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Author: BARBARA. GENTILI Publisher: Boydell Press ISBN: 9781837650781 Category : Music Languages : en Pages : 0
Book Description
Connects discussions of vocality and operatic culture with broader aesthetic and cultural shifts in society. In the decades that span the turn of the twentieth century, the Italian tradition of operatic singing became 'modern'. This book identifies and explores the formative elements of this multifaceted 'modernity', and its connections with the emergence of verismo, a realistic trend that affected every aspect of creative and intellectual life in fin-de-siècle Italy. Thisnovel approach to artistic representation meant that singers had to redefine the operatic voice, exchanging the bel canto ideal of 'pure' vocal quality with an irreversible gendered connotation and an erotically charged expressive force. Pivotal to this shift was the gradual development of a homogeneous vocal colour through the compass, an aesthetic principle that was alien to the voice culture of the previous centuries. Star singers such as Enrico Caruso, Titta Ruffo, Emma Carelli and Eugenia Burzio were instrumental in this radical transition. The book explores how and why modern singers consciously pursued a new vocal expressivity, illuminating the ways in which the changes they introduced in their vocal techniques yielded novel stylistic gestures, and ultimately shaped operatic culture.Through a comparative analysis of early vocal recordings and late nineteenth- and early twentieth-century vocal methods and drawing on archival research in London, Milan, Rome and Buenos Aires, the book connects discussions of vocality and operatic culture with broader aesthetic and cultural shifts in society. Italian Opera Singing at the Time of Verismo, will be of interest to scholars and students of opera history, performance studies and recording history, as well as voice coaches and professional singers.
Author: BARBARA. GENTILI Publisher: Boydell Press ISBN: 9781837650781 Category : Music Languages : en Pages : 0
Book Description
Connects discussions of vocality and operatic culture with broader aesthetic and cultural shifts in society. In the decades that span the turn of the twentieth century, the Italian tradition of operatic singing became 'modern'. This book identifies and explores the formative elements of this multifaceted 'modernity', and its connections with the emergence of verismo, a realistic trend that affected every aspect of creative and intellectual life in fin-de-siècle Italy. Thisnovel approach to artistic representation meant that singers had to redefine the operatic voice, exchanging the bel canto ideal of 'pure' vocal quality with an irreversible gendered connotation and an erotically charged expressive force. Pivotal to this shift was the gradual development of a homogeneous vocal colour through the compass, an aesthetic principle that was alien to the voice culture of the previous centuries. Star singers such as Enrico Caruso, Titta Ruffo, Emma Carelli and Eugenia Burzio were instrumental in this radical transition. The book explores how and why modern singers consciously pursued a new vocal expressivity, illuminating the ways in which the changes they introduced in their vocal techniques yielded novel stylistic gestures, and ultimately shaped operatic culture.Through a comparative analysis of early vocal recordings and late nineteenth- and early twentieth-century vocal methods and drawing on archival research in London, Milan, Rome and Buenos Aires, the book connects discussions of vocality and operatic culture with broader aesthetic and cultural shifts in society. Italian Opera Singing at the Time of Verismo, will be of interest to scholars and students of opera history, performance studies and recording history, as well as voice coaches and professional singers.
Author: John Rosselli Publisher: Cambridge University Press ISBN: 9780521426978 Category : Biography & Autobiography Languages : en Pages : 296
Book Description
Adelina Patti was the most highly regarded singer in history. She earned nearly $5,000 a night and had her own railway carriage. Yet a minor comic singer would perform for the cost of his food and a pair of shoes to wear on stage. John Rosselli's wide-ranging study introduces all those singers, members of the chorus as well as stars, who have sung Italian opera from 1600 to the twentieth century. Singers are shown slowly emancipating themselves from dependence on great patrons and entering the dangerous freedom of the market. Rosselli also examines the sexist prejudices against the castrati of the eighteenth century and against women singers. Securely rooted in painstaking scholarship and sprinkled with amusing anecdote, this is a book to fascinate and inform opera fans at all levels.
Author: Pietro Mascagni Publisher: ISBN: Category : Operas Languages : en Pages : 40
Book Description
Turiddu, a young villager, is the son of Lucia, and the lover of Lola, (who is the wife of Alfio; having married the latter during Turiddu's prolonged absence in military service). Turiddu wins the affections of Santuzza, whom he wrongs; while, in the meantime, he is intimate with Lola. On Easter morning, (the opening of the opera), Alfio is incidentally informed, by Santuzza, of his wife's unfaithful actions. He challenges Turiddu (biting the ear, as was the rustic Sicilian custom). Turiddu, though regretting his past evil course, accepts the challenge and is killed by Alfio.
Author: Sir Denis Forman Publisher: Modern Library ISBN: 0307807827 Category : Music Languages : en Pages : 980
Book Description
“Delightful and anti-reverential”—Sunday Times (London) With an encyclopedic knowledge of opera and a delightful dash of irreverence, Sir Denis Forman throws open the world of opera—its structure, composers, conductors, and artists—in this hugely informative guide. A Night at the Opera dissects the eighty-three most popular operas recorded on compact disc, from Cilea's Adriana Lecouvreur to Mozart's Die Zauberflöte. For each opera, Sir Denis details the plot and cast of characters, awarding stars to parts that are “worth looking out for,” “really good,” or, occasionally, “stunning.” He goes on to tell the history of each opera and its early reception. Finally, each work is graded from alpha to gamma (although the Ring cycle gets an “X”), and Sir Denis has no qualms about voicing his opinion: the first act of Fidelio is “a bit of a mess,” while the last scene of Don Giovanni “towers above the comic finales of Figaro and Così and whether or not [it] is Mozart's greatest opera, it is certainly his most powerful finale.” The guide also presents brief biographies of the great composers, conductors, and singers. A glossary of musical terms is included, as well as Operatica, or the essential elements of opera, from the proper place and style of the audience's applause (and boos) to the use of subtitles. A Night at the Opera is for connoisseurs and neophytes alike. It will entertain and inform, delight and (perhaps) infuriate, providing a subject for lively debate and ready reference for years to come.
Author: Steven Huebner Publisher: Routledge ISBN: 1351915851 Category : Music Languages : en Pages : 465
Book Description
This volume covers opera in Italy, France, England and the Americas during the long nineteenth century (1789-1914). The book is divided into four sections that are thematically, rather than geographically, conceived: Places-essays centering on contexts for operatic culture; Genres and Styles-studies dealing with the question of how operas in this period were put together; Critical Studies of individual works, exemplifying particular critical trends; and Performance.
Author: Burton D. Fisher Publisher: Opera Journeys Publishing ISBN: 0977145557 Category : Music Languages : en Pages : 120
Book Description
A comprehensive guide to CAVALLERIA RUSTICANA and I PAGLIACCI, featuring insightful and in depth Commentary and Analysis, a complete, newly translated Libretto of each opera with Italian/English side-by side, and over 60 music highlight examples.
Author: Mary-Lou Vetere Publisher: ISBN: Category : Languages : en Pages : 610
Book Description
The Scapigliatura: literally, existential disheveledness, designates an ambiguous, reformist movement in Italian art, literature, and music ca. 1858-1895. A veritable chameleon on the surface, at once seeming avant-garde, then concerned with national political and social issues, the Scapigliatura was comprised of pioneering artists who called themselves the"scapigliati," who were in search of revitalizing Italian art after the Risorgimento. In music, the Scapigliatura has been considered an obscure transitional movement in opera pre-dating "Verismo," but further examination reveals what is arguably a fully implemented platform for operatic reform, in which the movement's foremost contributor, Arrigo Boito, played an especially valuable historical role. This dissertation provides the possibility of rewriting the historical narrative of the latter half of nineteenth-century Italian opera.^I begin by examining the effects of the Risorgimento on Italian opera and by considering Giuseppe Mazzini's Filosofia della Musica (1836) as a foundational document of the Scapigliatura. Since Verdi's operas have been considered the chief representative works of Risorgimento opera his role in and his reluctance to innovate the genre after Italian unification are suggested as primary reasons for the Scapigliatura's genesis. In order to define the aesthetics framed by the Scapigliatura works, the movements' beginnings along with several readings of important Scapigliatura poems and publications are explored. Proceeding from these interpretations of the early Scapigliatura literature, much of it translated here for the first time, I suggest that Boito adopted and enriched Scapigliatura aesthetics, translating them into an operatic format.^Several of Boito's publications and poems are re-interpreted to reveal the details of his anti-conventional program for operatic reform and its eventual manifestation in his Mefistofele, for which a full-scale analysis is presented. Mefistofele is shown to have served as a new prototype for Scapigliatura opera. Finally, the impact of the Scapigliatura and Boito's influence on Giuseppe Verdi are examined. Since Verdi's late works were written in collaboration with Boito, and since those works have defied simple generic categorization it is possible that the composer's Simon Boccanegra, Otello, and Falstaff are also linked to the concept of Scapigliatura reform-opera. This approach to the Verdi/Boito aesthetic provides a new and logical frame for the complicated period of transition leading from Verdi's late works to Puccini's early works, notably Le Villi and Edgar, which have been more often associated with Scapigliatura principles.
Author: Burton D. Fisher Publisher: Opera Journeys Publishing ISBN: 1930841981 Category : Music Languages : en Pages : 432
Book Description
A comprehensive history of opera that traces each milestone in opera history from the 16th century Camerata through the next 400 years, and featurrd in depth analysis of all important genres: the Baroque, Classical, and Romantic eras, Bel Canto, Opera Buffa, German Romanticism, Wagner and music drama, Verismo, Impressionism, Expressionism, Serialism, and much more.
Author: Joseph Wechsberg Publisher: Plunkett Lake Press ISBN: Category : Music Languages : en Pages : 347
Book Description
“Opera is enjoyed only by those who know something about it. This is the idea behind this book... It was written for people who love opera and want to know a little more about its history and evolution, its lore and lure, and the people who create and re-create it.” — Joseph Wechsberg, Foreword to The Opera Joseph Wechsberg — musician and lifelong opera addict, claqueur, listener and critic — takes the reader on a journey through centuries of operatic history, from Dafne, performed during the 1590s, generally thought to be the first opera, to productions at La Scala, the Metropolitan or Vienna’s Staatsoper. He explains why, of the 42,000 operas said to have been written, only a few hundred survive. These classics are discussed, with analyses of their thematic components and musical qualities and biographical vignettes of their composers, and performers. “Mr. Wechsberg has written this book very much with the inexperienced opera-goer in mind... a readable and enjoyable summary of all that the novice to the opera house should know about. Within his survey appears a short account of operatic history and material on all the people concerned with opera: composers and librettists, singers, players, managers, conductors, producers, audiences, claques and critics.” — M.F.R., Music & Letters “Even the informed reader can learn from Wechsberg how to integrate his material and achieve a degree of perspective when viewing the enormous historical landscape that provides the background for the evolution of [the opera].” — Elaine Brody, Notes
Author: BARBARA. GENTILI
Author: BARBARA. GENTILI
Author: Alan Mallach
Author: John Rosselli
Author: Pietro Mascagni
Author: Sir Denis Forman
Author: Steven Huebner
Author: Burton D. Fisher
Author: Mary-Lou Vetere
Author: Burton D. Fisher
Author: Joseph Wechsberg