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Author: Jeffrey L. Sammons Publisher: ISBN: Category : Literary Criticism Languages : en Pages : 368
Book Description
This study of German fiction about America in the 19th century concentrates in detail on three writers: Charles Sealsfield (Carl Postl, 1793-1864), an escaped Moravian monk who came to New Orleans in 1823 and during the 1830s and 1840s wrote the first major German novels about the United States; Friedrich Gerstacker (1816-1872), who, among his many experiences in America as a young man, lived as a backwoodsman in Arkansas and who later produced a large body of fiction, travel reportage and emigration advice; and Karl May (1842-1912), who, though he knew nothing about America beyond what he could read in books such as those by Sealsfield and Gerstacker, wrote famous adventure storties set in an imginary West and became the best-selling writer in the German language, whose sales by now have exceeded 100 million volumes.
Author: Elin Diamond Publisher: Routledge ISBN: 1134982135 Category : Performing Arts Languages : en Pages : 256
Book Description
In Unmaking Mimesis Elin Diamond interrogates the concept of mimesis in relation to feminism, theatre and performance. She combines psychoanalytic, semiotic and materialist strategies with readings of selected plays by writers as diverse as Ibsen, Brecht, Aphra Behn, Caryl Churchill and Peggy Shaw. Through a series of provocative readings of theatre, theory and feminist performance she demonstrates the continuing force of feminism and mimesis in critical thinking today. Unmaking Mimesis will interest theatre scholars and performance and cultural theorists, for all of whom issues of text, representation and embodiment are of compelling concern.
Author: Jeffrey L. Sammons Publisher: University of North Carolina S ISBN: 9781469656700 Category : Literary Criticism Languages : en Pages : 0
Book Description
This study of German fiction about America in the nineteenth century concentrates in detail on three writers: Charles Sealsfield (Carl Postl, 1793-1864), an escaped Moravian monk who came to New Orleans in 1823 and wrote the first major German novels about the United States; Friedrich Gerstacker (1816-1872), who, among his many experiences in America as a young man, lived as a backwoodsman in Arkansas and who later produced a large body of fiction, travel reportage, and emigration advice; and Karl May (1842-1912), who, though he knew nothing about America beyond what he could read in books, wrote famous adventure stories set in an imaginary West and became the best-selling writer in the German language. Sammons provides biographies of the authors and discusses how each differs in their mimetic and ideological approach. He pays particular attention to how the authors address issues of race, gender and politics in the United States. Sammons interweaves his discussion of these three writers with excurses into the emergence of the German Western and anti-Americanism in German fiction.
Author: Edward Weisband Publisher: Oxford University Press ISBN: 0190677880 Category : History Languages : en Pages : 481
Book Description
Studies of genocide and mass atrocity most often focus on their causes and consequences, their aims and effects, and the number of people killed. But if the main goal is death, why is torture necessary? By understanding how and why mass violence occurs and the reasons for its variations, The Macabresque aims to explain why so many seemingly normal or "ordinary" people participate in mass atrocity across cultures and why such egregious violence occurs repeatedly through history.
Author: H. Glenn Penny Publisher: UNC Press Books ISBN: 1469607654 Category : History Languages : en Pages : 393
Book Description
How do we explain the persistent preoccupation with American Indians in Germany and the staggering numbers of Germans one encounters as visitors to Indian country? As H. Glenn Penny demonstrates, that preoccupation is rooted in an affinity for American Indians that has permeated German cultures for two centuries. This affinity stems directly from German polycentrism, notions of tribalism, a devotion to resistance, a longing for freedom, and a melancholy sense of shared fate. Locating the origins of the fascination for Indian life in the transatlantic world of German cultures in the nineteenth century, Penny explores German settler colonialism in the American Midwest, the rise and fall of German America, and the transnational worlds of American Indian performers. As he traces this phenomenon through the twentieth century, Penny engages debates about race, masculinity, comparative genocides, and American Indians' reactions to Germans' interests in them. He also assesses what persists of the affinity across the political ruptures of modern German history and challenges readers to rethink how cultural history is made.
Author: Veronica L. Schanoes Publisher: Routledge ISBN: 1317136780 Category : Literary Criticism Languages : en Pages : 170
Book Description
At the same time that 1970s feminist psychoanalytic theorists like Jean Baker Miller and Nancy Chodorow were challenging earlier models that assumed the masculine psyche as the norm for human development and mental/emotional health, writers such as Anne Sexton, Olga Broumass, and Angela Carter were embarked on their own revisionist project to breathe new life into fairy tales and classical myths based on traditional gender roles. Similarly, in the 1990s, second-wave feminist clinicians continued the work begun by Chodorow and Miller, while writers of fantasy that include Terry Windling, Tanith Lee, Terry Pratchett, and Catherynne M. Valente took their inspiration from revisionist authors of the 1970s. As Schanoes shows, these two decades were both particularly fruitful eras for artists and psychoanalytic theorists concerned with issues related to the development of women's sense of self. Putting aside the limitations of both strains of feminist psychoanalytic theory, their influence is undeniable. Schanoes's book posits a new model for understanding both feminist psychoanalytic theory and feminist retellings, one that emphasizes the interdependence of theory and art and challenges the notion that literary revision involves a masculinist struggle with the writer's artistic forbearers.
Author: John B. Lyon Publisher: Bloomsbury Publishing USA ISBN: 150135101X Category : Literary Criticism Languages : en Pages : 470
Book Description
Gender, Collaboration, and Authorship in German Culture challenges a model of literary production that persists in literary studies: the so-called Geniekult or the idea of the solitary male author as genius that emerged around 1800 in German lands. A closer look at creative practices during this time indicates that collaborative creative endeavors, specifically joint ventures between women and men, were an important mode of literary production during this era. This volume surveys a variety of such collaborations and proves that male and female spheres of creation were not as distinct as has been previously thought. It demonstrates that the model of the male genius that dominated literary studies for centuries was not inevitable, that viable alternatives to it existed. Finally, it demands that we rethink definitions of an author and a literary work in ways that account for the complex modes of creation from which they arose.