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Author: Robert Venturi Publisher: MIT Press ISBN: 9780262220514 Category : Architecture Languages : en Pages : 402
Book Description
Venturi, who along with his partner, Denise Scott Brown, has made the vulgar acceptable and found virtue in the commercial, the kitsch, and the ordinary, is repected equally as a theorist and an architect who communicates his architectural ideas, formal and verbal, with grace and wit. These essays, letters, reports, lectures, manifestos, and polemic texts offer a candid, uncensored view from the drafting room. 117 illustrations.
Author: Robert Venturi Publisher: MIT Press ISBN: 9780262220514 Category : Architecture Languages : en Pages : 402
Book Description
Venturi, who along with his partner, Denise Scott Brown, has made the vulgar acceptable and found virtue in the commercial, the kitsch, and the ordinary, is repected equally as a theorist and an architect who communicates his architectural ideas, formal and verbal, with grace and wit. These essays, letters, reports, lectures, manifestos, and polemic texts offer a candid, uncensored view from the drafting room. 117 illustrations.
Author: Robert Venturi Publisher: Mit Press ISBN: 9780262720298 Category : Architecture Languages : en Pages : 374
Book Description
This new collection of writings in a variety of genres argues for a genericarchitecture defined by iconography and electronics, an architecture whose elemental qualitiesbecome shelter and symbol.
Author: Robert Venturi Publisher: Belknap Press ISBN: Category : Architecture Languages : en Pages : 272
Book Description
The observer-designer-theorists who analyzed the Las Vegas strip as an archetype in "Learning from Las Vegas" now turn their iconoclastic vision onto their own remarkable partnership and the rule-breaking architecture it has spawned for this fascinating retrospective of their life work.
Author: Slobodan Ćurčić Publisher: ISBN: Category : Architecture Languages : en Pages : 380
Book Description
"Byzantine art abandoned classical ideals in favor of formulas that conveyed spiritual concepts through stylized physical forms. Previous scholarship dealing with Byzantine icons has been largely focused on depictions of holy figures, dismissing representations of architecture as irrelevant space-filling background. Architecture as Icon demonstrates that background representations of architecture are meaningful, active components of compositions, often as significant as the holy figures. The book provides a critical view for understanding the Byzantine conception of architectural forms and space and the corresponding intellectual underpinnings of their representation." "Architecture as Icon features four thought-provoking essays. The catalogue groups the material into four categories: generic, specific, and symbolic representations, culminating in a final grouping entitled "Jerusalem." Handsomely designed and illustrated, this volume addresses various approaches to depicting architecture in Byzantine art that contrast sharply with those of the Renaissance and Western artistic tradition." --Book Jacket.
Author: Ruth Baumeister Publisher: 010 Publishers ISBN: 9064505667 Category : Architecture Languages : en Pages : 378
Book Description
For centuries, across nations, dialogue between the domestic and the foreign has affected and transformed architecture. Today these dialogues have become highly intensified. The Domestic and the Foreign in Architecture examines how these exchanges manifest themselves in contemporary architecture, in terms of its aesthetic potential and its practice, which, in turn, are impacted by broad economic, cultural and political issues. This book traces how diverse cultural encounters inevitably modify conventional categories, standards and codes of architecture, such as domestic identity, its political and economic representations and the negotiations with what is deemed foreign. Theoretical reflections by distinguished scholars are accompanied by interviews with some of the most influential architects practicing today, as well as stunning visual presentations by professional photographers.
Author: Manfredo Tafuri Publisher: MIT Press (MA) ISBN: 9780262700399 Category : Architecture Languages : en Pages : 383
Book Description
"Tafuri's work is probably the most innovative and exciting new form of European theory since French poststructuralism and this book is probably the best introduction to it for the newcomer. ..."
Author: Laura Moure Cecchini Publisher: Manchester University Press ISBN: 1526153165 Category : Art Languages : en Pages : 281
Book Description
Baroquemania explores the intersections of art, architecture and criticism to show how reimagining the Baroque helped craft a distinctively Italian approach to modern art. Offering a bold reassessment of post-unification visual culture, the book examines a wide variety of media and ideologically charged discourses on the Baroque, both inside and outside the academy. Key episodes in the modern afterlife of the Baroque are addressed, notably the Decadentist interpretation of Gianlorenzo Bernini, the 1911 universal fairs in Turin and Rome, Roberto Longhi’s historically grounded view of Futurism, architectural projects in Fascist Rome and the interwar reception of Adolfo Wildt and Lucio Fontana’s sculpture. Featuring a wealth of visual materials, Baroquemania offers a fresh look at a central aspect of Italy's modern art.
Author: Aron Vinegar Publisher: MIT Press ISBN: 0262220822 Category : Architectural writing Languages : en Pages : 249
Book Description
"Learning from Las Vegas, originally published by the MIT Press in 1972, was one of the most influential and controversial architectural books of its era. Thirty-five years later, it remains a perennial bestseller and a definitive theoretical text. Its authorsاarchitects Robert Venturi, Denise Scott Brown, and Steven Izenourاfamously used the Las Vegas Strip to argue the virtues of the "ordinary and ugly" above the "heroic and original" qualities of architectural modernism. Learning from Las Vegas not only moved architecture to the center of cultural debates, it changed our ideas about what architecture was and could be. In this provocative rereading of an iconic text, Aron Vinegar argues that Learning from Las Vegas is not only of historical interest but of absolute relevance to current critical debates in architectural and visual culture. Vinegar argues that to read Learning from Las Vegas only as an exemplary postmodernist textاto understand it, for example, as a call for pastiche or as ironic provocationاis to underestimate its deeper critical and ethical meaning, and to miss the underlying dialectic between skepticism and the ordinary, expression and the deadpan, that runs through the text. Vinegar's close attention to the graphic design of Learning from Las Vegas, and his fresh interpretations of now canonical images from the book such as the Duck, the Decorated Shed, and the "recommendation for a monument," make his book unique. Perhaps most revealing is his close analysis of the differences between the first 1972 edition, designed for the MIT Press by Muriel Cooper, and the "revised" edition of 1977, which was radically stripped down and largely redesigned by Denise Scott Brown. The dialogue between the two editions continues with this book, where for the first time the two versions of Learning from Las Vegas are read comparatively."--Publisher's website.
Author: Robert Venturi
Author: Robert Venturi
Author: Robert Venturi
Author: Robert Venturi
Author: Robert Venturi
Author: Robert Venturi
Author: Slobodan Ćurčić
Author: Ruth Baumeister
Author: Manfredo Tafuri
Author: Laura Moure Cecchini
Author: Aron Vinegar