Author: Belinda Probert
Publisher: Upswell
ISBN: 1743822014
Category : Nature
Languages : en
Pages : 210
Book Description
How do we understand a country? At a time when many easy assumptions about how we live and how our society functions are being questioned there is room for contemplation of a country that is ancient, occupied for at least sixty thousand years, and young, a national federation for only twelve decades. Belinda Probert, a migrant from England sets out to question in words and action how well she understands the landscapes she has seen and the people that have shaped them. She takes with her a set of writers who have asked the same questions, or provided interpretations of our sense of belonging, to test their words against her own emerging views. Wondering how a nation of immigrants can fully settle here she decided she needed to buy a property in the ‘country’ so she could observe it more closely, and learn to garden differently. Trees fell on her, ants bit her, bowerbirds stole her crops, but from the exercise she discovers much more about soil, trees, water, animals and protecting herself from fire emergencies. Driving back and forth she learns to see the ancient heritage all around us, and rural industries that have destroyed and created so much. ‘A wonderfully friendly and likeable book. It put me in a good mood for days, and taught me a thousand important things.’ —Helen Garner
Imaginative Possession
Author: Belinda Probert
Publisher: Upswell
ISBN: 1743822014
Category : Nature
Languages : en
Pages : 210
Book Description
How do we understand a country? At a time when many easy assumptions about how we live and how our society functions are being questioned there is room for contemplation of a country that is ancient, occupied for at least sixty thousand years, and young, a national federation for only twelve decades. Belinda Probert, a migrant from England sets out to question in words and action how well she understands the landscapes she has seen and the people that have shaped them. She takes with her a set of writers who have asked the same questions, or provided interpretations of our sense of belonging, to test their words against her own emerging views. Wondering how a nation of immigrants can fully settle here she decided she needed to buy a property in the ‘country’ so she could observe it more closely, and learn to garden differently. Trees fell on her, ants bit her, bowerbirds stole her crops, but from the exercise she discovers much more about soil, trees, water, animals and protecting herself from fire emergencies. Driving back and forth she learns to see the ancient heritage all around us, and rural industries that have destroyed and created so much. ‘A wonderfully friendly and likeable book. It put me in a good mood for days, and taught me a thousand important things.’ —Helen Garner
Publisher: Upswell
ISBN: 1743822014
Category : Nature
Languages : en
Pages : 210
Book Description
How do we understand a country? At a time when many easy assumptions about how we live and how our society functions are being questioned there is room for contemplation of a country that is ancient, occupied for at least sixty thousand years, and young, a national federation for only twelve decades. Belinda Probert, a migrant from England sets out to question in words and action how well she understands the landscapes she has seen and the people that have shaped them. She takes with her a set of writers who have asked the same questions, or provided interpretations of our sense of belonging, to test their words against her own emerging views. Wondering how a nation of immigrants can fully settle here she decided she needed to buy a property in the ‘country’ so she could observe it more closely, and learn to garden differently. Trees fell on her, ants bit her, bowerbirds stole her crops, but from the exercise she discovers much more about soil, trees, water, animals and protecting herself from fire emergencies. Driving back and forth she learns to see the ancient heritage all around us, and rural industries that have destroyed and created so much. ‘A wonderfully friendly and likeable book. It put me in a good mood for days, and taught me a thousand important things.’ —Helen Garner
The Imaginative Claims of the Artist in Willa Cather's Fiction
Author: Demaree C. Peck
Publisher: Susquehanna University Press
ISBN: 9780945636878
Category : Art
Languages : en
Pages : 350
Book Description
In this, her first book, scholar Demaree C. Peck assigns Willa Cather her rightful place in our literary history. Challenging the assumption that women writers must draw their inspiration from a lineage of female predecessors, Peck portrays Willa Cather as a woman who self-consciously set out to write within a male literary tradition that she identified as Emersonian. Peck explores the psychological underpinnings of Cather's aesthetics to show that her theory of stylistic economy and simplicity was motivated by a desire to reorganize the elements of the artistic stage exclusively around her own romantic ego - that "inexplicable presence of the thing not named". Although Cather's protagonists appear in various disguises, clad as pioneers, lawyers, or priests, they are all incarnations of the artist who appropriates people and places as parts of consciousness. Cather's imaginative claimants seek to assimilate the world as a reflection of the self, in the way that their prototype, Emerson's poet-landlord, enjoys a figurative ownership of the landscape in reward for his integrating vision. The novels offer a series of ingenious masquerades beneath whose plots lurk variations of a single story impelled by the artist's quest to take imaginative possession of the world in order to recover the dominion of her soul. Unlike critics who have discussed Cather's novels as a series of discrete experiments, Peck charts the pursuit for imaginative possession as a continuous theme, thereby suggesting a coherence for Cather's art and career as a whole. Offering original interpretations of eight of Cather's novels in the light of previously undiscussed letters and other biographical materials, Peckexplores the relation between Cather's life and art to suggest that she created her central characters as surrogates whose imaginative accumulations could compensate her for various dispossessing experiences in her own life. Cather's novels operate according to the psychological laws of wish fulfillment. While Cather's romanticism has its historical origin in American transcendentalism, its psychological origin derives from the mythic domain of childhood. Cather's "kingdom of art" sanctions the dream projected upon childhood of an original omnipotence that could cheat fate and remain unsoiled by experience. Her novels enact a fantasy of return to primal wholeness. Peck suggests that the novels serve a restorative function not only for their author, but for Cather's readers as well. Cather's fiction is significant, Peck argues, because it performs an important psychological work for its audience.
Publisher: Susquehanna University Press
ISBN: 9780945636878
Category : Art
Languages : en
Pages : 350
Book Description
In this, her first book, scholar Demaree C. Peck assigns Willa Cather her rightful place in our literary history. Challenging the assumption that women writers must draw their inspiration from a lineage of female predecessors, Peck portrays Willa Cather as a woman who self-consciously set out to write within a male literary tradition that she identified as Emersonian. Peck explores the psychological underpinnings of Cather's aesthetics to show that her theory of stylistic economy and simplicity was motivated by a desire to reorganize the elements of the artistic stage exclusively around her own romantic ego - that "inexplicable presence of the thing not named". Although Cather's protagonists appear in various disguises, clad as pioneers, lawyers, or priests, they are all incarnations of the artist who appropriates people and places as parts of consciousness. Cather's imaginative claimants seek to assimilate the world as a reflection of the self, in the way that their prototype, Emerson's poet-landlord, enjoys a figurative ownership of the landscape in reward for his integrating vision. The novels offer a series of ingenious masquerades beneath whose plots lurk variations of a single story impelled by the artist's quest to take imaginative possession of the world in order to recover the dominion of her soul. Unlike critics who have discussed Cather's novels as a series of discrete experiments, Peck charts the pursuit for imaginative possession as a continuous theme, thereby suggesting a coherence for Cather's art and career as a whole. Offering original interpretations of eight of Cather's novels in the light of previously undiscussed letters and other biographical materials, Peckexplores the relation between Cather's life and art to suggest that she created her central characters as surrogates whose imaginative accumulations could compensate her for various dispossessing experiences in her own life. Cather's novels operate according to the psychological laws of wish fulfillment. While Cather's romanticism has its historical origin in American transcendentalism, its psychological origin derives from the mythic domain of childhood. Cather's "kingdom of art" sanctions the dream projected upon childhood of an original omnipotence that could cheat fate and remain unsoiled by experience. Her novels enact a fantasy of return to primal wholeness. Peck suggests that the novels serve a restorative function not only for their author, but for Cather's readers as well. Cather's fiction is significant, Peck argues, because it performs an important psychological work for its audience.
Imaginary Cartographies
Author: Daniel Lord Smail
Publisher: Cornell University Press
ISBN: 9780801436260
Category : History
Languages : en
Pages : 292
Book Description
How, in the years before urban maps, did city residents conceptualize and navigate their communities? The author develops a method for understanding how residents thought about their personal geography. He explores how they charted their city, its social structure and their place within it.
Publisher: Cornell University Press
ISBN: 9780801436260
Category : History
Languages : en
Pages : 292
Book Description
How, in the years before urban maps, did city residents conceptualize and navigate their communities? The author develops a method for understanding how residents thought about their personal geography. He explores how they charted their city, its social structure and their place within it.
Explorations in Art, Theology and Imagination
Author: Michael Ridgwell Austin
Publisher: Routledge
ISBN: 1134948662
Category : Religion
Languages : en
Pages : 202
Book Description
Christianity has repeatedly valued the "Word" over and above the non-verbal arts. Art has been seen through the interpretative lens of theology, rather than being valued for what it can bring to the discipline. 'Explorations in Art, Theology and Imagination' argues that art is crucially important to theology. The book explores the interconnecting themes of embodiment and incarnation, faith and imagination, and the similarities and differences between art and theology. Arguing for a critique that begins with art and moves to theology, 'Explorations in Art, Theology and Imagination' offers a radical re-evaluation of the role of art in Christian discourse.
Publisher: Routledge
ISBN: 1134948662
Category : Religion
Languages : en
Pages : 202
Book Description
Christianity has repeatedly valued the "Word" over and above the non-verbal arts. Art has been seen through the interpretative lens of theology, rather than being valued for what it can bring to the discipline. 'Explorations in Art, Theology and Imagination' argues that art is crucially important to theology. The book explores the interconnecting themes of embodiment and incarnation, faith and imagination, and the similarities and differences between art and theology. Arguing for a critique that begins with art and moves to theology, 'Explorations in Art, Theology and Imagination' offers a radical re-evaluation of the role of art in Christian discourse.
Landprints
Author: George Seddon
Publisher: Cambridge University Press
ISBN: 9780521659994
Category : Architecture
Languages : en
Pages : 300
Book Description
From one of Australia's foremost thinkers, a uniquely broad-ranging 1997 collection of essays on landscape.
Publisher: Cambridge University Press
ISBN: 9780521659994
Category : Architecture
Languages : en
Pages : 300
Book Description
From one of Australia's foremost thinkers, a uniquely broad-ranging 1997 collection of essays on landscape.
Marianne Moore, Imaginary Possessions
Author: Bonnie Costello
Publisher: Cambridge, Mass. : Harvard University Press
ISBN:
Category : Women and literature
Languages : en
Pages : 304
Book Description
Analyzes the stages in Moore's development from purely imagist style to her preoccupations with the visual arts, with the question of form in relation to message and with the conflict between tension and fluency. Contains readings of individual poems, shedding light on their meaning and tone, under such headings as "Images of Sweetened Combat" and "Images of Luminosity, Iridescence, and Metamorphosis".
Publisher: Cambridge, Mass. : Harvard University Press
ISBN:
Category : Women and literature
Languages : en
Pages : 304
Book Description
Analyzes the stages in Moore's development from purely imagist style to her preoccupations with the visual arts, with the question of form in relation to message and with the conflict between tension and fluency. Contains readings of individual poems, shedding light on their meaning and tone, under such headings as "Images of Sweetened Combat" and "Images of Luminosity, Iridescence, and Metamorphosis".
The Old Country
Author: George Seddon
Publisher: Cambridge University Press
ISBN: 9780521843102
Category : Gardening
Languages : en
Pages : 304
Book Description
We are a nation of gardeners, and we take pleasure in tending our backyards. But this pleasure sits uneasily with our knowledge that the places where most of us live are running out of water. We suspect that our lawns and many of our plants from the damp climates of northern European gardens are too demanding of scarce supplies, but can't imagine our streets and gardens without them. The Old Country opens our eyes, and minds, to other possibilities. It does so by telling us stories about our natural landscape. George Seddon believes that the better we understand the delicacy and beauty of our natural environment, the more 'at home' we will feel as Australians. This passionate, wise and witty book, enriched with breathtakingly beautiful illustrations, suggests that the answers to our water problems lie here, at home.
Publisher: Cambridge University Press
ISBN: 9780521843102
Category : Gardening
Languages : en
Pages : 304
Book Description
We are a nation of gardeners, and we take pleasure in tending our backyards. But this pleasure sits uneasily with our knowledge that the places where most of us live are running out of water. We suspect that our lawns and many of our plants from the damp climates of northern European gardens are too demanding of scarce supplies, but can't imagine our streets and gardens without them. The Old Country opens our eyes, and minds, to other possibilities. It does so by telling us stories about our natural landscape. George Seddon believes that the better we understand the delicacy and beauty of our natural environment, the more 'at home' we will feel as Australians. This passionate, wise and witty book, enriched with breathtakingly beautiful illustrations, suggests that the answers to our water problems lie here, at home.
William Wordsworth and the Ecology of Authorship
Author: Scott Hess
Publisher: University of Virginia Press
ISBN: 0813932300
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
In William Wordsworth and the Ecology of Authorship, Scott Hess explores Wordsworth's defining role in establishing what he designates as "the ecology of authorship" a primarily middle-class, nineteenth-century conception of nature associated with aesthetics, high culture, individualism, and nation. Instead of viewing Wordsworth as an early ecologist, Hess places him within a context that is largely cultural and aesthetic. The supposedly universal Wordsworthian vision of nature, Hess argues, was in this sense specifically male, middle-class, professional, and culturally elite--factors that continue to shape the environmental movement today.
Publisher: University of Virginia Press
ISBN: 0813932300
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
In William Wordsworth and the Ecology of Authorship, Scott Hess explores Wordsworth's defining role in establishing what he designates as "the ecology of authorship" a primarily middle-class, nineteenth-century conception of nature associated with aesthetics, high culture, individualism, and nation. Instead of viewing Wordsworth as an early ecologist, Hess places him within a context that is largely cultural and aesthetic. The supposedly universal Wordsworthian vision of nature, Hess argues, was in this sense specifically male, middle-class, professional, and culturally elite--factors that continue to shape the environmental movement today.
Nietzsche on Instinct and Language
Author: João Constâncio
Publisher: Walter de Gruyter
ISBN: 3110246570
Category : Philosophy
Languages : en
Pages : 321
Book Description
This volume consists of the revised and expanded versions of the papers presented at the International Conference “Nietzsche On Instinct and Language”, held at the Universidade Nova de Lisboa (Portugal) in December 2009. The list of contributors includes top Nietzsche scholars, like Werner Stegmaier, Patrick Wotling, and Scarlett Marton. The volume as a whole represents a fresh look at Nietzsche’s attempt to connect language to the instinctive activity of the human body. Four of the papers focus on Nietzsche’s early Nachlass notes and writings, including The Birth of Tragedy and On Truth and Lying in a Non-Moral Sense; the other seven deal with his mature views on this important subject, especially in Beyond Good and Evil, The Gay Science, and the Nachlass. In focusing on how Nietzsche tries to dissolve the traditional opposition between instinct and language, as well as between instinct and consciousness and instinct and reason, the different papers consider, from this viewpoint, such Nietzschean themes as morality, value, the concept of philosophy, dogmatism, naturalization, metaphor, affectivity and emotion, health and sickness, tragedy, and laughter.
Publisher: Walter de Gruyter
ISBN: 3110246570
Category : Philosophy
Languages : en
Pages : 321
Book Description
This volume consists of the revised and expanded versions of the papers presented at the International Conference “Nietzsche On Instinct and Language”, held at the Universidade Nova de Lisboa (Portugal) in December 2009. The list of contributors includes top Nietzsche scholars, like Werner Stegmaier, Patrick Wotling, and Scarlett Marton. The volume as a whole represents a fresh look at Nietzsche’s attempt to connect language to the instinctive activity of the human body. Four of the papers focus on Nietzsche’s early Nachlass notes and writings, including The Birth of Tragedy and On Truth and Lying in a Non-Moral Sense; the other seven deal with his mature views on this important subject, especially in Beyond Good and Evil, The Gay Science, and the Nachlass. In focusing on how Nietzsche tries to dissolve the traditional opposition between instinct and language, as well as between instinct and consciousness and instinct and reason, the different papers consider, from this viewpoint, such Nietzschean themes as morality, value, the concept of philosophy, dogmatism, naturalization, metaphor, affectivity and emotion, health and sickness, tragedy, and laughter.
Faulkner's Questioning Narratives
Author: David L. Minter
Publisher: University of Illinois Press
ISBN: 9780252071935
Category : Language Arts & Disciplines
Languages : en
Pages : 188
Book Description
Focusing on the core novels, including The Sound and the Fury, Absalom, Absalom!, Sanctuary, Light in August 2003, and Go Down, Moses, David Minter illuminates Faulkner's mature fiction: the tensions at play within the fiction and the creativity not only exhibited by the author but also extended to his characters and required of his readers.Faulkner's achievement, Minter contends, was in combining daring experiments in form with searching examinations of grave social, political, and moral problems. His novels change and expand the role of the reader by means of proliferating narratives that lead to questions rather than answers and to approximation rather than resolution. Minter shows how this process at times implicates the reader in the corruption and violence of the story, as when the reader is required to fill in--out of his or her own experience--the crucial gaps left in the narrative of Sanctuary.Positioning Faulkner on the cusp between modernist and postmodernist writing, Minter shows how his methods undercut the self-contained exclusivity of the New Criticism by integrating the world of the novel with the reader's experience of history and culture.
Publisher: University of Illinois Press
ISBN: 9780252071935
Category : Language Arts & Disciplines
Languages : en
Pages : 188
Book Description
Focusing on the core novels, including The Sound and the Fury, Absalom, Absalom!, Sanctuary, Light in August 2003, and Go Down, Moses, David Minter illuminates Faulkner's mature fiction: the tensions at play within the fiction and the creativity not only exhibited by the author but also extended to his characters and required of his readers.Faulkner's achievement, Minter contends, was in combining daring experiments in form with searching examinations of grave social, political, and moral problems. His novels change and expand the role of the reader by means of proliferating narratives that lead to questions rather than answers and to approximation rather than resolution. Minter shows how this process at times implicates the reader in the corruption and violence of the story, as when the reader is required to fill in--out of his or her own experience--the crucial gaps left in the narrative of Sanctuary.Positioning Faulkner on the cusp between modernist and postmodernist writing, Minter shows how his methods undercut the self-contained exclusivity of the New Criticism by integrating the world of the novel with the reader's experience of history and culture.