Author: Antonio Vivaldi
Publisher: Alfred Music
ISBN: 9781457488658
Category : Music
Languages : en
Pages : 32
Book Description
The source of this edition of Antionio Vivaldi's In Exitu Israel is the manuscript found in the Biblioteca Nazionale in Turin, Raccolta Renzo Guirdano, Opere Sacre Vol. II (No. 16). The score is inscribed: In exitu Israel del Vivaldi. In this work Vivaldi combines and antique style, as refelected by modal treatment, with Baroque tonality and basso continuo.
In Exitu Israel
Author: Antonio Vivaldi
Publisher: Alfred Music
ISBN: 9781457488658
Category : Music
Languages : en
Pages : 32
Book Description
The source of this edition of Antionio Vivaldi's In Exitu Israel is the manuscript found in the Biblioteca Nazionale in Turin, Raccolta Renzo Guirdano, Opere Sacre Vol. II (No. 16). The score is inscribed: In exitu Israel del Vivaldi. In this work Vivaldi combines and antique style, as refelected by modal treatment, with Baroque tonality and basso continuo.
Publisher: Alfred Music
ISBN: 9781457488658
Category : Music
Languages : en
Pages : 32
Book Description
The source of this edition of Antionio Vivaldi's In Exitu Israel is the manuscript found in the Biblioteca Nazionale in Turin, Raccolta Renzo Guirdano, Opere Sacre Vol. II (No. 16). The score is inscribed: In exitu Israel del Vivaldi. In this work Vivaldi combines and antique style, as refelected by modal treatment, with Baroque tonality and basso continuo.
Tonus Peregrinus: The History of a Psalm-tone and its use in Polyphonic Music
Author: Mattias Lundberg
Publisher: Routledge
ISBN: 1317009851
Category : Music
Languages : en
Pages : 338
Book Description
Mattias Lundberg investigates the historical role of a deviant psalm-tone, the tonus peregrinus, focusing on its applications in polyphonic music within all major branches of Western liturgy. Throughout the remarkably persistent tradition of applying this melody to polyphony, from the ninth century right up to the twenty-first, coeval music theory is able to shed light on the problems it has posed to modal and tonal practice at various historical stages. The musical settings studied hold up a mirror to the general development of psalmody, concerning practices of organum, diverse regional forms of fauxbourdon, cantus firmus composition, free imitation, parody, fugue, quodlibet, monody, and many other compositional techniques where the unique features of the psalm-tone have necessitated modification of existing practices. The conclusions drawn reveal a musico-liturgical tradition that was not in real danger of extinction until the general decline of Western liturgy that followed in the eighteenth century, at which point the historiography of the tonus peregrinus became a factor stimulating scholarly and musical interest in its alleged pre-Christian origins. Lundberg demonstrates that the succession of works based on the tonus peregrinus often preserved a distinctly conservative musical and theological conception even during periods of drastic liturgical reform.
Publisher: Routledge
ISBN: 1317009851
Category : Music
Languages : en
Pages : 338
Book Description
Mattias Lundberg investigates the historical role of a deviant psalm-tone, the tonus peregrinus, focusing on its applications in polyphonic music within all major branches of Western liturgy. Throughout the remarkably persistent tradition of applying this melody to polyphony, from the ninth century right up to the twenty-first, coeval music theory is able to shed light on the problems it has posed to modal and tonal practice at various historical stages. The musical settings studied hold up a mirror to the general development of psalmody, concerning practices of organum, diverse regional forms of fauxbourdon, cantus firmus composition, free imitation, parody, fugue, quodlibet, monody, and many other compositional techniques where the unique features of the psalm-tone have necessitated modification of existing practices. The conclusions drawn reveal a musico-liturgical tradition that was not in real danger of extinction until the general decline of Western liturgy that followed in the eighteenth century, at which point the historiography of the tonus peregrinus became a factor stimulating scholarly and musical interest in its alleged pre-Christian origins. Lundberg demonstrates that the succession of works based on the tonus peregrinus often preserved a distinctly conservative musical and theological conception even during periods of drastic liturgical reform.
Binchois Studies
Author: Andrew Kirkman
Publisher:
ISBN: 9780198166689
Category : Music
Languages : en
Pages : 384
Book Description
A man of huge reputation in his lifetime, the fifteenth century composer Binchois remains for us, at the turn of the twenty-first century, one of the key musical figures of his age. In addressing various facets of his life, music, influences, and the world he inhabited, this volume casts new light not only on this enigmatic composer himself but also on the fascinating culture in which his musical personality was shaped.
Publisher:
ISBN: 9780198166689
Category : Music
Languages : en
Pages : 384
Book Description
A man of huge reputation in his lifetime, the fifteenth century composer Binchois remains for us, at the turn of the twenty-first century, one of the key musical figures of his age. In addressing various facets of his life, music, influences, and the world he inhabited, this volume casts new light not only on this enigmatic composer himself but also on the fascinating culture in which his musical personality was shaped.
Allusions in Ulysses
Author: Weldon Thornton
Publisher: UNC Press Books
ISBN: 9780807840894
Category : Literary Criticism
Languages : en
Pages : 568
Book Description
This comprehensive list of allusions found in James Joyce's modern classic, Ulysses, is in itself a classic and is a feat of literary scholarship of unprecedented magnitude. In brief, this book is a copiously annotated list of Joyce's allusions in such areas as literature, philosophy, theology, history, and the fine arts. So awesome an undertaking would not have been possible without the prior work of such persons as Stuart Gilbert, Joseph Prescott, William York Tindall, M.J.C. Hodgart, Mabel Worthington, and many others. But the present list is more than a compilation of previously discovered allusions, for it contains many allusions that have never been suggested before, as well as some that have only been partially or mistakenly identified in earlier publications. In preparing this work, the author has kept its usefulness to the reader foremost in mind. He often refreshed the reader's memory in concerning the context of an allusion, since its context, in one sense or another, is always the guide to its function in the novel. The entire list is fully cross-referenced and keyed by page and line to both the old and new Modern Library editions of Ulysses. In addition, the index is prepared in such a way that it indexes not only the List but also the novel itself. The purpose of allusion in a literary work is essentially the same as that of all other types of metaphor -- the development and revelation of character, structure, and theme -- and, when skillfully used, it does all of these simultaneously. Joyce's use of allusion is distinguished from that of other authors not by its purposes, but by its extent and thoroughness. Ulysses involves dozens of allusive contexts, all continually intersecting, modifying, and qualifying one another. Here again Joyce's uniqueness and complexity lie not in his themes or characters, nor in his basic methods of developing them, but in his accepting the challenge of an Olympian use of his chosen methods. The value of this volume to Joyce scholars and students is obvious; however, its usefulness to anyone who reads Ulysses is as great, if not greater. It can truly be the key to this difficult but rewarding novel.
Publisher: UNC Press Books
ISBN: 9780807840894
Category : Literary Criticism
Languages : en
Pages : 568
Book Description
This comprehensive list of allusions found in James Joyce's modern classic, Ulysses, is in itself a classic and is a feat of literary scholarship of unprecedented magnitude. In brief, this book is a copiously annotated list of Joyce's allusions in such areas as literature, philosophy, theology, history, and the fine arts. So awesome an undertaking would not have been possible without the prior work of such persons as Stuart Gilbert, Joseph Prescott, William York Tindall, M.J.C. Hodgart, Mabel Worthington, and many others. But the present list is more than a compilation of previously discovered allusions, for it contains many allusions that have never been suggested before, as well as some that have only been partially or mistakenly identified in earlier publications. In preparing this work, the author has kept its usefulness to the reader foremost in mind. He often refreshed the reader's memory in concerning the context of an allusion, since its context, in one sense or another, is always the guide to its function in the novel. The entire list is fully cross-referenced and keyed by page and line to both the old and new Modern Library editions of Ulysses. In addition, the index is prepared in such a way that it indexes not only the List but also the novel itself. The purpose of allusion in a literary work is essentially the same as that of all other types of metaphor -- the development and revelation of character, structure, and theme -- and, when skillfully used, it does all of these simultaneously. Joyce's use of allusion is distinguished from that of other authors not by its purposes, but by its extent and thoroughness. Ulysses involves dozens of allusive contexts, all continually intersecting, modifying, and qualifying one another. Here again Joyce's uniqueness and complexity lie not in his themes or characters, nor in his basic methods of developing them, but in his accepting the challenge of an Olympian use of his chosen methods. The value of this volume to Joyce scholars and students is obvious; however, its usefulness to anyone who reads Ulysses is as great, if not greater. It can truly be the key to this difficult but rewarding novel.
The Bible and its Rewritings
Author: Piero Boitani
Publisher: OUP Oxford
ISBN: 0191589012
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
Piero Boitani discusses how some of the most fascinating scenes of Old and New Testament — Genesis, Exodus, Job, the Susanna story, the Gospel of John — are directly or indirectly rewritten in works ranging from the medieval period to the late twentieth-century: by Milton and Mann; by Chaucer, Dryden, La Fontaine, Orwell, and Kafka; by Faulkner and Tournier; by Shakespeare, T. S. Eliot, and Joseph Roth. Literature resonates with the mystery of recognition between human beings, and between God and humankind. The opening and closing chapters of the book examine this theme: from Abraham and Yahweh at Mamre to Joseph and his brothers, from Helen and Menelaus to Jesus and Mary Magdalene, from Pericles and Marina to Mendel Singer and his son Menuchim. The three central sections of the book discuss the means by which re-scripturing interprets the Scriptures: through truth or fiction; through letter or allegory; through liturgy, exegesis, catacomb frescoes, even churches themselves. This is an illuminating look at the Bible and its medieval and modern rewritings.
Publisher: OUP Oxford
ISBN: 0191589012
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
Piero Boitani discusses how some of the most fascinating scenes of Old and New Testament — Genesis, Exodus, Job, the Susanna story, the Gospel of John — are directly or indirectly rewritten in works ranging from the medieval period to the late twentieth-century: by Milton and Mann; by Chaucer, Dryden, La Fontaine, Orwell, and Kafka; by Faulkner and Tournier; by Shakespeare, T. S. Eliot, and Joseph Roth. Literature resonates with the mystery of recognition between human beings, and between God and humankind. The opening and closing chapters of the book examine this theme: from Abraham and Yahweh at Mamre to Joseph and his brothers, from Helen and Menelaus to Jesus and Mary Magdalene, from Pericles and Marina to Mendel Singer and his son Menuchim. The three central sections of the book discuss the means by which re-scripturing interprets the Scriptures: through truth or fiction; through letter or allegory; through liturgy, exegesis, catacomb frescoes, even churches themselves. This is an illuminating look at the Bible and its medieval and modern rewritings.
The Cambridge Companion to Dante
Author: Rachel Jacoff
Publisher: Cambridge University Press
ISBN: 0521844304
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
A fully updated 2007 edition of this useful and accessible coursebook on Dante's works, context and reception history.
Publisher: Cambridge University Press
ISBN: 0521844304
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
A fully updated 2007 edition of this useful and accessible coursebook on Dante's works, context and reception history.
Dante and the Franciscans
Author: Santa Casciani
Publisher: BRILL
ISBN: 9047411528
Category : Religion
Languages : en
Pages : 371
Book Description
The essays in this volume address the interrelationship between Dante and the Franciscan intellectual tradition and demonstrate how all disciplines can come together to shed light on how the Franciscan intellectual component informs so much of Dante’s writing and how in turn Franciscan writing is informed by Dante's work.
Publisher: BRILL
ISBN: 9047411528
Category : Religion
Languages : en
Pages : 371
Book Description
The essays in this volume address the interrelationship between Dante and the Franciscan intellectual tradition and demonstrate how all disciplines can come together to shed light on how the Franciscan intellectual component informs so much of Dante’s writing and how in turn Franciscan writing is informed by Dante's work.
Readings on the Purgatorio of Dante: Preliminary chapter. Time occupied in passing through Purgatory and supposed date of the vision. The principal divisions of the Purgatorio. Date when the Purgatorio was written. Nature of the Purgatorio as compared with the Inferno. Text, translation and commentary, canto I-XVII
Author: William Warren Vernon
Publisher:
ISBN:
Category :
Languages : en
Pages : 516
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 516
Book Description
Music and Power at the Court of Louis XIII
Author: Peter Bennett
Publisher: Cambridge University Press
ISBN: 1108830633
Category : History
Languages : en
Pages : 339
Book Description
A study of the strategies by which sacred music and liturgy was used to legitimate Louis XIII's power.
Publisher: Cambridge University Press
ISBN: 1108830633
Category : History
Languages : en
Pages : 339
Book Description
A study of the strategies by which sacred music and liturgy was used to legitimate Louis XIII's power.
French Music in the Early Sixteenth Century
Author: Peter Woetmann Christoffersen
Publisher: Museum Tusculanum Press
ISBN: 9788772892429
Category : Literary Collections
Languages : en
Pages : 920
Book Description
A description, reconstruction and discussion of the repertory of an exceptional musical source, the French manuscript made at Lyons c. 1520-1525 as the private collection of a music copyist. The book contains 280 compositions, sacred and secular, from the period 1450-1524 with Loyset, Compère, Alexander Agricola, Antoine de Févin, Claudin de Sermisy and Clément Janequin as the prominent composers. Besides discussing the many-faceted repertory, the book studies the circulation of music in the early sixteenth century and the relationships between popular songs and courtly chansons and between provincial music and the music of the musical centres. -- The manuscript has been in the Royal Library of Copenhagen since 1921. This is the first comprehensive study of it.
Publisher: Museum Tusculanum Press
ISBN: 9788772892429
Category : Literary Collections
Languages : en
Pages : 920
Book Description
A description, reconstruction and discussion of the repertory of an exceptional musical source, the French manuscript made at Lyons c. 1520-1525 as the private collection of a music copyist. The book contains 280 compositions, sacred and secular, from the period 1450-1524 with Loyset, Compère, Alexander Agricola, Antoine de Févin, Claudin de Sermisy and Clément Janequin as the prominent composers. Besides discussing the many-faceted repertory, the book studies the circulation of music in the early sixteenth century and the relationships between popular songs and courtly chansons and between provincial music and the music of the musical centres. -- The manuscript has been in the Royal Library of Copenhagen since 1921. This is the first comprehensive study of it.