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Author: Robert Adlington Publisher: Oxford University Press ISBN: 0199981027 Category : Music Languages : en Pages : 383
Book Description
The 1960s saw the emergence in the Netherlands of a generation of avant-garde musicians (including figures such as Louis Andriessen, Willem Breuker, Reinbert de Leeuw and Misha Mengelberg) who were to gain international standing and influence as composers, performers and teachers, and who had a defining impact upon Dutch musical life. Fundamental to their activities in the sixties was a pronounced commitment to social and political engagement. The lively culture of activism and dissent on the streets of Amsterdam prompted an array of vigorous responses from these musicians, including collaborations with countercultural and protest groups, campaigns and direct action against established musical institutions, new grassroots performing associations, political concerts, polemicising within musical works, and the advocacy of new, more 'democratic' relationships with both performers and audiences. These activities laid the basis for the unique new music scene that emerged in the Netherlands in the 1970s and which has been influential upon performers and composers worldwide. This book is the first sustained scholarly examination of this subject. It presents the Dutch experience as an exemplary case study in the complex and conflictual encounter of the musical avant-garde with the decade's currents of social change. The narrative is structured around a number of the decade's defining topoi: modernisation and 'the new'; anarchy; participation; politics; self-management; and popular music. Dutch avant-garde musicians engaged actively with each of these themes, but in so doing they found themselves faced with distinct and sometimes intractable challenges, caused by the chafing of their political and aesthetic commitments. In charting a broad chronological progress from the commencement of work on Peter Schat's Labyrint in 1961 to the premiere of Louis Andriessen's Volkslied in 1971, this book traces the successive attempts of Dutch avant-garde musicians to reconcile the era's evolving social agendas with their own adventurous musical practice.
Author: Jane Fenoulhet Publisher: UCL Press ISBN: 1910634972 Category : History Languages : en Pages : 252
Book Description
This edited collection explores the ways in which our understanding of the past in Dutch history and culture can be rethought to consider not only how it forms part of the present but how it can relate also to the future. Divided into three parts – The Uses of Myth and History, The Past as Illumination of Cultural Context, and Historiography in Focus – this book seeks to demonstrate the importance of the past by investigating the transmission of culture and its transformations. It reflects on the history of historiography and looks critically at the products of the historiographic process, such as Dutch and Afrikaans literary history. The chapters cover a range of disciplines and approaches: some authors offer a broad view of a particular period, such as Jonathan Israel's contribution on myth and history in the ideological politics of the Dutch Golden Age, while others zoom in on specific genres, texts or historical moments, such as Benjamin Schmidt’s study of the doolhof, a word that today means ‘labyrinth’ but once described a 17th-century educational amusement park. This volume, enlightening and home to multiple paths of enquiry leading in different directions, is an excellent example of what a past-present doolhof might look like.
Author: Robert Adlington Publisher: Oxford University Press ISBN: 0199981027 Category : Music Languages : en Pages : 383
Book Description
The 1960s saw the emergence in the Netherlands of a generation of avant-garde musicians (including figures such as Louis Andriessen, Willem Breuker, Reinbert de Leeuw and Misha Mengelberg) who were to gain international standing and influence as composers, performers and teachers, and who had a defining impact upon Dutch musical life. Fundamental to their activities in the sixties was a pronounced commitment to social and political engagement. The lively culture of activism and dissent on the streets of Amsterdam prompted an array of vigorous responses from these musicians, including collaborations with countercultural and protest groups, campaigns and direct action against established musical institutions, new grassroots performing associations, political concerts, polemicising within musical works, and the advocacy of new, more 'democratic' relationships with both performers and audiences. These activities laid the basis for the unique new music scene that emerged in the Netherlands in the 1970s and which has been influential upon performers and composers worldwide. This book is the first sustained scholarly examination of this subject. It presents the Dutch experience as an exemplary case study in the complex and conflictual encounter of the musical avant-garde with the decade's currents of social change. The narrative is structured around a number of the decade's defining topoi: modernisation and 'the new'; anarchy; participation; politics; self-management; and popular music. Dutch avant-garde musicians engaged actively with each of these themes, but in so doing they found themselves faced with distinct and sometimes intractable challenges, caused by the chafing of their political and aesthetic commitments. In charting a broad chronological progress from the commencement of work on Peter Schat's Labyrint in 1961 to the premiere of Louis Andriessen's Volkslied in 1971, this book traces the successive attempts of Dutch avant-garde musicians to reconcile the era's evolving social agendas with their own adventurous musical practice.
Author: Gert Oostindie Publisher: Amsterdam University Press ISBN: 9089643532 Category : Political Science Languages : en Pages : 290
Book Description
"The Netherlands is home to one million citizens with roots in the former colonies Indonesia, Suriname and the Antilles. Entitlement to Dutch citizenship, pre-migration acculturation in Dutch language and culture as well as a strong rhetorical argument ('We are here because you were there') were strong assets of the first generation. This 'postcolonial bonus' indeed facilitated their integration. In the process, the initial distance to mainstream Dutch culture diminished. Postwar Dutch society went through serious transformations. Its once lily white population now includes two million non-Western migrants and the past decade witnessed heated debates about multiculturalism. The most important debates about the postcolonial migrant communities centeracknowledgmentgement and the inclusion of colonialism and its legacies in the national memorial culture. This resulted in state-sponsored gestures, ranging from financial compensation to monuments. The ensemble of such gestures reflect a guilt-ridden and inconsistent attempt to 'do justice' to the colonial past and to Dutch citizens with colonial roots. Postcolonial Netherlands is the first scholarly monograph to address these themes in an internationally comparative framework. Upon its publication in the Netherlands (2010) the book elicited much praise, but also serious objections to some of the author's theses, such as his prediction about the diminishing relevance of postcolonial roots"--Publisher's description.
Author: J.R. Delsman Publisher: IOS Press ISBN: 1614995184 Category : Science Languages : en Pages : 196
Book Description
Coastal zones are among the world's most densely populated and economically important areas, but these factors put pressure on the often limited available freshwater resources. Global change will undoubtedly increase this pressure through the combined effects of increased population, economic development, rising sea levels, increased evapotranspiration, over-extraction and the salinization of coastal aquifers, decreasing river discharges, and accelerating land subsidence. Saline groundwater exfiltration is a common problem in the coastal zone of the Netherlands, but the hydrological processes and physiographic factors that affect this are not fully understood. The research presented in this book aims to identify the processes and physiographic factors controlling the spatial variability and temporal dynamics of the exfiltration of saline groundwater to surface water, and hence the contribution of saline groundwater to surface water salinity. Topics covered include a paleo-hydrogeological model simulation of the Holocene evolution of groundwater salinity as a result of paleo-geographic changes; surface water salinity dynamics in a densely-drained lowland catchment; hydrograph separation in an agricultural catchment; observations of heads, flow, solute concentration and temperature to constrain a detailed, variable-density groundwater flow and transport model; and a model to simulate the salinity dynamics of exfiltrating groundwater to support operational water management of freshwater resources in coastal lowlands. The book further outlines the implications of these findings for freshwater management in the Netherlands. The book demonstrates that the salinity of groundwater exfiltrating in polders in the Netherlands, and hence surface water salinity, varies on a wide range of spatial and temporal scales.
Author: Frank Mehring Publisher: BRILL ISBN: 9004292012 Category : History Languages : en Pages : 386
Book Description
Politics and Cultures of Liberation: Media, Memory, and Projections of Democracy focuses on mapping, analyzing, and evaluating memories, rituals, and artistic responses to the theme of “liberation.” How is the national framed within a dynamic system of intercultural contact zones highlighting often competing agendas of remembrance? How does the production, (re)mediation, and framing of narratives within different social, territorial, and political environments determine the cultural memory of liberation? The articles compiled in this volume seek to provide new interdisciplinary and intercultural perspectives on the politics and cultures of liberation by examining commemorative practices, artistic responses, and audio-visual media that lend themselves for transnational exploration. They offer a wide range of diverse intercultural perspectives on media, memory, liberation, (self)Americanization, and conceptualizations of democracy from the war years, through the Cold War era to the 21st century.
Author: Jaap van Ginneken Publisher: ISBN: 9789462986046 Category : Holocaust, Jewish (1939-1945) Languages : en Pages : 0
Book Description
Kurt Baschwitz (1886-1968) had a lifelong fascination for 'the riddle of the mass' in both its visible and invisible forms. He was a major pioneer of communication and media studies on the European continent, an early student of the social, political, and mass psychology of crowds, publics, audiences, and public opinion, as well as a versatile social historian. Half a century after his death, however, he risks being forgotten and misunderstood, falling through the cracks of history.
Author: Robert Adlington
Author: Jane Fenoulhet
Author: Robert Adlington
Author: Gert Oostindie
Author: J.R. Delsman
Author: Frank Mehring
Author: Jaap van Ginneken
Author: University of California (System). Institute of Library Research
Author: British Museum. Dept. of Printed Books
Author: British Library
Author: Stephen H. Goddard