Author: Charles N. Pope
Publisher: DomainOfMan.com
ISBN:
Category : Literary Criticism
Languages : en
Pages : 349
Book Description
The Shakespearean plays contain a stunning breadth and depth of knowledge about English history, European royal history, classical and contemporary literature, and about the complex relationships between the various royal courts of the day. Authorship by the Elizabethan Court is therefore discernible based on content alone, that is, by what the plays revealed and just as importantly, what they threatened to reveal about international royal affairs if the will of Elizabeth was not respected. One of the most significant (and surprising) functions of the plays was to act as a type of "Defense Program" for Queen Elizabeth's throne against her European rivals. However, the plays also served to instill solidarity in the members of the Elizabethan Court and to inspire the English people as well. The plays accomplished all of this without coming across as overly pedantic. They were not merely great works of literature, but a brilliant expression of Elizabethan foreign and domestic policy! The story of Shakespeare turns out to be the story of Don Juan of Austria, from his princely legitimization as a boy; to liaisons with royals ladies from his teens; to being hailed at the age of 24 as “Savior of Europe” at the Battle of Lepanto (1571); to his suppression by jealous males of the Habsburg royal family (1578); and to his rehab by Queen Elizabeth under the English identity of George Carey. As George Carey, Don Juan had been present at the christening of his true son King James in Scotland (1566) and in command of the strategic Isle of Wight during the invasion of the Spanish Armada (1588). He was intimately involved in the founding of the Shakespeare Company both before and after becoming Queen Elizabeth’s “Lord Chamberlain.” The rise, fall and rising again of this international man of mystery was the central theme of the Shakespeare plays. He and Queen Elizabeth appear again and again in the plays, and under such character names as Claudio and Isabella in Measure for Measure; Claudio and Hero in Much Ado About Nothing; Claudius and Gertrude in Hamlet; Bassanio and Portia in The Merchant of Venice; Duke Theseus and Hippolyta in A Midsummer Night’s Dream; Petruchio and Kate in The Taming of the Shrew; and even Falstaff and Mistress Quickly of the Henry IV plays. Don Juan was the love of Queen Elizabeth’s life and she found a way to keep him near. Together they not only founded the Stuart Dynasty but became the progenitors of future generations of European royalty.
How to Read Shakespeare Like a Royal (Vol 2)
Author: Charles N. Pope
Publisher: DomainOfMan.com
ISBN:
Category : Literary Criticism
Languages : en
Pages : 349
Book Description
The Shakespearean plays contain a stunning breadth and depth of knowledge about English history, European royal history, classical and contemporary literature, and about the complex relationships between the various royal courts of the day. Authorship by the Elizabethan Court is therefore discernible based on content alone, that is, by what the plays revealed and just as importantly, what they threatened to reveal about international royal affairs if the will of Elizabeth was not respected. One of the most significant (and surprising) functions of the plays was to act as a type of "Defense Program" for Queen Elizabeth's throne against her European rivals. However, the plays also served to instill solidarity in the members of the Elizabethan Court and to inspire the English people as well. The plays accomplished all of this without coming across as overly pedantic. They were not merely great works of literature, but a brilliant expression of Elizabethan foreign and domestic policy! The story of Shakespeare turns out to be the story of Don Juan of Austria, from his princely legitimization as a boy; to liaisons with royals ladies from his teens; to being hailed at the age of 24 as “Savior of Europe” at the Battle of Lepanto (1571); to his suppression by jealous males of the Habsburg royal family (1578); and to his rehab by Queen Elizabeth under the English identity of George Carey. As George Carey, Don Juan had been present at the christening of his true son King James in Scotland (1566) and in command of the strategic Isle of Wight during the invasion of the Spanish Armada (1588). He was intimately involved in the founding of the Shakespeare Company both before and after becoming Queen Elizabeth’s “Lord Chamberlain.” The rise, fall and rising again of this international man of mystery was the central theme of the Shakespeare plays. He and Queen Elizabeth appear again and again in the plays, and under such character names as Claudio and Isabella in Measure for Measure; Claudio and Hero in Much Ado About Nothing; Claudius and Gertrude in Hamlet; Bassanio and Portia in The Merchant of Venice; Duke Theseus and Hippolyta in A Midsummer Night’s Dream; Petruchio and Kate in The Taming of the Shrew; and even Falstaff and Mistress Quickly of the Henry IV plays. Don Juan was the love of Queen Elizabeth’s life and she found a way to keep him near. Together they not only founded the Stuart Dynasty but became the progenitors of future generations of European royalty.
Publisher: DomainOfMan.com
ISBN:
Category : Literary Criticism
Languages : en
Pages : 349
Book Description
The Shakespearean plays contain a stunning breadth and depth of knowledge about English history, European royal history, classical and contemporary literature, and about the complex relationships between the various royal courts of the day. Authorship by the Elizabethan Court is therefore discernible based on content alone, that is, by what the plays revealed and just as importantly, what they threatened to reveal about international royal affairs if the will of Elizabeth was not respected. One of the most significant (and surprising) functions of the plays was to act as a type of "Defense Program" for Queen Elizabeth's throne against her European rivals. However, the plays also served to instill solidarity in the members of the Elizabethan Court and to inspire the English people as well. The plays accomplished all of this without coming across as overly pedantic. They were not merely great works of literature, but a brilliant expression of Elizabethan foreign and domestic policy! The story of Shakespeare turns out to be the story of Don Juan of Austria, from his princely legitimization as a boy; to liaisons with royals ladies from his teens; to being hailed at the age of 24 as “Savior of Europe” at the Battle of Lepanto (1571); to his suppression by jealous males of the Habsburg royal family (1578); and to his rehab by Queen Elizabeth under the English identity of George Carey. As George Carey, Don Juan had been present at the christening of his true son King James in Scotland (1566) and in command of the strategic Isle of Wight during the invasion of the Spanish Armada (1588). He was intimately involved in the founding of the Shakespeare Company both before and after becoming Queen Elizabeth’s “Lord Chamberlain.” The rise, fall and rising again of this international man of mystery was the central theme of the Shakespeare plays. He and Queen Elizabeth appear again and again in the plays, and under such character names as Claudio and Isabella in Measure for Measure; Claudio and Hero in Much Ado About Nothing; Claudius and Gertrude in Hamlet; Bassanio and Portia in The Merchant of Venice; Duke Theseus and Hippolyta in A Midsummer Night’s Dream; Petruchio and Kate in The Taming of the Shrew; and even Falstaff and Mistress Quickly of the Henry IV plays. Don Juan was the love of Queen Elizabeth’s life and she found a way to keep him near. Together they not only founded the Stuart Dynasty but became the progenitors of future generations of European royalty.
How to Read Shakespeare Like a Royal (Vol 1)
Author: Charles N. Pope
Publisher: DomainOfMan.com
ISBN:
Category : Literary Criticism
Languages : en
Pages : 297
Book Description
The Shakespearean plays contain a stunning breadth and depth of knowledge about English history, European royal history, classical and contemporary literature, and about the complex relationships between the various royal courts of the day. Authorship by the Elizabethan Court is therefore discernible based on content alone, that is, by what the plays revealed and just as importantly, what they threatened to reveal about international royal affairs if the will of Elizabeth was not respected. One of the most significant (and surprising) functions of the plays was to act as a type of "Defense Program" for Queen Elizabeth's throne against her European rivals. However, the plays also served to instill solidarity in the members of the Elizabethan Court and to inspire the English people as well. The plays accomplished all of this without coming across as overly pedantic. They were not merely great works of literature, but a brilliant expression of Elizabethan foreign and domestic policy! The story of Shakespeare turns out to be the story of Don Juan of Austria, from his princely legitimization as a boy; to liaisons with royals ladies from his teens; to being hailed at the age of 24 as “Savior of Europe” at the Battle of Lepanto (1571); to his suppression by jealous males of the Habsburg royal family (1578); and to his rehab by Queen Elizabeth under the English identity of George Carey. As George Carey, Don Juan had been present at the christening of his true son King James in Scotland (1566) and in command of the strategic Isle of Wight during the invasion of the Spanish Armada (1588). He was intimately involved in the founding of the Shakespeare Company both before and after becoming Queen Elizabeth’s “Lord Chamberlain.” The rise, fall and rising again of this international man of mystery was the central theme of the Shakespeare plays. He and Queen Elizabeth appear again and again in the plays, and under such character names as Claudio and Isabella in Measure for Measure; Claudio and Hero in Much Ado About Nothing; Claudius and Gertrude in Hamlet; Bassanio and Portia in The Merchant of Venice; Duke Theseus and Hippolyta in A Midsummer Night’s Dream; Petruchio and Kate in The Taming of the Shrew; and even Falstaff and Mistress Quickly of the Henry IV plays. Don Juan was the love of Queen Elizabeth’s life and she found a way to keep him near. Together they not only founded the Stuart Dynasty but became the progenitors of future generations of European royalty.
Publisher: DomainOfMan.com
ISBN:
Category : Literary Criticism
Languages : en
Pages : 297
Book Description
The Shakespearean plays contain a stunning breadth and depth of knowledge about English history, European royal history, classical and contemporary literature, and about the complex relationships between the various royal courts of the day. Authorship by the Elizabethan Court is therefore discernible based on content alone, that is, by what the plays revealed and just as importantly, what they threatened to reveal about international royal affairs if the will of Elizabeth was not respected. One of the most significant (and surprising) functions of the plays was to act as a type of "Defense Program" for Queen Elizabeth's throne against her European rivals. However, the plays also served to instill solidarity in the members of the Elizabethan Court and to inspire the English people as well. The plays accomplished all of this without coming across as overly pedantic. They were not merely great works of literature, but a brilliant expression of Elizabethan foreign and domestic policy! The story of Shakespeare turns out to be the story of Don Juan of Austria, from his princely legitimization as a boy; to liaisons with royals ladies from his teens; to being hailed at the age of 24 as “Savior of Europe” at the Battle of Lepanto (1571); to his suppression by jealous males of the Habsburg royal family (1578); and to his rehab by Queen Elizabeth under the English identity of George Carey. As George Carey, Don Juan had been present at the christening of his true son King James in Scotland (1566) and in command of the strategic Isle of Wight during the invasion of the Spanish Armada (1588). He was intimately involved in the founding of the Shakespeare Company both before and after becoming Queen Elizabeth’s “Lord Chamberlain.” The rise, fall and rising again of this international man of mystery was the central theme of the Shakespeare plays. He and Queen Elizabeth appear again and again in the plays, and under such character names as Claudio and Isabella in Measure for Measure; Claudio and Hero in Much Ado About Nothing; Claudius and Gertrude in Hamlet; Bassanio and Portia in The Merchant of Venice; Duke Theseus and Hippolyta in A Midsummer Night’s Dream; Petruchio and Kate in The Taming of the Shrew; and even Falstaff and Mistress Quickly of the Henry IV plays. Don Juan was the love of Queen Elizabeth’s life and she found a way to keep him near. Together they not only founded the Stuart Dynasty but became the progenitors of future generations of European royalty.
How to Teach Your Children Shakespeare
Author: Ken Ludwig
Publisher: Crown
ISBN: 0307951499
Category :
Languages : en
Pages : 369
Book Description
Outlines an engaging way to instill an understanding and appreciation of Shakespeare's classic works in children, outlining a family-friendly method that incorporates the history of Shakespearean theater and society.
Publisher: Crown
ISBN: 0307951499
Category :
Languages : en
Pages : 369
Book Description
Outlines an engaging way to instill an understanding and appreciation of Shakespeare's classic works in children, outlining a family-friendly method that incorporates the history of Shakespearean theater and society.
How to Enjoy Shakespeare
Author: Robert Thomas Fallon
Publisher: Ivan R. Dee Publisher
ISBN:
Category : Drama
Languages : en
Pages : 136
Book Description
Mr. Fallon explores Shakespeare's familiarity in five sections dealing with language, theme, staging, character, and plot, each abundantly illustrated with episodes and quotations from the plays. Designed to make modern readers and audiences feel comfortable with the Bard.
Publisher: Ivan R. Dee Publisher
ISBN:
Category : Drama
Languages : en
Pages : 136
Book Description
Mr. Fallon explores Shakespeare's familiarity in five sections dealing with language, theme, staging, character, and plot, each abundantly illustrated with episodes and quotations from the plays. Designed to make modern readers and audiences feel comfortable with the Bard.
Shakespeare and the Royal Actor
Author: Sally Barnden
Publisher: Oxford University Press
ISBN: 0198895038
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
Shakespeare and the Royal Actor argues that members of the royal family have identified with Shakespearean figures at various times in modern history to assert the continuity, legitimacy, and national identity of the royal line. It provides an account of the relationship between the Shakespearean afterlife and the royal family through the lens of a broadly conceived theatre history suggesting that these two hegemonic institutions had a mutually sustaining relationship from the accession of George III in 1760 to that of Elizabeth II in 1952. Identifications with Shakespearean figures have been deployed to assert the Englishness of a dynasty with strong familial links to Germany and to cultivate a sense of continuity from the more autocratic Plantagenet, Tudor, and Stuart monarchs informing Shakespeare's drama to the increasingly ceremonial monarchs of the modern period. The book is driven by new archival research in the Royal Collection and Royal Archives. It reads these archives critically, asking how different forms of royal and Shakespearean performance are remembered in the material holdings of royal institutions.
Publisher: Oxford University Press
ISBN: 0198895038
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
Shakespeare and the Royal Actor argues that members of the royal family have identified with Shakespearean figures at various times in modern history to assert the continuity, legitimacy, and national identity of the royal line. It provides an account of the relationship between the Shakespearean afterlife and the royal family through the lens of a broadly conceived theatre history suggesting that these two hegemonic institutions had a mutually sustaining relationship from the accession of George III in 1760 to that of Elizabeth II in 1952. Identifications with Shakespearean figures have been deployed to assert the Englishness of a dynasty with strong familial links to Germany and to cultivate a sense of continuity from the more autocratic Plantagenet, Tudor, and Stuart monarchs informing Shakespeare's drama to the increasingly ceremonial monarchs of the modern period. The book is driven by new archival research in the Royal Collection and Royal Archives. It reads these archives critically, asking how different forms of royal and Shakespearean performance are remembered in the material holdings of royal institutions.
As You Like it
Shakespeare
Author: Bill Bryson
Publisher: William Collins
ISBN: 9780008610043
Category : Biography & Autobiography
Languages : en
Pages : 0
Book Description
Bill Bryson's biography of William Shakespeare unravels the superstitions, academic discoveries and myths surrounding the life of our greatest poet and playwright. Ever since he took the theatre of Elizabethan London by storm over 400 years ago, Shakespeare has remained centre stage. His fame stems not only from his plays - performed everywhere from school halls to the world's most illustrious theatres - but also from his enigmatic persona. His face is familiar to all, yet in reality very little is known about the man behind the masterpieces. Shakespeare's life, despite the scrutiny of generations of biographers and scholars, is still a thicket of myths and traditions, some preposterous, some conflicting, arranged around the few scant facts known about the Bard - from his birth in Stratford to the bequest of his second best bed to his wife when he died. Taking us on a journey through the streets of Elizabethan and Jacobean England, Bryson examines centuries of stories, half-truths and downright lies surrounding our greatest dramatist. With a steady hand and his trademark wit, he introduces a host of engaging characters, as he celebrates the magic of Shakespeare's language and delights in details of the bard's life, folios, poetry and plays.
Publisher: William Collins
ISBN: 9780008610043
Category : Biography & Autobiography
Languages : en
Pages : 0
Book Description
Bill Bryson's biography of William Shakespeare unravels the superstitions, academic discoveries and myths surrounding the life of our greatest poet and playwright. Ever since he took the theatre of Elizabethan London by storm over 400 years ago, Shakespeare has remained centre stage. His fame stems not only from his plays - performed everywhere from school halls to the world's most illustrious theatres - but also from his enigmatic persona. His face is familiar to all, yet in reality very little is known about the man behind the masterpieces. Shakespeare's life, despite the scrutiny of generations of biographers and scholars, is still a thicket of myths and traditions, some preposterous, some conflicting, arranged around the few scant facts known about the Bard - from his birth in Stratford to the bequest of his second best bed to his wife when he died. Taking us on a journey through the streets of Elizabethan and Jacobean England, Bryson examines centuries of stories, half-truths and downright lies surrounding our greatest dramatist. With a steady hand and his trademark wit, he introduces a host of engaging characters, as he celebrates the magic of Shakespeare's language and delights in details of the bard's life, folios, poetry and plays.
Playing Shakespeare
Author: John Barton
Publisher: Anchor
ISBN: 0307773914
Category : Performing Arts
Languages : en
Pages : 286
Book Description
Playing Shakespeare is the premier guide to understanding and appreciating the mastery of the world’s greatest playwright. Together with Royal Shakespeare Company actors–among them Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet–John Barton demonstrates how to adapt Elizabethan theater for the modern stage. The director begins by explicating Shakespeare’s verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare’s most controversial creation, Shylock, from The Merchant of Venice. A practical and essential guide, Playing Shakespeare will stand for years as the authoritative favorite among actors, scholars, teachers, and students.
Publisher: Anchor
ISBN: 0307773914
Category : Performing Arts
Languages : en
Pages : 286
Book Description
Playing Shakespeare is the premier guide to understanding and appreciating the mastery of the world’s greatest playwright. Together with Royal Shakespeare Company actors–among them Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet–John Barton demonstrates how to adapt Elizabethan theater for the modern stage. The director begins by explicating Shakespeare’s verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare’s most controversial creation, Shylock, from The Merchant of Venice. A practical and essential guide, Playing Shakespeare will stand for years as the authoritative favorite among actors, scholars, teachers, and students.
Studio Shakespeare
Author: Alycia Smith Howard
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754607861
Category : Performing Arts
Languages : en
Pages : 224
Book Description
"The volume examines Shakespeare productions at The Other Place from 1973 to its closure in 1989. The author's sources include Goodbody's 'Mission Statement' for the studio theatre as well as other previously unavailable materials such as Goodbody's private papers, journal entries, director's notes and correspondence. In addition, it contains interviews and commentary from theatrical luminaries."--BOOK JACKET.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754607861
Category : Performing Arts
Languages : en
Pages : 224
Book Description
"The volume examines Shakespeare productions at The Other Place from 1973 to its closure in 1989. The author's sources include Goodbody's 'Mission Statement' for the studio theatre as well as other previously unavailable materials such as Goodbody's private papers, journal entries, director's notes and correspondence. In addition, it contains interviews and commentary from theatrical luminaries."--BOOK JACKET.
A Contents-subject Index to General and Periodical Literature
Author: Alfred Cotgreave
Publisher: London : E. Stock
ISBN:
Category : Bibliography
Languages : en
Pages : 766
Book Description
Publisher: London : E. Stock
ISBN:
Category : Bibliography
Languages : en
Pages : 766
Book Description