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Author: Jefferson J. A. Gatrall Publisher: Penn State Press ISBN: 027103677X Category : Art Languages : en Pages : 304
Book Description
"A collection of essays by eleven scholars of Russian history, art, literature, cinema, philosophy, and theology that track key shifts in the production, circulation, and consumption of the Russian icon from Peter the Great's Enlightenment to the post-Soviet revival of the Orthodox Church"--Provided by publisher.
Author: Jefferson J. A. Gatrall Publisher: Penn State Press ISBN: 027103677X Category : Art Languages : en Pages : 304
Book Description
"A collection of essays by eleven scholars of Russian history, art, literature, cinema, philosophy, and theology that track key shifts in the production, circulation, and consumption of the Russian icon from Peter the Great's Enlightenment to the post-Soviet revival of the Orthodox Church"--Provided by publisher.
Author: James Billington Publisher: Vintage ISBN: 0307765288 Category : History Languages : en Pages : 793
Book Description
"A sweeping, intricate description of Russian cultural history, spanning the pre-Romanov era through six centuries to the reign of Joseph Stalin. Flowing with ease through time and topic — from art to music, literature, philosophy, mythology and more — the book provides readers with an alluring portrayal of Russia’s proud heritage. Its impressive scope and lasting insights have made it a foundational text in Russian studies. In fact, it was this book, more than any other, that captured my imagination and propelled me toward the study of Russia and the Soviet Union." --Condoleezza Rice, The New York Times "A rich and readable introduction to the whole sweep of Russian cultural and intellectual history from Kievan times to the post-Khruschev era." - Library Journal Includes Illustrations, references, index.
Author: Nikodim Pavlovich Kondakov Publisher: Parkstone International ISBN: 1783107006 Category : Art Languages : en Pages : 598
Book Description
Icon painting has reached its zenith in Ukraine between the 11th and 18th centuries. This art is appealing because of its great openness to other influences – the obedience to the rules of Orthodox Christianity in its early stages, the borrowing from Roman heritage or later to the Western breakthroughs – combined with a never compromised assertion of a distinctly Slavic soul and identity. This book presents a handpicked and representative selection of works from the 11th century to the late Baroque period.
Author: Robert B. Klymasz Publisher: University of Ottawa Press ISBN: 1772823643 Category : History Languages : en Pages : 182
Book Description
Separated from its origins in the Old World, east Christian iconography in Canada has come to enjoy a popular following from coast to coast. With its fourteen chapters the present volume documents this living tradition from a variety of perspectives to offer the first national survey of its kind. Here, for the first time, folklorists join with art historians, anthropologists, a scientist, a theologian, enthusiasts, and iconographers to underscore the richness of a phenomenon that continues to captivate large segments of the country’s population.
Author: Oleg Tarasov Publisher: Open Book Publishers ISBN: 1805111612 Category : Art Languages : en Pages : 171
Book Description
How Divine Images Became Art tells the story of the parallel ‘discovery’ of Russian medieval art and of the Italian ‘primitives’ at the beginning of the twentieth century. While these two developments are well-known, they are usually studied in isolation. Tarasov’s study has the great merit of showing the connection between the art world in Russia and the West, and its impact in the cultural history of the continent in the pre-war period. Drawing on a profound familiarity with Russian sources, some of which are little known to Western scholars, and on equally expert knowledge of Western material and scholarship, Oleg Tarasov presents a fresh perspective on early twentieth-century Russian and Western art. The author demonstrates that during the Belle Époque, the interest in medieval Russian icons and Italian ‘primitives’ lead to the recognition of both as distinctive art forms conveying a powerful spiritual message. Formalist art theory and its influence on art collecting played a major role in this recognition of aesthetic and moral value of ‘primitive’ paintings, and was instrumental in reshaping the perception of divine images as artworks. Ultimately, this monograph represents a significant contribution to our understanding of early twentieth-century art; it will be of interest to art scholars, students and anyone interested in the spiritual and aesthetic revival of religious paintings in the Belle Époque.
Author: Jefferson J. A. Gatrall
Author: Jefferson J. A. Gatrall
Author: Lidia I. Iovleva
Author: James Billington
Author: Nikodim Pavlovich Kondakov
Author: David Talbot Rice
Author: 
Author: George Heard Hamilton
Author: Robert B. Klymasz
Author: Oleg Tarasov
Author: Sotheby's (Firm)