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Author: Judith Trimble Publisher: Fine Art Publishing ISBN: Category : Antiques & Collectibles Languages : en Pages : 236
Book Description
Figurative to abstract imagery - Melbourne school - Welded steel and abstract expressionism - The dance - Works on paper - Exhibitions, awards, commissions and collections.
Author: Judith Trimble Publisher: Fine Art Publishing ISBN: Category : Antiques & Collectibles Languages : en Pages : 236
Book Description
Figurative to abstract imagery - Melbourne school - Welded steel and abstract expressionism - The dance - Works on paper - Exhibitions, awards, commissions and collections.
Author: Sasha Grishin Publisher: ISBN: 9781922252005 Category : Sculpture, Australian Languages : en Pages : 0
Book Description
This publication surveys the life's work of an artist who arrived in Australia in the early 1950s having already undertaken art studies in Germany, England and Scotland. She had also travelled to America to witness, first hand, post-war developments in the New York art world. The extravagantly illustrated book, with wonderful photographs by Mark Strizic, John Gollings, Jacqui Henshaw, Robin Whittle and others, attempts to document the majority of the artist's sculptures and works on paper produced over her decades in this country. Included for special consideration in the text are sections on King's major public commissions such as Forward Surge at the Victorian Arts Centre and Rings of Saturn at Heide Museum of Modern Art. By concentrating on the artist's entire career, from art school studies in the 1930s to works produced as recently as 2014, this book is intended to be a singularly comprehensive coverage of the artist's iconographic and stylistic development and a record of this 98 year-old's creative life dedicated to the art of sculpture.
Author: Marina Belozerskaya Publisher: Getty Publications ISBN: 0892367857 Category : Art Languages : en Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: David Hurlston Publisher: ISBN: 9780724103867 Category : King, Inge Languages : en Pages : 135
Book Description
Featuring in-depth written contributions by Jane Eckett and David Hurlston and full colour reproductions of works from King's extraordinary career, this stunning volume celebrates a life of remarkable achievement and, most importantly, acknowledges King's singular role in the development of modern sculpture in Australia. Features photographs from Inge King's personal archive. Includes selected bibliography and exhibition history. Published to coincide with Inge King: Constellation, to be held at The Ian Potter Centre, NGV Australia, Federation Square, 1 May - 31 August 2014
Author: Gail Feigenbaum Publisher: Getty Publications ISBN: 1606061224 Category : Art Languages : en Pages : 234
Book Description
"This volume of essays offers new arguments regarding the significance of the social biography of art and the transformative power of ownership. It realigns the traditional art-historical paradigm that focuses on the moment of an object's origin and instead considers the longue durée of ownership. Whereas the term provenance may call to mind little more than a list of owners or the legal questions raised by competing entitlement claims, the essays in this book demonstrate that a nuanced approach recuperates important, even dramatic, aspects of the history of art. The authors present a broad perspective on provenance, investigating examples from Europe, Asia, Africa, and the Americas, and from ancient archaeology to conceptual art. They explore how stories of ownership are attached to objects, analyze important distinctions between provenance and provenience, and show how provenance can be monetized, politicized, suppressed, or otherwise instrumentalized."--Page 4 of cover.
Author: Inge King Publisher: MacMillan Art Publishing ISBN: 9781921394263 Category : Sculptors Languages : en Pages : 0
Book Description
Since coming to Australia, via London, in the early 1950s, Inge King has forged a remarkable reputation as a leading pioneer of contemporary sculpture. This title discusses Kings practice of producing maquettes and small-scale works as a preliminary to their possible fabrication as large-scale sculptures. The series includes emerging, mid-career, and well-established artists. These attractive miniature volumes will appeal to collectors as well as person wishing to acquire knowledge of a particular artist. They also make great gifts for the visual art enthusiast!
Author: Lynne Blackman Publisher: Univ of South Carolina Press ISBN: 1611179556 Category : Art Languages : en Pages : 432
Book Description
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn
Author: Steven Henry Madoff Publisher: MIT Press ISBN: 0262134934 Category : Art Languages : en Pages : 387
Book Description
Leading international artists and art educators consider the challenges of art education in today's dramatically changed art world. The last explosive change in art education came nearly a century ago, when the German Bauhaus was formed. Today, dramatic changes in the art world—its increasing professionalization, the pervasive power of the art market, and fundamental shifts in art-making itself in our post-Duchampian era—combined with a revolution in information technology, raise fundamental questions about the education of today's artists. Art School (Propositions for the 21st Century) brings together more than thirty leading international artists and art educators to reconsider the practices of art education in academic, practical, ethical, and philosophical terms. The essays in the book range over continents, histories, traditions, experiments, and fantasies of education. Accompanying the essays are conversations with such prominent artist/educators as John Baldessari, Michael Craig-Martin, Hans Haacke, and Marina Abramovic, as well as questionnaire responses from a dozen important artists—among them Mike Kelley, Ann Hamilton, Guillermo Kuitca, and Shirin Neshat—about their own experiences as students. A fascinating analysis of the architecture of major historical art schools throughout the world looks at the relationship of the principles of their designs to the principles of the pedagogy practiced within their halls. And throughout the volume, attention is paid to new initiatives and proposals about what an art school can and should be in the twenty-first century—and what it shouldn't be. No other book on the subject covers more of the questions concerning art education today or offers more insight into the pressures, challenges, risks, and opportunities for artists and art educators in the years ahead. Contributors Marina Abramovic, Dennis Adams, John Baldessari, Ute Meta Bauer, Daniel Birnbaum, Saskia Bos, Tania Bruguera, Luis Camnitzer, Michael Craig-Martin, Thierry de Duve, Clémentine Deliss, Charles Esche, Liam Gillick, Boris Groys, Hans Haacke, Ann Lauterbach, Ken Lum, Steven Henry Madoff, Brendan D. Moran, Ernesto Pujol, Raqs Media Collective, Charles Renfro, Jeffrey T. Schnapp, Michael Shanks, Robert Storr, Anton Vidokle
Author: Mark Rollins Publisher: John Wiley & Sons ISBN: 0470673443 Category : Philosophy Languages : en Pages : 339
Book Description
Updated and revised, the Second Edition of Danto and His Critics presents a series of essays by leading Danto scholars who offer their critical assessment of the influential works and ideas of Arthur C. Danto, the Johnsonian Professor Emeritus in the Department of Philosophy at Columbia University and long-time art critic for The Nation. Reflects Danto's revisions in his theory of art, reworking his views in ways that have not been systematically addressed elsewhere Features essays that critically assess the changes in Danto's thoughts and locate Danto's revised theory in the larger context of his work and of aesthetics generally Speaks in original ways to the relation of Danto's philosophy of art to his theory of mind Connects and integrates Danto's ideas on the nature of knowledge, action, aesthetics, history, and mind, as well as his provocative thoughts on the philosophy of art for the reader
Author: Judith Trimble
Author: Judith Trimble
Author: Sasha Grishin
Author: Mark Holsworth
Author: Marina Belozerskaya
Author: David Hurlston
Author: Gail Feigenbaum
Author: Inge King
Author: Lynne Blackman
Author: Steven Henry Madoff
Author: Mark Rollins