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Author: Sandra Hindman Publisher: ISBN: 9782956702443 Category : Haggadot Languages : en Pages : 159
Book Description
"This publication focuses on the Veneto Siddur-Sefer Minhagim, a Hebrew manuscript newly attributed to the artist-scribe Joel ben Simeon, made for a Jewish immigrant family from Germany probably living in Treviso. Joel ben Simeon (active c. 1440s - c. 1490) is one of the most famous figures in late medieval Hebrew manuscript production. Born in Germany, he spent most of his career in northern Italy as an itinerant craftsman. Previously unrecorded in the extensive literature on Joel ben Simeon, the present manuscript includes the earliest known copy of this version of the Sefer Minhagim, written in 1449/1450, and more than 500 pen and ink drawings added by Joel around 1470, thus significantly increasing the artist's corpus"--Cover.
Author: Sandra Hindman Publisher: ISBN: 9782956702443 Category : Haggadot Languages : en Pages : 159
Book Description
"This publication focuses on the Veneto Siddur-Sefer Minhagim, a Hebrew manuscript newly attributed to the artist-scribe Joel ben Simeon, made for a Jewish immigrant family from Germany probably living in Treviso. Joel ben Simeon (active c. 1440s - c. 1490) is one of the most famous figures in late medieval Hebrew manuscript production. Born in Germany, he spent most of his career in northern Italy as an itinerant craftsman. Previously unrecorded in the extensive literature on Joel ben Simeon, the present manuscript includes the earliest known copy of this version of the Sefer Minhagim, written in 1449/1450, and more than 500 pen and ink drawings added by Joel around 1470, thus significantly increasing the artist's corpus"--Cover.
Author: William Chapman Sharpe Publisher: Yale University Press ISBN: 0300266847 Category : Art Languages : en Pages : 273
Book Description
A lively and thought-provoking tour of the intertwined histories of art and walking "A broad-ranging book [that] has something for every rambler."--Benjamin Riley, New Criterion What does a walk look like? In the first book to trace the history of walking images from cave art to contemporary performance, William Chapman Sharpe reveals that a depicted walk is always more than a matter of simple steps. Whether sculpted in stone, painted on a wall, or captured on film, each detail of gait and dress, each stride and gesture has a story to tell, for every aspect of walking is shaped by social practices and environmental conditions. From classical statues to the origins of cinema, from medieval pilgrimages to public parks and the first footsteps on the moon, walking has engendered a vast visual legacy intertwined with the path of Western art. The path includes Romantic nature-walkers and urban flâneurs, as well as protest marchers and cell-phone zombies. It features works by artists such as Botticelli, Raphael, Claude Monet, Norman Rockwell, Agnès Varda, Maya Lin, and Pope.L. In 100 chronologically arranged images, this book shows how new ways of walking have spurred new means of representation, and how walking has permeated our visual culture ever since humans began to depict themselves in art.
Author: Sandra Hindman Publisher: ISBN: 9782956702443 Category : Haggadot Languages : en Pages : 159
Book Description
"This publication focuses on the Veneto Siddur-Sefer Minhagim, a Hebrew manuscript newly attributed to the artist-scribe Joel ben Simeon, made for a Jewish immigrant family from Germany probably living in Treviso. Joel ben Simeon (active c. 1440s - c. 1490) is one of the most famous figures in late medieval Hebrew manuscript production. Born in Germany, he spent most of his career in northern Italy as an itinerant craftsman. Previously unrecorded in the extensive literature on Joel ben Simeon, the present manuscript includes the earliest known copy of this version of the Sefer Minhagim, written in 1449/1450, and more than 500 pen and ink drawings added by Joel around 1470, thus significantly increasing the artist's corpus"--Cover.
Author: Naomi Feuchtwanger-Sarig Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110414287 Category : Religion Languages : en Pages : 801
Book Description
The Nuremberg Miscellany [Germanisches Nationalmuseum Nürnberg, Bibliothek, 8° Hs. 7058 (Rl. 203)] is a unique work of scribal art and illumination. Its costly parchment leaves are richly adorned and illustrated with multicolour paint and powdered gold. It was penned and illustrated in southern Germany – probably Swabia – in 1589 and is signed by a certain Eliezer b. Mordechai the Martyr. The Miscellany is a relatively thin manuscript. In its present state, it holds a total of 46 folios, 44 of which are part of the original codex and an additional bifolio that was attached to it immediately or soon after its production. The book is a compilation of various Hebrew texts, most of which pertain to religious life. Others are home liturgies, Biblical exegeses, comments on rites and customs, moralistic texts, homiletic and ethical discourses, and an extensive collection of home liturgies, its major part being dedicated to the life cycle. The unparalleled text compilation of the Nuremberg Miscellany on the one hand, and the naïve, untrained illustrations on the other hand, are puzzling. Its illustrations are hardly mindful of volume, depth or perspective, and their folk-art nature suggests that an unprofessional artist, possibly even the scribe himself, may have executed them. Whoever the illustrator was, his vast knowledge of Jewish lore unfolds layer after layer in a most intricate way. His sharp eye for detail renders the images he executed a valid representation of contemporary visual culture. The iconography of the Nuremberg Miscellany, with its 55 decorated leaves, featuring 25 text illustrations, falls into two main categories: biblical themes, and depictions of daily life, both sacred and mundane. While the biblical illustrations rely largely on artistic rendering and interpretation of texts, the depictions of daily life are founded mainly on current furnishings and accoutrements in Jewish homes. The customs and rituals portrayed in the miscellany attest not only to the local Jewish Minhag, but also to the influence and adaptation of local Germanic or Christian rites. They thus offer first-hand insights to the interrelations between the Jews and their neighbors. Examined as historical documents, the images in the Nuremberg Miscellany are an invaluable resource for reconstructing Jewish daily life in Ashkenaz in the early modern period. In a period from which only scanty relics of Jewish material culture have survived, retrieving the pictorial data from images incorporated in literary sources is of vital importance in providing the missing link. Corroborated by similar objects from the host society and with descriptions in contemporary Jewish and Christian written sources, the household objects, as well as the ceremonial implements depicted in the manuscript can serve as effective mirrors for the material culture of an affluent German Jewish family in the Early Modern period. The complete Nuremberg Miscellany is reproduced in the appendix of this book.
Author: Joel ben Simeon Publisher: Harvard University Press ISBN: 0674051173 Category : Religion Languages : en Pages : 249
Book Description
After the Bible, the Passover haggadah is the most widely read classic text in the Jewish tradition. More than four thousand editions have been published since the late fifteenth century, but few are as exquisite as the Washington Haggadah, which resides in the Library of Congress. Now, a stunning facsimile edition meticulously reproduced in full color brings this beautiful illuminated manuscript to a new generation. Joel ben Simeon, the creator of this unusually well-preserved codex, was among the most gifted and prolific scribe-artists in the history of the Jewish book. David Stern’s introduction reconstructs his professional biography and situates this masterwork within the historical development of the haggadah, tracing the different forms the text took in the Jewish centers of Europe at the dawn of modernity. Katrin Kogman-Appel shows how ben Simeon, more than just a copyist, was an active agent of cultural exchange. As he traveled between Jewish communities, he brought elements of Ashkenazi haggadah illustration to Italy and returned with stylistic devices acquired during his journeys. In addition to traditional Passover images, realistic illustrations of day-to-day life provide a rare window into the world of late fifteenth-century Europe. This edition faithfully preserves the original text, with the Hebrew facsimile appearing in the original right-to-left orientation. It will be read and treasured by anyone interested in Jewish history, medieval illuminated manuscripts, and the history of the haggadah.
Author: Naftali S. Cohn Publisher: SBL Press ISBN: 1951498992 Category : Religion Languages : en Pages : 775
Book Description
This volume brings together the latest scholarship on Jewish literary products and the ways in which they can be interpreted from three different perspectives. In part 1, contributors consider texts as literature, as cultural products, and as historical documents to demonstrate the many ways that early Jewish, rabbinic, and modern secular Jewish literary works make meaning and can be read meaningfully. Part 2 focuses on exegesis of specific biblical and rabbinic texts as well as medieval Jewish poetry. Part 3 examines medieval and early modern Jewish books as material objects and explores the history, functions, and reception of these material objects. Contributors include Javier del Barco, Elisheva Carlebach, Ezra Chwat, Evelyn M. Cohen, Naftali S. Cohn, William Cutter, Yaacob Dweck, Talya Fishman, Steven D. Fraade, Dalia-Ruth Halperin, Martha Himmelfarb, Marc Hirshman, Tamar Kadari, Israel Knohl, Susanne Klingenstein, Katrin Kogman-Appel, Jon D. Levenson, Paul Mandel, Annett Martini, Jordan S. Penkower, Annette Yoshiko Reed, Jeffrey L. Rubenstein, Shalom Sabar, Raymond P. Scheindlin, Seth Schwartz, Sarit Shalev-Eyni, Moshe Simon-Shoshan, Peter Stallybrass, Josef Stern, Barry Scott Wimpfheimer, Elliot R. Wolfson, Azzan Yadin-Israel, and Joseph Yahalom.
Author: Pia F. Cuneo Publisher: BRILL ISBN: 9004476563 Category : History Languages : en Pages : 310
Book Description
Warfare, and the circumstances surrounding it, have often provided important impulses for cultural production. This book explores the relationship between warfare and image-making in the early modern period. Rather than dealing with images simply as reproductions of actual events, the volume demonstrates complex processes by which political, national and social identities are negotiated and fashioned in warfare imagery. The book analyses three main issues: the impact of war on art, the ways in which warfare imagery supports dominant ideologies, and the manner in which such imagery also constructs alternative identities. The essays offer a broad range of methodologies while dealing with a wide array of chronological, geographical and artistic materials. Historians and art historians will find this volume particularly useful in its nuanced examination of the relationship between art and history.
Author: Sandra Hindman
Author: Sandra Hindman
Author: Samuel Michael Fooner
Author: William Chapman Sharpe
Author: Naomi Feuchtwanger-Sarig
Author: Joel ben Simeon
Author: Naftali S. Cohn
Author: Pia F. Cuneo
Author: 
Author: שלמה צוקר