Author: Stephen Feinstein
Publisher: Enslow Publishing, LLC
ISBN: 9781598451375
Category : Juvenile Nonfiction
Languages : en
Pages : 116
Book Description
"Readers will learn about a variety of African American jazz musicians including Louis Armstrong, Duke Ellington, Ella Fitzgerald, Dizzy Gillespie, Charlie Parker, Miles Davis, John Coltrane, and Herbie Hancock"--Provided by publisher.
Incredible African-American Jazz Musicians
Author: Stephen Feinstein
Publisher: Enslow Publishing, LLC
ISBN: 9781598451375
Category : Juvenile Nonfiction
Languages : en
Pages : 116
Book Description
"Readers will learn about a variety of African American jazz musicians including Louis Armstrong, Duke Ellington, Ella Fitzgerald, Dizzy Gillespie, Charlie Parker, Miles Davis, John Coltrane, and Herbie Hancock"--Provided by publisher.
Publisher: Enslow Publishing, LLC
ISBN: 9781598451375
Category : Juvenile Nonfiction
Languages : en
Pages : 116
Book Description
"Readers will learn about a variety of African American jazz musicians including Louis Armstrong, Duke Ellington, Ella Fitzgerald, Dizzy Gillespie, Charlie Parker, Miles Davis, John Coltrane, and Herbie Hancock"--Provided by publisher.
Incredible African-American Jazz Musicians
Author: Stephen Feinstein
Publisher: Enslow Publishing, LLC
ISBN: 1598451375
Category : Juvenile Nonfiction
Languages : en
Pages : 114
Book Description
"Readers will learn about a variety of African American jazz musicians including Louis Armstrong, Duke Ellington, Ella Fitzgerald, Dizzy Gillespie, Charlie Parker, Miles Davis, John Coltrane, and Herbie Hancock"--Provided by publisher.
Publisher: Enslow Publishing, LLC
ISBN: 1598451375
Category : Juvenile Nonfiction
Languages : en
Pages : 114
Book Description
"Readers will learn about a variety of African American jazz musicians including Louis Armstrong, Duke Ellington, Ella Fitzgerald, Dizzy Gillespie, Charlie Parker, Miles Davis, John Coltrane, and Herbie Hancock"--Provided by publisher.
Awesome African-American Rock and Soul Musicians
Author: David Aretha
Publisher: Enslow Publishing, LLC
ISBN: 9781598451405
Category : Juvenile Nonfiction
Languages : en
Pages : 116
Book Description
"Read about important African American musicians including: Chuck Berry, Little Richard, James Brown, Ray Charles, Diana Ross, Aretha Franklin, Stevie Wonder, Jimi Hendrix, and Prince"--Provided by publisher.
Publisher: Enslow Publishing, LLC
ISBN: 9781598451405
Category : Juvenile Nonfiction
Languages : en
Pages : 116
Book Description
"Read about important African American musicians including: Chuck Berry, Little Richard, James Brown, Ray Charles, Diana Ross, Aretha Franklin, Stevie Wonder, Jimi Hendrix, and Prince"--Provided by publisher.
Women in Jazz
Author: Jan Leder
Publisher: Greenwood
ISBN:
Category : Literary Criticism
Languages : en
Pages : 336
Book Description
This discography is successful in its attempt to `present a complete picture of women instrumentalists' recording activity from 1913 to 1968.' Jan Leder also shows the significant contributions made by women in jazz and their involvement playing jazz since its beginnings. The book contains two parts: Discography of Women in Jazz and Collective Section. The first section arranges names alphabetically by name of player with works arranged chronologically for each player. The second section is a chronological listing of recordings with two or more players. It gives date, place, name of orchestra, director, performers, recording titles, and company. Index of performers. An excellent resource on the subject. Reference Book Review This discography presents as complete a picture as possible of the recording activity of women jazz instrumentalists between 1913 and 1968. It is divided into two sections. The first section is alphabetical by the last name of the player and chronological within each player's section; the second is a chronologically arranged collective section containing information on recordings with two or more women players. An index of all women players with references to the pages where information on their recordings may be found completes the volume.
Publisher: Greenwood
ISBN:
Category : Literary Criticism
Languages : en
Pages : 336
Book Description
This discography is successful in its attempt to `present a complete picture of women instrumentalists' recording activity from 1913 to 1968.' Jan Leder also shows the significant contributions made by women in jazz and their involvement playing jazz since its beginnings. The book contains two parts: Discography of Women in Jazz and Collective Section. The first section arranges names alphabetically by name of player with works arranged chronologically for each player. The second section is a chronological listing of recordings with two or more players. It gives date, place, name of orchestra, director, performers, recording titles, and company. Index of performers. An excellent resource on the subject. Reference Book Review This discography presents as complete a picture as possible of the recording activity of women jazz instrumentalists between 1913 and 1968. It is divided into two sections. The first section is alphabetical by the last name of the player and chronological within each player's section; the second is a chronologically arranged collective section containing information on recordings with two or more women players. An index of all women players with references to the pages where information on their recordings may be found completes the volume.
Experimentalism Otherwise
Author: Benjamin Piekut
Publisher: Univ of California Press
ISBN: 0520268512
Category : Art
Languages : en
Pages : 296
Book Description
A book about the links between avant garde music and the art scene in New York City in the 1960s. John Cage and Iggy Pop, together at last.
Publisher: Univ of California Press
ISBN: 0520268512
Category : Art
Languages : en
Pages : 296
Book Description
A book about the links between avant garde music and the art scene in New York City in the 1960s. John Cage and Iggy Pop, together at last.
Extraordinary African-American Poets
Author: Therese Neis
Publisher: Enslow Publishing, LLC
ISBN: 1464609454
Category : Juvenile Nonfiction
Languages : en
Pages : 114
Book Description
Do your readers know who the first published African-American poet is? Phillis Wheatley, a slave, published her most famous book of poetry in 1773, while traveling in England. Readers will learn about her life, and the lives of seven other amazing poets. Each short biography ends with a brief timeline of the person's life and achievements.
Publisher: Enslow Publishing, LLC
ISBN: 1464609454
Category : Juvenile Nonfiction
Languages : en
Pages : 114
Book Description
Do your readers know who the first published African-American poet is? Phillis Wheatley, a slave, published her most famous book of poetry in 1773, while traveling in England. Readers will learn about her life, and the lives of seven other amazing poets. Each short biography ends with a brief timeline of the person's life and achievements.
Inspiring African-American Civil Rights Leaders
Author: Stephen Feinstein
Publisher: Enslow Publishing, LLC
ISBN: 9781598451368
Category : Juvenile Nonfiction
Languages : en
Pages : 116
Book Description
"Read about eight important civil rights leaders including: W.E.B. Du Bois, Philip Randolph, Martin Luther King, Jr., James Farmer, Malcolm X, John Lewis, Fannie Lou Hamer, and Thurgood Marshall"--
Publisher: Enslow Publishing, LLC
ISBN: 9781598451368
Category : Juvenile Nonfiction
Languages : en
Pages : 116
Book Description
"Read about eight important civil rights leaders including: W.E.B. Du Bois, Philip Randolph, Martin Luther King, Jr., James Farmer, Malcolm X, John Lewis, Fannie Lou Hamer, and Thurgood Marshall"--
Eugene Bullard, Black Expatriate in Jazz-Age Paris
Author: Craig Lloyd
Publisher: University of Georgia Press
ISBN: 9780820328188
Category : Biography & Autobiography
Languages : en
Pages : 252
Book Description
Although he was the first African American fighter pilot, Eugene J. Bullard is still a relative stranger in his homeland. An accomplished professional boxer, musician, club manager, and impresario of Parisian nightlife between the world wars, Bullard found in Europe a degree of respect and freedom unknown to blacks in America. There, for twenty-five years, he helped define the expatriate experience for countless other African American artists, writers, performers, and athletes. This is the first biography of Bullard in thirty years and the most complete ever. It follows Bullard's lifelong search for respect from his poor boyhood in Jim-Crow Georgia to his attainment of notoriety in Jazz-Age Paris and his exploits fighting for his adopted country, for which he was awarded the Croix de Guerre. Drawing on a vast amount of archival material in the United States, Great Britain, and France, Craig Lloyd unfolds the vibrant story of an African American who sought freedom overseas. Lloyd provides a new look at the black expatriate community in Paris, taking readers into the cabarets where Bullard rubbed elbows with Josephine Baker, Louis Armstrong, and even the Prince of Wales. Lloyd also uses Bullard's life as a lens through which to view the racism that continued to dog him even in Europe in his encounters with traveling Americans. When Hitler conquered France, Bullard was wounded in action and then escaped to America. There, his European successes counted for little: he spent his last years in obscurity and hardship but continued to work for racial justice. Eugene Bullard, Black Expatriate in Jazz-Age Paris offers a fascinating look at an extraordinary man who lived on his own terms and adds a new facet to our understanding of the black diaspora.
Publisher: University of Georgia Press
ISBN: 9780820328188
Category : Biography & Autobiography
Languages : en
Pages : 252
Book Description
Although he was the first African American fighter pilot, Eugene J. Bullard is still a relative stranger in his homeland. An accomplished professional boxer, musician, club manager, and impresario of Parisian nightlife between the world wars, Bullard found in Europe a degree of respect and freedom unknown to blacks in America. There, for twenty-five years, he helped define the expatriate experience for countless other African American artists, writers, performers, and athletes. This is the first biography of Bullard in thirty years and the most complete ever. It follows Bullard's lifelong search for respect from his poor boyhood in Jim-Crow Georgia to his attainment of notoriety in Jazz-Age Paris and his exploits fighting for his adopted country, for which he was awarded the Croix de Guerre. Drawing on a vast amount of archival material in the United States, Great Britain, and France, Craig Lloyd unfolds the vibrant story of an African American who sought freedom overseas. Lloyd provides a new look at the black expatriate community in Paris, taking readers into the cabarets where Bullard rubbed elbows with Josephine Baker, Louis Armstrong, and even the Prince of Wales. Lloyd also uses Bullard's life as a lens through which to view the racism that continued to dog him even in Europe in his encounters with traveling Americans. When Hitler conquered France, Bullard was wounded in action and then escaped to America. There, his European successes counted for little: he spent his last years in obscurity and hardship but continued to work for racial justice. Eugene Bullard, Black Expatriate in Jazz-Age Paris offers a fascinating look at an extraordinary man who lived on his own terms and adds a new facet to our understanding of the black diaspora.
Freedom Sounds
Author: Ingrid Monson
Publisher: Oxford University Press
ISBN: 0199880883
Category : Music
Languages : en
Pages : 417
Book Description
An insightful examination of the impact of the Civil Rights Movement and African Independence on jazz in the 1950s and 60s, Freedom Sounds traces the complex relationships among music, politics, aesthetics, and activism through the lens of the hot button racial and economic issues of the time. Ingrid Monson illustrates how the contentious and soul-searching debates in the Civil Rights, African Independence, and Black Power movements shaped aesthetic debates and exerted a moral pressure on musicians to take action. Throughout, her arguments show how jazz musicians' quest for self-determination as artists and human beings also led to fascinating and far reaching musical explorations and a lasting ethos of social critique and transcendence. Across a broad body of issues of cultural and political relevance, Freedom Sounds considers the discursive, structural, and practical aspects of life in the jazz world in the 1950s and 1960s. In domestic politics, Monson explores the desegregation of the American Federation of Musicians, the politics of playing to segregated performance venues in the 1950s, the participation of jazz musicians in benefit concerts, and strategies of economic empowerment. Issues of transatlantic importance such as the effects of anti-colonialism and African nationalism on the politics and aesthetics of the music are also examined, from Paul Robeson's interest in Africa, to the State Department jazz tours, to the interaction of jazz musicians such Art Blakey and Randy Weston with African and African diasporic aesthetics. Monson deftly explores musicians' aesthetic agency in synthesizing influential forms of musical expression from a multiplicity of stylistic and cultural influences--African American music, popular song, classical music, African diasporic aesthetics, and other world musics--through examples from cool jazz, hard bop, modal jazz, and the avant-garde. By considering the differences between aesthetic and socio-economic mobility, she presents a fresh interpretation of debates over cultural ownership, racism, reverse racism, and authenticity. Freedom Sounds will be avidly read by students and academics in musicology, ethnomusicology, anthropology, popular music, African American Studies, and African diasporic studies, as well as fans of jazz, hip hop, and African American music.
Publisher: Oxford University Press
ISBN: 0199880883
Category : Music
Languages : en
Pages : 417
Book Description
An insightful examination of the impact of the Civil Rights Movement and African Independence on jazz in the 1950s and 60s, Freedom Sounds traces the complex relationships among music, politics, aesthetics, and activism through the lens of the hot button racial and economic issues of the time. Ingrid Monson illustrates how the contentious and soul-searching debates in the Civil Rights, African Independence, and Black Power movements shaped aesthetic debates and exerted a moral pressure on musicians to take action. Throughout, her arguments show how jazz musicians' quest for self-determination as artists and human beings also led to fascinating and far reaching musical explorations and a lasting ethos of social critique and transcendence. Across a broad body of issues of cultural and political relevance, Freedom Sounds considers the discursive, structural, and practical aspects of life in the jazz world in the 1950s and 1960s. In domestic politics, Monson explores the desegregation of the American Federation of Musicians, the politics of playing to segregated performance venues in the 1950s, the participation of jazz musicians in benefit concerts, and strategies of economic empowerment. Issues of transatlantic importance such as the effects of anti-colonialism and African nationalism on the politics and aesthetics of the music are also examined, from Paul Robeson's interest in Africa, to the State Department jazz tours, to the interaction of jazz musicians such Art Blakey and Randy Weston with African and African diasporic aesthetics. Monson deftly explores musicians' aesthetic agency in synthesizing influential forms of musical expression from a multiplicity of stylistic and cultural influences--African American music, popular song, classical music, African diasporic aesthetics, and other world musics--through examples from cool jazz, hard bop, modal jazz, and the avant-garde. By considering the differences between aesthetic and socio-economic mobility, she presents a fresh interpretation of debates over cultural ownership, racism, reverse racism, and authenticity. Freedom Sounds will be avidly read by students and academics in musicology, ethnomusicology, anthropology, popular music, African American Studies, and African diasporic studies, as well as fans of jazz, hip hop, and African American music.
Miles Davis
Author: Clarence Bernard Henry
Publisher: Routledge
ISBN: 1317228391
Category : Music
Languages : en
Pages : 358
Book Description
This research and information guide provides a wide range of scholarship on the life, career, and musical legacy of Miles Davis, and is compiled for an interdisciplinary audience of scholars in jazz and popular music, musicology, and cultural studies. It serves as an excellent tool for librarians, researchers, and scholars sorting through the massive amount of material in the field.
Publisher: Routledge
ISBN: 1317228391
Category : Music
Languages : en
Pages : 358
Book Description
This research and information guide provides a wide range of scholarship on the life, career, and musical legacy of Miles Davis, and is compiled for an interdisciplinary audience of scholars in jazz and popular music, musicology, and cultural studies. It serves as an excellent tool for librarians, researchers, and scholars sorting through the massive amount of material in the field.