Rousseau was a practicing musician and theorist for years before publication of his first Discourse, but until now scholars have neglected these ideas. This graceful translation remedies both those failings by bringing together the Essay, which John T. Scott says "most clearly displays the juncture between Rousseau's musical theory and his major philosophical works," with a comprehensive selection of the musical writings. Many of the latter are responses to authors like Rameau, Grimm, and Raynal, and a unique feature of this edition is the inclusion of writings by these authors to help establish the historical and ideological contexts of Rousseau's writings and the intellectual exchanges of which they are a part. With an introduction that provides historical background, traces the development of Rousseau's musical theory, and shows that these writings are not an isolated part of his oeuvre but instead are animated by the same "system," this volume fashions a much-needed portal through which literary scholars, musicologists, historians, and political theorists can enter into an important but hitherto overlooked chamber of Rousseau's vast intellectual palace.

Author: Cassandra Pritchett Mabe
Publisher:
ISBN:
Category :
Languages : en
Pages : 240

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Author: Michael O'Dea
Publisher: Springer
ISBN: 1349239305
Category : Philosophy
Languages : en
Pages : 292

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'...discusses virtually all the musical writings which figure in this tome of the Oeuvres completes and may even be read as a companion volume, providing a key to the understanding of its various texts...O'Dea's vividly textured and finely nuanced reading of Rousseau's musical imagination plainly does complement the Pleiade collection in two striking ways...it offers a general interpretation of the place of the philosophy of music in Rousseau's thought that is addressed to concepts which flit in and out of particular works, articulated in a voice whose clarity of tone is unmatched by a chorus of editors. Second, it pursues its case across a range of texts spread far beyond the limits of any collection of Rousseau's essays on music.' - Robert Wokler, French Literature This new study of Jean-Jacques Rousseau suggests that his early articles on music for the Encyclopidie give a unique insight into his thinking on aesthetics, affectivity and desire. Rousseau is shown as moving subsequently between two opposed tendencies. He celebrates the voice as the vehicle for the most intense moments of human experience but also frequently attacks the surrender to passion implicit in that celebration, denouncing the arts and arguing that women must be confined to the domestic sphere.

Author: Jean-Jacques Rousseau
Publisher: Boethius Press
ISBN:
Category : Literary Criticism
Languages : fr
Pages : 58

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[orig Fr: Projet Concernant de Nouveaux Signes pour la Musique, 1742]Rousseau, one of the most influential thinkers of 18th-century France, marked his arrival in Paris by reading to the Académie des Sciences a paper in which he presented a new system of musical notation. His proposals were to form the basis of the 19th-century method of teaching music devised by Pierre Galin and his associates. Rousseau's own publication, here reprinted, is in an elegant and lucid prose whose style is admirably captured in Bernarr Rainbow's page by page parallel translation.

Author: Jean-Jacques Rousseau
Publisher:
ISBN:
Category : Language and languages
Languages : en
Pages : 664

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Author: Jean-Jacques Rousseau
Publisher: University of Chicago Press
ISBN: 0226921883
Category : Political Science
Languages : en
Pages : 344

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This “fresh new rendition of Rousseau’s major political writings is a boon for scholars and students alike”—with a critical introduction by the translator (Richard Boyd, Georgetown University). Individualist and communitarian. Anarchist and totalitarian. Progressive and reactionary. Since the eighteenth century, Jean-Jacques Rousseau has been called all of these things. Few philosophers have been the subject of such intense debate, yet almost everyone agrees that Rousseau is among the most important political thinkers in history. Renowned Rousseau scholar John T. Scott highlights his enduring influence with this superb new edition of his major political writings. This volume includes authoritative and lucid new translations of the Discourse on the Sciences and Arts, the Discourse on the Origin and Foundations of Inequality Among Men, and On the Social Contract. The two Discourses show Rousseau developing his well-known conception of the natural goodness of man and the problems posed by life in society. With the Social Contract, Rousseau became the first major thinker to argue that democracy is the only legitimate form of political organization. Scott’s extensive introduction enhances our understanding of these foundational writings, providing background information, social and historical context, and guidance for interpreting the works. Throughout, translation and editorial notes clarify ideas and terms that might not be immediately familiar to most readers.

Author: Jean-Jacques Rousseau
Publisher: Newcomb Livraria Press
ISBN: 3989887122
Category : Philosophy
Languages : en
Pages : 76

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A new 2023 translation into English from the original manuscripts of Rousseau's classic and influential 1743 "Dissertation on modern music" (Dissertation sur la musique moderne), a pioneering work on music theory. Here Rousseau critiques the contemporary music of his time and advocates for a return to nature and simplicity in music. He argues that music should be based on natural sounds, rather than the artificial conventions of Western music. Rousseau's ideas on music would go on to influence later composers, such as Beethoven and Wagner.

Author: Julia Simon
Publisher: Penn State Press
ISBN: 0271069678
Category : Philosophy
Languages : en
Pages : 359

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Book Description
Renowned for his influence as a political philosopher, a writer, and an autobiographer, Jean-Jacques Rousseau is known also for his lifelong interest in music. He composed operas and other musical pieces, invented a system of numbered musical notation, engaged in public debates about music, and wrote at length about musical theory. Critical analysis of Rousseau’s work in music has been principally the domain of musicologists, rarely involving the work of scholars of political theory or literary studies. In Rousseau Among the Moderns, Julia Simon puts forth fresh interpretations of The Social Contract, the Discourse on the Origin of Inequality, and the Confessions, as well as other texts. She links Rousseau’s understanding of key concepts in music, such as tuning, harmony, melody, and form, to the crucial problem of the individual’s relationship to the social order. The choice of music as the privileged aesthetic object enables Rousseau to gain insight into the role of the aesthetic realm in relation to the social and political body in ways often associated with later thinkers. Simon argues that much of Rousseau’s “modernism” resides in the unique role that he assigns to music in forging communal relations.