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Author: Matthew C. Potter Publisher: Routledge ISBN: 0429752679 Category : Art Languages : en Pages : 603
Book Description
Traditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.
Author: Matthew C. Potter Publisher: Routledge ISBN: 0429752679 Category : Art Languages : en Pages : 603
Book Description
Traditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.
Author: Elizabeth A. Sudduth Publisher: Univ of South Carolina Press ISBN: 9781570035906 Category : Art Languages : en Pages : 428
Book Description
Bruccoli Great War Collection at the University of South Carolina: An Illustrated Catalogue provides a reference tool for the study of one of the great watershed moments in history on both sides of the Atlantic serving historians, researchers, and collectors.
Author: Reina Lewis Publisher: Bloomsbury Publishing ISBN: 1350135224 Category : History Languages : en Pages : 233
Book Description
In the first book to address the critical role of the (un)dressed body in the formation of the modern Middle East, these essays unveil contemporary struggles over nation, gender, modernity and post-modernity. Contributions from leading interdisciplinary scholars, exploring gender representation, photography, dress and visual culture, recount the role of the visible elite body in campaigns for gender and social emancipation, dress histories concerning early nationalist women and men, and legal frameworks used by those who seek to control the movement of gendered bodies. The result is a rich picture of a historical period and cultural landscape which brings dress and visual culture back into historical narratives of the modern Middle East. Recognising multiple modernities, multiple imperialisms and diverse regional experiences of post-colonialism, Fashioning the Modern Middle East contains a range of theoretical frameworks invaluable to students of fashion studies, Middle Eastern studies, anthropology, photography and gender. Bringing forward new primary material and re-investigating extant sources from new perspectives, this is the essential introduction to the role of the dressed and undressed body in the formation of the modern Middle East.
Author: Brian Saunders Publisher: CSIRO PUBLISHING ISBN: 0643106723 Category : Science Languages : en Pages : 520
Book Description
This book traces the discovery of Australia’s fishes from the earliest days of taxonomy to the first part of the 20th century. It provides a unique insight into the diverse pathways by which Australia’s fish were discovered and outlines the history of early maritime explorations in Australia that collected natural history specimens. The book covers the life and work of each of the most important discoverers, and assesses their accomplishments and the limitations of their work. Discovery of Australia’s Fishes is distinctive in that a biographic approach is integrated with chronological descriptions of the discovery of the Australian fish fauna. Many of northern Australia’s fishes are found in parts of the Indian and western Pacific oceans. The book covers the work of collectors who travelled outside Australia, together with that of the British and European zoologists who received and described their collections. The account ceases at 1930, the year the first modern checklist of Australian fishes was published. 2012 Whitley Award Commendation for Historical Zoology.
Author: National Library of Australia Publisher: National Library Australia ISBN: 9780642107305 Category : Acquisitions (Libraries) Languages : en Pages : 308
Author: Matthew C. Potter
Author: Matthew C. Potter
Author: Elizabeth A. Sudduth
Author: 
Author: Richard Schodde
Author: Reina Lewis
Author: Brian Saunders
Author: British Museum. Department of Printed Books
Author: Linnean Society of New South Wales
Author: National Library of Australia
Author: National Library of Medicine (U.S.)