Author: Gabriele Castiglia
Publisher: Archaeopress Publishing Ltd
ISBN: 190573977X
Category : Social Science
Languages : en
Pages : 160
Book Description
Presents excavation data and pottery finds from the stratigraphy underneath the cathedral of Siena. The surveys were conducted between 2000-2003. The ultimate goal is to trace a view of the settlement types and economic framework that has affected the hill of the Cathedral from the Classical age to the late Middle Ages.
Il Duomo di Siena
Author: Gabriele Castiglia
Publisher: Archaeopress Publishing Ltd
ISBN: 190573977X
Category : Social Science
Languages : en
Pages : 160
Book Description
Presents excavation data and pottery finds from the stratigraphy underneath the cathedral of Siena. The surveys were conducted between 2000-2003. The ultimate goal is to trace a view of the settlement types and economic framework that has affected the hill of the Cathedral from the Classical age to the late Middle Ages.
Publisher: Archaeopress Publishing Ltd
ISBN: 190573977X
Category : Social Science
Languages : en
Pages : 160
Book Description
Presents excavation data and pottery finds from the stratigraphy underneath the cathedral of Siena. The surveys were conducted between 2000-2003. The ultimate goal is to trace a view of the settlement types and economic framework that has affected the hill of the Cathedral from the Classical age to the late Middle Ages.
Art and Authority in Renaissance Milan
Author: Evelyn S. Welch
Publisher: Yale University Press
ISBN: 9780300063516
Category : Art
Languages : en
Pages : 380
Book Description
Milan was one of the largest and most important cities in Renaissance Italy. Controlled by the Visconti and Sforza dynasties from 1277 until 1500, its rulers were generous patrons of the arts, responsible for commissioning major monuments throughout the city and for supporting artists such as Giovanni di Balduccio, Filarete, Bramante and Leonardo da Vinci. But the city was much more than its dukes. Milan had a distinct civic identity, one that was expressed, above all, through its neighbourhood, religious and charitable associations. This book moves beyond standard interpretations of ducal patronage to explore the often overlooked city itself, showing how the allegiances of the town hall and the parish related to those of the servants and aristocrats who frequented the Visconti and Sforza court. In this original and stimulating interdisciplinary study, Evelyn Welch illustrates the ways in which the myths of Visconti and Sforza supremacy were created. Newly discovered material for major projects such as the cathedral, hospital and castle of Milan permits a greater understanding of the political, economic and architectural forces that shaped these extraordinary buildings. The book also explores the wider social networks of the artists themselves. Leonardo da Vinci, for example, is de-mythologised: far from being an isolated, highly prized court artist, he spent his almost eighteen years in the city working within the wider Milanese community of painters, sculptors, goldsmiths and embroiderers. The broad perspective of the book ensures that any future study of the Renaissance will have to re-evaluate the place of Milan in Italian cultural history.
Publisher: Yale University Press
ISBN: 9780300063516
Category : Art
Languages : en
Pages : 380
Book Description
Milan was one of the largest and most important cities in Renaissance Italy. Controlled by the Visconti and Sforza dynasties from 1277 until 1500, its rulers were generous patrons of the arts, responsible for commissioning major monuments throughout the city and for supporting artists such as Giovanni di Balduccio, Filarete, Bramante and Leonardo da Vinci. But the city was much more than its dukes. Milan had a distinct civic identity, one that was expressed, above all, through its neighbourhood, religious and charitable associations. This book moves beyond standard interpretations of ducal patronage to explore the often overlooked city itself, showing how the allegiances of the town hall and the parish related to those of the servants and aristocrats who frequented the Visconti and Sforza court. In this original and stimulating interdisciplinary study, Evelyn Welch illustrates the ways in which the myths of Visconti and Sforza supremacy were created. Newly discovered material for major projects such as the cathedral, hospital and castle of Milan permits a greater understanding of the political, economic and architectural forces that shaped these extraordinary buildings. The book also explores the wider social networks of the artists themselves. Leonardo da Vinci, for example, is de-mythologised: far from being an isolated, highly prized court artist, he spent his almost eighteen years in the city working within the wider Milanese community of painters, sculptors, goldsmiths and embroiderers. The broad perspective of the book ensures that any future study of the Renaissance will have to re-evaluate the place of Milan in Italian cultural history.
Digital Transformation of the Design, Construction and Management Processes of the Built Environment
Author: Bruno Daniotti
Publisher: Springer Nature
ISBN: 3030335704
Category : Technology & Engineering
Languages : en
Pages : 391
Book Description
This open access book focuses on the development of methods, interoperable and integrated ICT tools, and survey techniques for optimal management of the building process. The construction sector is facing an increasing demand for major innovations in terms of digital dematerialization and technologies such as the Internet of Things, big data, advanced manufacturing, robotics, 3D printing, blockchain technologies and artificial intelligence. The demand for simplification and transparency in information management and for the rationalization and optimization of very fragmented and splintered processes is a key driver for digitization. The book describes the contribution of the ABC Department of the Polytechnic University of Milan (Politecnico di Milano) to R&D activities regarding methods and ICT tools for the interoperable management of the different phases of the building process, including design, construction, and management. Informative case studies complement the theoretical discussion. The book will be of interest to all stakeholders in the building process – owners, designers, constructors, and faculty managers – as well as the research sector.
Publisher: Springer Nature
ISBN: 3030335704
Category : Technology & Engineering
Languages : en
Pages : 391
Book Description
This open access book focuses on the development of methods, interoperable and integrated ICT tools, and survey techniques for optimal management of the building process. The construction sector is facing an increasing demand for major innovations in terms of digital dematerialization and technologies such as the Internet of Things, big data, advanced manufacturing, robotics, 3D printing, blockchain technologies and artificial intelligence. The demand for simplification and transparency in information management and for the rationalization and optimization of very fragmented and splintered processes is a key driver for digitization. The book describes the contribution of the ABC Department of the Polytechnic University of Milan (Politecnico di Milano) to R&D activities regarding methods and ICT tools for the interoperable management of the different phases of the building process, including design, construction, and management. Informative case studies complement the theoretical discussion. The book will be of interest to all stakeholders in the building process – owners, designers, constructors, and faculty managers – as well as the research sector.
Music in the Collective Experience in Sixteenth-Century Milan
Author: Christine Suzanne Getz
Publisher: Taylor & Francis
ISBN: 1000950964
Category : Music
Languages : en
Pages : 352
Book Description
Renaissance music, like its sister arts, was most often experienced collectively. While it was possible to read Renaissance polyphony silently from a music manuscript or print, improvise alone, or perform as a soloist, the very practical nature of Renaissance music defied individualism. The reading and improvisation of polyphony was most frequently achieved through close co-operation, and this mutual endeavour extended beyond the musicians to include the society to which it is addressed. In sixteenth-century Milan, music, an art traditionally associated with the court and cathedral, came to be appropriated by the old nobility and the new aristocracy alike as a means of demonstrating social primacy and newly acquired wealth. As class mobility assumed greater significance in Milan and the size of the city expanded beyond its Medieval borders, music-making became ever more closely associated with public life. With its novel structures and diverse urban spaces, sixteenth-century Milan offered an unlimited variety of public performance arenas. The city's political and ecclesiastical authorities staged grand processions, church services, entertainments, and entries aimed at the propagation of both church and state. Yet the private citizen utilized such displays as well, creating his own miniature spectacle in a visual and an aural imitation of the ecclesiastical and political panoply of the age. Using archival documents, music prints, manuscripts and contemporary writing, Getz examines the musical culture of sixteenth-century Milan via its life within the city's most influential social institutions to show how fifteenth-century courtly traditions were adapted to the public arena. The book considers the relationship of the primary cappella musicale, including those of the Duomo, the court of Milan, Santa Maria della Scala, and Santa Maria presso San Celso, to the sixteenth-century institutions that housed them. In addition, the book investigates the musician's role as an actor and a functionary in the political, religious, and social spectacles produced by the Milanese church, state, and aristocracy within the city's diverse urban spaces. Furthermore, it establishes a context for the numerous motets, madrigals, and lute intabulations composed and printed in sixteenth-century Milan by examining their function within the urban milieu in which they were first performed. Finally, it musically documents Milan's transformation from a ducal state dominated by provincial traditions into a mercantile centre of international acclaim. Such an important study in Italian Renaissance music will therefore appeal to anyone interested in the culture of Renaissance Italy.
Publisher: Taylor & Francis
ISBN: 1000950964
Category : Music
Languages : en
Pages : 352
Book Description
Renaissance music, like its sister arts, was most often experienced collectively. While it was possible to read Renaissance polyphony silently from a music manuscript or print, improvise alone, or perform as a soloist, the very practical nature of Renaissance music defied individualism. The reading and improvisation of polyphony was most frequently achieved through close co-operation, and this mutual endeavour extended beyond the musicians to include the society to which it is addressed. In sixteenth-century Milan, music, an art traditionally associated with the court and cathedral, came to be appropriated by the old nobility and the new aristocracy alike as a means of demonstrating social primacy and newly acquired wealth. As class mobility assumed greater significance in Milan and the size of the city expanded beyond its Medieval borders, music-making became ever more closely associated with public life. With its novel structures and diverse urban spaces, sixteenth-century Milan offered an unlimited variety of public performance arenas. The city's political and ecclesiastical authorities staged grand processions, church services, entertainments, and entries aimed at the propagation of both church and state. Yet the private citizen utilized such displays as well, creating his own miniature spectacle in a visual and an aural imitation of the ecclesiastical and political panoply of the age. Using archival documents, music prints, manuscripts and contemporary writing, Getz examines the musical culture of sixteenth-century Milan via its life within the city's most influential social institutions to show how fifteenth-century courtly traditions were adapted to the public arena. The book considers the relationship of the primary cappella musicale, including those of the Duomo, the court of Milan, Santa Maria della Scala, and Santa Maria presso San Celso, to the sixteenth-century institutions that housed them. In addition, the book investigates the musician's role as an actor and a functionary in the political, religious, and social spectacles produced by the Milanese church, state, and aristocracy within the city's diverse urban spaces. Furthermore, it establishes a context for the numerous motets, madrigals, and lute intabulations composed and printed in sixteenth-century Milan by examining their function within the urban milieu in which they were first performed. Finally, it musically documents Milan's transformation from a ducal state dominated by provincial traditions into a mercantile centre of international acclaim. Such an important study in Italian Renaissance music will therefore appeal to anyone interested in the culture of Renaissance Italy.
Reclaiming Rome
Author: Carol M. Richardson
Publisher: BRILL
ISBN: 9004171835
Category : History
Languages : en
Pages : 553
Book Description
The fifteenth century was a critical juncture for the College of Cardinals. They were accused of prolonging the exile in Avignon and causing the schism. At the councils at the beginning of the period their very existence was questioned. They rebuilt their relationship with the popes by playing a fundamental part in reclaiming Rome when the papacy returned to its city in 1420. Because their careers were usually much longer than that of an individual pope, the cardinals combined to form a much more effective force for restoring Rome. In this book, shifting focus from the popes to the cardinals sheds new light on a relatively unknown period for Renaissance art history and the history of Rome. Dr. Carol M. Richardson has been awarded the Philip Leverhulme Prize (2008) in the field of History of Arts.
Publisher: BRILL
ISBN: 9004171835
Category : History
Languages : en
Pages : 553
Book Description
The fifteenth century was a critical juncture for the College of Cardinals. They were accused of prolonging the exile in Avignon and causing the schism. At the councils at the beginning of the period their very existence was questioned. They rebuilt their relationship with the popes by playing a fundamental part in reclaiming Rome when the papacy returned to its city in 1420. Because their careers were usually much longer than that of an individual pope, the cardinals combined to form a much more effective force for restoring Rome. In this book, shifting focus from the popes to the cardinals sheds new light on a relatively unknown period for Renaissance art history and the history of Rome. Dr. Carol M. Richardson has been awarded the Philip Leverhulme Prize (2008) in the field of History of Arts.
The Cathedrals of Pisa, Siena and Florence
Author: Pietro Matracchi
Publisher: CRC Press
ISBN: 0429616058
Category : Social Science
Languages : en
Pages : 316
Book Description
The construction techniques and concepts of the cathedrals of Pisa, Siena and Florence are examined in detail, based on new data and using a methodological architectural diagnostics approach. New detailed surveys, carried out using often advanced tools, together with direct and in-depth inspections to examine all parts of the buildings, have enabled us to identify the building phases and the different construction techniques used over time. The information thereby acquired also formed the basis for a new interpretation of the archival documents. Accordingly, the problems encountered and the solutions adopted in the three cathedrals have been understood: in Pisa the construction of the elliptical dome above the rectangular crossing consisting of six thin pillars below; in Siena the design changes from the first system in the 13th century to the ‘Duomo Nuovo’, and the structural adaptations following earthquakes; the specific construction solutions adopted in Florence during the instability encountered in the construction of the large vaults of the basilican body. The comparison of the three buildings in terms of architectural and construction solutions also revealed unexpected relationships between the construction events of Siena’s Duomo Nuovo and the solutions then used in the large basilican body of Santa Maria del Fiore. The methodology employed has led to an understanding of the actual structure of the three cathedrals, an essential basis for a correct evaluation of the state of conservation of the churches for any restoration work. The book is aimed at scholars of architecture and ancient building structures, graduate and postgraduate students, and architects and engineers who plan architectural conservation and strengthening works for historical buildings.
Publisher: CRC Press
ISBN: 0429616058
Category : Social Science
Languages : en
Pages : 316
Book Description
The construction techniques and concepts of the cathedrals of Pisa, Siena and Florence are examined in detail, based on new data and using a methodological architectural diagnostics approach. New detailed surveys, carried out using often advanced tools, together with direct and in-depth inspections to examine all parts of the buildings, have enabled us to identify the building phases and the different construction techniques used over time. The information thereby acquired also formed the basis for a new interpretation of the archival documents. Accordingly, the problems encountered and the solutions adopted in the three cathedrals have been understood: in Pisa the construction of the elliptical dome above the rectangular crossing consisting of six thin pillars below; in Siena the design changes from the first system in the 13th century to the ‘Duomo Nuovo’, and the structural adaptations following earthquakes; the specific construction solutions adopted in Florence during the instability encountered in the construction of the large vaults of the basilican body. The comparison of the three buildings in terms of architectural and construction solutions also revealed unexpected relationships between the construction events of Siena’s Duomo Nuovo and the solutions then used in the large basilican body of Santa Maria del Fiore. The methodology employed has led to an understanding of the actual structure of the three cathedrals, an essential basis for a correct evaluation of the state of conservation of the churches for any restoration work. The book is aimed at scholars of architecture and ancient building structures, graduate and postgraduate students, and architects and engineers who plan architectural conservation and strengthening works for historical buildings.
A Companion to Late Medieval and Early Modern Milan
Author:
Publisher: BRILL
ISBN: 9004284125
Category : History
Languages : en
Pages : 561
Book Description
Milan was for centuries the most important center of economic, ecclesiastical and political power in Lombardy. As the State of Milan it extended in the Renaissance over a large part of northern and central Italy and numbered over thirty cities with their territories. A Companion to Late Medieval and early Modern Milan examines the story of the city and State from the establishment of the duchy under the Viscontis in 1395 through to the 150 years of Spanish rule and down to its final absorption into Austrian Lombardy in 1704. It opens up to a wide readership a well-documented synthesis which is both fully informative and reflects current debate. 20 chapters by qualified and distinguished scholars offer a new and original perspective with themes ranging from society to politics, music to literature, the history of art to law, the church to the economy. Contributors are: Giuliana Albini, Giancarlo Andenna, Jane Black, Stefano D’Amico, Alessandra Dattero, Massimo Della Misericordia, Giuliano Di Bacco, Claudia Di Filippo, Federico Del Tredici, Andrea Gamberini, Christine Getz, T.J. Kuehn, Germano Maifreda, Patrizia Mainoni, Alessandro Morandotti, Simona Mori, Serena Romano, Giovanna Tonelli, Massimo Zaggia.
Publisher: BRILL
ISBN: 9004284125
Category : History
Languages : en
Pages : 561
Book Description
Milan was for centuries the most important center of economic, ecclesiastical and political power in Lombardy. As the State of Milan it extended in the Renaissance over a large part of northern and central Italy and numbered over thirty cities with their territories. A Companion to Late Medieval and early Modern Milan examines the story of the city and State from the establishment of the duchy under the Viscontis in 1395 through to the 150 years of Spanish rule and down to its final absorption into Austrian Lombardy in 1704. It opens up to a wide readership a well-documented synthesis which is both fully informative and reflects current debate. 20 chapters by qualified and distinguished scholars offer a new and original perspective with themes ranging from society to politics, music to literature, the history of art to law, the church to the economy. Contributors are: Giuliana Albini, Giancarlo Andenna, Jane Black, Stefano D’Amico, Alessandra Dattero, Massimo Della Misericordia, Giuliano Di Bacco, Claudia Di Filippo, Federico Del Tredici, Andrea Gamberini, Christine Getz, T.J. Kuehn, Germano Maifreda, Patrizia Mainoni, Alessandro Morandotti, Simona Mori, Serena Romano, Giovanna Tonelli, Massimo Zaggia.
Catalogue of Books Relating to Architecture, Construction & Decoration
Author: Boston Public Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 558
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 558
Book Description
Catalogue of the Books Relating to Architecture, Construction & Decoration in the Public Library of the City of Boston
Author: Boston Public Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 172
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 172
Book Description
The Grove Encyclopedia of Medieval Art and Architecture
Author: Colum Hourihane
Publisher:
ISBN: 0195395360
Category : Architecture, Medieval
Languages : en
Pages : 4064
Book Description
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
Publisher:
ISBN: 0195395360
Category : Architecture, Medieval
Languages : en
Pages : 4064
Book Description
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.