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Author: Carol Polsgrove Publisher: RDR Books ISBN: 9781571430915 Category : Esquire (New York : N.Y.) Languages : en Pages : 340
Book Description
Possibly the best book ever written about an American magazine editor, this biography offers a 3-D view of the assassinations, the student riots, the counterculture, the politicians, the pop icons and the war that made the 60s America's unforgettable decade. Under the aegis of former Marine Harold Hayes, Esquire helped turn journalists, editors and photographers like Tom Wolfe, Gay Talese, Raymond Carver, Michael Herr, John Berendt and Diane Arbus into celebrities in their own right. Polsgrove's brilliant book, often resembling an Esquire cover story, offers a warts and all portrait of Hayes. Afterword by Ben Bagdikian.
Author: Carol Polsgrove Publisher: RDR Books ISBN: 9781571430915 Category : Esquire (New York : N.Y.) Languages : en Pages : 340
Book Description
Possibly the best book ever written about an American magazine editor, this biography offers a 3-D view of the assassinations, the student riots, the counterculture, the politicians, the pop icons and the war that made the 60s America's unforgettable decade. Under the aegis of former Marine Harold Hayes, Esquire helped turn journalists, editors and photographers like Tom Wolfe, Gay Talese, Raymond Carver, Michael Herr, John Berendt and Diane Arbus into celebrities in their own right. Polsgrove's brilliant book, often resembling an Esquire cover story, offers a warts and all portrait of Hayes. Afterword by Ben Bagdikian.
Author: Carol Polsgrove Publisher: W. W. Norton ISBN: Category : Esquire (New York : N.Y.) Languages : en Pages : 362
Book Description
"The sixties in America was a wild, giddy ride, an amazing Technicolor adventure, and no magazine caught the spirit of its apocalyptic fun as definitively as Esquire. Its brilliant, buccaneering editor Harold Hayes transformed the once-somnolent men's fashion magazine into a literary and cultural proving ground, where pure iconoclasm and blazing talent reigned. Art director George Lois put Sonny Liston on the cover as Santa Claus and Muhammad Ali as St. Sebastian. Tom Wolfe, Gay Talese, Garry Wills, Michael Herr, and others virtually invented a "New Journalism" equal to the task of deconstructing celebrity, celebrating pop culture, comprehending wars and demonstrations and riots and assassinations. Diane Arbus captured photographic images that reflected a disturbing, hidden America, and fiction writers as diverse as Norman Mailer and Raymond Carver did much the same in words." "Journalist and historian Carol Polsgrove has written the definitive history of this decade-long high-water mark in American magazine journalism."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Claire Lombardo Publisher: Vintage ISBN: 0525564233 Category : Fiction Languages : en Pages : 641
Book Description
NEW YORK TIMES BEST SELLER • “A gripping and poignant ode to a messy, loving family in all its glory.” —Madeline Miller, bestselling author of Circe In this “rich, complex family saga” (USA Today) full of long-buried family secrets, Marilyn Connolly and David Sorenson fall in love in the 1970s, blithely ignorant of all that awaits them. By 2016, they have four radically different daughters, each in a state of unrest. Wendy, widowed young, soothes herself with booze and younger men; Violet, a litigator turned stay-at-home-mom, battles anxiety and self-doubt; Liza, a neurotic and newly tenured professor, finds herself pregnant with a baby she's not sure she wants by a man she's not sure she loves; and Grace, the dawdling youngest daughter, begins living a lie that no one in her family even suspects. With the unexpected arrival of young Jonah Bendt—a child placed for adoption by one of the daughters fifteen years before—the Sorensons will be forced to reckon with the rich and varied tapestry of their past. As they grapple with years marred by adolescent angst, infidelity, and resentment, they also find the transcendent moments of joy that make everything else worthwhile.
Author: Hilda Robinson Publisher: ISBN: 9781933987170 Category : African American families Languages : en Pages : 0
Book Description
Hilda Robinson, artist and grandmother, shares the joys of growing up in a closely-knit African American family and neighborhood. She describes the games she played, the songs she sang, and chores she did long before television was invented.
Author: David Paul Nord Publisher: UNC Press Books ISBN: 0807832855 Category : History Languages : en Pages : 638
Book Description
V. 1. The colonial book in the Atlantic world: This book carries the interrelated stories of publishing, writing, and reading from the beginning of the colonial period in America up to 1790. v. 2 An Extensive Republic: This volume documents the development of a distinctive culture of print in the new American republic. v. 3. The industrial book 1840-1880: This volume covers the creation, distribution, and uses of print and books in the mid-nineteenth century, when a truly national book trade emerged. v. 4. Print in Motion: In a period characterized by expanding markets, national consolidation, and social upheaval, print culture picked up momentum as the nineteenth century turned into the twentieth. v. 5. The Enduring Book: This volume addresses the economic, social, and cultural shifts affecting print culture from Word War II to the present.
Author: Marc Weingarten Publisher: Crown ISBN: 0307525694 Category : Social Science Languages : en Pages : 272
Book Description
. . . In Cold Blood, The Electric Kool-Aid Acid Test, Fear and Loathing in Las Vegas, Slouching Towards Bethlehem, The Armies of the Night . . . Starting in 1965 and spanning a ten-year period, a group of writers including Tom Wolfe, Jimmy Breslin, Gay Talese, Hunter S. Thompson, Joan Didion, John Sack, and Michael Herr emerged and joined a few of their pioneering elders, including Truman Capote and Norman Mailer, to remake American letters. The perfect chroniclers of an age of frenzied cultural change, they were blessed with the insight that traditional tools of reporting would prove inadequate to tell the story of a nation manically hopscotching from hope to doom and back again—from war to rock, assassination to drugs, hippies to Yippies, Kennedy to the dark lord Nixon. Traditional just-the-facts reporting simply couldn’t provide a neat and symmetrical order to this chaos. Marc Weingarten has interviewed many of the major players to provide a startling behind-the-scenes account of the rise and fall of the most revolutionary literary outpouring of the postwar era, set against the backdrop of some of the most turbulent—and significant—years in contemporary American life. These are the stories behind those stories, from Tom Wolfe’s white-suited adventures in the counterculture to Hunter S. Thompson’s drug-addled invention of gonzo to Michael Herr’s redefinition of war reporting in the hell of Vietnam. Weingarten also tells the deeper backstory, recounting the rich and surprising history of the editors and the magazines who made the movement possible, notably the three greatest editors of the era—Harold Hayes at Esquire, Clay Felker at New York, and Jann Wenner at Rolling Stone. And finally Weingarten takes us through the demise of the New Journalists, a tragedy of hubris, miscalculation, and corporate menacing. This is the story of perhaps the last great good time in American journalism, a time when writers didn’t just cover stories but immersed themselves in them, and when journalism didn’t just report America but reshaped it. “Within a seven-year period, a group of writers emerged, seemingly out of nowhere—Tom Wolfe, Jimmy Breslin, Gay Talese, Hunter S. Thompson, Joan Didion, John Sack, Michael Herr—to impose some order on all of this American mayhem, each in his or her own distinctive manner (a few old hands, like Truman Capote and Norman Mailer, chipped in, as well). They came to tell us stories about ourselves in ways that we couldn’t, stories about the way life was being lived in the sixties and seventies and what it all meant to us. The stakes were high; deep fissures were rending the social fabric, the world was out of order. So they became our master explainers, our town criers, even our moral conscience—the New Journalists.” —from the Introduction
Author: Lee Gutkind Publisher: Yale University Press ISBN: 0300274599 Category : Literary Criticism Languages : en Pages : 305
Book Description
An account of the emergence of creative nonfiction, written by the “godfather” of the genre In the 1970s, Lee Gutkind, a leather-clad hippie motorcyclist and former public relations writer, fought his way into the academy. Then he took on his colleagues. His goal: to make creative nonfiction an accepted academic discipline, one as vital as poetry, drama, and fiction. In this book Gutkind tells the true story of how creative nonfiction became a leading genre for both readers and writers. Creative nonfiction—true stories enriched by relevant ideas, insights, and intimacies—offered liberation to writers, allowing them to push their work in freewheeling directions. The genre also opened doors to outsiders—doctors, lawyers, construction workers—who felt they had stories to tell about their lives and experiences. Gutkind documents the evolution of the genre, discussing the lives and work of such practitioners as Joan Didion, Tom Wolfe, Norman Mailer, James Baldwin, Zora Neale Hurston, Rachel Carson, Upton Sinclair, Janet Malcolm, and Vivian Gornick. Gutkind also highlights the ethics of writing creative nonfiction, including how writers handle the distinctions between fact and fiction. Gutkind’s book narrates the story not just of a genre but of the person who brought it to the forefront of the literary and journalistic world.
Author: William E. Dow Publisher: Routledge ISBN: 1315525992 Category : Language Arts & Disciplines Languages : en Pages : 642
Book Description
Taking a thematic approach, this new companion provides an interdisciplinary, cross-cultural, and international study of American literary journalism. From the work of Frederick Douglass and Walt Whitman to that of Joan Didion and Dorothy Parker, literary journalism is a genre that both reveals and shapes American history and identity. This volume not only calls attention to literary journalism as a distinctive genre but also provides a critical foundation for future scholarship. It brings together cutting-edge research from literary journalism scholars, examining historical perspectives; themes, venues, and genres across time; theoretical approaches and disciplinary intersections; and new directions for scholarly inquiry. Provoking reconsideration and inquiry, while providing new historical interpretations, this companion recognizes, interacts with, and honors the tradition and legacies of American literary journalism scholarship. Engaging the work of disciplines such as sociology, anthropology, African American studies, gender studies, visual studies, media studies, and American studies, in addition to journalism and literary studies, this book is perfect for students and scholars of those disciplines.
Author: Ronnie Grinberg Publisher: Princeton University Press ISBN: 0691255628 Category : Social Science Languages : en Pages : 384
Book Description
How virility and Jewishness became hallmarks of postwar New York’s combative intellectual scene In the years following World War II, the New York intellectuals became some of the most renowned critics and writers in the country. Although mostly male and Jewish, this prominent group also included women and non-Jews. Yet all of its members embraced a secular Jewish machismo that became a defining characteristic of the contemporary experience. Write like a Man examines how the New York intellectuals shared a uniquely American conception of Jewish masculinity that prized verbal confrontation, polemical aggression, and an unflinching style of argumentation. Ronnie Grinberg paints illuminating portraits of figures such as Norman Mailer, Hannah Arendt, Lionel and Diana Trilling, Mary McCarthy, Norman Podhoretz, Midge Decter, and Irving Howe. She describes how their construction of Jewish masculinity helped to propel the American Jew from outsider to insider even as they clashed over its meaning in a deeply anxious project of self-definition. Along the way, Grinberg sheds light on their fraught encounters with the most contentious issues and ideas of the day, from student radicalism and the civil rights movement to feminism, Freudianism, and neoconservatism. A spellbinding chronicle of mid-century America, Write like a Man shows how a combative and intellectually grounded vision of Jewish manhood contributed to the masculinization of intellectual life and shaped some of the most important political and cultural debates of the postwar era.
Author: Howard Jones Publisher: Oxford University Press ISBN: 0195393600 Category : History Languages : en Pages : 536
Book Description
During the summer of 1971, in the midst of protests and demonstrations in the United States against the Vietnam War, it became evident that something horrific had happened in the remote South Vietnamese hamlet of My Lai. Three years previously, in March 1968, a unit of American soldiersengaged in seemingly indiscriminate violence against unarmed civilians, killing over 500 people, including women and children. News filtered slowly through the system, but was initially suppressed, dismissed or downplayed by military authorities. By late 1969, however journalists had pursued therumors, when New York Times reporter Seymour Hirsch published an expose on the massacre, the story became a national outrage.Howard Jones places the events of My Lai and the aftermath in a wider historical context. As a result of the reporting of Hirsch and others, the U.S. army conducted a special inquiry, which charged Lieutenant William Calley and nearly 30 other officers with war crimes. A court martial followed, butafter four months Calley alone was found guilty of premeditated murder. He served four and a half months in prison before President Nixon pardoned him and ordered his release.Jones' compelling narrative details the events in Vietnam, as well as the mixed public response to Calley's sentence and to his defense that he had merely been following orders. Jones shows how pivotal the My Lai massacre was in galvanizing opposition to the Vietnam War, playing a part nearly assignificant as that of the Tet Offensive and the Cambodian bombing. For many, it undermined any pretense of American moral superiority, calling into question not only the conduct of the war but the justification for U.S. involvement.Jones also reveals how the effects of My Lai were felt within the American military itself, forcing authorities to focus on failures within the chain of command and to review training methods as well as to confront the issue of civilian casualties - what, in later years, came to be known as"collateral damage."A trenchant and sober reassessment, My Lai delves into questions raised by the massacre that have never been properly answered: questions about America's leaders in the field and in Washington; the seeming breakdown of the U.S. army in Vietnam; the cover-up and ultimate public exposure; and thetrial itself, which drew comparisons to Nuremberg. Based on extensive archival research, this is the best account to date of one of the defining moments of the Vietnam War.