Author:
Publisher:
ISBN:
Category : Illustration of books
Languages : en
Pages : 440
Book Description
Illustrators
Author:
Publisher:
ISBN:
Category : Illustration of books
Languages : en
Pages : 440
Book Description
Publisher:
ISBN:
Category : Illustration of books
Languages : en
Pages : 440
Book Description
American Art Annual
American Art Directory
Author: Florence Nightingale Levy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1160
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1160
Book Description
Ernest L. Blumenschein
Author: Robert W. Larson
Publisher: University of Oklahoma Press
ISBN: 0806189010
Category : Biography & Autobiography
Languages : en
Pages : 383
Book Description
Few who appreciate the visual arts or the American Southwest can behold the masterpieces Sangre de Cristo Mountains or Haystack, Taos Valley, 1927 or Bend in the River, 1941 and come away without a vivid image burned into memory. The creator of these and many other depictions of the Southwest and its people was Ernest L. Blumenschein, cofounder of the famous Taos art colony. This insightful, comprehensive biography examines the character and life experiences that made Blumenschein one of the foremost artists of the twentieth century. Robert W. Larson and Carole B. Larson begin their life of “Blumy” with his Ohio childhood and trace his development as an artist from early study in Cincinnati, New York City, and Paris through his first career as a book and magazine illustrator. Blumenschein and artist Bert G. Phillips discovered the budding art community of Taos, New Mexico, in 1898. In 1915 the two along with Joseph Henry Sharp, E. Irving Couse, and other like-minded artists organized the Taos Society of Artists, famous for preferring American subjects over European themes popular at the time. Leaving illustration work behind, Blumenschein sought a distinctive place in his American homeland and in fine-art painting. He moved with his family to Taos in 1919 and began his long career as a figurative and landscape painter, becoming prominent among American artists for his Pueblo Indian figures and stunning southwestern landscapes. Robert Larson calls Blumenschein a “transformational artist,” trained classically but drawing to a limited degree on abstract representation. Placing Blumy’s life in the context of World War I, the Great Depression, and other national and world events, the authors show how an artistic genius turned a fascination with the people, light, and color of New Mexico into a body of work of lasting significance to the international art world.
Publisher: University of Oklahoma Press
ISBN: 0806189010
Category : Biography & Autobiography
Languages : en
Pages : 383
Book Description
Few who appreciate the visual arts or the American Southwest can behold the masterpieces Sangre de Cristo Mountains or Haystack, Taos Valley, 1927 or Bend in the River, 1941 and come away without a vivid image burned into memory. The creator of these and many other depictions of the Southwest and its people was Ernest L. Blumenschein, cofounder of the famous Taos art colony. This insightful, comprehensive biography examines the character and life experiences that made Blumenschein one of the foremost artists of the twentieth century. Robert W. Larson and Carole B. Larson begin their life of “Blumy” with his Ohio childhood and trace his development as an artist from early study in Cincinnati, New York City, and Paris through his first career as a book and magazine illustrator. Blumenschein and artist Bert G. Phillips discovered the budding art community of Taos, New Mexico, in 1898. In 1915 the two along with Joseph Henry Sharp, E. Irving Couse, and other like-minded artists organized the Taos Society of Artists, famous for preferring American subjects over European themes popular at the time. Leaving illustration work behind, Blumenschein sought a distinctive place in his American homeland and in fine-art painting. He moved with his family to Taos in 1919 and began his long career as a figurative and landscape painter, becoming prominent among American artists for his Pueblo Indian figures and stunning southwestern landscapes. Robert Larson calls Blumenschein a “transformational artist,” trained classically but drawing to a limited degree on abstract representation. Placing Blumy’s life in the context of World War I, the Great Depression, and other national and world events, the authors show how an artistic genius turned a fascination with the people, light, and color of New Mexico into a body of work of lasting significance to the international art world.
Annual Magazine Subject-index
Author: Frederick Winthrop Faxon
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 284
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 284
Book Description
The International Studio
Academy Notes
Author: Buffalo Fine Arts Academy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 224
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 224
Book Description
The Artist Observed
Author: John Gruen
Publisher: A Cappella Books (IL)
ISBN:
Category : Architecture
Languages : en
Pages : 344
Book Description
Interviews with twenty-eight prominent artists reveal the influences that have inspired them as they each strive to forge their own individual style.
Publisher: A Cappella Books (IL)
ISBN:
Category : Architecture
Languages : en
Pages : 344
Book Description
Interviews with twenty-eight prominent artists reveal the influences that have inspired them as they each strive to forge their own individual style.
Cuba Talks
Author: Laura Salas Redondo
Publisher: Rizzoli Publications
ISBN: 8891820601
Category : Art
Languages : en
Pages : 346
Book Description
A stunning visual survey of the arts scene of Cuba since the 1980s, this is a must-have book for all contemporary art lovers. This unique volume describes how powerful the Cuban art experience has become, especially after the emergence of Cuba's strong generation of young creatives on the Latin American art scene in the 1980s. It includes twenty-eight artists selected by the curators and introduced through contributions and interviews. Today, many of the contemporary Cuban artists can be found in the collections of some of the world's premier museums and art galleries. Now that Cuba and the United States have opened a new chapter in their relations, Cuban art is poised to be the next big thing in the art world.
Publisher: Rizzoli Publications
ISBN: 8891820601
Category : Art
Languages : en
Pages : 346
Book Description
A stunning visual survey of the arts scene of Cuba since the 1980s, this is a must-have book for all contemporary art lovers. This unique volume describes how powerful the Cuban art experience has become, especially after the emergence of Cuba's strong generation of young creatives on the Latin American art scene in the 1980s. It includes twenty-eight artists selected by the curators and introduced through contributions and interviews. Today, many of the contemporary Cuban artists can be found in the collections of some of the world's premier museums and art galleries. Now that Cuba and the United States have opened a new chapter in their relations, Cuban art is poised to be the next big thing in the art world.
A Contested Art
Author: Stephanie Lewthwaite
Publisher: University of Oklahoma Press
ISBN: 0806152885
Category : Art
Languages : en
Pages : 363
Book Description
When New Mexico became an alternative cultural frontier for avant-garde Anglo-American writers and artists in the early twentieth century, the region was still largely populated by Spanish-speaking Hispanos. Anglos who came in search of new personal and aesthetic freedoms found inspiration for their modernist ventures in Hispano art forms. Yet, when these arrivistes elevated a particular model of Spanish colonial art through their preservationist endeavors and the marketplace, practicing Hispano artists found themselves working under a new set of patronage relationships and under new aesthetic expectations that tied their art to a static vision of the Spanish colonial past. In A Contested Art, historian Stephanie Lewthwaite examines the complex Hispano response to these aesthetic dictates and suggests that cultural encounters and appropriation produced not only conflict and loss but also new transformations in Hispano art as the artists experimented with colonial art forms and modernist trends in painting, photography, and sculpture. Drawing on native and non-native sources of inspiration, they generated alternative lines of modernist innovation and mestizo creativity. These lines expressed Hispanos’ cultural and ethnic affiliations with local Native peoples and with Mexico, and presented a vision of New Mexico as a place shaped by the fissures of modernity and the dynamics of cultural conflict and exchange. A richly illustrated work of cultural history, this first book-length treatment explores the important yet neglected role Hispano artists played in shaping the world of modernism in twentieth-century New Mexico. A Contested Art places Hispano artists at the center of narratives about modernism while bringing Hispano art into dialogue with the cultural experiences of Mexicans, Chicanas/os, and Native Americans. In doing so, it rewrites a chapter in the history of both modernism and Hispano art. Published in cooperation with The William P. Clements Center for Southwest Studies, Southern Methodist University
Publisher: University of Oklahoma Press
ISBN: 0806152885
Category : Art
Languages : en
Pages : 363
Book Description
When New Mexico became an alternative cultural frontier for avant-garde Anglo-American writers and artists in the early twentieth century, the region was still largely populated by Spanish-speaking Hispanos. Anglos who came in search of new personal and aesthetic freedoms found inspiration for their modernist ventures in Hispano art forms. Yet, when these arrivistes elevated a particular model of Spanish colonial art through their preservationist endeavors and the marketplace, practicing Hispano artists found themselves working under a new set of patronage relationships and under new aesthetic expectations that tied their art to a static vision of the Spanish colonial past. In A Contested Art, historian Stephanie Lewthwaite examines the complex Hispano response to these aesthetic dictates and suggests that cultural encounters and appropriation produced not only conflict and loss but also new transformations in Hispano art as the artists experimented with colonial art forms and modernist trends in painting, photography, and sculpture. Drawing on native and non-native sources of inspiration, they generated alternative lines of modernist innovation and mestizo creativity. These lines expressed Hispanos’ cultural and ethnic affiliations with local Native peoples and with Mexico, and presented a vision of New Mexico as a place shaped by the fissures of modernity and the dynamics of cultural conflict and exchange. A richly illustrated work of cultural history, this first book-length treatment explores the important yet neglected role Hispano artists played in shaping the world of modernism in twentieth-century New Mexico. A Contested Art places Hispano artists at the center of narratives about modernism while bringing Hispano art into dialogue with the cultural experiences of Mexicans, Chicanas/os, and Native Americans. In doing so, it rewrites a chapter in the history of both modernism and Hispano art. Published in cooperation with The William P. Clements Center for Southwest Studies, Southern Methodist University