Imagery in the Novels of André Malraux PDF Download
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Author: Ralph Tarica Publisher: Fairleigh Dickinson Univ Press ISBN: 9780838622698 Category : Literary Criticism Languages : en Pages : 198
Book Description
Examines the full sweep of metaphorical and symbolic language in Malraux's six novels and also discloses the patterns of image structure imbedded in the text of Malraux's novels, and brings them to the surface in a clearly organized form.
Author: Ralph Tarica Publisher: Fairleigh Dickinson Univ Press ISBN: 9780838622698 Category : Literary Criticism Languages : en Pages : 198
Book Description
Examines the full sweep of metaphorical and symbolic language in Malraux's six novels and also discloses the patterns of image structure imbedded in the text of Malraux's novels, and brings them to the surface in a clearly organized form.
Author: John Beals Romeiser Publisher: Macmillan Reference USA ISBN: Category : Literary Criticism Languages : en Pages : 392
Book Description
An annotated listing of critical studies in English, French, German, Italian, and Spanish, covering a half century of French author Malraux's (1901-1976) work. Focusing on the critical reception of Malraux's work that began after the fall of France to Nazi Germany in 1940, it covers all significant contributions to Malraux scholarship, including magazine articles, essays from scholarly or literary journals and edited collections, and monographs. Annotation copyright by Book News, Inc., Portland, OR
Author: Geoffrey T. Harris Publisher: Rodopi ISBN: 9789051839333 Category : French language Languages : en Pages : 240
Book Description
This volume is of particular relevance to literary and filmic translators, to translation theorists and to anyone with an interest in translation as an art. Throughout the majority of essays in the volume, translation is projected as a complex creative task and not as an exercise in simply re-encoding the meaning of a source text. The received superiority of the original is ultimately questioned here. The customary binary divide between original and translation or copy, and between author and translator is forcefully challenged as cinematic and literary translation is presented as an essentially creative process. Whether highlighting specific author-related problems or whether focusing on the broader issues of the ethics of translation, of cultural transmissibility or of obsolescence, the general thrust of these essays seeks to demonstrate the authorial credentials of the translator. Despite the cogent counter-arguments advanced by a minority of the contributors, the dominant discourse here is one which replaces the stereotypical, virtually anonymous translator with a high-profile, creative figure.
Author: David Bevan Publisher: McGill-Queen's Press - MQUP ISBN: 9780773505520 Category : Electronic books Languages : en Pages : 136
Book Description
More attention has been paid up to now to Malraux's life and thought than to his creativity. To respond to this neglect, David Bevan explores facets as diffuse as Tibetan symbolism, free indirect style, humour, film, death, and oratory in a series of interconnecting essays which, offering a certain unity of discourse in place of any monolithic intelligibility, seek thereby to reflect Malraux's very considerable complexity.
Author: Gino Raymond Publisher: ISBN: Category : Literary Criticism Languages : en Pages : 232
Book Description
Andre Malraux was pre-eminent among his contemporaries in his passionate espousal of left-wing causes, and was the French writer who enjoyed the highest reputation during the 1930s for his attempts to reconcile the imperatives of literary creation with those of political action. However, of the many studies devoted to Malraux, few have analyzed the politics depicted in his fiction in relation to the politics he proclaimed, in an effort to establish the extent to which they informed or subverted each other.
Author: Angela Dalle Vacche Publisher: Springer ISBN: 1137026138 Category : Art Languages : en Pages : 326
Book Description
In the footsteps of Andre Bazin, this anthology of 15 original essays argues that the photographic origin of twentieth-century cinema is anti-anthropocentric. Well aware that the twentieth century stands out as the only period in history with its own photographic film record for posterity, Angela Dalle Vacche has convened international scholars at The Sterling and Francine Clark Art Institute, and asked them to rethink the history and theory of the cinema as a new model for the museum of the future. By exploring the art historical tropes of face and landscape, and key areas of film studies such as early cinema, Soviet film theory, documentary, the avant-garde and the newly-born genre of the museum film, this collection includes detailed discussions of installation art, and close analyses of media relations which range from dance to painting to performance art. Thanks to the title of Andre Malraux's famous project, Film, Art, New Media: Museum Without Walls? invites readers to reflect on the museum of the future, where twentieth-century cinema will play a pivotal role by interrogating the relation between art and science, technology and nature, from the side of photography in dialogue with digitalization.
Author: Ralph Tarica
Author: Ralph Tarica
Author: Stephen Ullmann
Author: British Library
Author: John Beals Romeiser
Author: Geoffrey T. Harris
Author: David Bevan
Author: Gino Raymond
Author: 
Author: Angela Dalle Vacche
Author: Xerox University Microfilms