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Author: Philip Gossett Publisher: University of Chicago Press ISBN: 0226304884 Category : Music Languages : en Pages : 699
Book Description
Winner of the 2007 Otto Kinkeldey Award from the American Musicological Society and the 2007 Deems Taylor Award from the American Society of Composers, Authors, and Publishers. Divas and Scholars is a dazzling and beguiling account of how opera comes to the stage, filled with Philip Gossett’s personal experiences of triumphant—and even failed—performances and suffused with his towering and tonic passion for music. Writing as a fan, a musician, and a scholar, Gossett, the world's leading authority on the performance of Italian opera, brings colorfully to life the problems, and occasionally the scandals, that attend the production of some of our most favorite operas. Gossett begins by tracing the social history of nineteenth-century Italian theaters in order to explain the nature of the musical scores from which performers have long worked. He then illuminates the often hidden but crucial negotiations opera scholars and opera conductors and performers: What does it mean to talk about performing from a critical edition? How does one determine what music to perform when multiple versions of an opera exist? What are the implications of omitting passages from an opera in a performance? In addition to vexing questions such as these, Gossett also tackles issues of ornamentation and transposition in vocal style, the matters of translation and adaptation, and even aspects of stage direction and set design. Throughout this extensive and passionate work, Gossett enlivens his history with reports from his own experiences with major opera companies at venues ranging from the Metropolitan and Santa Fe operas to the Rossini Opera Festival at Pesaro. The result is a book that will enthrall both aficionados of Italian opera and newcomers seeking a reliable introduction to it—in all its incomparable grandeur and timeless allure.
Author: Philip Gossett Publisher: University of Chicago Press ISBN: 0226304884 Category : Music Languages : en Pages : 699
Book Description
Winner of the 2007 Otto Kinkeldey Award from the American Musicological Society and the 2007 Deems Taylor Award from the American Society of Composers, Authors, and Publishers. Divas and Scholars is a dazzling and beguiling account of how opera comes to the stage, filled with Philip Gossett’s personal experiences of triumphant—and even failed—performances and suffused with his towering and tonic passion for music. Writing as a fan, a musician, and a scholar, Gossett, the world's leading authority on the performance of Italian opera, brings colorfully to life the problems, and occasionally the scandals, that attend the production of some of our most favorite operas. Gossett begins by tracing the social history of nineteenth-century Italian theaters in order to explain the nature of the musical scores from which performers have long worked. He then illuminates the often hidden but crucial negotiations opera scholars and opera conductors and performers: What does it mean to talk about performing from a critical edition? How does one determine what music to perform when multiple versions of an opera exist? What are the implications of omitting passages from an opera in a performance? In addition to vexing questions such as these, Gossett also tackles issues of ornamentation and transposition in vocal style, the matters of translation and adaptation, and even aspects of stage direction and set design. Throughout this extensive and passionate work, Gossett enlivens his history with reports from his own experiences with major opera companies at venues ranging from the Metropolitan and Santa Fe operas to the Rossini Opera Festival at Pesaro. The result is a book that will enthrall both aficionados of Italian opera and newcomers seeking a reliable introduction to it—in all its incomparable grandeur and timeless allure.
Author: Ann Elizabeth Moyer Publisher: ISBN: Category : History Languages : en Pages : 344
Book Description
Theories of music and its nature, central to many aspects of Renaissance thought, have nonetheless been difficult to integrate into modern scholarship. In Musica Scientia, Ann E. Moyer asserts that the Renaissance discipline must be understood in the terms of other contemporary fields of knowledge. Moyer begins with a clear and concise historical summary of ancient and medieval musical thought, emphasizing the importance of the Phythagorean teachings about music, transmitted to the medieval world through Boethius's De institutione arithmetica. Describing the factors that, in the late fifteenth century, led scholars and practicing musicians to raise new questions about the discipline and its study, Moyer closely analyzes the writings of the sixteenth-century Italians who debated the nature of music and its relationship to mathematics, the natural sciences, poetry, and rhetoric. Renaissance thinking about music, she shows, wrought a dramatic change in the understanding of the field: scholars came to distinguish between a science of sounding bodies and an art of music, an art to be studied in terms of poetics and the history of taste. Moyer's book offers a new and systematic treatment of a critical but neglected aspect of Renaissance thought. It makes a significant contribution to our understanding of the classification of knowledge in the Renaissance and of the process by which two competing kinds of analysis--humanistic and mathematical--came to distinguish the modern arts and sciences.
Author: Giulia Magazzù Publisher: Cambridge Scholars Publishing ISBN: 1527557189 Category : Social Science Languages : en Pages : 201
Book Description
Offering compelling insights into the Italian adaptation of diversified English products, this volume is addressed to both scholars and students wishing to delve into the field of reception studies. It focuses on literary, multimedia and audiovisual translation due to the conviction that the modalities through which the imprinting of “Italianness” is marked upon several English hypertexts are still worth investigating today. The contributions here highlight how some choices may, in some instances, alter the meaning as much as the success of some English aesthetic texts, by directing, if not possibly undermining, the audience reception.
Author: Valerie McGuire Publisher: Transnational Italian Cultures ISBN: 1800348002 Category : History Languages : en Pages : 320
Book Description
For much of the twentieth century the Mediterranean was a colonized sea. Italy's Sea: Empire and Nation in the Mediterranean (1895-1945) reintegrates Italy, one of the least studied imperial states, into the history of European colonialism. It takes a critical approach to the concept of the Mediterranean in the period of Italian expansion and examines how within and through the Mediterranean Italians navigated issues of race, nation and migration troubling them at home as well as transnational questions about sovereignty, identity, and national belonging created by the decline and collapse of the Ottoman empire in North Africa, the Balkans, and the eastern Mediterranean, or Levant. While most studies of Italian colonialism center on the encounter in Africa, Italy's Sea describes another set of colonial identities that accrued in and around the Aegean region of the Mediterranean, ones linked not to resettlement projects or to the rhetoric of reclaiming Roman empire, but to cosmopolitan imaginaries of Magna Graecia, the medieval Christian crusades, the Venetian and Genoese maritime empires, and finally, of religious diversity and transnational Levantine Jewish communities that could help render cultural and political connections between the Italian nation at home and the overseas empire in the Mediterranean. Using postcolonial critique to interpret local archival and oral sources as well as Italian colonial literature, film, architecture, and urban planning, the book brings to life a history of mediterraneita or Mediterraneanness in Italian culture, one with both liberal and fascist associations, and enriches our understanding of how contemporary Italy-as well as Greece-may imagine their relationships to Europe and the Mediterranean today. --
Author: Giulio Bartolini Publisher: Oxford University Press ISBN: 0192580779 Category : Law Languages : en Pages : 515
Book Description
This volume critically reassesses the history and impact of international law in Italy. It examines how Italy's engagement with international law has been influenced and cross-fertilized by global dynamics, in terms of theories, methodologies, or professional networks. It asks to what extent historical and political turning points influenced this engagement, especially where scholars were part of broader academic and public debates or even active participants in the role of legal advisers or politicians. It explores how international law was used or misused by relevant actors in such contexts. Bringing together scholars specialized in international law and legal history, this volume first provides a historical examination of the theoretical legal analysis produced in the Italian context, exploring its main features, and dissident voices. The second section assesses the impact on international law studies of key historical and political events involving Italy, both international and domestically; and, conversely, how such events influenced perceptions of international law. Finally, a concluding section places the preceding analysis within a broader, contemporary perspective. This volume weighs in on in the growing debate on the need to explore international law from comparative and local viewpoints. It shows how regional, national, and local contexts have contributed to shaping international legal rules, institutions, and doctrines; and how these in turn influenced local solutions.
Author: Peter Wilson Publisher: MIT Press ISBN: 0262047268 Category : Architecture Languages : en Pages : 273
Book Description
An idiosyncratic guidebook to architectural (and other) wonders of Italy, accompanied by the author’s own witty illustrations. In Some Reasons for Traveling to Italy, architect Peter Wilson offers a Grand Tour of Grand Tours, providing an idiosyncratic guidebook to architectural (and other) wonders of Italy, illustrated by his own witty watercolors and sketches. Wilson chronicles the reasons that people throughout history have traveled to Italy—ranging from “To Be the Subject of an Equestrian Painting by Uccello in Florence Cathedral” to “To Rebuild Herculaneum in Malibu” (the desire of oil tycoon J. Paul Getty in the 1970s)—while giving readers a deeper understanding of Italy’s architectural habitat and cultural mythology. In Wilson’s narratives and anecdotes, place names function as talismans; the events may not tally with recorded history, or with the exact topographies of actual places. Wilson offers historical reworkings, appropriations, and an architect’s scrutiny of certain Italian tropes. He recounts that Edward de Vere, 17th Earl of Oxford, set out “To Flee England Out of Embarrassment” after breaking wind when he bowed to Queen Elizabeth I; French novelist Stendhal went “To Discover an Anti-France”; and an English architect went “To Get Some Ideas for a Mausoleum.” At the first Venice Biennale of Architecture in 1980, a dapper architect found that he had come to Italy “To Fall Overboard in a White Suit,” the artist Cy Twombly went simply “To See,” and Wilson himself found that he was “Captured by the Ospedale Degli Innocenti,” enchanted by the sight of Brunelleschi’s architrave.
Author: Fredrik Thomasson Publisher: BRILL ISBN: 900423635X Category : History Languages : en Pages : 503
Book Description
Johan David Åkerblad (1763–1819) contributed to the decipherment of Egyptian hieroglyphs and Demotic and is known as a predecessor of Jean-François Champollion. This intellectual biography offers a new and less heroic interpretation of the first reading of the Egyptian scripts. Åkerblad, an exceptional linguist, was a diplomat and orientalist who spent several decades living in the Ottoman Empire, France and Italy. Of humble birth, he was a supporter of the French Revolution – something that stymied his career. His life cannot be understood in a purely Swedish national framework, and this study firmly situates him as an international scholar. The book discusses European expansion in the Eastern Mediterranean during the tumultuous decades around the year 1800, and traces Åkerblad’s momentous life in relation to the debates on ‘orientalism,’ the tradition of classical studies and the history of science.
Author: Anatoly Oleksiyenko Publisher: Routledge ISBN: 1317803302 Category : Education Languages : en Pages : 338
Book Description
*Winner of the Best Book Award from Researchers and Students and Study Abroad Programmes at the CIES2019 conference 2019 This book examines learning-mobility tensions and ties caused by convergences and divergences of social, organizational and cognitive forces in global higher education. As some of these forces generate status anxiety, and others enhanced self-worth, this volume asks the questions: How can students navigate treacherous education markets to reduce the former and increase the latter? Which specific forces and confluences enhance the quality of self-discovery? Does the search for identity and meaning produce better results when conducted internationally? Which transformative drivers of global mobility enhance social mobility? What allows some students to gain the capacity for impactful higher learning at a time when others lose it? Why are strategically minded students increasingly concerned about equality and the quality of contribution to the common good of education, rather than about their own status? What makes some places of learning stand out when students recount their journeys of self-discovery and roads to self-worth? This book includes a broad range of stories and firsthand perspectives that are often overlooked in the process of internationalization of higher education. The narratives offer important insights to consider, given the ever-increasing disquiets of competitiveness-oriented global higher education.
Author: Lady Morgan Publisher: ISBN: 9781296387570 Category : Languages : en Pages : 452
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Philip Gossett
Author: Philip Gossett
Author: Ann Elizabeth Moyer
Author: Giulia Magazzù
Author: Valerie McGuire
Author: Giulio Bartolini
Author: Peter Wilson
Author: Fredrik Thomasson
Author: Anatoly Oleksiyenko
Author: Lady Morgan
Author: