Author: Terrie Sultan
Publisher: University of Texas Press
ISBN: 0292709927
Category : Art
Languages : en
Pages : 160
Book Description
A prolific artist with a prodigious gift for stimulating the creativity of others, James Surls is one of the most important sculptors working in America today. His art blends natural forms created of wood, steel, and bronze with sophisticated, sometimes edgy imagery and content to explore fundamental dualities and paradoxes—male and female, joyous optimism and anxious foreboding, conscious rationality and unconscious intuition. Fusing personalized folk idioms with the aesthetics of high modernism, Surls's sculptures are clearly self-expressive, yet freighted with universal meaning. This beautifully illustrated book, which accompanies an exhibition of the same name at the Blaffer Gallery, the Art Museum of the University of Houston, captures an extraordinarily creative period in Surls's career—the two decades he lived and worked in Splendora, Texas. During this time, Surls established a home and artists' colony in the East Texas pineywoods, where he produced an astonishing body of work while encouraging the creativity of other visual and performing artists. Magnificent color and black-and-white images illustrate the key sculptures and works on paper that Surls created in Splendora. Accompanying the images are essays and interviews that offer fascinating insights into Surls's artistic breakthrough in Splendora. Terrie Sultan introduces Surls's work and provides a concise biography of the artist. Eleanor Heartney places Surls's Splendora works within the larger contexts of American and international art. Artists and gallery owners John Alexander, Joseph Havel, The Art Guys, Hiram Butler, and Sharon and Gus Kopriva, as well as curator Jim Harithas and architect Peter Zweig, share lively memories of Splendora as an artist colony and of Surls's pivotal role as artistic mentor and arts impresario for the whole Houston-area arts community. James Surls and his wife Charmaine Locke add a personal signature to the book by describing how their love and their work blossomed in an atmosphere of total freedom to experiment and create. This publication of James Surls's Splendora works clearly establishes that no other artist of Surls's generation has had a greater impact upon the development of Texas as a center of vibrant creativity. At the same time, it confirms Surls's standing within the contemporary international art world as a revolutionary who has expanded the boundaries of traditional sculpture while maintaining a high degree of aesthetic and intellectual quality.
James Surls: The Splendora Years, 1977-1997
Author: Terrie Sultan
Publisher: University of Texas Press
ISBN: 0292709927
Category : Art
Languages : en
Pages : 160
Book Description
A prolific artist with a prodigious gift for stimulating the creativity of others, James Surls is one of the most important sculptors working in America today. His art blends natural forms created of wood, steel, and bronze with sophisticated, sometimes edgy imagery and content to explore fundamental dualities and paradoxes—male and female, joyous optimism and anxious foreboding, conscious rationality and unconscious intuition. Fusing personalized folk idioms with the aesthetics of high modernism, Surls's sculptures are clearly self-expressive, yet freighted with universal meaning. This beautifully illustrated book, which accompanies an exhibition of the same name at the Blaffer Gallery, the Art Museum of the University of Houston, captures an extraordinarily creative period in Surls's career—the two decades he lived and worked in Splendora, Texas. During this time, Surls established a home and artists' colony in the East Texas pineywoods, where he produced an astonishing body of work while encouraging the creativity of other visual and performing artists. Magnificent color and black-and-white images illustrate the key sculptures and works on paper that Surls created in Splendora. Accompanying the images are essays and interviews that offer fascinating insights into Surls's artistic breakthrough in Splendora. Terrie Sultan introduces Surls's work and provides a concise biography of the artist. Eleanor Heartney places Surls's Splendora works within the larger contexts of American and international art. Artists and gallery owners John Alexander, Joseph Havel, The Art Guys, Hiram Butler, and Sharon and Gus Kopriva, as well as curator Jim Harithas and architect Peter Zweig, share lively memories of Splendora as an artist colony and of Surls's pivotal role as artistic mentor and arts impresario for the whole Houston-area arts community. James Surls and his wife Charmaine Locke add a personal signature to the book by describing how their love and their work blossomed in an atmosphere of total freedom to experiment and create. This publication of James Surls's Splendora works clearly establishes that no other artist of Surls's generation has had a greater impact upon the development of Texas as a center of vibrant creativity. At the same time, it confirms Surls's standing within the contemporary international art world as a revolutionary who has expanded the boundaries of traditional sculpture while maintaining a high degree of aesthetic and intellectual quality.
Publisher: University of Texas Press
ISBN: 0292709927
Category : Art
Languages : en
Pages : 160
Book Description
A prolific artist with a prodigious gift for stimulating the creativity of others, James Surls is one of the most important sculptors working in America today. His art blends natural forms created of wood, steel, and bronze with sophisticated, sometimes edgy imagery and content to explore fundamental dualities and paradoxes—male and female, joyous optimism and anxious foreboding, conscious rationality and unconscious intuition. Fusing personalized folk idioms with the aesthetics of high modernism, Surls's sculptures are clearly self-expressive, yet freighted with universal meaning. This beautifully illustrated book, which accompanies an exhibition of the same name at the Blaffer Gallery, the Art Museum of the University of Houston, captures an extraordinarily creative period in Surls's career—the two decades he lived and worked in Splendora, Texas. During this time, Surls established a home and artists' colony in the East Texas pineywoods, where he produced an astonishing body of work while encouraging the creativity of other visual and performing artists. Magnificent color and black-and-white images illustrate the key sculptures and works on paper that Surls created in Splendora. Accompanying the images are essays and interviews that offer fascinating insights into Surls's artistic breakthrough in Splendora. Terrie Sultan introduces Surls's work and provides a concise biography of the artist. Eleanor Heartney places Surls's Splendora works within the larger contexts of American and international art. Artists and gallery owners John Alexander, Joseph Havel, The Art Guys, Hiram Butler, and Sharon and Gus Kopriva, as well as curator Jim Harithas and architect Peter Zweig, share lively memories of Splendora as an artist colony and of Surls's pivotal role as artistic mentor and arts impresario for the whole Houston-area arts community. James Surls and his wife Charmaine Locke add a personal signature to the book by describing how their love and their work blossomed in an atmosphere of total freedom to experiment and create. This publication of James Surls's Splendora works clearly establishes that no other artist of Surls's generation has had a greater impact upon the development of Texas as a center of vibrant creativity. At the same time, it confirms Surls's standing within the contemporary international art world as a revolutionary who has expanded the boundaries of traditional sculpture while maintaining a high degree of aesthetic and intellectual quality.
Collision
Author: Pete Gershon
Publisher: Texas A&M University Press
ISBN: 1623496330
Category : Art
Languages : en
Pages : 482
Book Description
Winner, 2019 Ron Tyler Award for Best Illustrated Book, sponsored by the Texas State Historical Association (TSHA) In this expansive and vigorous survey of the Houston art scene of the 1970s and 1980s, author Pete Gershon describes the city’s emergence as a locus for the arts, fueled by a boom in oil prices and by the arrival of several catalyzing figures, including museum director James Harithas and sculptor James Surls. Harithas was a fierce champion for Texan artists during his tenure as the director of the Contemporary Arts Museum–Houston (CAM). He put Texas artists on the map, but his renegade style proved too confrontational for the museum’s benefactors, and after four years, he wore out his welcome. After Harithas’s departure from the CAM, the chainsaw-wielding Surls established the Lawndale Annex as a largely unsupervised outpost of the University of Houston art department. Inside this dirty, cavernous warehouse, a new generation of Houston artists discovered their identities and began to flourish. Both the CAM and the Lawndale Annex set the scene for the emergence of small, downtown, artist-run spaces, including Studio One, the Center for Art and Performance, Midtown Arts Center, and DiverseWorks. Finally, in 1985, the Museum of Fine Arts presented Fresh Paint: The Houston School, a nationally publicized survey of work by Houston painters. The exhibition capped an era of intensive artistic development and suggested that the city was about to be recognized, along with New York and Los Angeles, as a major center for art-making activity. Drawing upon primary archival materials, contemporary newspaper and magazine accounts, and over sixty interviews with significant figures, Gershon presents a narrative that preserves and interweaves the stories and insights of those who transformed the Houston art scene into the vibrant community that it is today.
Publisher: Texas A&M University Press
ISBN: 1623496330
Category : Art
Languages : en
Pages : 482
Book Description
Winner, 2019 Ron Tyler Award for Best Illustrated Book, sponsored by the Texas State Historical Association (TSHA) In this expansive and vigorous survey of the Houston art scene of the 1970s and 1980s, author Pete Gershon describes the city’s emergence as a locus for the arts, fueled by a boom in oil prices and by the arrival of several catalyzing figures, including museum director James Harithas and sculptor James Surls. Harithas was a fierce champion for Texan artists during his tenure as the director of the Contemporary Arts Museum–Houston (CAM). He put Texas artists on the map, but his renegade style proved too confrontational for the museum’s benefactors, and after four years, he wore out his welcome. After Harithas’s departure from the CAM, the chainsaw-wielding Surls established the Lawndale Annex as a largely unsupervised outpost of the University of Houston art department. Inside this dirty, cavernous warehouse, a new generation of Houston artists discovered their identities and began to flourish. Both the CAM and the Lawndale Annex set the scene for the emergence of small, downtown, artist-run spaces, including Studio One, the Center for Art and Performance, Midtown Arts Center, and DiverseWorks. Finally, in 1985, the Museum of Fine Arts presented Fresh Paint: The Houston School, a nationally publicized survey of work by Houston painters. The exhibition capped an era of intensive artistic development and suggested that the city was about to be recognized, along with New York and Los Angeles, as a major center for art-making activity. Drawing upon primary archival materials, contemporary newspaper and magazine accounts, and over sixty interviews with significant figures, Gershon presents a narrative that preserves and interweaves the stories and insights of those who transformed the Houston art scene into the vibrant community that it is today.
James Surls
Art Of The Postmodern Era
Author: Irving Sandler
Publisher: Routledge
ISBN: 0429981821
Category : Art
Languages : en
Pages : 952
Book Description
Sandler discusses the major and minor artists and their works; movements, ideas, attitudes, and styles; and the social and cultural context of the period. He covers post-modernist art theory, the art market, and consumer society. American and European art and artists are included.
Publisher: Routledge
ISBN: 0429981821
Category : Art
Languages : en
Pages : 952
Book Description
Sandler discusses the major and minor artists and their works; movements, ideas, attitudes, and styles; and the social and cultural context of the period. He covers post-modernist art theory, the art market, and consumer society. American and European art and artists are included.
Collision
Author: Pete Gershon
Publisher: Texas A&M University Press
ISBN: 1623496322
Category : Art
Languages : en
Pages : 482
Book Description
Winner, 2019 Ron Tyler Award for Best Illustrated Book, sponsored by the Texas State Historical Association (TSHA) In this expansive and vigorous survey of the Houston art scene of the 1970s and 1980s, author Pete Gershon describes the city’s emergence as a locus for the arts, fueled by a boom in oil prices and by the arrival of several catalyzing figures, including museum director James Harithas and sculptor James Surls. Harithas was a fierce champion for Texan artists during his tenure as the director of the Contemporary Arts Museum–Houston (CAM). He put Texas artists on the map, but his renegade style proved too confrontational for the museum’s benefactors, and after four years, he wore out his welcome. After Harithas’s departure from the CAM, the chainsaw-wielding Surls established the Lawndale Annex as a largely unsupervised outpost of the University of Houston art department. Inside this dirty, cavernous warehouse, a new generation of Houston artists discovered their identities and began to flourish. Both the CAM and the Lawndale Annex set the scene for the emergence of small, downtown, artist-run spaces, including Studio One, the Center for Art and Performance, Midtown Arts Center, and DiverseWorks. Finally, in 1985, the Museum of Fine Arts presented Fresh Paint: The Houston School, a nationally publicized survey of work by Houston painters. The exhibition capped an era of intensive artistic development and suggested that the city was about to be recognized, along with New York and Los Angeles, as a major center for art-making activity. Drawing upon primary archival materials, contemporary newspaper and magazine accounts, and over sixty interviews with significant figures, Gershon presents a narrative that preserves and interweaves the stories and insights of those who transformed the Houston art scene into the vibrant community that it is today.
Publisher: Texas A&M University Press
ISBN: 1623496322
Category : Art
Languages : en
Pages : 482
Book Description
Winner, 2019 Ron Tyler Award for Best Illustrated Book, sponsored by the Texas State Historical Association (TSHA) In this expansive and vigorous survey of the Houston art scene of the 1970s and 1980s, author Pete Gershon describes the city’s emergence as a locus for the arts, fueled by a boom in oil prices and by the arrival of several catalyzing figures, including museum director James Harithas and sculptor James Surls. Harithas was a fierce champion for Texan artists during his tenure as the director of the Contemporary Arts Museum–Houston (CAM). He put Texas artists on the map, but his renegade style proved too confrontational for the museum’s benefactors, and after four years, he wore out his welcome. After Harithas’s departure from the CAM, the chainsaw-wielding Surls established the Lawndale Annex as a largely unsupervised outpost of the University of Houston art department. Inside this dirty, cavernous warehouse, a new generation of Houston artists discovered their identities and began to flourish. Both the CAM and the Lawndale Annex set the scene for the emergence of small, downtown, artist-run spaces, including Studio One, the Center for Art and Performance, Midtown Arts Center, and DiverseWorks. Finally, in 1985, the Museum of Fine Arts presented Fresh Paint: The Houston School, a nationally publicized survey of work by Houston painters. The exhibition capped an era of intensive artistic development and suggested that the city was about to be recognized, along with New York and Los Angeles, as a major center for art-making activity. Drawing upon primary archival materials, contemporary newspaper and magazine accounts, and over sixty interviews with significant figures, Gershon presents a narrative that preserves and interweaves the stories and insights of those who transformed the Houston art scene into the vibrant community that it is today.
K a T E ’ S W O R [L] D S
Author: Kathleen Samsot Hawk
Publisher: Xlibris Corporation
ISBN: 1499040733
Category : Biography & Autobiography
Languages : en
Pages : 502
Book Description
This is her autobiography, written for her children and grandchildren. It includes a family history as well as her reminiscences and selected articles, poems, letters and other writings.
Publisher: Xlibris Corporation
ISBN: 1499040733
Category : Biography & Autobiography
Languages : en
Pages : 502
Book Description
This is her autobiography, written for her children and grandchildren. It includes a family history as well as her reminiscences and selected articles, poems, letters and other writings.
Finishing Well
Author: Bob P. Buford
Publisher: Thomas Nelson
ISBN: 141857614X
Category : Religion
Languages : en
Pages : 308
Book Description
Based on inspiring interviews with 60 remarkable people who have furthered their significance rather than to rest on their success. Includes trailblazers such as Peter Drucker, Roger Staubach, and Ken Blanchard.
Publisher: Thomas Nelson
ISBN: 141857614X
Category : Religion
Languages : en
Pages : 308
Book Description
Based on inspiring interviews with 60 remarkable people who have furthered their significance rather than to rest on their success. Includes trailblazers such as Peter Drucker, Roger Staubach, and Ken Blanchard.
Blanton Museum Of Art
Author: Blanton Museum of Art
Publisher: Blanton Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 432
Book Description
With the Blanton's new American collection catalogue, students, scholars, and art lovers alike will have the opportunity to trace the history of artistic achievement in the United States from the last century to the present day through this most important collection of American art. The core of the Blanton's American art collection was formed by the significant gift of the Mari and James A. Michener Collection, which came to the museum in 1968 and 1991. Today, the Blanton's collection of modern and contemporary American art is a significant resource of more than 4,000 paintings, prints, drawings, sculptures, and works in new media from 1900 to the present. This attractive catalogue thoroughly presents selections from the collection's noteworthy concentrations: early American modernism, the American scene and social realism, abstract expressionism, and paintings of the 1960s. Artists represented include Jo Baer, Jim Dine, Philip Evergood, Helen Frankenthaler, Arshile Gorky, Adolph Gottlieb, Hans Hofmann, Ellsworth Kelly, Franz Kline, Jacob Lawrence, Brice Marden, Joan Mitchell, Mark Rothko, Peter Saul, Ben Shahn, Raphael Soyer, and Richard Tuttle, among many others. The catalogue also includes a selection of contemporary art in all media by a culturally diverse group of emerging and established figures such as Jeremy Blake, Rachel Harrison, Arturo Herrera, Byron Kim, Fabian Marcaccio, Dario Robleto, Shahzia Sikander, Amy Sillman, and Bill Viola. Accompanying the more than two hundred images are various essays by museum professionals, artists, and members of the art community.
Publisher: Blanton Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 432
Book Description
With the Blanton's new American collection catalogue, students, scholars, and art lovers alike will have the opportunity to trace the history of artistic achievement in the United States from the last century to the present day through this most important collection of American art. The core of the Blanton's American art collection was formed by the significant gift of the Mari and James A. Michener Collection, which came to the museum in 1968 and 1991. Today, the Blanton's collection of modern and contemporary American art is a significant resource of more than 4,000 paintings, prints, drawings, sculptures, and works in new media from 1900 to the present. This attractive catalogue thoroughly presents selections from the collection's noteworthy concentrations: early American modernism, the American scene and social realism, abstract expressionism, and paintings of the 1960s. Artists represented include Jo Baer, Jim Dine, Philip Evergood, Helen Frankenthaler, Arshile Gorky, Adolph Gottlieb, Hans Hofmann, Ellsworth Kelly, Franz Kline, Jacob Lawrence, Brice Marden, Joan Mitchell, Mark Rothko, Peter Saul, Ben Shahn, Raphael Soyer, and Richard Tuttle, among many others. The catalogue also includes a selection of contemporary art in all media by a culturally diverse group of emerging and established figures such as Jeremy Blake, Rachel Harrison, Arturo Herrera, Byron Kim, Fabian Marcaccio, Dario Robleto, Shahzia Sikander, Amy Sillman, and Bill Viola. Accompanying the more than two hundred images are various essays by museum professionals, artists, and members of the art community.
A Century of Sculpture in Texas, 1889-1989
Author: Patricia D. Hendricks
Publisher: University of Texas Press
ISBN:
Category : Art
Languages : en
Pages : 210
Book Description
Publisher: University of Texas Press
ISBN:
Category : Art
Languages : en
Pages : 210
Book Description
Beyond Halftime
Author: Bob P. Buford
Publisher: Zondervan
ISBN: 0310861136
Category : Business & Economics
Languages : en
Pages : 125
Book Description
Wisdom and Support for Your Halftime Journey Since the publication fifteen years ago of Bob Buford's award-winning and newly updated and expanded bestseller, Halftime, more than half a million men and women have made the halftime journey from success to significance. If you are contemplating that journey yourself or have already started, Beyond Halftime is for you. "This book is the result of fifteen years of answering questions about halftime," writes Buford. "I've focused on the areas that seem to come up most from those who contact me, and I've answered them in much the same way I would answer you if we sat down together over coffee. So in a very real sense, this book allows me to be your companion as you negotiate the ups and downs of the whole halftime experience." Beyond Halftime invites you to slow down and take time to listen--really listen--to the voice of your heart and the rhythms of your life. The discoveries you're about to make during this vital phase of your life can't be rushed. Enjoy this wise guidance on the things that matter most in moving from gaining success to leaving a legacy. Your most rewarding years lie ahead of you. Welcome to the journey.
Publisher: Zondervan
ISBN: 0310861136
Category : Business & Economics
Languages : en
Pages : 125
Book Description
Wisdom and Support for Your Halftime Journey Since the publication fifteen years ago of Bob Buford's award-winning and newly updated and expanded bestseller, Halftime, more than half a million men and women have made the halftime journey from success to significance. If you are contemplating that journey yourself or have already started, Beyond Halftime is for you. "This book is the result of fifteen years of answering questions about halftime," writes Buford. "I've focused on the areas that seem to come up most from those who contact me, and I've answered them in much the same way I would answer you if we sat down together over coffee. So in a very real sense, this book allows me to be your companion as you negotiate the ups and downs of the whole halftime experience." Beyond Halftime invites you to slow down and take time to listen--really listen--to the voice of your heart and the rhythms of your life. The discoveries you're about to make during this vital phase of your life can't be rushed. Enjoy this wise guidance on the things that matter most in moving from gaining success to leaving a legacy. Your most rewarding years lie ahead of you. Welcome to the journey.