Italian Translations in America PDF Download

Author: Nancy C. Shields
Publisher:
ISBN: 9780849004292
Category :
Languages : en
Pages :

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Author: Nancy Catchings Shields
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 430

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Author: Nancy Catchings Shields
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 410

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Author: Nancy Catchings Shields (Mrs. Thomas Harper)
Publisher:
ISBN:
Category :
Languages : en
Pages : 411

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Author: Robin Healey
Publisher: University of Toronto Press
ISBN: 9780802008008
Category : Literary Criticism
Languages : en
Pages : 648

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This bibliography lists English-language translations of twentieth-century Italian literature published chiefly in book form between 1929 and 1997, encompassing fiction, poetry, plays, screenplays, librettos, journals and diaries, and correspondence.

Author: Grazia Deledda
Publisher: Northwestern University Press
ISBN: 9780810112490
Category : Fiction
Languages : en
Pages : 192

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Winner of the 1926 Nobel Prize in Literature In this tragic novel set in the author's native Sardinia, Constantino Ledda has been convicted and sentenced for the murder of his cruel uncle. Though innocent of the crime, he accepts the verdict as punishment for marrying Giovanna Era through a civil ceremony rather than an expensive church wedding. When Constantino is taken away, Giovanna has no way to provide for herself or family, and out of desperation divorces her husband and marries a wealthy but brutish landowner. When the real killer confesses and Constantino is released, he and Giovanna begin a forbidden and ultimately destructive affair.

Author: Teresa Fiore
Publisher: Critical Studies in Italian Am
ISBN: 9780823274321
Category : History
Languages : en
Pages : 251

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Machine generated contents note: -- Introduction. All at One Point: The Un/likely Connections between Italy's Emigration, Immigration and (Post- )Colonialism -- Part I. Waters: Migrant Voyages and Ships from/to Italy -- Aperture I: An Osean of Pre-Occupation and Possibilities: The Show L'orda -- Chapter 1. Crossing the Atlantic to Meet the Nation: The Emigration Ship in Mignonette's Songs and Crialese's Nuovomondo -- Chapter 2. Overlapping Mediterranean Routes in Marra's Sailing Home, -- Ragusa's The Skin Between Us, and Tekle's Libera -- Part II. Houses: Multi-Ethnic Residential Spaces as Living Archives of Pre-Occupation and Invention -- Aperture II: A Multi-Cultural Project in a National Square: The Orchestra of Piazza Vittorio -- Chapter 3. Displaced Italies and Immigrant "Delinquent" Spaces in Pariani's Argentinian Conventillos and Lakhous' Roman Palazzo -- Chapter 4. Writing the Pasta Factory and the Boarding House as Trans-National Homes: Public and Private Acts in Melliti's Pantanella and Mazzucco's Vita -- Part III. Workplaces: A Creative Re-Occupation of Labor Spaces against Exploitation -- Aperture III: Labor on the Move: Rodari's Construction Workers and Kuruvilla's Babysitter -- Chapter 5. Edification between Nation and Migration in Cavanna's Les Ritals and Adascalitei's "Il giorno di San Nicola"--Chapter 6: The Circular Routes of Colonial and Post-Colonial Homecare: Però's and Ciaravino's Alexandria and Ghermandi's "The Story of Woizero Bekelech and Signor Antonio" -- Conclusions. Italy as an Imagi-Nation Laboratory: The Citizenship Law between In and Outbound Flows

Author: Guido Morselli
Publisher: New York Review of Books
ISBN: 1681370794
Category : Fiction
Languages : en
Pages : 353

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A unique political coming of age story, now in English for the first time. An NYRB Classics Original Walter Ferranini has been born and bred a man of the left. His father was a worker and an anarchist; Walter himself is a Communist. In the 1930s, he left Mussolini’s Italy to fight Franco in Spain. After Franco’s victory, he left Spain for exile in the United States. With the end of the war, he returned to Italy to work as a labor organizer and to build a new revolutionary order. Now, in the late 1950s, Walter is a deputy in the Italian parliament. He is not happy about it. Parliamentary proceedings are too boring for words: the Communist Party seems to be filling up with ward heelers, timeservers, and profiteers. For Walter, the political has always taken precedence over the personal, but now there seems to be no refuge for him anywhere. The puritanical party disapproves of his relationship with Nuccia, a tender, quizzical, deeply intelligent editor who is separated but not divorced, while Walter is worried about his health, haunted by his past, and increasingly troubled by knotty questions of both theory and practice. Walter is, always has been, and always will be a Communist, he has no doubt about that, and yet something has changed. Communism no longer explains the life he is living, the future he hoped for, or, perhaps most troubling of all, the life he has led.

Author: William E. Marling
Publisher:
ISBN: 9780912818023
Category : Cookery
Languages : en
Pages : 0

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Author: Associazione italiana di studi nord-americani
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783034303958
Category : American literature
Languages : en
Pages : 0

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MACHINE GENERATED CONTENTS NOTE: PART 1 TRADING AMERICA: CIRCULATION OF IDENTITIES, GOODS AND CULTURAL PRACTICES: Re-Translating America's Words: A View from Beyond / Mario Corona -- Fun in the Cup: From the Italian Espresso Bar to the Globalized "Starbucks Experience" / Eva-Sabine Zehelein -- Disneyland in Europe: Or, How to Translate "Cultural Chernobyl" into Cultural Shock "Therapy"/ Simona Sangiorgi -- Mainscreening America: Cultural Translation in US TV Series/ Gianna Fusco -- Foreign Route of Tennessee Williams's A Streetcar Named Desire, 1949-2009/ Alessandro Clericuzio -- La linea della palma in Brooklyn: Sicily and Sicilian America in Alberto Lattuada's Mafioso/ Francesca De Lucia -- PART 2 RE-WRITING STORIES ACROSS THE MEDIA: Coloniality, Performance, Translation: The Embodied Public Sphere in Early America/ Elizabeth Maddock Dillon -- Left in Translation: Mirror Images of Italy and America in the Italian TV Version of Nathaniel Hawthorne's The Marble Faun/ Valerio Massimo De Angelis -- Transformation of Wilderness from the Aesthetic of the Sublime to the Aesthetic of Life: Into the Wild as a Palimpsest of the American Myth of Nature/ Paola Loreto -- Eternal Frame: Photographs, Fiction, and Falling Men in Don DeLillo and Jonathan Safran Foer/ Francesco Pontuale -- In the Shadow of the Holocaust: Art Spiegelman's Representation of Trauma in the Comic-Book Form/ Stefania Porcelli -- Translating Comics into Literature and Vice Versa: Intersections between Comics and Non-Graphic Narratives in the United States/ Paolo Simonetti -- PART 3 LANGUAGE AND TRANSLATION BETWEEN THE US AND ITALY: Never-Finished Job: Translating H.D.'s Trilogy into Italian/ Marina Camboni -- Translating with an Accent: The Importance of Sound, Orality and History in the Works of Italian American Women Poets/ Elisabetta Marino -- Between God(fathers) and Good(fellas): To Kill, To Slur, To Eat in Tony Soprano's Words/ Cinzia Scarpino -- PART 4 POLITICAL AND CULTURAL MODELS ACROSS THE ATLANTIC: "Let Trade Be as Free as Air:" The "Liberal" American Revolution and the Early State-Building/ Matteo Battistini -- Conservative Translation of European Classical Liberalism: William Graham Sumner's Thought in Late Nineteenth-Century America/ Gabriele Rosso -- Ethnic Press and the Translation of the US Political System for Italian Immigrants in the United States, 1924-1941/ Stefano Luconi -- Against the Stream: American-European Transnational Contacts During the Nazi Years. A Labor Perspective/ Catherine Collomp -- Translating Italian Americanness in Martin Scorsese's GoodFellas/ Fulvio Orsitto. Publisher's note.