Author: Tracy H. Koon
Publisher: UNC Press Books
ISBN: 1469610140
Category : History
Languages : en
Pages : 368
Book Description
The Fascist regime under Mussolini regarded its youth as its best hope for the future. Young people were courted more assiduously than any other group in the society and their political socialization became a central concern of the government. Believe, Obey, Fight discusses the various tools used by the Fascist regime from 1922 to 1943 to shape the political values and environment of the young. Tracy Koon focuses on the secondary agents of socialization, including the party, the educational establishment, youth groups, and the media of political communication. She shows that the response to this socialization ranged from apparent consent to dissent and finally to open opposition. The regime employed several methods to produce consensus among the young. Koon's analysis begins with a discussion of the rhetorical style of Mussolini's message and the key political myths manipulated by his propaganda machine: fascism as continuing revolution and social justice, the glories of ancient Rome, the hygienic function of war and violence, the religious spirit of the new creed, and the omniscience of the leader. She then describes the pre-Fascist educational system, the "most Fascist" Gentile reforms of 1923, and the later revision of those reforms by zealous party men engaged in the Fascist regimentation of teachers and students and the militarization and politicization of curricula and textbooks. Equally important agents of socialization were the Fascist groups organized for young people from their earliest years through the university level, including the annual national competitions and forums in which members could express their ideas on a range of issues. The regime provided physical, military, sports, and political training to strengthen the new Fascist society. Fascist socialization did for a time create a superficial consensus by appealing to both the love of conformity that marks the very young and the economic fears that caused students to conform in the hope of jobs. But Koon argues that the regime's attempt to exert totalitarian control over the young deprived them of personal identity. As time passed, the contradictions of the regime became clearer, the chasm between Fascist rhetoric and reality more obvious. In the end, the majority of young people came to believe that the regime had given them nothing to believe in, no one to obey, and nothing for which to fight. Originally published in 1985. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Believe, Obey, Fight
Author: Tracy H. Koon
Publisher: UNC Press Books
ISBN: 1469610140
Category : History
Languages : en
Pages : 368
Book Description
The Fascist regime under Mussolini regarded its youth as its best hope for the future. Young people were courted more assiduously than any other group in the society and their political socialization became a central concern of the government. Believe, Obey, Fight discusses the various tools used by the Fascist regime from 1922 to 1943 to shape the political values and environment of the young. Tracy Koon focuses on the secondary agents of socialization, including the party, the educational establishment, youth groups, and the media of political communication. She shows that the response to this socialization ranged from apparent consent to dissent and finally to open opposition. The regime employed several methods to produce consensus among the young. Koon's analysis begins with a discussion of the rhetorical style of Mussolini's message and the key political myths manipulated by his propaganda machine: fascism as continuing revolution and social justice, the glories of ancient Rome, the hygienic function of war and violence, the religious spirit of the new creed, and the omniscience of the leader. She then describes the pre-Fascist educational system, the "most Fascist" Gentile reforms of 1923, and the later revision of those reforms by zealous party men engaged in the Fascist regimentation of teachers and students and the militarization and politicization of curricula and textbooks. Equally important agents of socialization were the Fascist groups organized for young people from their earliest years through the university level, including the annual national competitions and forums in which members could express their ideas on a range of issues. The regime provided physical, military, sports, and political training to strengthen the new Fascist society. Fascist socialization did for a time create a superficial consensus by appealing to both the love of conformity that marks the very young and the economic fears that caused students to conform in the hope of jobs. But Koon argues that the regime's attempt to exert totalitarian control over the young deprived them of personal identity. As time passed, the contradictions of the regime became clearer, the chasm between Fascist rhetoric and reality more obvious. In the end, the majority of young people came to believe that the regime had given them nothing to believe in, no one to obey, and nothing for which to fight. Originally published in 1985. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Publisher: UNC Press Books
ISBN: 1469610140
Category : History
Languages : en
Pages : 368
Book Description
The Fascist regime under Mussolini regarded its youth as its best hope for the future. Young people were courted more assiduously than any other group in the society and their political socialization became a central concern of the government. Believe, Obey, Fight discusses the various tools used by the Fascist regime from 1922 to 1943 to shape the political values and environment of the young. Tracy Koon focuses on the secondary agents of socialization, including the party, the educational establishment, youth groups, and the media of political communication. She shows that the response to this socialization ranged from apparent consent to dissent and finally to open opposition. The regime employed several methods to produce consensus among the young. Koon's analysis begins with a discussion of the rhetorical style of Mussolini's message and the key political myths manipulated by his propaganda machine: fascism as continuing revolution and social justice, the glories of ancient Rome, the hygienic function of war and violence, the religious spirit of the new creed, and the omniscience of the leader. She then describes the pre-Fascist educational system, the "most Fascist" Gentile reforms of 1923, and the later revision of those reforms by zealous party men engaged in the Fascist regimentation of teachers and students and the militarization and politicization of curricula and textbooks. Equally important agents of socialization were the Fascist groups organized for young people from their earliest years through the university level, including the annual national competitions and forums in which members could express their ideas on a range of issues. The regime provided physical, military, sports, and political training to strengthen the new Fascist society. Fascist socialization did for a time create a superficial consensus by appealing to both the love of conformity that marks the very young and the economic fears that caused students to conform in the hope of jobs. But Koon argues that the regime's attempt to exert totalitarian control over the young deprived them of personal identity. As time passed, the contradictions of the regime became clearer, the chasm between Fascist rhetoric and reality more obvious. In the end, the majority of young people came to believe that the regime had given them nothing to believe in, no one to obey, and nothing for which to fight. Originally published in 1985. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Fascist Modernities
Author: Ruth Ben-Ghiat
Publisher: Univ of California Press
ISBN: 0520242165
Category : History
Languages : en
Pages : 332
Book Description
This cultural history of Mussolini's dictatorship discusses the meanings of modernity in interwar Italy. The work argues that fascism appealed to many Italian intellectuals as a new model of modernity that would resolve the European crisis as well as long-standing problems of the national past.
Publisher: Univ of California Press
ISBN: 0520242165
Category : History
Languages : en
Pages : 332
Book Description
This cultural history of Mussolini's dictatorship discusses the meanings of modernity in interwar Italy. The work argues that fascism appealed to many Italian intellectuals as a new model of modernity that would resolve the European crisis as well as long-standing problems of the national past.
Fascist Spectacle
Author: Simonetta Falasca-Zamponi
Publisher: Univ of California Press
ISBN: 0520926153
Category : History
Languages : en
Pages : 318
Book Description
This richly textured cultural history of Italian fascism traces the narrative path that accompanied the making of the regime and the construction of Mussolini's power. Simonetta Falasca-Zamponi reads fascist myths, rituals, images, and speeches as texts that tell the story of fascism. Linking Mussolini's elaboration of a new ruling style to the shaping of the regime's identity, she finds that in searching for symbolic means and forms that would represent its political novelty, fascism in fact brought itself into being, creating its own power and history. Falasca-Zamponi argues that an aesthetically founded notion of politics guided fascist power's historical unfolding and determined the fascist regime's violent understanding of social relations, its desensitized and dehumanized claims to creation, its privileging of form over ethical norms, and ultimately its truly totalitarian nature.
Publisher: Univ of California Press
ISBN: 0520926153
Category : History
Languages : en
Pages : 318
Book Description
This richly textured cultural history of Italian fascism traces the narrative path that accompanied the making of the regime and the construction of Mussolini's power. Simonetta Falasca-Zamponi reads fascist myths, rituals, images, and speeches as texts that tell the story of fascism. Linking Mussolini's elaboration of a new ruling style to the shaping of the regime's identity, she finds that in searching for symbolic means and forms that would represent its political novelty, fascism in fact brought itself into being, creating its own power and history. Falasca-Zamponi argues that an aesthetically founded notion of politics guided fascist power's historical unfolding and determined the fascist regime's violent understanding of social relations, its desensitized and dehumanized claims to creation, its privileging of form over ethical norms, and ultimately its truly totalitarian nature.
Fascism
Author: Renzo De Felice
Publisher: Transaction Publishers
ISBN: 9780878551903
Category : Political Science
Languages : en
Pages : 120
Book Description
For Italian Intellectuals, the terms fascist and antifascist continue to be the hard currency of contemporary political debate-to the point that if you are not one, you must be the other. When professor Renzo de Felice suggests that fascism describes a moment in the Italian past-and only that-he is challenging the very heart of current orthodoxy. The nature of his analysis of the recent Italian past is itself at odds with the traditional version, and represents a radical departure from conventional wisdom. De Felice's ideas about fascism have a broad significance, quite apart from their importance in the contemporary Italian scene. Perhaps no one knows as much about fascism, and no one has given the subject such a rigorous historical analysis. This dialogue between de Felice and American scholar Michael Ledeen has been on the best-seller list in Italy for nearly a year-an uncommon event for a book of its type for any country. This knowledgeable discussion ranges from empirical research on the history of Mussolini and the Fascist Regime in Italy to seeking a definition of fascism and determining its general characteristics. It also includes a comparative analysis with nazism and totalitarianism and concludes with observations of fascism today and the need for a new focus for future research. Book jacket.
Publisher: Transaction Publishers
ISBN: 9780878551903
Category : Political Science
Languages : en
Pages : 120
Book Description
For Italian Intellectuals, the terms fascist and antifascist continue to be the hard currency of contemporary political debate-to the point that if you are not one, you must be the other. When professor Renzo de Felice suggests that fascism describes a moment in the Italian past-and only that-he is challenging the very heart of current orthodoxy. The nature of his analysis of the recent Italian past is itself at odds with the traditional version, and represents a radical departure from conventional wisdom. De Felice's ideas about fascism have a broad significance, quite apart from their importance in the contemporary Italian scene. Perhaps no one knows as much about fascism, and no one has given the subject such a rigorous historical analysis. This dialogue between de Felice and American scholar Michael Ledeen has been on the best-seller list in Italy for nearly a year-an uncommon event for a book of its type for any country. This knowledgeable discussion ranges from empirical research on the history of Mussolini and the Fascist Regime in Italy to seeking a definition of fascism and determining its general characteristics. It also includes a comparative analysis with nazism and totalitarianism and concludes with observations of fascism today and the need for a new focus for future research. Book jacket.
Myth and Memory in the Mediterranean
Author: N. Doumanis
Publisher: Springer
ISBN: 0230376959
Category : History
Languages : en
Pages : 252
Book Description
This book examines the relationship between coloniser and colonised among the Italian-held Dodecanese Islands between 1912 and 1943, and is based on an oral history project conducted between 1990 and 1995. Italian power is described as having been negotiated, resisted and modified by locals, who admired many aspects of Italian rule without according the regime any legitimacy. This ethnographic history challenges standard views on Italian colonialism and Greek nationalism, and reflects on contemporary questions regarding historical memory, political culture and social identity.
Publisher: Springer
ISBN: 0230376959
Category : History
Languages : en
Pages : 252
Book Description
This book examines the relationship between coloniser and colonised among the Italian-held Dodecanese Islands between 1912 and 1943, and is based on an oral history project conducted between 1990 and 1995. Italian power is described as having been negotiated, resisted and modified by locals, who admired many aspects of Italian rule without according the regime any legitimacy. This ethnographic history challenges standard views on Italian colonialism and Greek nationalism, and reflects on contemporary questions regarding historical memory, political culture and social identity.
The Culture of Consent
Author: Victoria De Grazia
Publisher: Cambridge University Press
ISBN: 9780521526913
Category : History
Languages : en
Pages : 328
Book Description
A portrait of the dopolavoro, or leisure-time organization, the largest of the regime's mass institutions.
Publisher: Cambridge University Press
ISBN: 9780521526913
Category : History
Languages : en
Pages : 328
Book Description
A portrait of the dopolavoro, or leisure-time organization, the largest of the regime's mass institutions.
Fascism in Popular Memory
Author: Luisa Passerini
Publisher:
ISBN:
Category : Fascism
Languages : en
Pages : 244
Book Description
Publisher:
ISBN:
Category : Fascism
Languages : en
Pages : 244
Book Description
All or Nothing
Author: Jonathan Steinberg
Publisher: Routledge
ISBN: 1134436556
Category : History
Languages : en
Pages : 408
Book Description
German and Italian fascist armies in the Second World War treated the Jews quite differently. Jews who fell into the hands of the German army ended up in concentration camps; none of those taken by the Italians suffered the same fate. Yet the protectors of the Jews were no philo-Semites, nor were they (often) great respecters of human life. Some of those same officers had sanctioned savage atrocities against Ethiopians and Arabs in the years before the war. Jonathan Steinberg uses this remarkable and poignant story to unravel the motives and forces underpinning both Fascism and Nazism. As a renowned historian of both Germany and Italy, he is uniquely placed to answer the underlying question; why?
Publisher: Routledge
ISBN: 1134436556
Category : History
Languages : en
Pages : 408
Book Description
German and Italian fascist armies in the Second World War treated the Jews quite differently. Jews who fell into the hands of the German army ended up in concentration camps; none of those taken by the Italians suffered the same fate. Yet the protectors of the Jews were no philo-Semites, nor were they (often) great respecters of human life. Some of those same officers had sanctioned savage atrocities against Ethiopians and Arabs in the years before the war. Jonathan Steinberg uses this remarkable and poignant story to unravel the motives and forces underpinning both Fascism and Nazism. As a renowned historian of both Germany and Italy, he is uniquely placed to answer the underlying question; why?
Inside Nazi Germany
Author: Detlev Peukert
Publisher: Yale University Press
ISBN: 0300038631
Category : History
Languages : en
Pages : 308
Book Description
Describes the experiences of ordinary people living in Nazi Germany, explains how they aided or avoided Nazi programs, and analyzes the use of terror against social outsiders
Publisher: Yale University Press
ISBN: 0300038631
Category : History
Languages : en
Pages : 308
Book Description
Describes the experiences of ordinary people living in Nazi Germany, explains how they aided or avoided Nazi programs, and analyzes the use of terror against social outsiders
The Patron State
Author: Marla Stone
Publisher:
ISBN: 9780691029696
Category : History
Languages : en
Pages : 334
Book Description
As historians delve increasingly into the issues of political propaganda and visual art, Marla Stone provides a penetrating explanation of Italian Fascist arts patronage, one that explores the model of cultural consensus that set the Italian experience apart from that of Nazi Germany. In this book, Stone confronts some standard assumptions about the relationship between dictatorships and the arts. Even more so, she challenges conventional thinking on modernism and its political uses. In the case of Italy under Mussolini, authoritarian cultural politics were driven by a willingness to co-opt a spectrum of aesthetic movements, from modernist to neo-classical. Rather than legislate an "art of the state," the Fascist regime continually experimented with and revised its arts policy, as it pursued the support of artists and audiences. By exploring such events as the Mostra della Rivoluzione Fascista of 1932 and the evolution of the Venice Biennale, Stone offers an unparalleled analysis of the extensive system of official art exhibitions, purchases, and commissions that injected official taste into cultural production. At the same time, the author assesses the tensions implicit in state intervention in the arts--those between pluralism and propaganda, modernism and tradition, nationalism and regionalism--and the way in which a nondemocratic but modernizing and market-oriented polity handled them. Stone shows how official culture under Fascism mobilized modern and avant-garde aesthetics, emerging mass culture techniques, and a rhetoric of national culture to produce, during the 1930s, dynamic and vibrant cultural forms. Her inquiry into Fascist intervention in the art world is ultimately a cultural history of Fascist Italy, one with wide resonance and broad interest.
Publisher:
ISBN: 9780691029696
Category : History
Languages : en
Pages : 334
Book Description
As historians delve increasingly into the issues of political propaganda and visual art, Marla Stone provides a penetrating explanation of Italian Fascist arts patronage, one that explores the model of cultural consensus that set the Italian experience apart from that of Nazi Germany. In this book, Stone confronts some standard assumptions about the relationship between dictatorships and the arts. Even more so, she challenges conventional thinking on modernism and its political uses. In the case of Italy under Mussolini, authoritarian cultural politics were driven by a willingness to co-opt a spectrum of aesthetic movements, from modernist to neo-classical. Rather than legislate an "art of the state," the Fascist regime continually experimented with and revised its arts policy, as it pursued the support of artists and audiences. By exploring such events as the Mostra della Rivoluzione Fascista of 1932 and the evolution of the Venice Biennale, Stone offers an unparalleled analysis of the extensive system of official art exhibitions, purchases, and commissions that injected official taste into cultural production. At the same time, the author assesses the tensions implicit in state intervention in the arts--those between pluralism and propaganda, modernism and tradition, nationalism and regionalism--and the way in which a nondemocratic but modernizing and market-oriented polity handled them. Stone shows how official culture under Fascism mobilized modern and avant-garde aesthetics, emerging mass culture techniques, and a rhetoric of national culture to produce, during the 1930s, dynamic and vibrant cultural forms. Her inquiry into Fascist intervention in the art world is ultimately a cultural history of Fascist Italy, one with wide resonance and broad interest.