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Author: Laura Weinstein Publisher: Museum of Fine Arts Boston ISBN: 9780878468065 Category : Art Languages : en Pages : 192
Book Description
Ink, Silk, and Gold explores the dynamic and complex traditions of Islamic art through more than 115 major works in a dazzling array of media, reproduced in full color and exquisite detail manuscripts inscribed with gold, paintings on silk, elaborate metalwork, intricately woven textiles, luster-painted ceramics, and more. These objects, which originated within an Islamic world that ranges from Western Europe to Indonesia and across more than thirteen centuries, share a distinctive relationship to the materials they are made of: their color, shape, texture, and technique of production all convey meaning. Enhanced by texts from an international team of scholars and drawing on the latest technical information, Ink, Silk, and Gold is an inviting introduction to the riches of the Islamic art collection at the Museum of Fine Arts, Boston, and a window into a vibrant global culture.
Author: Laura Weinstein Publisher: Museum of Fine Arts Boston ISBN: 9780878468065 Category : Art Languages : en Pages : 192
Book Description
Ink, Silk, and Gold explores the dynamic and complex traditions of Islamic art through more than 115 major works in a dazzling array of media, reproduced in full color and exquisite detail manuscripts inscribed with gold, paintings on silk, elaborate metalwork, intricately woven textiles, luster-painted ceramics, and more. These objects, which originated within an Islamic world that ranges from Western Europe to Indonesia and across more than thirteen centuries, share a distinctive relationship to the materials they are made of: their color, shape, texture, and technique of production all convey meaning. Enhanced by texts from an international team of scholars and drawing on the latest technical information, Ink, Silk, and Gold is an inviting introduction to the riches of the Islamic art collection at the Museum of Fine Arts, Boston, and a window into a vibrant global culture.
Author: Hsueh-man Shen Publisher: University of Hawaii Press ISBN: 082486705X Category : History Languages : en Pages : 348
Book Description
As belief in the Buddha grew and his teachings were transmitted across Asia, Buddhist images, scriptures, and relics were duplicated and reduplicated to satisfy the needs of increasing numbers of the faithful. Yet how were these countless copies of sacred objects able to retain their authenticity and efficacy? Authentic Replicas explores how Buddhists in medieval China (seventh to twelfth centuries) solved this conundrum through the use of traditional methods of replication such as stamping, mold casting, and woodblock printing to create objects that fulfilled the spiritual aspirations of those who possessed them. Setting aside Western notions about the relative value of copies versus the “original,” the book posits Buddhist ideas on what imbues an object with credibility and authority and offers fresh insights into the ways authenticity was represented and reproduced in the Chinese Buddhist context. Each section of the volume focuses on an area of artistic output to provide readers with a thorough grasp of the theological concepts underpinning each act of duplication. Part I looks at the replication of sutras to clarify how the spiritual value of a handwritten sutra differed from a printed one. In Part II, clay tablets, woodblock prints, silk paintings, and cave murals are examined to trace iconographic lineages and uncover the divine identity in each new replica. The chapters in Part III describe in detail the copying of the Buddha’s bodily relics and the endlessly repeated votive act of burying these in stupas. Of particular significance is the visual and textual vocabulary used on reliquaries to persuade adherents to believe in the actual presence of the Buddha concealed inside. Deftly weaving together data and research from several disciplines, including Buddhist studies, archaeology, and art history, Authentic Replicas vividly conveys how replication lay at the heart of Buddhist worship in medieval China, offering a new understanding of how religious belief guided the artistic output of an entire age.
Author: Richard Edwards Publisher: Hong Kong University Press ISBN: 9888028650 Category : Art Languages : en Pages : 465
Book Description
"Ma Yuan emerges as an artist who captures the reality of season, time, and mood in a dazzlingly abbreviated style that is nonetheless utterly convincing in its rendering of the natural world.---Maxwell K. Hearn Metropolitan Museum of Art ichard Edwards and Ma Yuan have something in common: both are deeply committed to the work of art and the medium of ink painting. And like Ma Yuan's brushwork, Edwards's prose couples formal restraint with expressive power. This book is a major contribution to the literature on the art of ink painting at the Southern Song court.---Robert Sharf University of California, Berkeley Ma Yuan, one of China's best-known artists, was a key figure in the period widely celebrated as the golden era of Chinese landscape painting. The Heart of Ma Yuan offers a careful discussion of Ma Yuan's painting as it emerged within the sophisticated artistic environment of Hangzhou in the late twelfth and early thirteenth centuries. Beautifully illustrated with more than 300 illustrations from leading museums and private collections around the world, the book includes discussions of Ma Yuan's family of six generations of skillful painters, his many patrons, and his distinctive style in engaging Confucian, Taoist and Buddhist genres and his superb landscapes, including animals, flowers, and detailed studies of water. Widely noted for his own keen eye and masterful stylistic analysis, Richard Edwards cultivates the art of looking for a broad readership, from general art lovers to specialists in art history. As a Western scholar exploring the significance of a highly refined Eastern culture, he draws on natural history, poetry, and relevant contemporary writing as well as the work of other artists.
Author: Erica Tanov Publisher: Ten Speed Press ISBN: 0399579087 Category : House & Home Languages : en Pages : 234
Book Description
The first design book that translates elements of nature--including flora, water, and wood--into elements of decor for beautiful, lived-in, bohemian interiors, from acclaimed designer and tastemaker Erica Tanov. Inspired by nature's colors, textures, and patterns, design icon Erica Tanov uses her passion for textiles to create beautiful, timeless interiors that connect us to the natural world. Now, in her first book, Design by Nature, Tanov teaches you how to train your eye to the beauty of the natural world, and then bring the outdoors in—incorporating patterns and motifs from nature, as well as actual organic elements, into simple ideas for everyday decorating and design. Design by Nature contains new and imaginative decorating ideas for an organic and bohemian style that mixes and layers rugs, pillows, throws, and drapery, and incorporates unique patterns and fabrics such as shibori, ikat, and jamdani, all stunningly photographed by renowned photographer Ngoc Minh Ngo. With topics ranging from embracing imperfection in your home, to seeking out flea markets, to displaying your collections, Design by Nature takes an enduring and intuitive approach to design that transcends fleeting trends and encourages you to find your own personal style, source of creativity, and connection to the natural world. You don't need to travel to distant locales to find beauty; it's all around us, from the crackle of fallen leaves to the jagged bark of a tree.
Author: Wu Hung Publisher: University of Chicago Press ISBN: 9780226360744 Category : Art Languages : en Pages : 304
Book Description
In the first exploration of Chinese paintings as both material products and pictorial representations, The Double Screen shows how the collaboration and tension between material form and image gives life to a painting. A Chinese painting is often reduced to the image it bears; its material form is dismissed; its intimate connection with social activities and cultural conventions neglected. A screen occupies a space and divides it, supplies an ideal surface for painting, and has been a favorite pictorial image in Chinese art since antiquity. Wu Hung undertakes a comprehensive analysis of the screen, which can be an object, an art medium, a pictorial motif, or all three at once. With its diverse roles, the screen has provided Chinese painters with endless opportunities to reinvent their art. The Double Screen provides a powerful non-Western perspective on issues from portraiture and pictorial narrative to voyeurism, masquerade, and political rhetoric. It will be invaluable to anyone interested in the history of art and Asian studies.
Author: NIIR Board Publisher: ASIA PACIFIC BUSINESS PRESS Inc. ISBN: 8178330482 Category : Printing ink Languages : en Pages : 328
Book Description
The beginning of ink making is something of a mystery. It is certain however, that the development of the art of writing preceded the invention of ink by almost a thousand years. Today inks are divided into two classes: printing inks and writing inks. Printing is a process for reproducing text and images, typically with ink on paper using a printing press. It is often carried out as a large scale industrial process, and is an essential part of publishing and transaction printing. Different techniques and printing equipments are employed for each printing practices. The demand for innovative printing practices has been on a high in recent times. There are various kinds of printing processes; lithographic process, the gravure process, offset printing process etc. different types of inks derived from different processes are ball pen inks, bleachable inks, fluorescent inks, fast drying ink, automatic press inks, rotary press inks, coated paper inks, planographic inks, lithographic inks, offset tin printing inks etc. The Printing Ink industries have grown significantly during the last decade and this industry is characterized by exceeding high margin profit. As we read newspapers, magazines, and books on a daily basis therefore inks are found in almost every aspect of human activity. The worldwide printing inks market is projected to register a CAGR of about 2.8%. Printing inks market embodies the strength of the global as well as regional economies. With its high correlation to a national GDP, the printing inks market is cyclical in nature, with economic ups and downs amplifying the demand patterns. The world printing inks market is projected to grow moderately over the next couple of years. The major contents of the book are pigment in the printing inks, manufacturing of printing inks, storage and testing of raw materials, planographic inks, lithographic inks, factors effecting visual appearance of ink film, factors effecting visual appearance of ink film, method of mixing metallic powder and varnish, the principle of reproducing photographs by printing methods, etc. In this book an attempt has been made to bring together the useful manner as possible the fundamental Principles of ink making. The book contains formulae processes and other relevant information of the manufacturing of different types of printing inks. TAGS Printing Inks with Formulae, Printing Inks with Processes, A Guide to Popular Printing Techniques, best small and cottage scale industries, formulation of printing inks, Gravure Printing industry, Growth in the Printing inks, How Ink Is Made, How Ink is manufactured, How printing ink manufactured in factory, how to manufacture ink, How to Start a Printing inks Production Business, How to start a successful Printing inks business, How to Start Printing inks Industry in India, Ink and Printability Testing, Inking Rollers, Inking Rollers uses, Manufacture of Inks and varnishes, manufacturing of varnish, Modern Printing Process, Most Profitable Printing inks manufacturing Business Ideas, new small scale ideas in inks manufacturing industry, Newspaper Printing Ink, Packaging Inks Market - Covering the Printing Inks, Coatings and Allied Industries, Printing inks Based Small Scale Industries Projects, Printing inks Business, Printing inks manufacturing Industry in India, Printing inks, manufacturing Projects, printing ink formulation, printing ink manual, Printing Ink Manufacturing, printing ink manufacturing process, Printing Ink Technology and Manufacture, Printing Inks & Applications, Printing Processes and Printing Inks, Printing processes: Offset, Flexo, Digital, Gravure, Profitable Small Scale inks Manufacturing, Robust Growth in the Indian Exports of Printing Inks, screen printing process, Setting up and opening your Printing inks Business, Setting up and opening your Printing Business, Setting up of Printing inks manufacturing Units, Small scale Commercial Printing inks production, Small Scale Printing inks manufacturing Projects, Small Start-up Business Project, Start up India, Stand up India, Starting a Printing inks manufacturing Business, Starting a Printing Business, Starting an Ink and Toner Cartridge Refilling Business, Starting an Offset Printing Press, Start-up Business Plan for Printing inks, startup ideas, Startup Project, Startup Project for Printing inks Business, startup project plan, Technology of Printing Inks: Raw materials and formulations, The manufacturing process of a news ink, varnish making process, Varnish manufacturing, varnish manufacturing process, Web Offset Machines, What Equipment Do I Need to Start a Printing Business?, Printing ink manufacturing process, Business guidance for printing inks manufacturing, Technology Book on Printing Inks, Printing Ink Manual, Technology of Printing Inks, printing inks modern technology, Lithographic Process, Flexographic Inks, Typographic Printing Inks, Planographic Inks, Intaglio Printing Inks, Gravure Printing Inks, Special Inks, offset printing ink manufacturing process, formulation of Offset Printing Inks, Ball Pen Inks, Fluorescent Inks, Phosphorescent Pigments, Silk-screen Fluorescent Printing, Inorganic Pigments, Offset printing technology, How printing ink manufactured in factory, offset printing ink formulation
Author: Jason Logan Publisher: Abrams ISBN: 1683353277 Category : Crafts & Hobbies Languages : en Pages : 322
Book Description
“The pigments he concocts from these humble beginnings are as fun to make as they are eye-opening to work with . . . the world never quite looks the same.” —MarthaStewart.com A 2018 Best Book of the Year—The Guardian The Toronto Ink Company was founded in 2014 by designer and artist Jason Logan as a citizen science experiment to make eco-friendly, urban ink from street-harvested pigments. In Make Ink, Logan delves into the history of inkmaking and the science of distilling pigment from the natural world. Readers will learn how to forage for materials such as soot, rust, cigarette butts, peach pits, and black walnut, then how to mix, test, and transform these ingredients into rich, vibrant inks that are sensitive to both place and environment. Organized by color, and featuring lovely minimalist photography throughout, Make Ink combines science, art, and craft to instill the basics of ink making and demonstrate the beauty and necessity of engaging with one of mankind’s oldest tools of communication. “Logan demystifies the process, encouraging experimentation and taking a fresh look at urban environments.” —NPR “The book is full of inspiration and takes a lot of the mystery out of ink making, at least at its simplest level. And it also reminds me why I love ink—any ink or liquid color as much as I do.” —The Well-Appointed Desk “Quite a few recipes . . . that use color from the kitchen: carrots, black beans, blueberries, turmeric, and onion skins all make beautiful ink colors.” —Design Observer “Make Ink opens up about methods, providing an open source guide to DIY ink.” —CityLab
Author: Terry Satsuki Milhaupt Publisher: Reaktion Books ISBN: 1780233175 Category : Design Languages : en Pages : 314
Book Description
What is the kimono? Everyday garment? Art object? Symbol of Japan? As this book shows, the kimono has served all of these roles, its meaning changing across time and with the perspective of the wearer or viewer. Kimono: A Modern History begins by exposing the seventeenth- and eighteenth-century foundations of the modern kimono fashion industry. It explores the crossover between ‘art’ and ‘fashion’ in this period at the hands of famous Japanese painters who worked with clothing pattern books and painted directly onto garments. With Japan’s exposure to Western fashion in the nineteenth century, and Westerners’ exposure to Japanese modes of dress and design, the kimono took on new associations and came to symbolize an exotic culture and an alluring female form. In the aftermath of the Second World War, the kimono industry was sustained through government support. The line between fashion and art became blurred as kimonos produced by famous designers were collected for their beauty and displayed in museums, rather than being worn as clothing. Today, the kimono has once again taken on new dimensions, as the Internet and social media proliferate images of the kimono as a versatile garment to be integrated into a range of individual styles. Kimono: A Modern History, the inspiration for a major exhibition at the Metropolitan Museum of Art in New York,not only tells the story of a distinctive garment’s ever-changing functions and image, but provides a novel perspective on Japan’s modernization and encounter with the West.
Author: Laura Weinstein
Author: Laura Weinstein
Author: Hsueh-man Shen
Author: Richard Edwards
Author: Erica Tanov
Author: University of Michigan. Museum of Art
Author: Wu Hung
Author: 
Author: NIIR Board
Author: Jason Logan
Author: Terry Satsuki Milhaupt