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Author: Nicholas Thomas Publisher: Thames & Hudson ISBN: 9780500202814 Category : Art Languages : en Pages : 216
Book Description
"Lavishly illustrated analysis and guide discusses the significance of art for the people of the Pacific Islands. Examines the art forms and practices of particular regions, for example, Maori ancestral carvings, and rituals of exchange and warfare in the Solomon Islands. Discusses topics such as maternal symbolism and male cults, and also provides a chapter on narrative art and tourism. Includes a bibliography, references and an index." - product description.
Author: Metropolitan Museum of Art (New York, N.Y.) Publisher: Metropolitan Museum of Art ISBN: 1588392384 Category : Aboriginal Australians Languages : en Pages : 370
Book Description
Includes detailed chapters devoted to each of the five major cultural regions of the Pacific: Australia, Melanesia, Micronesia, Polynesia, and the islands of Southeast Asia.
Author: Lucie Carreau Publisher: ISBN: 9789088905919 Category : ART Languages : en Pages :
Book Description
Hundreds of thousands of works of art and artefacts from many parts of the Pacific are dispersed across European museums. They range from seemingly quotidian things such as fish-hooks and baskets to great sculptures of divinities, architectural forms and canoes. These collections constitute a remarkable resource for understanding history and society across Oceania, cross-cultural encounters since the voyages of Captain Cook, and the colonial transformations that have taken place since. They are also collections of profound importance for Islanders today, who have varied responses to their disp.
Author: Adrienne L. Kaeppler Publisher: ISBN: Category : Art Languages : en Pages : 642
Book Description
A documentary section about the principal cultural groups of the region provides an essential reference. An excellent map adds further value.
Author: Adrienne L. Kaeppler Publisher: Oxford University Press, USA ISBN: 0192842382 Category : Art Languages : en Pages : 217
Book Description
With more than one hundred illustrations--most in full color--this volume offers a stimulating and insightful account of two dynamic artistic cultures, traditions that have had a considerable impact on modern western art through the influence of artists such as Gauguin. After an introduction to Polynesian and Micronesian art separately, the book focuses on the artistic types, styles, and concepts shared by the two island groups, thereby placing each in its wider cultural context. From the textiles of Tonga to the canoes of Tahiti, Adrienne Kaeppler sheds light on religious and sacred rituals and objects, carving, architecture, tattooing, and much more.
Author: Aimee Nezhukumatathil Publisher: Copper Canyon Press ISBN: 1619321769 Category : Poetry Languages : en Pages : 125
Book Description
"Nezhukumatathil’s poems contain elegant twists of a very sharp knife. She writes about the natural world and how we live in it, filling each poem, each page with a true sense of wonder." —Roxane Gay “Cultural strands are woven into the DNA of her strange, lush... poems. Aphorisms...from another dimension.” —The New York Times “With unparalleled ease, she’s able to weave each intriguing detail into a nuanced, thought-provoking poem that also reads like a startling modern-day fable.” —The Poetry Foundation “How wonderful to watch a writer who was already among the best young poets get even better!” —Terrance Hayes With inquisitive flair, Aimee Nezhukumatathil creates a thorough registry of the earth’s wonderful and terrible magic. In her fourth collection of poetry, she studies forms of love as diverse and abundant as the ocean itself. She brings to life a father penguin, a C-section scar, and the Niagara Falls with a powerful force of reverence for life and living things. With an encyclopedic range of subjects and unmatched sincerity, Oceanic speaks to each reader as a cooperative part of the earth, an extraordinary neighborhood to which we all belong. From “Starfish and Coffee”: And that’s how you feel after tumbling like sea stars on the ocean floor over each other. A night where it doesn’t matter which are arms or which are legs or what radiates and how— only your centers stuck together. Aimee Nezhukumatathil is the author of four collections of poetry. Recipient of a National Endowment for the Arts fellowship and the prestigious Eric Hoffer Grand Prize, Nezhukumatathil teaches creative writing and environmental literature in the MFA program at the University of Mississippi.
Author: Alisa LaGamma Publisher: Metropolitan Museum of Art ISBN: Category : Art Languages : en Pages : 52
Book Description
This Bulletin and the exhibition it accompanies, "The Nelson A. Rockefeller Vision: In Pursuit of the Best in Arts of Africa, Oceania, and the Americas," reflect on an extraordinary act of philanthropy that was also a catalyst for momentous change in the art world. In establishing the Museum of Primitive Art (MPA) in 1956—the precursor to what is today the Department of the Arts of Africa, Oceania, and the Americas (AAOA) at the Metropolitan Museum—Nelson Rockefeller was a true pioneer, assembling what remains the greatest collection of fine art from these disparate fields. Perhaps even more important than this singular achievement, however, was Rockefeller's long campaign to place his collection at the Metropolitan Museum as a gift to the city and to the world, which he finally achieved in 1969 after nearly forty years of effort. Rockefeller's gift carried the unequivocal message that artists from Africa, Oceania, and the Americas are equal in every respect to those of their peers across the globe and throughout history. Yet until that time there was, famously, skepticism in the Western art world on this point as well as resistance from earlier generations of Metropolitan directors in viewing non-Western art as part of the institution's mission. Relying on his formidable powers of persuasion, Rockefeller eventually brokered an agreement to transfer the collections, staff, and library of the of the MPA to the Metropolitan, an astounding triumph that fundamentally changed the character of the museum, making the collections truly encyclopedic.
Author: Metropolitan Museum of Art (New York, N.Y.)
Author: Metropolitan Museum of Art (New York, N.Y.)
Author: Nicholas Thomas
Author: Metropolitan Museum of Art (New York, N.Y.)
Author: Lucie Carreau
Author: Adrienne L. Kaeppler
Author: Adrienne L. Kaeppler
Author: Christraud M. Geary
Author: Aimee Nezhukumatathil
Author: Alisa LaGamma
Author: Allen Wardwell