Author: Archives of American Art
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 356
Book Description
Journal of the Archives of American Art
Author: Archives of American Art
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 356
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 356
Book Description
Van Gogh's Irises 4x4 Graph 8x10 Journal Notebook
Author: Its About Time
Publisher: Independently Published
ISBN: 9781729035009
Category :
Languages : en
Pages : 160
Book Description
Enjoy spring all year long with this magnificent Van Gogh painting of a milk white pitcher of irises fresh from the garden. Exquisite. This is an 8" x 10" journal or notebook, perfect bound with beautiful matte cover finish and 160 premium white pages -- available with wide ruled, college ruled, 4x4 graph or blank sketchbook interiors. Wonderful for yourself and as a gift for busy people and minds of any age or gender, whether business professionals, college students, teachers, co-workers, artists, moms and dads, kids, dreamer/doers, and just about everybody, especially those hard to buy for folks you know. Who are you? The real you. Are you sure? A gentle reminder that every day is a good day to discover yourself, document your achievements, rock your goals, forgive then celebrate your imperfections, and come to terms with the only thing you can ever know for sure: your authentic self. Start or continue that journey, that never-ending adventure that is the ever-unfolding YOU. Also available as a calendar planner, 8" x 10", perfect bound with beautiful matte cover finish. It features a 1-page overview of the year, 2-page per month calendars, and 2-page per week spreads throughout. Plenty of space for all your planning and scheduling needs. Great for you and also makes great gifts for all your friends -- especially those hard to buy for people on your list. Undated 3- and 6-month planners also available for some titles. It's About Time brings you a wide array of beautiful, high quality planners, journals, diaries, organizers, specialty journals, composition notebooks, dot grid or bullet journal(tm), notebooks, sketchbooks, and other paper delights -- all just waiting for your creative and inspired input, your notes and ideas, to do lists, sketches and doodles, anything and everything you want to commit to paper.
Publisher: Independently Published
ISBN: 9781729035009
Category :
Languages : en
Pages : 160
Book Description
Enjoy spring all year long with this magnificent Van Gogh painting of a milk white pitcher of irises fresh from the garden. Exquisite. This is an 8" x 10" journal or notebook, perfect bound with beautiful matte cover finish and 160 premium white pages -- available with wide ruled, college ruled, 4x4 graph or blank sketchbook interiors. Wonderful for yourself and as a gift for busy people and minds of any age or gender, whether business professionals, college students, teachers, co-workers, artists, moms and dads, kids, dreamer/doers, and just about everybody, especially those hard to buy for folks you know. Who are you? The real you. Are you sure? A gentle reminder that every day is a good day to discover yourself, document your achievements, rock your goals, forgive then celebrate your imperfections, and come to terms with the only thing you can ever know for sure: your authentic self. Start or continue that journey, that never-ending adventure that is the ever-unfolding YOU. Also available as a calendar planner, 8" x 10", perfect bound with beautiful matte cover finish. It features a 1-page overview of the year, 2-page per month calendars, and 2-page per week spreads throughout. Plenty of space for all your planning and scheduling needs. Great for you and also makes great gifts for all your friends -- especially those hard to buy for people on your list. Undated 3- and 6-month planners also available for some titles. It's About Time brings you a wide array of beautiful, high quality planners, journals, diaries, organizers, specialty journals, composition notebooks, dot grid or bullet journal(tm), notebooks, sketchbooks, and other paper delights -- all just waiting for your creative and inspired input, your notes and ideas, to do lists, sketches and doodles, anything and everything you want to commit to paper.
On Paper
Mira Calligraphiae Monumenta
Author: Lee Hendrix
Publisher: Getty Publications
ISBN: 1606066587
Category : Art
Languages : en
Pages : 426
Book Description
Now back in print, “the ultimate book-lover’s gift book” (Los Angeles Times) In 1561–62 the master calligrapher Georg Bocskay (died 1575), imperial secretary to the Holy Roman Emperor Ferdinand I, created Mira calligraphiae monumenta (Model Book of Calligraphy) as a demonstration of his own preeminence among scribes. Some thirty years later, Ferdinand’s grandson, the Emperor Rudolf II, commissioned Europe’s last great manuscript illuminator, Joris Hoefnagel (1542–1600), to embellish the work. The resulting book is at once a treasury of extraordinary beauty and a landmark in the cultural debate between word and image. Bocskay assembled a vast selection of contemporary and historical scripts for a work that summarized all that had been learned about writing to date—a testament to the universal power of the written word. Hoefnagel, desiring to prove the superiority of his art over Bocskay’s words, employed every resource of illusionism, color, and form to devise all manner of brilliant grotesques, from flowers, fruit, insects, and animals to monsters and masks. Unavailable for nearly a decade, this gorgeous volume features over 180 color illustrations, as well as scholarly commentary and biographies of both artists to inspire scholars, bibliophiles, graphic designers, typographers, and calligraphers.
Publisher: Getty Publications
ISBN: 1606066587
Category : Art
Languages : en
Pages : 426
Book Description
Now back in print, “the ultimate book-lover’s gift book” (Los Angeles Times) In 1561–62 the master calligrapher Georg Bocskay (died 1575), imperial secretary to the Holy Roman Emperor Ferdinand I, created Mira calligraphiae monumenta (Model Book of Calligraphy) as a demonstration of his own preeminence among scribes. Some thirty years later, Ferdinand’s grandson, the Emperor Rudolf II, commissioned Europe’s last great manuscript illuminator, Joris Hoefnagel (1542–1600), to embellish the work. The resulting book is at once a treasury of extraordinary beauty and a landmark in the cultural debate between word and image. Bocskay assembled a vast selection of contemporary and historical scripts for a work that summarized all that had been learned about writing to date—a testament to the universal power of the written word. Hoefnagel, desiring to prove the superiority of his art over Bocskay’s words, employed every resource of illusionism, color, and form to devise all manner of brilliant grotesques, from flowers, fruit, insects, and animals to monsters and masks. Unavailable for nearly a decade, this gorgeous volume features over 180 color illustrations, as well as scholarly commentary and biographies of both artists to inspire scholars, bibliophiles, graphic designers, typographers, and calligraphers.
Introduction to Controlled Vocabularies
Author: Patricia Harpring
Publisher: Getty Publications
ISBN: 160606018X
Category : Art
Languages : en
Pages : 259
Book Description
This detailed book is a “how-to” guide to building controlled vocabulary tools, cataloging and indexing cultural materials with terms and names from controlled vocabularies, and using vocabularies in search engines and databases to enhance discovery and retrieval online. Also covered are the following: What are controlled vocabularies and why are they useful? Which vocabularies exist for cataloging art and cultural objects? How should they be integrated in a cataloging system? How should they be used for indexing and for retrieval? How should an institution construct a local authority file? The links in a controlled vocabulary ensure that relationships are defined and maintained for both cataloging and retrieval, clarifying whether a rose window and a Catherine wheel are the same thing, or how pot-metal glass is related to the more general term stained glass. The book provides organizations and individuals with a practical tool for creating and implementing vocabularies as reference tools, sources of documentation, and powerful enhancements for online searching.
Publisher: Getty Publications
ISBN: 160606018X
Category : Art
Languages : en
Pages : 259
Book Description
This detailed book is a “how-to” guide to building controlled vocabulary tools, cataloging and indexing cultural materials with terms and names from controlled vocabularies, and using vocabularies in search engines and databases to enhance discovery and retrieval online. Also covered are the following: What are controlled vocabularies and why are they useful? Which vocabularies exist for cataloging art and cultural objects? How should they be integrated in a cataloging system? How should they be used for indexing and for retrieval? How should an institution construct a local authority file? The links in a controlled vocabulary ensure that relationships are defined and maintained for both cataloging and retrieval, clarifying whether a rose window and a Catherine wheel are the same thing, or how pot-metal glass is related to the more general term stained glass. The book provides organizations and individuals with a practical tool for creating and implementing vocabularies as reference tools, sources of documentation, and powerful enhancements for online searching.
European Drawings
Author: J. Paul Getty Museum
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 380
Book Description
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 380
Book Description
Seurat's Circus Sideshow
Author: Richard Thomson
Publisher: Metropolitan Museum of Art
ISBN: 1588396150
Category : Art
Languages : en
Pages : 146
Book Description
Georges Seurat (1859–1891) created just six major figure paintings during his lifetime, one of which, the alluring Circus Sideshow (Parade de cirque), has remained the most challenging to interpret since it first intrigued viewers at the 1888 Salon des Indépendants in Paris. Unlike Seurat’s earlier sunlit scenes, Circus Sideshow presents a nighttime tableau depicting a parade—a street show enticing passersby to purchase tickets. With its geometrically precise composition, muted colors, and elements of abstraction, the painting stands apart as a masterpiece of Neo-Impressionism and heralds Seurat’s subsequent depictions of popular entertainments. This book, the first comprehensive study of Circus Sideshow, situates the painting in the context of nineteenth-century Paris and of the many social changes France was undergoing. Renowned art historian Richard Thomson illuminates the roles of caricature, naturalist and avant-garde painting, and circus advertising; examines Seurat’s use of contemporary aesthetic theory; and discusses how artists ranging from Rouault to Picasso mined the sideshow theme into the twentieth century. Illustrated with Seurat’s related drawings, works by other artists, and period posters and broadsides, Seurat’s Circus Sideshow delves into the history of traveling circuses and seasonal fairs in France, exploring the ongoing appeal of this traditional form of popular entertainment through the fin de siècle. Two additional essays describe the painting’s enthusiastic reception in New York upon its 1929 debut and present the results of a fresh technical examination of the canvas, making this volume the definitive resource on one of Seurat’s most captivating works.
Publisher: Metropolitan Museum of Art
ISBN: 1588396150
Category : Art
Languages : en
Pages : 146
Book Description
Georges Seurat (1859–1891) created just six major figure paintings during his lifetime, one of which, the alluring Circus Sideshow (Parade de cirque), has remained the most challenging to interpret since it first intrigued viewers at the 1888 Salon des Indépendants in Paris. Unlike Seurat’s earlier sunlit scenes, Circus Sideshow presents a nighttime tableau depicting a parade—a street show enticing passersby to purchase tickets. With its geometrically precise composition, muted colors, and elements of abstraction, the painting stands apart as a masterpiece of Neo-Impressionism and heralds Seurat’s subsequent depictions of popular entertainments. This book, the first comprehensive study of Circus Sideshow, situates the painting in the context of nineteenth-century Paris and of the many social changes France was undergoing. Renowned art historian Richard Thomson illuminates the roles of caricature, naturalist and avant-garde painting, and circus advertising; examines Seurat’s use of contemporary aesthetic theory; and discusses how artists ranging from Rouault to Picasso mined the sideshow theme into the twentieth century. Illustrated with Seurat’s related drawings, works by other artists, and period posters and broadsides, Seurat’s Circus Sideshow delves into the history of traveling circuses and seasonal fairs in France, exploring the ongoing appeal of this traditional form of popular entertainment through the fin de siècle. Two additional essays describe the painting’s enthusiastic reception in New York upon its 1929 debut and present the results of a fresh technical examination of the canvas, making this volume the definitive resource on one of Seurat’s most captivating works.
The Annotated Mona Lisa
Author: Carol Strickland
Publisher: Andrews McMeel Publishing
ISBN: 9780740768729
Category : Art
Languages : en
Pages : 220
Book Description
Like music, art is a universal language. Although looking at works of art is a pleasurable enough experience, to appreciate them fully requires certain skills and knowledge." --Carol Strickland, from the introduction to The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern * This heavily illustrated crash course in art history is revised and updated. This second edition of Carol Strickland's The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern offers an illustrated tutorial of prehistoric to post-modern art from cave paintings to video art installations to digital and Internet media. * Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern takes art history out of the realm of dreary textbooks, demystifies jargon and theory, and makes art accessible-even at a cursory reading. * From Stonehenge to the Guggenheim and from Holbein to Warhol, more than 25,000 years of art is distilled into five sections covering a little more than 200 pages.
Publisher: Andrews McMeel Publishing
ISBN: 9780740768729
Category : Art
Languages : en
Pages : 220
Book Description
Like music, art is a universal language. Although looking at works of art is a pleasurable enough experience, to appreciate them fully requires certain skills and knowledge." --Carol Strickland, from the introduction to The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern * This heavily illustrated crash course in art history is revised and updated. This second edition of Carol Strickland's The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern offers an illustrated tutorial of prehistoric to post-modern art from cave paintings to video art installations to digital and Internet media. * Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern takes art history out of the realm of dreary textbooks, demystifies jargon and theory, and makes art accessible-even at a cursory reading. * From Stonehenge to the Guggenheim and from Holbein to Warhol, more than 25,000 years of art is distilled into five sections covering a little more than 200 pages.
A Memoir of Vincent van Gogh
Author: Jo van Gogh-Bonger
Publisher: Getty Publications
ISBN: 1606065602
Category : Art
Languages : en
Pages : 193
Book Description
The general outlines of Vincent van Gogh’s life—the early difficulties in Holland and Paris, the revelatory impact of the move to Provence, the attacks of madness and despair that led to his suicide—are almost as familiar as his paintings. Yet neither the paintings nor Van Gogh’s story might have survived at all had it not been for his sister-in-law, the teacher, translator, and socialist Jo van Gogh-Bonger. Jo married the painter’s brother, Theo, in 1889, and over the next two years lived through the deaths of both Vincent and her new husband. Left with an infant son, she inherited little save a cache of several hundred paintings and an enormous archive of letters. Advised to consign these materials to an attic, she instead dedicated her life to making them known. Over the next three decades she tirelessly promoted Vincent’s art, organizing major exhibitions and compiling and editing the correspondence, the first edition of which included, as a preface, her account of Van Gogh’s life. This short biography, written from a vantage point of familial intimacy, affords a revealing and, at times, heartbreaking testimony to the painter’s perilous life. An introduction by the art critic and scholar Martin Gayford provides an insightful discussion of the author’s relationship with the Van Goghs, while abundant color illustrations throughout the book trace the development of the painter’s signature style.
Publisher: Getty Publications
ISBN: 1606065602
Category : Art
Languages : en
Pages : 193
Book Description
The general outlines of Vincent van Gogh’s life—the early difficulties in Holland and Paris, the revelatory impact of the move to Provence, the attacks of madness and despair that led to his suicide—are almost as familiar as his paintings. Yet neither the paintings nor Van Gogh’s story might have survived at all had it not been for his sister-in-law, the teacher, translator, and socialist Jo van Gogh-Bonger. Jo married the painter’s brother, Theo, in 1889, and over the next two years lived through the deaths of both Vincent and her new husband. Left with an infant son, she inherited little save a cache of several hundred paintings and an enormous archive of letters. Advised to consign these materials to an attic, she instead dedicated her life to making them known. Over the next three decades she tirelessly promoted Vincent’s art, organizing major exhibitions and compiling and editing the correspondence, the first edition of which included, as a preface, her account of Van Gogh’s life. This short biography, written from a vantage point of familial intimacy, affords a revealing and, at times, heartbreaking testimony to the painter’s perilous life. An introduction by the art critic and scholar Martin Gayford provides an insightful discussion of the author’s relationship with the Van Goghs, while abundant color illustrations throughout the book trace the development of the painter’s signature style.
The J. Paul Getty Museum Journal
Author: The J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892362286
Category : Art
Languages : en
Pages : 214
Book Description
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal includes an illustrated checklist of the Museum’s acquisitions for the precious year, a staff listing, and a statement by the Museum’s director outlining the year’s most important activities. Volume 20 of the J. Paul Getty Museum Journal contains an index to volumes 1 to 20 and includes articles by John Walsh, Carl Brandon Strehlke, Barbara Bohen, Kelly Pask, Suzanne Lewis, Elizabeth Pilliod, Anne Ratzki-Kraatz, Sharon K. Shore, Linda A. Strauss, Brian Considine, Arie Wallert, Richard Rand, And Jacky De Veer-Langezaal.
Publisher: Getty Publications
ISBN: 0892362286
Category : Art
Languages : en
Pages : 214
Book Description
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal includes an illustrated checklist of the Museum’s acquisitions for the precious year, a staff listing, and a statement by the Museum’s director outlining the year’s most important activities. Volume 20 of the J. Paul Getty Museum Journal contains an index to volumes 1 to 20 and includes articles by John Walsh, Carl Brandon Strehlke, Barbara Bohen, Kelly Pask, Suzanne Lewis, Elizabeth Pilliod, Anne Ratzki-Kraatz, Sharon K. Shore, Linda A. Strauss, Brian Considine, Arie Wallert, Richard Rand, And Jacky De Veer-Langezaal.