Interpreting the Songs of Gabriel Fauré PDF Download

Author: Robert Gartside
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 320

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Book Description
This reference book contains the complete literal translation and IPA transcription of Faure's Melodies, plus interpretation suggestions for each. Phonetic Alphabet for the language.

Author: Graham Johnson
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754659600
Category : Music
Languages : en
Pages : 492

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Book Description
The career of Gabriel Fauré as a composer of songs for voice and piano traverses six decades (1862-1921); almost the whole history of French mélodie is contained within these parameters. In this book, the distinguished accompanist and song scholar Graham Johnson places the vocal music within twin contexts: Fauré's own life story, and the parallel lives of his many poets. Each of Fauré's 109 songs receives a separate commentary. Additional chapters for the student singer and serious music-lover discuss interpretation and performance in both aesthetical and practical terms and Richard Stokes provides parallel English translations of the original French texts.

Author: Carol Kimball
Publisher: Hal Leonard Corporation
ISBN: 9781423412809
Category : Music
Languages : en
Pages : 604

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Book Description
Naslagwerk van de liedkunst en de literatuur hierover.

Author: Graham Johnson
Publisher: Routledge
ISBN: 1351566113
Category : Music
Languages : en
Pages : 489

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Book Description
The career of Gabriel Faur‘s a composer of songs for voice and piano traverses six decades (1862-1921); almost the whole history of French m die is contained within these parameters. In the 1860s Faur the lifelong prot of Camille Saint-Sa was a suavely precocious student; he was part of Pauline Viardot's circle in the 1870s and he nearly married her daughter. Pointed in the direction of symbolist poetry by Robert de Montesquiou in 1886, Faur as the favoured composer from the early 1890s of Winnarretta Singer, later Princesse de Polignac, and his songs were revered by Marcel Proust. In 1905 he became director of the Paris Conservatoire, and he composed his most profound music in old age. His existence, steadily productive and outwardly imperturbable, was undermined by self-doubt, an unhappy marriage and a tragic loss of hearing. In this detailed study Graham Johnson places the vocal music within twin contexts: Faur own life story, and the parallel lives of his many poets. We encounter such giants as Charles Baudelaire and Paul Verlaine, the patrician Leconte de Lisle, the forgotten Armand Silvestre and the Belgian symbolist Charles Van Lerberghe. The chronological range of the narrative encompasses Faur first poet, Victor Hugo, who railed against Napoleon III in the 1850s, and the last, Jean de La Ville de Mirmont, killed in action in the First World War. In this comprehensive and richly illustrated study each of Faur 109 songs receives a separate commentary. Additional chapters for the student singer and serious music lover discuss interpretation and performance in both aesthetical and practical terms. Richard Stokes provides parallel English translations of the original French texts. In the twenty-first century musical modernity is evaluated differently from the way it was assessed thirty years ago. Faur‘s no longer merely a 'Master of Charms' circumscribed by the belleque. His status as a great composer of timeless

Author: Barbara Meister
Publisher: Bloomington : Indiana University Press
ISBN: 9780253340757
Category : Music
Languages : en
Pages : 402

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Book Description
Song by song this study addresses the comple te works of each of the composers for solo voice and piano. When necessary, errors in the published editions are correct ed and the full French text is provided alongside the author ''s translations '

Author: Edward R. Phillips
Publisher: Taylor & Francis
ISBN: 1135838976
Category : Music
Languages : en
Pages : 408

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Book Description
First published in 2011, this research study includes a biography section as well as the works of Gabriel Urbain Fauré born on 12 May 1845. Much of Fauré’s music, especially the late pieces, remain little played and little known—as a result, his reputation as a salon composer of pleasant music continues even among educated musicians. The author suggests that it is more likely that the difficulty of much of Fauré’s music for the listener and the demands it places upon him or her are the principal reasons for its omission from concert programs and for a misunderstanding of Fauré’s place in the history of French music

Author: Graham Johnson
Publisher: Oxford : Oxford University Press
ISBN: 9780199249664
Category : Music
Languages : en
Pages : 572

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Book Description
A French Song Companion is an indispensable guide to the modern repertoire and the most comprehensive book of French melodie in any language. Noted accompanist Graham Johnson provides repertoire guides to the work of over 150 composers--the majority of them from France but including British, American, German, Spanish, and Italian musicians who have written French vocal music. The book contains major articles on Faure, Duparc, Debussy, Ravel, and Poulenc, as well as essays on Bizet, Chabrier, Gounod, Chausson, Hahn, and Satie, and important reassessments of such composers as Massenet, Koechlin, and Leguerney. The book combines these articles with the complete texts in English of over 700 songs, all translated by Richard Stokes, making it also a treasury of French poetry from the fifteenth through the twentieth centuries. The translations alone will prove invaluable to music lovers and performers; combined with the biographical articles, they become the ideal map for exploring this exciting and diverse repertoire.

Author: Graham Johnson
Publisher: Routledge
ISBN: 1351566105
Category : Music
Languages : en
Pages : 593

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Book Description
The career of Gabriel Faur?s a composer of songs for voice and piano traverses six decades (1862-1921); almost the whole history of French m?die is contained within these parameters. In the 1860s Faur?the lifelong prot? of Camille Saint-Sa?, was a suavely precocious student; he was part of Pauline Viardot's circle in the 1870s and he nearly married her daughter. Pointed in the direction of symbolist poetry by Robert de Montesquiou in 1886, Faur?as the favoured composer from the early 1890s of Winnarretta Singer, later Princesse de Polignac, and his songs were revered by Marcel Proust. In 1905 he became director of the Paris Conservatoire, and he composed his most profound music in old age. His existence, steadily productive and outwardly imperturbable, was undermined by self-doubt, an unhappy marriage and a tragic loss of hearing. In this detailed study Graham Johnson places the vocal music within twin contexts: Faur? own life story, and the parallel lives of his many poets. We encounter such giants as Charles Baudelaire and Paul Verlaine, the patrician Leconte de Lisle, the forgotten Armand Silvestre and the Belgian symbolist Charles Van Lerberghe. The chronological range of the narrative encompasses Faur? first poet, Victor Hugo, who railed against Napoleon III in the 1850s, and the last, Jean de La Ville de Mirmont, killed in action in the First World War. In this comprehensive and richly illustrated study each of Faur? 109 songs receives a separate commentary. Additional chapters for the student singer and serious music lover discuss interpretation and performance in both aesthetical and practical terms. Richard Stokes provides parallel English translations of the original French texts. In the twenty-first century musical modernity is evaluated differently from the way it was assessed thirty years ago. Faur?s no longer merely a 'Master of Charms' circumscribed by the belle ?que. His status as a great composer of timeless

Author: Carlo Caballero
Publisher: Cambridge University Press
ISBN: 110842919X
Category : Music
Languages : en
Pages : 279

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Book Description
Presents new research on Fauré by leading scholars, encompassing hermeneutics, musical analysis, aesthetic theory, critical theory, and social history.

Author:
Publisher: Pendragon Press
ISBN: 9781576470169
Category : Juvenile Nonfiction
Languages : en
Pages : 328

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Book Description
Jacques Leguerney, heir to the exquisite French mélodie tradition, is beautifully served in this carefully researched and practical performance guide. The Leguerney melodies are gratifying vehicles for both singers and pianists. They reflect the nature of the man himself: elegance, grace, sophistication, and an awareness of beauty in all its forms. To be in the presence of Monsieur Leguerney, no matter how briefly, was itself an aesthetic experience. This study leads the way to establishing international recognition for a composer who so richly deserves it. Richard Miller, Wheeler Professor of Performance and Director of the Vocal Arts Center, Oberlin Conservatoty. The songs of the extraordinary composer Jacques Leguerney form a magnum opus of undeniable beauty and originality. The various aspects of his musical style are discussed in depth in this book, which is a must for performers and enthusiasts of the mélodie. Unquestionably it will help achieve the recognition that Jacques Leguerney deserves as one of the twentieth century's great song composers. Dalton Baldwin, internationally acclaimed pianist Just when we thought there wasn't a major song composer left to explore, the trio of Dibbern, Kimball and Choukroun have ,written this invaluable, much-needed study of the songs of Jacques Leguerney. Nothing is left out and all is treated with precision and detail. My hat is off to these remarkable scholars and performers who have provided us with a wealth of information that is a must in every serious art-song enthusiast's library. Chapeau! Thomas Grubb, the Juilliard School, Peabody Conservatory of Music; Houston Grand Opera, New York City Opera; author of Singing in French