International Relations Through Science Fiction PDF Download

Author: Martin Harry Greenberg
Publisher: Franklin Watts
ISBN: 9780531054017
Category : International relations
Languages : en
Pages : 236

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Author: J. Weldes
Publisher: Springer
ISBN: 1403982082
Category : Performing Arts
Languages : en
Pages : 241

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Book Description
This volume explores the science fiction/world politics intertext. Through detailed analyses of such texts as Blade Runner, Stalker, Star Trek, and Buffy the Vampire Slayer, the chapters in this volume examine the complex and sometimes contradictory relations between world politics, both as discipline and as practice, and discourses of science fiction. Offering a novel combination of popular culture analysis with major theoretical and empirical issues concerning world politics, Science Fiction and World Politics provides insights into the discursive constitution of both science fiction and world politics while highlighting the occasional challenges that the science fiction/world politics intertext launches at our common sense.

Author: Paul Sheeran
Publisher: Routledge
ISBN: 1317104471
Category : Social Science
Languages : en
Pages : 238

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Book Description
Making a strong case for the relevance of literary production to understanding international relations, this persuasive volume highlights the potential rewards of developing a methodology to bring literature to bear on a discipline which has tended to neglect fictional sources. Paul Sheeran considers the deep insight that can be gained from the study of key works in fiction and literature to enhance knowledge of the social forces shaping world affairs. While there are numerous relevant works, the author has carefully selected multi-faceted and colourful sources of material to explore developments in contemporary global issues such as the demise of the Soviet Union, the attack on the World Trade Centre, infectious diseases and human conflict. This exciting book enthusiastically breaks new ground and is highly suitable for courses on international relations, cultural studies and literature.

Author: Stephen Benedict Dyson
Publisher: JHU Press
ISBN: 1421417162
Category : Fiction
Languages : en
Pages : 177

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Book Description
To help students think critically about international relations and politics, Stephen Benedict Dyson examines the fictional but deeply political realities of three television shows:Star Trek, Game of Thrones, and Battlestar Galactica. Deeply familiar with the events, themes, characters, and plot lines of these popular shows, students can easily draw parallels from fictive worlds to contemporary international relations and political scenarios. In Dyson's experience, this engagement is frequently powerful enough to push classroom conversations out into the hallways and onto online discussion boards. In Otherworldly Politics, Dyson explains how these shows are plotted to offer alternative histories and future possibilities for humanity. Fascinated by politics and history, science fiction and fantasy screenwriters and showrunners suffuse their scripts with real-world ideas of empire, war, civilization, and culture, lending episodes a compelling intricacy and contemporary resonance. Dyson argues that science fiction and fantasy television creators share a fundamental kinship with great minds in international relations. Creators like Gene Roddenberry, George R. R. Martin, and Ronald D. Moore are world-builders of no lesser creativity, Dyson argues, than theorists such as Woodrow Wilson, Kenneth Waltz, and Alexander Wendt. Each of these thinkers imagines a realm, specifies the rules of its operation, and by so doing seeks to teach us something about ourselves and how we interact with one another. A vital spur to creative thinking for scholars and an accessible introduction for students, this book will also appeal to fans of these three influential shows.

Author: Joel R. Campbell
Publisher: Rowman & Littlefield
ISBN: 1498555268
Category : Political Science
Languages : en
Pages : 259

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Book Description
The proposed book uses the Star Trek television/movie and Star Wars movie series to explain key international relations (IR) concepts and theories. It begins with an overview of the importance of science fiction in literature and film/television. It then presents the development of the Star Trek and Star Wars franchises, and discusses how their progression through time has illustrated key IR theories and concepts. As a bonus, it compares the two franchises to another recent science fiction franchise used to teach IR (Battlestar Galactica).

Author: Gregory D. Miller
Publisher:
ISBN: 9781682478455
Category : History
Languages : en
Pages : 0

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Author: Nicholas J. Kiersey
Publisher: Routledge
ISBN: 1135089698
Category : Political Science
Languages : en
Pages : 238

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Book Description
Looking at a television franchise like Battlestar Galactica (BSG) is no longer news within the discipline of International Relations. A growing number of scholars in and out of IR are studying the importance of cultural artifacts – popular or otherwise – for the phenomena that make up the core of our discipline. The genre of science fiction offers the analyst an opportunity that cannot be matched by more mimetic genres, namely the chance to look at how sets of widely-circulating expectations of the social serve to constrain authors as they work to introduce as yet unexplored problematiques, the fantasy aspect in much of science fiction storytelling is premised simply on a material difference. As such, while the physical setting of a science fiction tale might appear novel, its imaginative life world will likely retain many elements of the world we already live in and which we can readily recognize as similar to our own. For Critical IR scholarship then, BSG presents an opportunity to examine how these purported homologies or elements of redundancy between the fantastic and the real have been drawn and perhaps to consider, too, whether the show can teach us things about world politics, its various logics and structures, which we might not otherwise be sensitive to. Tackling some of the key contemporary issues in IR, the writers of BSG have taken on a range of important political themes and issues, including the legitimacy of military government, the tactical utility of genocide, and even the philosophical implications of artificial intelligence technologies for the very category of what it means to be 'human'. The contributors in this book explore in depth the argument that one of the most important aspects of popular culture is to naturalize or normalise a certain social order by further entrenching the expectations of social behaviour upon which our mentalities of rule are founded. This work will be of interest to student and scholars of international relations, popular culture and security studies.

Author: Gary Westfahl
Publisher: McFarland
ISBN: 1476637563
Category : Literary Criticism
Languages : en
Pages : 299

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Despite the growing importance of economics in our lives, literary scholars have long been reluctant to consider economic issues as they examine key texts. This volume seeks to fill one of these conspicuous gaps in the critical literature by focusing on various connections between science fiction and economics, with some attention to related fields such as politics and government. Its seventeen contributors include five award-winning scholars, five science fiction writers, and a widely published economist. Three topics are covered: what noted science fiction writers like Robert A. Heinlein, Frank Herbert, and Kim Stanley Robinson have had to say about our economic and political future; how the competitive and ever-changing publishing marketplace has affected the growth and development of science fiction from the nineteenth century to today; and how the scholars who examine science fiction have themselves been influenced by the economics of academia. Although the essays focus primarily on American science fiction, the traditions of Russian and Chinese science fiction are also examined. A comprehensive bibliography of works related to science fiction and economics will assist other readers and critics who are interested in this subject.

Author: Gregory D. Miller
Publisher: Naval Institute Press
ISBN: 1682478467
Category : Political Science
Languages : en
Pages : 376

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Sun Tzu in Space provides a novel way of thinking about the future, connecting international relations, history, and science fiction to better understand some of the various paths for future human activities in space. Simultaneously, it provides a way to use science fiction to help students and the public learn about international relations and the cyclical nature of history. Author Gregory D. Miller uses case studies, history, and foundational international relations concepts to draw big, or at least possible, conclusions about humanity‘s future in space. By combining the lessons of science fiction, and the facts of the past, Miller presents possible outcomes with a goal of illuminating where things could go wrong, or wonderfully right, as humans venture forth into space in greater numbers in the in the decades to come.

Author: Tony Burns
Publisher: Lexington Books
ISBN: 0739144871
Category : Literary Criticism
Languages : en
Pages : 332

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Book Description
Ursula K. Le Guin's The Dispossessed is of interest to political theorists partly because of its association with anarchism and partly because it is thought to represent a turning point in the history of utopian/dystopian political thought and literature and of science fiction. Published in 1974, it marked a revival of utopianism after decades of dystopian writing. According to this widely accepted view The Dispossessed represents a new kind of literary utopia, which Tom Moylan calls a 'critical utopia.' The present work challenges this reading of The Dispossessed and its place in the histories of utopian/dystopian literature and science fiction. It explores the difference between traditional literary utopia and novels and suggests that The Dispossessed is not a literary utopia but a novel about utopianism in politics. Le Guin's concerns have more to do with those of the novelists of the 19th century writing in the tradition of European Realism than they do with the science fiction or utopian literature. It also claims that her theory of the novel has an affinity with the ancient Greek tragedy. This implies that there is a conservatism in Le Guin's work as a creative writer, or as a novelist, which fits uneasily with her personal commitment to anarchism.