Iconography of the art of teotihuacan PDF Download

Author: George Kubler
Publisher:
ISBN:
Category :
Languages : en
Pages : 52

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Author: Janet Catherine Berlo
Publisher: Dumbarton Oaks
ISBN: 9780884022053
Category : Art
Languages : en
Pages : 462

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Author: Esther Pasztory
Publisher: Dumbarton Oaks
ISBN: 9780884020592
Category : Art
Languages : en
Pages : 28

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Author: Esther Pasztory
Publisher: University of Oklahoma Press
ISBN: 9780806128474
Category : History
Languages : en
Pages : 318

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This book is the first comprehensive study and reinterpretation of the unique arts of Teotihuacan, including architecture, sculpture, mural painting, and ceramics. Comparing the arts of Teotihuacan - not previously judged "artistic" - with those of other ancient civilizations, Ester Pasztory demonstrates how they created and reflected the community’s ideals. Most people associate the pyramids of central Mexico with the Aztecs, but these colossal constructions antedate the Aztecs by more than a thousand years. The people of Teotihuacan, who built the pyramids as part of a city of unprecedented size, remain a mystery.

Author: George Kubler
Publisher:
ISBN:
Category : Indian art
Languages : en
Pages : 40

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Author: Annabeth Headrick
Publisher: University of Texas Press
ISBN: 0292749872
Category : Social Science
Languages : en
Pages : 415

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Northeast of modern-day Mexico City stand the remnants of one of the world's largest preindustrial cities, Teotihuacan. Monumental in scale, Teotihuacan is organized along a three-mile-long thoroughfare, the Avenue of the Dead, that leads up to the massive Pyramid of the Moon. Lining the avenue are numerous plazas and temples, which indicate that the city once housed a large population that engaged in complex rituals and ceremonies. Although scholars have studied Teotihuacan for over a century, the precise nature of its religious and political life has remained unclear, in part because no one has yet deciphered the glyphs that may explain much about the city's organization and belief systems. In this groundbreaking book, Annabeth Headrick analyzes Teotihuacan's art and architecture, in the light of archaeological data and Mesoamerican ethnography, to propose a new model for the city's social and political organization. Challenging the view that Teotihuacan was a peaceful city in which disparate groups united in an ideology of solidarity, Headrick instead identifies three social groups that competed for political power—rulers, kin-based groups led by influential lineage heads, and military orders that each had their own animal insignia. Her findings provide the most complete evidence to date that Teotihuacan had powerful rulers who allied with the military to maintain their authority in the face of challenges by the lineage heads. Headrick's analysis also underscores the importance of warfare in Teotihuacan society and clarifies significant aspects of its ritual life, including shamanism and an annual tree-raising ceremony that commemorated the Mesoamerican creation story.

Author: Thomas F. Reese
Publisher: Getty Publications
ISBN: 1606068342
Category : Art
Languages : en
Pages : 274

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An illuminating intellectual biography of a pioneering and singular figure in American art history. Art historian George A. Kubler (1912–1996) was a foundational scholar of ancient American art and archaeology as well as Spanish and Portuguese architecture. During over five decades at Yale University, he published seventeen books that included innovative monographs, major works of synthesis, and an influential theoretical treatise. In this biography, Thomas F. Reese analyzes the early formation, broad career, and writings of Kubler, casting nuanced light on the origins and development of his thinking. Notable in Reese’s discussion and contextualization of Kubler’s writings is a revealing history and analysis of his Shape of Time—a book so influential to students, scholars, artists, and curious readers in multiple disciplines that it has been continuously in print since 1962. Reese reveals how pivotal its ideas were in Kubler’s own thinking: rather than focusing on problems of form as an ordering principle, he increasingly came to sequence works by how they communicate meaning. The author demonstrates how Kubler, who professed to have little interest in theory, devoted himself to the craft of art history, discovering and charting the rules that guided the propagation of structure and significance through time.

Author: Elizabeth Hill Boone
Publisher: Dumbarton Oaks
ISBN: 9780884021100
Category : Art
Languages : en
Pages : 272

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Author: Vernon J. Knight
Publisher: Cambridge University Press
ISBN: 1107022630
Category : Art
Languages : en
Pages : 221

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This book offers an overview of iconographic methods and their application to archaeological analysis. It offers a truly interdisciplinary approach that draws equally from art history and anthropology. Vernon James Knight, Jr., begins with a historigraphical overview, addressing the methodologies and theories that underpin both archaeology and art history. He then demonstrates how iconographic methods can be integrated with the scientific methods that are at the core of much archaeological inquiry. Focusing on artifacts from the pre-Columbian civilizations of North and Meso-American sites, Knight shows how the use of iconographic analysis yields new insights into these objects and civilizations.

Author: Cynthia Conides
Publisher: University of Oklahoma Press
ISBN: 0806162112
Category : Art
Languages : en
Pages : 253

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The ancient city of Teotihuacan, North America’s first metropolis, flourished for nearly eight centuries in central Mexico until its demise in 650 C.E. Known primarily for its massive architecture and monumental wall paintings, the city—and its dazzling artwork—inspired awe in its time, and continues to do so today. Made to Order, the first systematic study of more than 150 painted portable artworks produced in Teotihuacan, offers a unique, deeply informed perspective on the cultural practices and artistic techniques of the largest urban community in pre-Hispanic Mesoamerica. The painted vessels Cynthia Conides considers—featured here in finely reproduced full-color photographs—constitute nearly the entire body of material now available for analysis. With attention to their origins and provenance, wherever possible, the author views these objects from a range of vantage points, using ceramic chronologies to measure the changing characteristics and cultural significance of pictorial paintings on portable media. Her approach—ranging from stylistic analysis and narrative theory to theoretical perspectives on artistic exchange among artisans living and working in a thriving urban setting—reveals the importance of such objects to a city where social status, and the acquisition and display of its symbols, were paramount. This perspective is in turn grounded in new interpretations of the religious, social, and ritual contexts in which the objects functioned. The most complete analysis of both ceramics from excavations at Teotihuacan and those held in museum collections worldwide, Made to Order will become a standard source for specialists and students of pre-Columbian visual culture and archaeology, and a vital resource for those interested in cross-cultural ceramic studies.