Author: Anthony DelDonna
Publisher: Cambridge University Press
ISBN: 1108477615
Category : Music
Languages : en
Pages : 339
Book Description
This book demonstrates the cultivation of instrumental genres by Neapolitan musicians and its significant stature at the royal court. Drawing on archival documents and musical sources, it paints a compelling history of local instrumental music culture and contributes to a wider ethnographic portrait of Naples in the late eighteenth-century.
Instrumental Music in Late Eighteenth-Century Naples
Author: Anthony DelDonna
Publisher: Cambridge University Press
ISBN: 1108477615
Category : Music
Languages : en
Pages : 339
Book Description
This book demonstrates the cultivation of instrumental genres by Neapolitan musicians and its significant stature at the royal court. Drawing on archival documents and musical sources, it paints a compelling history of local instrumental music culture and contributes to a wider ethnographic portrait of Naples in the late eighteenth-century.
Publisher: Cambridge University Press
ISBN: 1108477615
Category : Music
Languages : en
Pages : 339
Book Description
This book demonstrates the cultivation of instrumental genres by Neapolitan musicians and its significant stature at the royal court. Drawing on archival documents and musical sources, it paints a compelling history of local instrumental music culture and contributes to a wider ethnographic portrait of Naples in the late eighteenth-century.
String Virtuosi in Eighteenth-Century Naples
Author: Guido Olivieri
Publisher: Cambridge University Press
ISBN: 100927368X
Category : Music
Languages : en
Pages : 297
Book Description
A compelling new study of instrumental music in early modern Naples and of the string virtuosi who disseminated it through Europe.
Publisher: Cambridge University Press
ISBN: 100927368X
Category : Music
Languages : en
Pages : 297
Book Description
A compelling new study of instrumental music in early modern Naples and of the string virtuosi who disseminated it through Europe.
Counterpoint and Partimento
Author: Peter van Tour
Publisher:
ISBN: 9789155491970
Category : Composition (Music)
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9789155491970
Category : Composition (Music)
Languages : en
Pages : 0
Book Description
Music, Society, Agency
Author: Nancy November
Publisher: Academic Studies PRess
ISBN:
Category : Music
Languages : en
Pages : 301
Book Description
Musicologists have increasingly taken a wide-angled lens on the study of music in society, to explore how it can be intertwined with issues of politics, gender, religion, race, psychology, memory, and space. Recent studies of music in connection with society take in a variety of musical phenomena from diverse periods and genres—medieval, classical, opera, rock, etc. This ten-chapter book not only asks how music and society are, and have been, intertwined and mutually influential, but it also examines the agents behind these connections: who determines musical cultures in society? Which social groups are represented in particular musical contexts? Which social groups are silenced or less well represented in music’s histories, and why?
Publisher: Academic Studies PRess
ISBN:
Category : Music
Languages : en
Pages : 301
Book Description
Musicologists have increasingly taken a wide-angled lens on the study of music in society, to explore how it can be intertwined with issues of politics, gender, religion, race, psychology, memory, and space. Recent studies of music in connection with society take in a variety of musical phenomena from diverse periods and genres—medieval, classical, opera, rock, etc. This ten-chapter book not only asks how music and society are, and have been, intertwined and mutually influential, but it also examines the agents behind these connections: who determines musical cultures in society? Which social groups are represented in particular musical contexts? Which social groups are silenced or less well represented in music’s histories, and why?
The Partimenti of Giovanni Paisiello
Author: Nicoleta Paraschivescu
Publisher: Boydell & Brewer
ISBN: 164825036X
Category : Partimenti
Languages : en
Pages : 324
Book Description
Reveals the brilliant musical and pedagogical thinking of the famed eighteenth- and early nineteenth-century Neapolitan composer and teacher of royal students.
Publisher: Boydell & Brewer
ISBN: 164825036X
Category : Partimenti
Languages : en
Pages : 324
Book Description
Reveals the brilliant musical and pedagogical thinking of the famed eighteenth- and early nineteenth-century Neapolitan composer and teacher of royal students.
The Neapolitan Creative Economy
Author: Rossella Del Prete
Publisher: Springer Nature
ISBN: 3031559037
Category :
Languages : en
Pages : 353
Book Description
Publisher: Springer Nature
ISBN: 3031559037
Category :
Languages : en
Pages : 353
Book Description
Early Keyboard Instruments
Author: David Rowland
Publisher: Cambridge University Press
ISBN: 9780521643856
Category : Music
Languages : en
Pages : 172
Book Description
A select bibliography and extensive endnotes enable the reader to take all of the issues further."--Jacket.
Publisher: Cambridge University Press
ISBN: 9780521643856
Category : Music
Languages : en
Pages : 172
Book Description
A select bibliography and extensive endnotes enable the reader to take all of the issues further."--Jacket.
The Cambridge Companion to the Lied
Author: James Parsons
Publisher: Cambridge University Press
ISBN: 9780521804714
Category : Music
Languages : en
Pages : 446
Book Description
Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.
Publisher: Cambridge University Press
ISBN: 9780521804714
Category : Music
Languages : en
Pages : 446
Book Description
Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.
The Cambridge Companion to Eighteenth-Century Opera
Author: Anthony R. DelDonna
Publisher: Cambridge University Press
ISBN: 0521873584
Category : Music
Languages : en
Pages : 343
Book Description
The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.
Publisher: Cambridge University Press
ISBN: 0521873584
Category : Music
Languages : en
Pages : 343
Book Description
The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.
Music in the Seventeenth and Eighteenth Centuries
Author: Richard Taruskin
Publisher: Oxford University Press
ISBN: 0199796033
Category : Music
Languages : en
Pages : 832
Book Description
The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Seventeenth and Eighteenth Centuries , the second volume Richard Taruskin's monumental history, illuminates the explosion of musical creativity that occurred in the seventeenth and eighteenth centuries. Examining a wealth of topics, Taruskin looks at the elegant masques and consort music of Jacobean England, the Italian concerto style of Corelli and Vivaldi, and the progression from Baroque to Rococo to romantic style. Perhaps most important, he offers a fascinating account of the giants of this period: Bach, Handel, Mozart, Haydn, and Beethoven. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.
Publisher: Oxford University Press
ISBN: 0199796033
Category : Music
Languages : en
Pages : 832
Book Description
The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Seventeenth and Eighteenth Centuries , the second volume Richard Taruskin's monumental history, illuminates the explosion of musical creativity that occurred in the seventeenth and eighteenth centuries. Examining a wealth of topics, Taruskin looks at the elegant masques and consort music of Jacobean England, the Italian concerto style of Corelli and Vivaldi, and the progression from Baroque to Rococo to romantic style. Perhaps most important, he offers a fascinating account of the giants of this period: Bach, Handel, Mozart, Haydn, and Beethoven. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.