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Author: Beverly Willis Publisher: Access Publishers Network ISBN: Category : Architecture Languages : en Pages : 116
Book Description
A book for readers of the 21st century who have learned--and demand--to interact with media that includes both ideas and imagery, Invisible Images contains 170 stunning photographs and drawings of Willis's own architectural projects, multimedia art, and symbols.
Author: Beverly Willis Publisher: Access Publishers Network ISBN: Category : Architecture Languages : en Pages : 116
Book Description
A book for readers of the 21st century who have learned--and demand--to interact with media that includes both ideas and imagery, Invisible Images contains 170 stunning photographs and drawings of Willis's own architectural projects, multimedia art, and symbols.
Author: Philip Ball Publisher: University of Chicago Press ISBN: 022623892X Category : Science Languages : en Pages : 333
Book Description
“A very fun, largely chronological journey through invisibility, beginning with myth and early magicians, ending with quantum physics.” —The New Yorker In this lively look at a timeless idea, Ball provides the first comprehensive history of our fascination with the unseen. This sweeping narrative moves from medieval spell books to the latest nanotechnology, from fairy tales to telecommunications, from camouflage to ghosts to the dawn of nuclear physics and the discovery of dark energy. Along the way, Invisible tells little-known stories about medieval priests who blamed their misdeeds on spirits; the Cock Lane ghost, which intrigued both Samuel Johnson and Charles Dickens; the attempts by Victorian scientist William Crookes to detect forces using tiny windmills; novelist Edward Bulwer-Lytton’s belief that he was unseen when in his dressing gown; and military efforts to enlist magicians to hide tanks and ships during WWII. Bringing in such voices as Plato and Shakespeare, Ball provides not only a scientific history but a cultural one—showing how our simultaneous desire for and suspicion of the invisible has fueled invention and the imagination for centuries. In this unusual and clever book, Ball shows that our fantasies about being unseen—and seeing the unseen—reveal surprising truths about who we are. “Full of insights drawn from a broad survey of history, literature and philosophy; wherever the invisible is being contemplated, Ball is there to select the juiciest anecdotes . . . [He] is a lucid, witty and highly entertaining guide.” —The Globe and Mail “A tour-de-force history capped off with an animated discussion of H.G. Wells’s novel The Invisible Man.” —Publishers Weekly (starred review)
Author: John Harvey Publisher: ISBN: Category : Art Languages : en Pages : 244
Book Description
This illustrated book examines the Welsh Nonconformists' expression of religious and spiritual concepts in a visual form. It studies this subject within a broad cultural context that includes not only fine art but also architecture, preaching, hymnology and intangible manifestations such as visions. As such, the book presents an integrated study of various and related aspects of the Non-conformist imagination.
Author: Dennis J. Sardella Publisher: Paraclete Press ISBN: 1640607307 Category : Religion Languages : en Pages : 175
Book Description
A comprehensive and beautifully illustrated guide to Russian icons — the "beating heart of the Christian East" Religious icons have been at the spiritual heart of the Christian East for nearly two thousand years. Their mysterious, peaceful quality and almost magnetic power can stop us in our tracks and draw our gaze, without us even knowing why. The sophisticated composition and symbolism of icons emphasize that their subjects are inhabitants of another, transcendent, world. They are not simply the art of the Christian East, but the expression and pulse of its spirituality. And on a personal level for many Christians of all backgrounds, icons are not only objects of admiration, but a deep wellspring of meditation, reflection, and veneration. A docent at the Museum of Russian Icons in Clinton, Massachusetts, for many years, Dennis J. Sardella now offers an inviting guide to the most famous icons in the collection. This vibrantly illustrated book will: • Introduce you to icons and instill a desire for a deeper appreciation of them • Teach you about their origin, their historical evolution, their complex symbolic language, and their role in the spiritual and liturgical life of the Eastern Churches, both Orthodox and Catholic • Answer your questions about when and where the first icons were created • Show the physical and spiritual steps in their creation • Explain the different types of icons, the symbolism that is key to deciphering them, as well as their role in Eastern Christian spirituality and liturgy. Those who are knowledgeable about Russian icons and Byzantine icons, as well as newcomers, will find Visible Image of the Invisible God to be a treasured resource.
Author: Julien Dubois Publisher: Frontiers Media SA ISBN: 2889194205 Category : Psychology Languages : en Pages : 144
Book Description
To what level are invisible stimuli processed by the brain in the absence of conscious awareness? It is widely accepted that simple visual properties of invisible stimuli are processed; however, the existence of higher-level unconscious processing (e.g., involving semantic or executive functions) remains a matter of debate. Several methodological factors may underlie the discrepancies found in the literature, such as different levels of conservativeness in the definition of “unconscious” or different dependent measures of unconscious processing. In this research topic, we are particularly interested in yet another factor: inherent differences in the amount of information let through by different suppression techniques. In the same conditions of well-controlled, conservatively established invisibility, can we show that some of the techniques in the “psychophysical magic” arsenal (e.g., masking, but also visual crowding, attentional blink, etc.) reliably lead to higher-level unconscious processing than others (e.g., interocular suppression)? Some authors have started investigating this question, using multiple techniques in similar settings . We argue that this approach should be extended and refined. Indeed, in order to delineate the frontiers of the unconscious mind using a contrastive method, one has to disentangle the limits attributable to unawareness itself, and those attributable to the technique inducing unawareness. The scope of this research topic is to provide a platform for scientists to contribute insights and further experiments addressing this fundamental question.
Author: Peter Moore Publisher: OUP USA ISBN: 0199767092 Category : Science Languages : en Pages : 397
Book Description
Imaging of Biological Materials presents the four most important approaches to the imaging of biological structures: crystallography, non-crystallographic diffraction, optical microscopy, and electron microscopy.
Author: Daniela Hammer-Tugendhat Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110423014 Category : Art Languages : en Pages : 340
Book Description
The book addresses the scientific debates on Rembrandt, Metsu, Vermeer, and Hoogstraten that are currently taking place in art history and cultural studies. These focus mainly on the representation of gender difference, the relationship between text and image, and the emotional discourse. They are also an appeal for art history as a form of cultural studies that analyses the semantic potential of art within discursive and social contemporary practices. Dutch painting of the seventeenth century reflects its relationship to visible reality. It deals with ambiguities and contradictions. As an avant-garde artistic media, it also contributes to the emergence of a subjectivity towards the modern “bourgeois”. It discards subject matter from its traditional fixation with iconology and evokes different imaginations and semantizations - aspects that have not been sufficiently taken into account in previous research. The book is to be understood as an appeal for art history as a form of cultural science that analyses the semantic potential of art within discursive and social contemporary practices, and, at the same time, demonstrates its relevance today. Works by Rembrandt, Metsu, Vermeer, Hoogstraten, and others serve as exemplary case studies for addressing current debates in art history and cultural studies, such as representation of gender difference, relationship between text and image, and emotional discourse.
Author: Michal Raz-Russo Publisher: ISBN: 9783958291096 Category : African American authors Languages : en Pages : 165
Book Description
By the mid-1940s. Gordon Parks had cemented his reputation as a successful photojournalist and magazine photographer, and Ralph Ellison was an established author working on his first novel, Invisible Man (1952), which would go on to become one of the most acclaimed books of the twentieth century. Less well known, however, is that their vision of racial injustices, coupled with a shared belief in the communicative power of photography, inspired collaboration on two important projects, in 1948 and 1952. Capitalizing on the growing popularity of the picture press, Parks and Ellison first joined forces on an essay titled "Harlem Is Nowhere" for '48: The Magazine of the Year. Conceived while Ellison was already three years into writing Invisible Man, this illustrated essay was centered on the Lafargue Clinic, the first nonsegregated psychiatric clinic in New York City, as a case study for the social and economic conditions in Harlem. He chose Parks to create the accompanying photographs, and during the winter months of 1948, the two roamed the streets of Harlem together, with Parks photographing under the guidance of Ellison's writing. In 1952 they worked together again, on "A Man Becomes Invisible", for the August 25 issue of Life magazine, which promoted Ellison's newly released novel. Invisible Man: Gordon Parks and Ralph Ellison in Harlem focuses on these two projects, neither of which was published as originally intended, and provides an in-depth look at the authors' shared vision of black life in America, with Harlem as its nerve center.
Author: Isobel Harbison Publisher: MIT Press ISBN: 0262350807 Category : Social Science Languages : en Pages : 257
Book Description
An examination of how artists have combined performance and moving image for decades, anticipating our changing relation to images in the internet era. In Performing Image, Isobel Harbison examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism. Over this period, artists have used a variety of DIY modes of self-imaging and circulation—from home video to social media—suggesting how and why Western subjects might seek alternative platforms for self-expression and self-representation. In the course of her argument, Harbison offers close analyses of works by such artists as Robert Rauschenberg, Yvonne Rainer, Mark Leckey, Wu Tsang, and Martine Syms. Harbison argues that while we produce images, images also produce us—those that we take and share, those that we see and assimilate through mass media and social media, those that we encounter in museums and galleries. Although all the artists she examines express their relation to images uniquely, they also offer a vantage point on today's productive-consumptive image circuits in which billions of us are caught. This unregulated, all-encompassing image performativity, Harbison writes, puts us to work, for free, in the service of global corporate expansion. Harbison offers a three-part interpretive framework for understanding this new proximity to images as it is negotiated by these artworks, a detailed outline of a set of connected practices—and a declaration of the value of art in an economy of attention and a crisis of representation.
Author: Beverly Willis
Author: Beverly Willis
Author: Philip Ball
Author: John Harvey
Author: Dennis J. Sardella
Author: Travis R. Niles
Author: Julien Dubois
Author: Peter Moore
Author: Daniela Hammer-Tugendhat
Author: Michal Raz-Russo
Author: Isobel Harbison