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Author: Joris-Karl Huysmans
Publisher:
ISBN:
Category : Catholic converts
Languages : en
Pages : 340

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Author: J. K. Huysmans
Publisher: The Floating Press
ISBN: 1775411109
Category : Fiction
Languages : en
Pages : 306

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À rebours, Against the Grain or Against Nature in English, is an 1884 novel by Joris-Karl Huysmans. Anti-hero Jean Des Esseintes despises the bourgeois society he lives in and withdraws into the aesthetic and artistic ideals that he has created. Believing the novel would be rejected by both critics and public, Huysman declared: "It will be the biggest fiasco of the year - but I don't care a damn! It will be something nobody has ever done before, and I shall have said what I want to say..." The novel did receive great publicity on its release, but even though it was heavily criticized it also became influential with a new generation of writers and aesthetes.

Author: Joris-Karl Huysmans
Publisher: Createspace Independent Publishing Platform
ISBN: 9781726481397
Category :
Languages : en
Pages : 252

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The Damned (Là-bas) By Joris-Karl Huysmans Charles-Marie-Georges Huysmans (February 5, 1848 - May 12, 1907) was a French novelist who published his works as Joris-Karl Huysmans; he is most famous for the novel À rebours. His style is remarkable for its idiosyncratic use of the French language, wide-ranging vocabulary, wealth of detailed and sensuous description, and biting, satirical wit. The novels are also noteworthy for their encyclopaedic documentation, ranging from the catalogue of decadent Latin authors in À rebours to the discussion of the symbology of Christian architecture in La Cathédrale. Huysmans' work expresses a disgust with modern life and a deep pessimism, which led the author first to the philosophy of Arthur Schopenhauer then to the teachings of the Catholic Church.

Author: Robert Baldick
Publisher: SCB Distributors
ISBN: 1910213306
Category : Biography & Autobiography
Languages : en
Pages : 337

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Like Froude's biography of Carlyle, Holroyd's Shaw, and Ellmann's Joyce, Robert Baldick's Life of J.-K. Huysmans has become not just a standard reference work, to be consulted as regularly as the writing of the author whose life it chronicles, but a work of literature in its own right. First published fifty years ago, Baldick's classic biography presents a compelling narrative of Huysmans' life and work in all its various phases - from the Naturalism of the 1870s to the Decadence of the 1880s, and from the occult vogue of the 1890s to the Catholic Revival of the turn of the century - and it is written with such impeccable scholarship that it is still relied on today as regards matters of fact and detail. For this new edition - the first time the biography has been reprinted in English -Baldick's notes have been extensively revised and updated by Brendan King to take account of new developments and publications in the field of Huysmansian studies.

Author: Joris-Karl Huysmans
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 360

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"The Cathedral (French: La Cathédrale) (1898) is a novel by the French writer Joris-Karl Huysmans. It is the third of Huysmans' books to feature the character Durtal, a thinly disguised portrait of the author. He had already featured the character of Durtal in Là-bas and En route, which recounted his conversion to Catholicism. La Cathédrale continues the story. After his retreat at a Trappist monastery, Durtal moves to the city of Chartres, renowned for its cathedral. Huysmans describes the building in great detail" -- Wikipedia.

Author: J. K. Huysmans
Publisher: TAN Books
ISBN: 1505103606
Category : Religion
Languages : en
Pages : 240

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St. Lydwine was bedridden from age 15, when she broke a rib, endured a lifelong illness which was recognized to be of supernatural origin. Her body became covered with sores and abscesses and virtually came apart into three pieces-symbolically representing the condition of the Church. She ate no food except Holy Communion and experienced many mystical phenomena. An incredible story of one of the most heroic victim souls in the history of the Church.

Author: J.-K. Huysmans
Publisher: SCB Distributors
ISBN: 1912868075
Category : Art
Languages : en
Pages : 328

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First published in 1883, but never before translated into English, this collection of J.-K. Huysmans’ art criticism reveals the author of Against Nature to be as combative in his aesthetic opinions as he was in his literary ones. At a time when the Impressionists were still being ridiculed, or worse still ignored, Huysmans defiantly proclaimed Degas to be the best painter in France. He filled his pages with analyses of the works of artists whose genius and popularity have been confirmed by time: Gustave Caillebotte, Paul Gauguin, Mary Cassatt, Edouard Manet, Berthe Morisot, Odilon Redon and Gustave Moreau. Huysmans intersperses his reviews of these independent artists with those of the annual Official Salon, whose conventional and dryly academic works he lambasts with his customary gusto and invective. This is the first complete translation of L’Art moderne, and includes 200 black and white illustrations, notes and a glossary of artists. ‘Huysmans reviewed the Salons of 1879-82 and the Independent Exhibitions of 1880-82 at considerable length. His articles, collected as L’Art moderne (1883), have never before been translated into English, probably because he is the least known of the writer-critics, and his French is often not straightforward. Robert Baldick, biographer of Huysmans (1955) described his style as ‘one of the strangest literary idioms in existence’. Brendan King, who has already translated most of Huysmans’s fiction, has produced an excellent version. Rarely can it have been such fun to read translated denunciations of so many forgotten French pictures. The edition also includes scores of small black and white illustrations, which can easily be Googled into colour.’ Julian Barnes in The London Review of Books

Author: Joris-Karl Huysmans
Publisher:
ISBN: 9781939663115
Category : Fiction
Languages : en
Pages : 81

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Originally published in book form in French in 1887, Joris-Karl Huysmans' A Dilemma remains a particularly nasty little tale, a mordantly satiric and cruel account of bourgeois greed and manipulation that holds up as clear a mirror to today's neoliberalist times as it did to the French fin-de-siècle. Written smack in-between Huysmans' most famous works--his 1881 Against Nature, which came to define the Decadent movement, and his 1891 exploration of Satanism, Down There--A Dilemma presents some of Huysmans' most memorable characters, including Madame Champagne, the self-appointed Parisian protector of women in need, and the carnal would-be sophisticate notary Le Ponsart, who wages a war of words with the bereft pregnant mistress of his deceased grandson with devastating consequences. In its unflinching portrayal of how authoritarian language can be used and abused as a weapon, this novella stands as Huysmans' indictment of the underlying crime of the novel itself: a language apparatus employed to maintain the appetites of the ruling class. Earning a wage through a career in the French civil service, Joris-Karl Huysmans (1848-1907) quietly explored the extremes of human nature and artifice through a series of books that influenced a number of different literary movements: from the grey and grimy Naturalism of books like Marthe and Downstream to the cornerstones of the Decadent movement, Against Nature and the Satanist classic Down There, the dream-ridden Surrealist favorite, Becalmed, and his Catholic novels, The Cathedral and The Oblate.

Author: Joris-Karl Huysmans
Publisher:
ISBN: 9781635489927
Category :
Languages : en
Pages :

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Author: Robert Ziegler
Publisher: University of Delaware Press
ISBN: 9780874138733
Category : Literary Criticism
Languages : en
Pages : 394

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Using a multidisciplinary approach, this book argues that the operation of art-as-mirror is the key to the hidden unity of Huysmans' fiction. The author claims that only the elimination of Huysmans' stylistic distortions enabled his art finally to become faithful and clear.