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Author: Laura Elizabeth Smith Publisher: ISBN: 9780803288072 Category : Photography Languages : en Pages : 197
Book Description
Laura E. Smith unravels the compelling life story of Kiowa photographer Horace Poolaw (1906-84), one of the first professional Native American photographers. Born on the Kiowa reservation in Anadarko, Oklahoma, Poolaw bought his first camera at the age of fifteen and began taking photos of family, friends, and noted leaders in the Kiowa community, also capturing successive years of powwows and pageants at various fairs, expositions, and other events. Though Poolaw earned some income as a professional photographer, he farmed, raised livestock, and took other jobs to help fund his passion for documenting his community. Smith examines the cultural and artistic significance of Poolaw's life in professional photography from 1925 to 1945 in light of European and modernist discourses on photography, portraiture, the function of art, Native American identity, and American Indian religious and political activism. Rather than through the lens of Native peoples' inevitable extinction or within a discourse of artistic modernism, Smith evaluates Poolaw's photography within art history and Native American history, simultaneously questioning the category of "fine artist" in relation to the creative lives of Native peoples. A tour de force of art and cultural history, Horace Poolaw, Photographer of American Indian Modernity illuminates the life of one of Native America's most gifted, organic artists and documentarians and challenges readers to reevaluate the seamlessness between the creative arts and everyday life through its depiction of one man's lifelong dedication to art and community.
Author: Laura Elizabeth Smith Publisher: ISBN: 9780803288072 Category : Photography Languages : en Pages : 197
Book Description
Laura E. Smith unravels the compelling life story of Kiowa photographer Horace Poolaw (1906-84), one of the first professional Native American photographers. Born on the Kiowa reservation in Anadarko, Oklahoma, Poolaw bought his first camera at the age of fifteen and began taking photos of family, friends, and noted leaders in the Kiowa community, also capturing successive years of powwows and pageants at various fairs, expositions, and other events. Though Poolaw earned some income as a professional photographer, he farmed, raised livestock, and took other jobs to help fund his passion for documenting his community. Smith examines the cultural and artistic significance of Poolaw's life in professional photography from 1925 to 1945 in light of European and modernist discourses on photography, portraiture, the function of art, Native American identity, and American Indian religious and political activism. Rather than through the lens of Native peoples' inevitable extinction or within a discourse of artistic modernism, Smith evaluates Poolaw's photography within art history and Native American history, simultaneously questioning the category of "fine artist" in relation to the creative lives of Native peoples. A tour de force of art and cultural history, Horace Poolaw, Photographer of American Indian Modernity illuminates the life of one of Native America's most gifted, organic artists and documentarians and challenges readers to reevaluate the seamlessness between the creative arts and everyday life through its depiction of one man's lifelong dedication to art and community.
Author: Nancy Marie Mithlo Publisher: Henry Roe Cloud American I ISBN: 9780300197457 Category : BIOGRAPHY & AUTOBIOGRAPHY Languages : en Pages : 0
Book Description
"Horace Poolaw (Kiowa, 1906-84) was born during a time of great change for his American Indian people as they balanced age-old traditions with the influences of mainstream America. A rare American Indian photographer who documented Indian subjects, Poolaw began making a visual history in the mid-1920s and continued for the next fifty years. When he sold his photos, he often stamped the reverse: 'A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla.' Not simply by 'an Indian, ' but a Kiowa man strongly rooted in his multi-tribal community, Poolaw's work celebrates his subjects' place in American life and preserves an insider's perspective on a world few outsiders are familiar with--the Native America of the southern plains during the mid-twentieth century. [This book] is based on the Poolaw Photography Project, a research initiative established by Poolaw's daughter Linda in 1989 at Stanford University and carried on by Native scholars Nancy Marie Mithlo (Chiricahua Apache) and Tom Jones (Ho-Chunk) of the University of Wisconsin-Madison"--
Author: Bill Anthes Publisher: Duke University Press ISBN: 9780822338666 Category : Art Languages : en Pages : 330
Book Description
This lavishly illustrated art history situates the work of pioneering mid-twentieth-century Native American artists within the broader canon of American modernism.
Author: Nicole Strathman Publisher: University of Oklahoma Press ISBN: 0806167068 Category : Photography Languages : en Pages : 241
Book Description
What is American Indian photography? At the turn of the twentieth century, Edward Curtis began creating romantic images of American Indians, and his works—along with pictures by other non-Native photographers—came to define the field. Yet beginning in the second half of the nineteenth century, American Indians themselves started using cameras to record their daily activities and to memorialize tribal members. Through a Native Lens offers a refreshing, new perspective by highlighting the active contributions of North American Indians, both as patrons who commissioned portraits and as photographers who created collections. In this richly illustrated volume, Nicole Dawn Strathman explores how indigenous peoples throughout the United States and Canada appropriated the art of photography and integrated it into their lifeways. The photographs she analyzes date to the first one hundred years of the medium, between 1840 and 1940. To account for Native activity both in front of and behind the camera, the author divides her survey into two parts. Part I focuses on Native participants, including such public figures as Sarah Winnemucca and Red Cloud, who fashioned themselves in deliberate ways for their portraits. Part II examines Native professional, semiprofessional, and amateur photographers. Drawing from tribal and state archives, libraries, museums, and individual collections, Through a Native Lens features photographs—including some never before published—that range from formal portraits to casual snapshots. The images represent multiple tribal communities across Native North America, including the Inland Tlingit, Northern Paiute, and Kiowa. Moving beyond studies of Native Americans as photographic subjects, this groundbreaking book demonstrates how indigenous peoples took control of their own images and distinguished themselves as pioneers of photography.
Author: Mary F. Ehrlander Publisher: U of Nebraska Press ISBN: 1496204042 Category : Biography & Autobiography Languages : en Pages : 230
Book Description
Walter Harper, Alaska Native Son illuminates the life of the remarkable Irish-Athabascan man who was the first person to summit Mount Denali, North America's tallest mountain. Born in 1893, Walter Harper was the youngest child of Jenny Albert and the legendary gold prospector Arthur Harper. His parents separated shortly after his birth, and his mother raised Walter in the Athabascan tradition, speaking her Koyukon-Athabascan language. When Walter was seventeen years old, Episcopal archdeacon Hudson Stuck hired the skilled and charismatic youth as his riverboat pilot and winter trail guide. During the following years, as the two traveled among Interior Alaska's Episcopal missions, they developed a father-son-like bond and summited Denali together in 1913. Walter's strong Athabascan identity allowed him to remain grounded in his birth culture as his Western education expanded and he became a leader and a bridge between Alaska Native peoples and Westerners in the Alaska territory. He planned to become a medical missionary in Interior Alaska, but his life was cut short at the age of twenty-five, in the Princess Sophia disaster of 1918 near Skagway, Alaska. Harper exemplified resilience during an era when rapid socioeconomic and cultural change was wreaking havoc in Alaska Native villages. Today he stands equally as an exemplar of Athabascan manhood and healthy acculturation to Western lifeways whose life will resonate with today's readers.
Author: Laura E. Smith Publisher: ISBN: 9780549869498 Category : Indian photographers Languages : en Pages : 287
Book Description
This study provides a much needed in-depth reassessment of Kiowa photographer Horace Poolaw's (1906-1984) contribution to a critical turning point in Native American history and art history. It further extends the scholarship that is critically engaged with problematizing modernity as it relates to Indian identity and art. Many art critics and historians have perpetuated a dichotomy between Indians and the modern throughout the twentieth century including several recent reviewers of Poolaw's work. They have relied on a longstanding interpretative framework based on the Indian's inevitable extinction. On an evolutionary spectrum, most nineteenth-century liberal white reformers believed that indigenous individuals and artists demonstrated their modernity and/or progress by killing their Indianness and adopting European or white American styles, beliefs, and modes of living. This study replaces singular and linear notions of modernity with the recognition of multiple, simultaneously existing modernities. It also draws from scholarship that has argued for more fluid and fluctuating understandings of the modern and the traditional/Indian. By problematizing the perpetuation of entrenched distinctions between modernity and Indians, this project contributes to the de-centering of American art histories that have until recently been construed as the exclusive domain of white European and Anglo-American men. Horace Poolaw was one of the first Native American professional photographers in the early twentieth century. He was witness to many social and political changes instituted by the indigenous peoples of Oklahoma, after a century of dispossession, war, disease, and oppression. My research delineates the significance of the first twenty years of Poolaw's career 1925 and 1945, the height of the period of indigenous artistic and political resurgence in Oklahoma. It was also during this period that Poolaw developed and refined his mode of engagement with Native identity and modernity.
Author: Suzanne Newman Fricke Publisher: University of New Mexico Press ISBN: 0826364926 Category : Photography Languages : en Pages : 179
Book Description
In As We See It, Suzanne Newman Fricke invites readers to explore the work and careers of ten contemporary Native American photographers: Jamison Banks, Anna Hoover, Tom Jones, Larry McNeil, Shelley Niro, Wendy Red Star, Beverly Singer, Matika Wilber, William Wilson, and Tiffiney Yazzie. Inspired by As We See It, an exhibition of these artists’ work cocurated by Fricke in 2015, the book showcases the extraordinary achievements of these groundbreaking photographers. As We See It presents dialogues in which the artists share their unique perspectives about the history and current state of photography. Each chapter includes an overview of the photographer’s career as well as examples of the artist’s work. For added context, Fricke includes an introduction, a preface that explores the original exhibition of the same name, and an essay that challenges the ghost of Edward S. Curtis, whose work serves as a counterpoint to the photography of contemporary Native Americans. The text is designed to be read as a whole or in sections for anyone teaching Native American photography. As We See It is an invaluable addition to the library of anyone interested in Native American photography and will be the key source for teachers, researchers, and lovers of photography for years to come.
Author: Tatyana Franck Publisher: Scheidegger & Spiess ISBN: Category : Photograph collections Languages : en Pages : 212
Book Description
Over the course of four decades, Sondra Gilman and Celso Gonzalez-Falla have put together a collection of photographs that is widely recognized as among the World's most important private ones. Spanning the entire history of the medium, it lacks hardly any of the names that forged his history. It comprises some of the most famous masterpieces by artists such as Eugène Atget, Robert Adams, Walker Evans, or Robert Mapplethorpe as well as works by contemporary photographers such as Cindy Sherman, Hiroshi Sugimoto, or Thomas Struth.
Author: Laura Elizabeth Smith
Author: Laura Elizabeth Smith
Author: Laura E. Smith
Author: Nancy Marie Mithlo
Author: Bill Anthes
Author: Nicole Strathman
Author: Horace Poolaw
Author: Mary F. Ehrlander
Author: Laura E. Smith
Author: Suzanne Newman Fricke
Author: Tatyana Franck