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Author: Ilinca Zarifopol-Johnston Publisher: University of Delaware Press ISBN: 9780874135398 Category : Language Arts & Disciplines Languages : en Pages : 276
Book Description
Ilinca Zarifopol-Johnston's book traces the covert manifestations of Hugo's romantic notion of the novel through later French and English realism, arguing that the anachronistic traces of past literary periods are always at work defining the aims of the present, no matter how radical a new departure it seems or tries to be.
Author: Ilinca Zarifopol-Johnston Publisher: University of Delaware Press ISBN: 9780874135398 Category : Language Arts & Disciplines Languages : en Pages : 276
Book Description
Ilinca Zarifopol-Johnston's book traces the covert manifestations of Hugo's romantic notion of the novel through later French and English realism, arguing that the anachronistic traces of past literary periods are always at work defining the aims of the present, no matter how radical a new departure it seems or tries to be.
Author: Reuven Tsur Publisher: Andrews UK Limited ISBN: 1845405552 Category : Psychology Languages : en Pages : 374
Book Description
This book studies how poetic structure transforms verbal imitations of religious experience into concepts. The book investigates how such a conceptual language can convey such non-conceptual experiences as meditation, ecstasy or mystic insights. Briefly, it explores how the poet, by using words, can express the 'ineffable'. It submits to close reading English, French, German, Spanish, Italian, Armenian and Hebrew texts, from the Bible, through medieval, renaissance, metaphysical, and baroque poetry, to romantic and symbolistic poetry.
Author: Gianfranco Sodoma Publisher: ISBN: 9781840686814 Category : Art, Baroque Languages : en Pages : 0
Book Description
The three centuries from 1400 to 1700 saw not only a great rebirth of European art, but also a religious mania centred on fears of Hell, damnation, and witchcraft -- the latter igniting Europe's great witch persecutions, a blood-crazed holocaust against women. The combination of classical painting and the war against Satanic forces produced some of the most astonishing images in the history of art: landscapes of Hell populated by demons, twisted monsters and the bloody tortures of the damned; saints tormented by infernal visions of devils, sin and the corruption of the flesh; witches' sabbats of baby-eating, corpse resurrection and bestial fornication; and, finally, grim evocations of death, scattered with skulls, as a warning against earthly avarice and pride. Infernal Grotesque collects over 120 of these images from the Renaissance and Baroque periods, steeped in beautiful horror, swirling with bizarre and hallucinatory nightmare. The artists featured include Hieronymus Bosch, Pieter Breugel, Pieter Huys, Jan Mandyn, Jacob von Swanenburg, Herri Met de Bles, Hans Memling, Jacopo Ligozzi, Peter Paul Rubens, Salvator Rosa, Frans Francken, Frans Floris and Lucas Cranach, as well as numerous others. Illuminated Masters is a new series of high-quality art books featuring the work of classical artists from the 15th to 17th centuries.
Author: Michael Haag Publisher: Profile Books ISBN: 1847659985 Category : Reference Languages : en Pages : 272
Book Description
In this illuminating companion to Dan Brown's Inferno, historian Michael Haag sets out the truth behind the novel's myths, mysteries and locations. How do the clues unveiled in symbology professor Robert Langdon's daring quest from Florence to Venice and Istanbul overlap with history? What codes and symbols did Dante employ in the Divine Comedy and which secret religious, philosophical, and scientific themes are hidden within his work? What lies behind Botticelli's Mappa dell'Inferno? And what are the cult scientists known as transhumanists really up to? Inferno Decoded is a book that ranges as widely as Dan Brown's novel, from the terrors of the Black Death to the scientific debates around population growth and prolonging of life-spans, and from the economic, political, and religious tumult in Florence at the dawn of the Renaissance to real-life locations in Florence, Venice and Istanbul today. It is a must-read for anyone who has read Inferno and wondered just how its enigmatic questions are real or relevant.
Author: Jeffrey Andrew Weinstock Publisher: Routledge ISBN: 1317044266 Category : Literary Criticism Languages : en Pages : 640
Book Description
From vampires and demons to ghosts and zombies, interest in monsters in literature, film, and popular culture has never been stronger. This concise Encyclopedia provides scholars and students with a comprehensive and authoritative A-Z of monsters throughout the ages. It is the first major reference book on monsters for the scholarly market. Over 200 entries written by experts in the field are accompanied by an overview introduction by the editor. Generic entries such as 'ghost' and 'vampire' are cross-listed with important specific manifestations of that monster. In addition to monsters appearing in English-language literature and film, the Encyclopedia also includes significant monsters in Spanish, French, Italian, German, Russian, Indian, Chinese, Japanese, African and Middle Eastern traditions. Alphabetically organized, the entries each feature suggestions for further reading. The Ashgate Encyclopedia of Literary and Cinematic Monsters is an invaluable resource for all students and scholars and an essential addition to library reference shelves.
Author: Chris Snodgrass Publisher: ISBN: Category : Art Languages : en Pages : 376
Book Description
This book analyzes a wide range of Beardsley's most characteristic work. It establishes his assumptions about the underlying nature of his world, and clarifies why so many observers have considered Beardsley's art indispensable to understanding fin-de-si cle Victorian culture. Beardsley's pictures present a dialogue between seemingly polarized impulses: a desire to scandalize and destabilize the old order, and, equally strong, a need to affirm traditional authority. Beardsley depicted various grotesque shapes, caricatures, and mutated figures, including foetus/old man, dwarf, Clown, Harlequin, Pierrot, and dandy (the icon of the Decadent "Religion of Art"). Incarnating the fearful contradictions of decadence, these images served as objective correlatives of some "monstrous" metaphysical contortion. His grotesques suggest the impossibility of resolving these contradictions, even as his elegant designs try formalistically to control and recuperate the disfiguration. As a canonical style, Beardsley's "dandy" sensibility and grotesque caricatures become his means of realigning canonical meaning. Thus, he effects what might be termed a "caricature" of traditional signification. An aesthete devoted to the "Religion of Art", Beardsley, nonetheless, creates a world inescapably "de-formed". He is a Dandy of the Grotesque.
Author: Dorothy Kelly Publisher: Penn State Press ISBN: 0271034963 Category : Literary Criticism Languages : en Pages : 188
Book Description
Reconstructing Woman explores a scenario common to the works of four major French novelists of the nineteenth century: Balzac, Flaubert, Zola, and Villiers. In the texts of each author, a “new Pygmalion” (as Balzac calls one of his characters) turns away from a real woman he has loved or desired and prefers instead his artificial re-creation of her. All four authors also portray the possibility that this simulacrum, which replaces the woman, could become real. The central chapters examine this plot and its meanings in multiple texts of each author (with the exception of the chapter on Villiers, in which only “L’Eve future” is considered). The premise is that this shared scenario stems from the discovery in the nineteenth century that humans are transformable. Because scientific innovations play a major part in this discovery, Dorothy Kelly reviews some of the contributing trends that attracted one or more of the authors: mesmerism, dissection, transformism, and evolution, new understandings of human reproduction, spontaneous generation, puericulture, the experimental method. These ideas and practices provided the novelists with a scientific context in which controlling, changing, and creating human bodies became imaginable. At the same time, these authors explore the ways in which not only bodies but also identity can be made. In close readings, Kelly shows how these narratives reveal that linguistic and coded social structures shape human identity. Furthermore, through the representation of the power of language to do that shaping, the authors envision that their own texts would perform that function. The symbol of the reconstruction of woman thus embodies the fantasy and desire that their novels could create or transform both reality and their readers in quite literal ways. Through literary analyses, we can deduce from the texts just why this artificial creation is a woman.
Author: Publisher: Feral House ISBN: 1627310037 Category : Photography Languages : en Pages : 298
Book Description
American Grotesque is a lavish retrospective of grotesque, occult, and erotic images by the forgotten Hollywood photographer William Mortensen (1897–1965), an innovative pictorialist visionary whom Ansel Adams called the "Antichrist" and to whom Anton LaVey dedicated The Satanic Bible. Mortensen's countless technical innovations and inspired use of special effects prefigures the development of digital manipulation and Photoshop. Includes a gallery of more than one hundred striking photographs in duotone and color, many of them previously unseen, and accompanying essays by Mortensen and others on his life, work, techniques, and influence.
Author: Ilinca Zarifopol-Johnston
Author: Ilinca Zarifopol-Johnston
Author: Reuven Tsur
Author: Gianfranco Sodoma
Author: Michael Haag
Author: Jeffrey Andrew Weinstock
Author: Chris Snodgrass
Author: Denton Jaques Snider
Author: Dorothy Kelly
Author: Morley Roberts
Author: