Japanese Lacquer, 1600-1900 PDF Download

Author: Andrew Pekarik
Publisher: Metropolitan Museum of Art
ISBN: 0870992473
Category : Lacquer and lacquering
Languages : en
Pages : 148

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Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870996223
Category : Lacquer and lacquering
Languages : en
Pages : 402

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The Irving Collection represents a wide range of styles and techniques from the 13th through the twentieth centuries.

Author: Elizabeth Lillehoj
Publisher: University of Hawaii Press
ISBN: 9780824826994
Category : Art
Languages : en
Pages : 320

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Book Description
In the West, classical art - inextricably linked to concerns of a ruling or dominant class - commonly refers to art with traditional themes and styles that resurrect a past golden era. Although art of the early Edo period (1600-1868) encompasses a spectrum of themes and styles, references to the past are so common that many Japanese art historians have variously described this period as a classical revival, era of classicism, or a renaissance. How did seventeenth-century artists and patrons imagine the past? Why did they so often select styles and themes from the court culture of the Heian period (794-1185)? Were references to the past something new, or were artists and patrons in previous periods equally interested in manners that came to be seen as classical? How did classical manners relate to other styles and themes found in Edo art? In considering such questions, the contributors to this volume hold that classicism has been an amorphous, changing concept in Japan - just as in the West. Troublesome in its ambiguity and implications, it cannot be separated from the political and ideological interests of those who have employed it over the years. The modern writers who firs

Author: Filip Suchomel
Publisher:
ISBN: 9788070352359
Category : Arts and crafts
Languages : en
Pages : 367

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Author: Jan Dees
Publisher:
ISBN: 9783777435060
Category : Art, Japanese
Languages : en
Pages : 0

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Breaking out of Tradition' traces the pioneering developments in lacquer art at the beginning of the 20th century in Japan. The lacquer artists of that time adopted a critical and creative approach to the centuries-old traditions, experimenting with innovative techniques and new materials, thereby also providing new stimuli for Western art.00The publication examines the revolution in Japanese lacquer art from the end of the 19th until the middle of the 20th century. In an era marked by political and cultural change the founding of art societies and academies led to the strengthening of artists as individuals. Traditional values stood in opposition to modern tendencies, in many cases coming from the West. In the search for a modern identity, lacquer art experienced a golden age characterised by creativity, innovation and a wealth of ideas.00Exhibition: Museum of Lacquer Art, Münster, Germany (02.04. - 14.06.2020) / Rijksmuseum, Amsterdam, The Netherlands (03.07. - 30.08.2020).

Author: Christine Guth
Publisher: Univ of California Press
ISBN: 0520379810
Category : Art
Languages : en
Pages : 264

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"Crafts were central to daily life in early modern Japan. They were powerful carriers of knowledge, sociality, and identity, and how and from what materials they were made were matters of serious concern among all classes of society. In Craft Culture in Early Modern Japan, Christine M. E. Guth examines the network of forces--both material and immaterial--that supported Japan's rich, diverse, and aesthetically sophisticated artifactual culture between the late sixteenth and mid-nineteenth centuries. Exploring the institutions, modes of thought, and reciprocal relationships among people, materials, and tools, she draws particular attention to the role of women in crafts, embodied knowledge, and the special place of lacquer as a medium. By examining the ways and values of making that transcend specific media and practices, Guth illuminates the 'craft culture' of early modern Japan"--

Author: Beatrix von Ragué
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 332

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Author: Dallas Museum of Art
Publisher: Yale University Press
ISBN: 0300094078
Category : Art
Languages : en
Pages : 332

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A time of dramatic social and political change, and of brilliant artistic innovation and achievement, the Momoyama period (1568 - 1615) was one of the most dynamic eras in Japan’s history. This book displays spectacular Momoyama masterpieces in many media - paintings, sculpture, calligraphy, tea ceremony utensils, lacquerware, ceramics, metalwork, arms and armor, textiles, and Noh masks - and places each work of art into its historical and cultural context.

Author: Andrew Mark Watsky
Publisher: University of Washington Press
ISBN: 9780295983271
Category : Art
Languages : en
Pages : 376

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In this meticulous and lucid study, Andrew Watsky keenly illustrates how private belief and political ambition influenced artsitic production at the intersection of institutional Buddhism and Shinto during this tumultuous period of rapid and radical political, social, and aesthetic changes. He offers substantial conclusions not only about the specific site, but also, more broadly, about the nature of art production in Japan and how perceptions of the sacred shaped the concerns and actions of the secular rulers ... Watsky has had unique access to the island, and many of the images included here have not previously been published. -- Book Jacket.

Author:
Publisher: UM Libraries
ISBN:
Category : Art, East Asian
Languages : en
Pages : 520

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