Hon-en [katedral] historia PDF Download

Author:
Publisher:
ISBN:
Category : Sculpture, Modern
Languages : en
Pages : 0

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Author:
Publisher:
ISBN:
Category : Installations (Art)
Languages : sv
Pages : 208

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Author:
Publisher:
ISBN:
Category : Installations (Art)
Languages : de
Pages : 208

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Author: Günther Feuerstein
Publisher: Axel Menges
ISBN:
Category : Architecture
Languages : en
Pages : 248

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Androgyni i kunst og arkitektur

Author: William P. Campbell
Publisher:
ISBN:
Category : Oklahoma
Languages : en
Pages : 12

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Author: Museum of Modern Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 708

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Author: Whitney A. Goodwin
Publisher: University Press of Colorado
ISBN: 1646420977
Category : Social Science
Languages : en
Pages : 350

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Southeastern Mesoamerica highlights the diversity and dynamism of the Indigenous groups that inhabited and continue to inhabit the borders of Southeastern Mesoamerica, an area that includes parts of present-day Honduras, Guatemala, and El Salvador. Chapters combine archaeological, ethnohistoric, and historic data and approaches to better understand the long-term sociopolitical and cultural changes that occurred throughout the entirety of human occupation of this area. Drawing on archaeological evidence ranging back to the late Pleistocene as well as extensive documentation from the historic period, contributors show how Southeastern Mesoamericans created unique identities, strategically incorporating cosmopolitan influences from cultures to the north and south with their own long-lived traditions. These populations developed autochthonous forms of monumental architecture and routes and methods of exchange and had distinct social, cultural, political, and economic traits. They also established unique long-term human-environment relations that were the result of internal creativity and inspiration influenced by local social and natural trajectories. Southeastern Mesoamerica calls upon archaeologists, anthropologists, historians, ethnohistorians, and others working in Mesoamerica, Central America, and other cultural boundaries around the world to reexamine the role Indigenous resilience and agency play in these areas and in the cultural developments and interactions that occur within them. Contributors: Edy Barrios, Christopher Begley, Walter Burgos, Mauricio Díaz García, William R. Fowler, Rosemary A. Joyce, Gloria Lara-Pinto, Eva L. Martínez, William J. McFarlane, Cameron L. McNeil, Lorena D. Mihok, Pastor Rodolfo Gómez Zúñiga, Timothy Scheffler, Edward Schortman, Russell Sheptak, Miranda Suri, Patricia Urban, Antolín Velásquez, E. Christian Wells

Author: Fodor's
Publisher: Fodor's
ISBN: 1400005205
Category : Travel
Languages : en
Pages : 338

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Detailed and timely information on accommodations, restaurants and local attractions highlight these updated travel guides, which feature all-new covers, a dramatic visual design, symbols to indicate budget options, must-see ratings, multi-day itineraries, Smart Travel Tips, helpful bulleted maps, tips on transportation, guidelines for shopping excursions and other valuable features. Original.

Author: Robert Stoner Chamberlain
Publisher:
ISBN:
Category : History
Languages : en
Pages : 298

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Author: Alex Kitnick
Publisher: University of Chicago Press
ISBN: 022675345X
Category : Art
Languages : en
Pages : 217

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"In Distant Early Warning, Alex Kitnick reveals the story of Marshall McLuhan's entanglement with the art and artists of the twentieth-century avant-garde. It is a story packed with big names: Marcel Duchamp, Robert Rauschenberg, Claes Oldenburg, Andy Warhol, Nam June Paik, Tom Wolfe, Harold Rosenberg, Max Kozloff, and more. Kitnick, though, is not focused on celebrity, instead he carefully forges connections between McLuhan, his theories, and the artists of his time with thorough research and superb use of McLuhan's own words. McLuhan's writings on media spread quickly and his provocations about what art should be and what artists should be responsible for fueled then current debates. McLuhan observed that artists are first to act in response to change, and he believed they should be the ones to which we entrust new media and technologies. Thus Rauschenberg's desire to connect with culture through things is met with McLuhan's faith in artists as bellwethers of the networked world. In his postscript, Kitnick overlays McLuhan's faith onto the state of contemporary and post-internet art. This final channeling of McLuhan is a swift and beautiful analysis, with a personal touch, of art's recent transgressions and what its future may hold"--